Lung Theatre ‘E15’ Battersea March 2017

Lung Theatre 'E15' Battersea March

Lung Theatre ‘E15’ Battersea March: Thursday 16th March 2017 was a rather unusual day for me in that rather than photographing a protest I was being part of a theatrical performance, though not in a theatre but on the busy evening rush hour streets of Battersea.

Lung Theatre 'E15' Battersea March

But like many of the others there, I was playing myself as a photographer of protests, and taking pictures as I would if this had been a real protest.

Lung Theatre 'E15' Battersea March

This performance was to announce that Lung Theatre, a small theatrical group, were bringing their Edinburgh festival award-winning performance ‘E15’ to Battersea Arts Centre, and they were doing so with the help of many of the housing protesters, particularly from the Stratford-based Focus E15 campaign, on which their ‘verbatim theatre’ performance was based.

Lung Theatre 'E15' Battersea March

An interesting article, Documentary & Verbatim Theatre by Tom Cantrell of the University of York gives a clear definition, “Verbatim theatre is a form of documentary theatre which is based on the spoken words of real people. Strictly, verbatim theatre-makers use real people’s words exclusively, and take this testimony from recorded interviews.”

The “protest” began in the rather dim light of the street outside Clapham Junction’s busiest entrance, and it was hard for me to distinguish the actors from the housing protesters by their speech and actions, though rather easier in that they were the only faces I didn’t recognise, having met and photographed the activists so often at previous events. But the group certainly put on a convincing performance as they handed out leaflets and fliers, both about the Focus E15 campaign and their forthcoming performances at the Battersea Arts Centre.

Focus E15 began when a group of young mothers housed in the Focus E15 hostel in Stratford were told that Newham council were going to evict them and they would be dispersed not just in the borough but to rented accommodation across the country in far away places where they had no friends, no family and away from any jobs, schools, familiar services and support.

Newham had adopted a policy which amounted to social cleansing, removing people from its area who, as the then Mayor put it, could not afford to live there. Rather than accept this they came together to fight the council, and inspired others across the country to fight for ‘Social Housing NOT Social Cleansing’.

And Focus E15 won their fight but didn’t stop there, continuing the fight for others in the area faced with homelessness and eviction, demanding the council bring empty council housing back into use in a campaign for ‘Housing For All’. They are still out on Stratford Broadway with a street stall every Saturday, still forcing the council to face up to its responsibilities despite considerable harassment (and more recently a change of Mayor.)

As well as some of the leading activists from Focus E15 at the eevent were also other campaigners including some from Sweets Way in north London and Lewisham People Before Profit and others fighting the demolition of council housing by London’s mainly Labour controlled councils, increasingly in league with estate agents and property developers scrambling for excessive profits from sky-high London market prices. And they had brought some of their banners with them for the event.

From Clapham Junction the “protesters” marched up Lavender Hill to the Battersea Arts Centre, where they occupied the foyer for a few final minutes of protest in what had been a pretty convincing event. And while actors had to go on stage and give their performance, the activists could sit down in the theatre and watch.

I didn’t join them, as I knew I had to come back to view it a week later and then be a part of a panel discussion Art & Accidental Activism, a week later. It was an impressive performance and gave a real impression of some of the more dramatic aspects of the real protests I had covered and made clear the political aspects of the housing crisis and why activism was necessary. But sometimes it did seem strange to hear words I remembered well coming out of a different person.

I couldn’t really enjoy it as much as I would have liked as I was very nervous, considerably daunted at having to appear afterwards ‘on stage’ to answer questions with fellow panelists Jeremy Hardy, journalist Dawn Foster and theatre legend Max Stafford Clark. But in the event it went well (my sternest critic says) and I rather enjoyed it and the session in the bar that followed.

More at Lung Theatre ‘E15’ march to BAC.


Cyclists’ Die-In And A Visit To The Oral Squat

On Wednesday 8th November 2017 I spent the evening in Islington.

Vigil for Islington cyclist killed by HGV – Islington Town Hall, Wed 8 Nov 2017

On May 2nd 2017, City trader Jerome Roussel was cycling to work along Pentonville Road when he collided with a heavy goods vehicle which had stopped in the cycle lane. He was seriously injured and died in hospital on June 25th, seven weeks later.

Police say that the cyclist had told them he had put his head down and had failed to see that the lorry had pulled in ahead of him and he crashed into the back of it.

Cycling around parts of London there are many streets with ‘cycle lanes’ marked at the edges of the roads but often obstructed by parked vehicles. The driver in this case had only just pulled into it, intending to turn into a side street, but for many others the cycle lane is a convenient parking place, perhaps for a few minutes while they visit a shop, or for much longer.

