London | >Re-PHOTO

Anglo American

I’d gone to the QEII Centre in Westminster to photograph one protest outside the AGM of London-listed mining company Anglo American, and found that there were two taking place and sharing the space not entirely happily.

I’d known well in advance that the London Mining Network were going to be there and hold a vigil because of the “unimaginable damage to communities and the planet” caused by Anglo American “through its disregard for human rights, the environmental devastation caused by its projects, and its neo-colonial policies in Colombia, Brazil, Peru, Chile, South Africa and elsewhere.”

Protesting together with them were people representing groups in some of those countries, particularly Colombia, as well as Medact, health professionals for a safer, fairer & better world, many of whom volunteer to work abroad including in areas affected by the activities of Anglo American. And among the protesters were several who had bought a single share so as to be entitled to go into the AGM and question the activities of the company in the meeting.

But there is no booking system for protests – and for static protests there is even no requirement to inform the police, though this is necessary for marches to be legal. And another group had come and set up before them on the spot they had hoped to occupy.

As it says in the search description for their web site, “Anglo American is a globally diversified mining business. Our portfolio spans diamonds (De Beers), platinum, copper, iron ore and manganese, metallurgical …” (the rest of their activities are masked by the character limit, so you can finish the sentence how you like.)

De Beers is the worlds leading diamond company. Inminds came to demand that they end their trade in Israeli blood diamonds, saying the Kimberley Process, meant to prevent the trade in diamonds that fund human rights violations is purposely neutered. De Beers supplies diamonds to Israel where they are cut and polished and produce around about $1 billion annually to bankroll the Israeli military and security industries and its horrendous human right abuses against Palestinians.

Inminds say that in 2015 Israel managed to block a proposal by the World Diamond Council that would have extended the definition of conflict diamonds “to include countries who flout human rights laws not just in mining areas but also in diamond trading centers“.

The London Mining Network held their protest a few yards away, and not as they had intended at one of the entrances where shareholders might walk to the AGM. Although the two protests remained separate, some of those attending spent time supporting both. I’ve photographed both groups before and probably should have reported the two protests separately, but I hope the captions to my images filed made the position clear – as I think it is on My London Diary in Protests at Anglo-American mining AGM.

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

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July 2019 on My London Diary

Finally my pictures and comments for July 2019 are online. It should have been easy as I took the last week off with various family events, which even if they get photographed very seldom get shared publically on-line. But somehow I’m finding keeping up with things rather difficult, and for various reasons I think My London Diary is likely shortly to come to an end. But at least a few months more…

As usual in July I went to the annual Procession of Our Lady of Mount Carmel at St Peter’s Italian Church in Clerkenwell and managed to get all three doves leaving the basket in the same picture – always a challenge.

July 2019

Boris J is not our Prime Minister
Our Lady of Mount Carmel
Sagra
No to Boris, Yes to Europe
Requiem for a Dead Planet at Daily Mail

Students march for climate
XR London Tax rebellion
GLIAS 50th anniversary walk
St John’s Wood – Paddington Basin
Extinction Rebellion Waterloo

XR Summer Uprising procession
XR call for Ecocide Law

BEIS workers begin indefinite strike
East London Extinction Rebellion March
Vegan for Life Parade
Belgian Army Cenotaph Parade
IWGB welcome new Vice Chancellor
XR East London marches for clean air
IWGB demand living wage at LouLou’s
Bring Back unlawfully deported ‘PN’
London’s Sinister Arms Trade
Pride is a Protest
Give Me Five days
Protest French police attack on XR
XR Carmen’s Carbon Procession
End Inhuman Electroshock treatment

London Images

Facebook Shame

I’ve written recently about Facebook’s censorship of posts and many of my friends who are on Facebook (and more who I don’t know but are ‘Facebook Friends’) seem regularly to disappear for a few days or even permanently having been banned from FB. (Though most of those who have been permanently removed seem to reappear in a few days under a slightly different name.

Often their ‘offences’ seem to have been trivial or non-existent, sometimes just sharing a link to an article in the mainstream press seems to be enough to generate a ban. At times FB’s arbiters seem excessively prudish, objecting to the kind of language that is commonplace in many groups in our society, or in their obsessive fear of women’s nipples.

FB’s censorship reached a shameful new low a few months ago, when they blocked people recording ‘Likes‘ on the site of Access Ability who have a Facebook help line to empower people with disabilities. When this was queried on a phone call, the site was told the action had been taken by FB because “some people find it disturbing to see pictures of disabled people“.

Together with a colleague I went to photograph a protest by disabled friends from DPAC (Disabled People Against Cuts) outside Facebook’s London HQ against this discriminatory treatment by Facebook of disability-related pages, and you can see my pictures of their protest. During the protest they played a recording of the phone call which the above quote came from, and there were other similarly disturbing statements.