These roads have cycle lanes because there is enough faster moving traffic on them to make them dangerous for cyclists. But cars and lorries parked on them mean that cyclists have to move out into this traffic. We need a law which makes it an offence to park on cycles lanes – and for it to be enforced.

Islington Labour – For the few who drive

Better still we need far more physically separated cycle lanes, though where these exist there are also sometimes cars parked on them, rendering them unusable, and sometimes road surfaces so poorly maintained that they are uncomfortable to ride on and even at times dangerous. Even small potholes that a car would cruise over can send the unwary cyclist flying.

As I wrote back in 2017, “Islington has not built a single protected cycle route in over 20 years and Transport Minister Jessye Norman has so far failed to sign the the commencement order to allow TfL to fine HGVs and traffic that drive into mandatory cycle lanes, such as the one on Pentonville Road where Jerome Roussel was killed. Islington, responsible for 95% of the roads in its area has reserves of £277 million (and growing) and campaigners say it should spend some of this on making its streets safer for cyclists and pedestrians.”

I don’t cycle in Islington, but although the council on its web site states it is “on a mission to improve cycling in Islington” I get the impression that relatively little has changed since Roussel’s death on a cycle lane in 2017. At the 2022 elections the London Cycling Campaign was calling on Islington Council to provide protected cycle routes on all busy roads by 2026, for low traffic neighbourhoods to cover the borough by 2024, to provide sustainable freight hubs, to set more ambitious targets for sustainable transport and provide secure cycle parking.

Cyclists gathered on the pavement outside Islington Town Hall and listened to a number of speeches before police stopped traffic and the campaigners held a 5 minute silent die-in on the road in memory of Jerome Roussel, after which there were more speeches and a final address by Donnachadh McCarthy.

More at Vigil for Islington cyclist killed by HGV.


ORAL squat empty NatWest Bank – Upper St, Islington, Wed 8 Nov 2017

As I walked back from Islington Town Hall to the Underground station with another photographer we met activists who knew us outside the squatted former NatWest Bank on Upper St and stopped to talk.

Inside things are a little messy, but there is no real damage

This had been squatted around a week earlier by the Order of Rampaging Anarchist Lunatics (ORAL) and they were using it as a centre to provide tea, coffee, clothing and shelter for the street homeless of the area.

The building was well lit and warm – the squatters are paying for electricity

We were invited inside for a tour of the squat and to take photographs. The squatters were expecting to be evicted in the near future, and actually were a few days later, after which they published a ‘final communique’ on their Facebook page. You can read this in full on My London Diary, but here is the first paragraph:

Several years ago, what began as a ridiculous idea to form a satirical nation of squatters evolved into one of the most infamous land pirate crews known around the world. Originally coined the Autonomous National of Anarchist Libertarians [ANAL] we’ve penetrated deep into London, forming a property portfolio that undoubtedly far exceeds any other crew; Having taken roughly 60 buildings in zone 1 over a period of around 4 years. Most notably Admiralty Arch.

My London Diary

Their communique goes on to say that they felt their activities had acheived nothing and that they would be forming a new group focused on “setting the example of how to evolve society & humanity” though “construction & creation” and would shortly be opening “a new community hub”.

My assessment was rather more positive, in that they and other activists had drawn attention to the scandal of so many empty properties while we have a housing crisis. Thanks to the Tory programme of austerity we had seen a huge increase in the number of homeless people and there should be legal ways to bring these properties into use. The current situation remains shameful in what is still one of the world’s wealthiest countries.

ORAL Squat empty NatWest Bank.


Architecture is always political

Simon Elmer of Architects for Social Housing (ASH) holds up a poster with the quote ‘Architecture Is Always Political’ from Richard Rogers, Fellow of the Royal Institute of British Architects at a protest on the pavement outside the RIBA on Portland Place on Thursday 15th Oct 2015.

The protest was against the nomination of NEO Bankside, a luxury development beside Tate Modern in London which breaks all planning requirements for social housing and sets a dangerous precedent for social cleansing for the prestigious Stirling Prize. Rogers was responsible for the design by Rogers Stirk Harbour + Partners of “the 217 apartments and penthouses in four Pavilions … with unparalleled views towards The City and St Paul’s Cathedral”. Or, as some might see it, degrading many views from the CIty and St Pauls. Some residents in the new development have taken and lost a case seeking to have the Tate Modern extension’s viewing platform closed as it overlooks their flats – and have now appealed to the Supreme Court, where a hearing is expected in December 2021. I hope it rejects their case. The flat dwellers could readily install blinds or curtains to protect their privacy.

The protesters stated on the reverse of the flyer that “this development is a class war against the poor and on the reverse explained why. NEO Bankside contains 217 homes with a market price ranging from £1.25 million to £19.75 million when 345,000 Londoners, 4% of the city’s population, are on council waiting lists for homes.”

NEO Bankside reduced the percentage of its affordable housing required uder Section 106 of the Town and Country Planning Act from 40% to a paltry 27.5%, by getting the property developers Native Land to undervalue the estimate of sales to just over half of the actual sale value.They then paid Southwark Council £11 million to build its reduced affordable housing quota off-site on land sold to them by the council for a pittance, demolishing a council-run children’s home and day-care nursery in the process.

ASH pointed out that rather than 217 luxury flats mainly for non-resident tax exiles and foreign investors, the cost of NEO Bankside could have built 2,260 Peabody flats at the cost per flat of another of the Stirling nominations. At a time when 42,000 families were evicted from rented accomodation last year and 88,000 London children will be homeless this winter, such buildings are clearly socially unacceptable.

Having made the flyer, at the protest they folded them into paper aeroplanes and made them fly, although the police threatened them with fines for littering (but they picked them all up after flying them) and then attempted to call paper aeroplanes offensive weapons and that flying them could constitute and assault – which was laughed out of court on the pavement as it would surely have also been had any case been taken.

The protest then carried out its own award ceremony, ‘The O J Simpson 2015 Prize for getting away with murder’, The winner was NEO Bankside, but no one from the architects came to claim it. Although most of those going into RIBA for the official ceremony (tickets at over £200 a head including VAT and booking fee) walked past trying to ignore the protest, there were some architects who stopped to share their reservations about NEO Bankside with the protesters, and it seems that RIBA had clearly been embarrassed by the revelations about NEO Bankside and were misled over some aspects of the scheme. The prize instead went to Burntwood School, an impressive revitalisation of a 1950s LCC comprehensive girls’ school in Wandsworth by architects Allford Hall Monaghan Morris (AHMM).

More pictures at NEO Bankside Stirling Prize nomination.


Property Vultures Self Awards

Outside the Housing Awards event at Grosvenor House Hotel on Park Lane

We suffer from a housing benefits system that actually benefits landlords rather than tenants and a housing policy that is led by the advice of estate agents and developers.

Combined with governments dedicated to austerity and cuts this has led to a record level of evictions, doubling of rough sleeping in London and the worst shortage of truly affordable housing in history, while property developers cash in by building luxury flats for largely overseas investors who have made profits from rapidly rising market prices for flats which are often left empty for all or most of the year.

Protesters pay a brief visit to Foxtons on Park Lane

The attack on social housing was largely begun by Margaret Thatcher, who forced councils to sell off housing stock under her ‘right to buy’ scheme, and stopped councils from using the funds to replace them. Many or most of these properties were later sold to private landlords and became ‘buy to let’ properties at high market rents.

Housing Action Trusts, set up under the 1988 Housing Act took many council estates out of council control, eventually handing them on to housing associations, many of which have become hard to distinguish from commercial landlords.

New Labour ratcheted up the crisis with their emphasis on estate regeneration – whether the tenants wanted it or not. Though possibly begun with good intentions it became a tool used by many councils to demolish social housing and replace it by mixed developments in cooperation with private developers or housing associations which often contain only small amounts of genuinely social housing at ‘council rents’ (though with much less security of tenure) along with various shared ownership and so-called ‘affordable’ rent schemes and a large proportion of properties at market prices.

Often the original tenants and leaseholders of such regenerated estates have been ‘socially cleansed’, forced to move out of the area to lower cost fringe areas. Over 50,000 families have been forced to move out of London, where many more properties remain empty, thanks to housing policies that serve greed rather than need.

Protesters held their own award ceremony outside the hotel

I’m not a fan of awards ceremonies, industry events to pat each other on the back and make effusive speeches. Too often the awards go to the wrong people, but in the case of property developers there are perhaps only wrong people involved. But the protesters held their own, with large cardboard cups going for the Placard Making Award, Demonstration of the Year, Occupation of the Year and Young Protester Personalities of the Year.

Those who turned up to protest outside the plush hotel where the awards event was taking place included many who have been affected by the greed of developers and are fighting against the demolition of their estate or their eviction so that property owners can replace them by wealthier occupiers at market rents.

More pictures on My London Diary: Property Awards at Mayfair Hotel