But what you can’t see pictures of is a meeting which I think took place between the protesters and a manager from Facebook about the ban. FB were clearly so ashamed about their behaviour that they were unwilling for this to be recorded. Their security manager came out and told DPAC that a manager would only come out and talk with them if the meeting was not photographed, videoed or recorded in any way.

My colleague had already left, deciding he had enough pictures of the protest for his newspaper which had asked him to cover it. I decided not to prejudice the outcome of the event for the protesters and felt that reporting the prohibition was a more powerful admission of FB’s guilty shame than any photographs of the meeting could be and left.

More pictures at Disabled protest against Facebook

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

Assange

Wikileaks has released an enormous amount of information which has enabled us to see more clearly how the world really works, rather than how those in power would like us to think it works, revealing many deceptions and cover-ups. That many of those have revealed the crimes of the US military and other agencies is perhaps hardly surprising given that the US is the dominant country in the world, and certainly one that has engaged most in so many dubious military and other interventions around the world, particularly in the Middle East and Latin America.

So of course the US is out to get Wikileaks founder, Julian Assange, and would like to lock him away for life (or in some way bring it to a premature end) and it is only surprising that they have not yet manage to do so. Perhaps one day Wikileaks will publish evidence of their planning against him.

What is shameful has been the willingness of othe Sweden and the UK to collude with the US over this, with court cases that resulted in Assange jumping bail and taking refuge in the Ecuadorean Embassy in London – and then following a change of government to one more favourable to US interests (and the leaking not by Wikileaks and possibly by a US agency of material linking the Ecuadorean president with a corruption scandal) in his arrest there by UK police, and the treatment he has received in a British prison, serving 50 weeks for skipping bail and under threat of extradition to the US.

Wikipedia reports that in February 2016 the

” UN’s Working Group on Arbitrary Detention concluded that Assange had been subject to arbitrary detention by the UK and Swedish Governments since 7 December 2010, including his time in prison, on conditional bail and in the Ecuadorian embassy. According to the group, Assange should be allowed to walk free and be given compensation.”

The article also quotes Nils Melzer, UN special rapporteur on Torture and Other Cruel, Inhuman or Degrading Treatment or Punishment who visited Assange in May 2019 and stated “in addition to physical ailments, Mr Assange showed all symptoms typical for prolonged exposure to psychological torture, including extreme stress, chronic anxiety and intense psychological trauma” and later criticised Sweden, Ecuador, Britain and the US for their bias and abuse of their legal systems to “make an example of Mr Assange before the eyes of the world.”

Here in the UK, apart from the normal right-wing bias of most of our press, there has also been a campaign against him because of the allegations of sexual misconduct made against him in Sweden, which have been widely misrepresented, including by some on the left who should know better.

I’ve hardly met the man, exchanging just a few words with him before he spoke in Trafalgar Square, and I didn’t warm to him, but still admire much of the work that he and Wikileaks have done and feel he has been very badly treated by the British government and establishment manipulation of our judicial system. So I was pleased to be able to photograph this protest in Parliament Square. And yes, we should free Assange and either allow him to stay here or travel to a country of his own choosing.

Free Julian Assange

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

Capital Ring – Hendon to Highgate

It was Easter Weekend and on the Saturday I went for another walk with my wife, another short section of the Capital Ring which goes around London, carrying on from Hendon, where we had ended our previous walk with a kosher ice cream.

There was no ice cream on offer today, as it was not only Saturday, but also Passover, and for the next few miles we passed or were passed by numerous small groups of Jewish men, and a few Jewish women, one of whom stopped to ask us why she saw so many people walking past her house and had never heard of the capital Ring – though there were signs for it at both ends of her street.

One of the advantages of walking the Capital Ring is that it is generally extremely well marked, with signs on lamp posts at most junctions as well as waymarks on paths though the various areas of woodland. However we did manage to take a wrong turning, or rather not to turn where we should have done, mainly because I was busy trying to photograph the start of the River Brent, formed by the junction of the Mutton Brook and the Dollis Brook.

Because I’m busy taking photographs I tend to leave the navigation to Linda, who is in charge of the book of the walk. We took a walk up the Dollis Brook as far as the North Circular before I realised we had come the wrong way and we turned back. But it wasn’t a great problem, and I think this section was really one of the highlights of the walk.

Hampstead Garden Village which the walk goes through is really a failed experiment; built to be a garden village to house a community of all classes in 1906 it was soon taken over by the rich.

It was a very hot day, and by the time we reached East Finchley I was able to persuade Linda to take a rest at the Bald Faced Stag, a short distance off the route in East Finchley. The name comes from a stag with a white streak or stripe on its face which was apparently caught nearby. It seemed a decent enough place despite being a ‘gastropub’, though the beer was at a fiver a pint .

Most of the rest of the walk was through Highgate Woods, and close to the end we came across an interesting and controversial structure, built without permission and threatened with destruction. It seemed so entirely in keeping with its woodland location that I felt it should be allowed to remain.

It really was a nice walk, though my legs were tired by the time we reached Highgate. It isn’t a long walk, but we did make a few diversions, and photographers always wander rather to add to any distance. You can see many more pictures at Capital Ring – Hendon to Highgate on My London Diary.

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

Clearing the ‘Sea of Protest’

Police I think waited until the journalists covering Emma Thompson’s visit to the Extinction Rebellion (XR) ‘Sea of Protest’ around Berta Cáceres, the pink yacht at the centre of Oxford Circus before they closed in.

I’d left with the others, but came back 25 minutes later to find the yacht surrounded by a ring of police, with just those protesters locked on to the boat inside. And sitting on the ground around them was a large crowd of XR supporters, listening to singers and occasionally chanting slogans.

Soon more police arrived and set up a cordon around the whole of Oxford Circus, allowing people to leave but not to enter. There were some heated arguments and one protester tried to urge the crowd by now outside to push their way through the police line, but XR organisers urged them to respect the non-violent principles of Extinction Rebellion and not oppose the police physically, and no-one followed his lead.

Police came and began to persuade those still sitting down in Oxford Circus to leave, telling them they would be arrested if they stayed, and numbers began to dwindle, although there were many who stayed, having come prepared to be arrested to make XR’s point.

As well as photographing this, I was taking pictures mainly between the legs of police officers, both the ring around the outside of the protest, particularly of the dance group dressed in red that were going around the outside of the cordon, and, through the legs of the much tighter cordon around the yacht, looking through to the protesters who were locked on.

I wasn’t sure how much of the police to include in the frame with these images, and took some with a minimal presence as in the picture above, but also wider views showing the line of police. And of course it was possible to zoom in and exclude the police altogether. But I felt it important to have both police and yacht in the image to locate it.

Eventually the specialist police team turned up to begin to release the protesters from the yacht and its undercarriage – though some were very easily removed, others needed cutting out, and it was a lengthy process. As they were removed they were arrested and rushed to waiting police vans.

Once the numbers sitting on the road had reduced to a more manageable number police began making arrests of them also, taking them away. I hung around and photographed a number of them being carried away, though it was hard to get clear pictures as there were often too many people – police, other photographers and protesters – in the way.

After I’d been there for around two and a half hours watching and photographing I decided I’d taken enough pictures and left. It was several hours later before the area was cleared and the yacht was towed away, having been there for around five days.

Many more pictures at Police clear XR from Oxford Circus.

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

XR and Emma Thompson

I don’t go out of my way to photograph celebrities. Often another photographer will point out someone to me and they are people I’ve never heard of, and certainly wouldn’t recognise. One of the delights of not owning a television is that it keeps your mind clear of such clutter, though it has occasionally meant I’ve missed taking pictures that would have sold well.

But of course I do have some idea of who Emma Thompson is and what she looks like, though I hadn’t known she would be arriving to speak at Oxford Circus before I got there on April 19th and a colleague shared this information. I’d gone to Oxford Circus simply to photograph the XR occupation of the area around the large pink yacht, the Berta Cáceres, and the other sites still blocked by the protests,

I saw her arrive before most of the other photographers and was able to take a few pictures before she was surrounded by a crowd of people with cameras, including one of her showing off her ‘There is no planet B’ bag.

Soon other photographers realised she had arrived, but there wasn’t room for them where I was between her and the boat, so there was a ring of photographers all pointing there lenses at her back while I was taking her picture with a member of the crew. I realised she was going to have to wait and then climb up the ladder onto the boat after the singer currently performing came down and moved to where I thought I would be best placed for more pictures – a few of which you can see on My London Diary.

Of course I moved into the crowd in front of the boat as she spoke, to take more pictures of her, but mainly of the people listening. After she had spoken to the crowd, she did speak to a couple of TV crews from the back of the boat and I did take a few more pictures, but I was more interested in the pep[;e who were surrounding the Berta Cáceres, some locked on, to protect the boat from being moved.

I then made the mistake of leaving Oxford Circus to look at something happening elsewhere, but after a brief look I came back to find that police had moved in and began the long process of clearing the road junction. More about that in a later post.

More pictures at Emma Thompson speaks at XR

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

End rewarding Drax for pollution

I’ve never felt bad about having a bonfire in the garden. We generate a lot of small branches from various shrubs and trees that have to be regularly cut back, and it’s material that mostly won’t compost. And although we have several large compost bins, we’ve found from experience that they don’t get hot enough to destroy a few really tough and troublesome weeds, So these often get put on the bonfire too, though we could pay for the council to collect them as garden waste.

All this carbon release is of short-term carbon, mostly this year’s carbon, and there is no net increase in atmospheric carbon dioxide caused by our gardening.

And of course the bonfire produces carbon dioxide, but firstly it is only a fraction of the carbon dioxide which has been turned into wood and leaf in our garden, with the rest remaining locked in as our bushes and trees grow bushier and taller, or being eaten (and thus released) as fruit and vegetables. More too gets back in to the atmosphere from the green waste that does go into our compost bins.

Of course there are other pollutants from our very occasional garden bonfires, including particulates and doubtless toxic chemicals. But I am fairly sure that the amounts of these are relatively small and will add little to those already in our air here from the nearby roads, motorways and Heathrow.

But burning wood to produce electricity at Drax is a quite different matter. One obvious difference is that of scale: Last year Drax burnt 7.2 million tonnes of wood pellets, equivalent to at least twice that amount of green wood, and more than the UK’s total annual wood production, and released 13.02 million tonnes of CO₂ into the atmosphere (in addition to another 4.36 million tonnes from coal and other fossil fuels.)

The wood burnt at Drax is ‘old’, having grown over many years, and even with the most sustainable forest planting to replace it will take more than 50 years. The majority of it comes as pellets from the USA, mostly produced from hardwood from the clear-cutting of biodiverse forest ecosystems, and the major producer, Enviva has been subject to heavy criticism both for its destruction of these swamp and wetland forests, and for locating its highly polluting pellet plants in areas of social deprivation already exposed to high levels of industrial pollution.

Drax’s carbon-producing wood burning is only financially viable because it gets huge subsidies. In 2018 these amounted to £789.2 million, This money comes from our energy bills which carry a surcharge, intended for promoting renewable electricity. It should not be used to promote highly polluting and essentially non-renewable wood burning. The subsidies are greater than the company’s annual profits and without them wood-burning would not be viable.

Drax also gets subsidies from the government for burning coal, though on a rather smaller scale, but also impossible to justify. For 2019/20 this is £22 million, and similar subsidies are expected until 2025. It is also expected to be subsidised for burning gas, and wants to greatly expand its generation from gas.

These huge subsidies to Drax for its contribution to global warming come at at time when our government has slashed subsidies for truly renewable energy production from onshore wind and solar power as well as those for energy efficiency and conservation.

More about the protest outside Drax’s AGM in the City of London, and later outside the Dept for Business, Energy & Industrial Strategy (BEIS) demanding an end to environmental subsidies for massive pollution in two posts on My London Diary:
Drax wood burning must end
Drax Protest at BEIS

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

More from the XR Garden Bridge

On my next visit to London two days after XR had occupied Waterloo Bridge to make it into a ‘garden bridge’ I found myself needing to cross the Thames to get to an event I wanted to photograph, and the obvious way to get there was to walk through the garden.

There had been reports of arrests by police trying to clear the bridge, but things were still happening there, and for the half hour or so I had given myself to cross it the police were simply standing and watching.

The protesters seemed well settled in, though there were still new people arriving, with an induction session taking place. People were drumming and others simply sitting and chatting around, with a small library being pushed around to offer books to those who wanted to read.

And there was singing, poetry and story-telling on the lorry that was there as a stage, though there were also people locked on underneath it to prevent it being moved, with others sitting on the roof, probably just to get a good view and so that they caught a little more of the breeze coming up the river, as it was a hot morning.

Some people were keeping busy keeping the site running and others were enjoying the sun and a rest. It seemed a very calm place and it was good to be away from traffic and fumes, and I was sorry I had to leave.

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

Shell Out

If we are to survive as a species we need to stop the climate destroyers, companies like Shell who are still pushing fossil fuels. So it wasn’t surprising that Extinction Rebellion had planned a protest at the Shell offices in London.

Also not surprising that as those taking part were intending to be arrested for taking illegal action and causing damage to the property that they didn’t advertise their protest beforehand. I only heard about it a short while after it happened, when a colleague who had been filming it told me what had happened and said it might still be worth a visit.

I do sometimes get advance information on illegal actions – and have at times been asked to cover them for the organisations taking them, but I usually pass up the opportunities. Sometimes it’s because they are taking place at inconvenient times, often early in the mornings. I’m afraid I don’t like getting up early and living a short journey outside London makes me reluctant to cover anything that starts before around 10.30am.

I also like to keep a certain distance between myself and groups of protesters. It’s a matter of objectivity and of editorial independence. I may support the aims of a protest, but as a photographer and a journalist I want to see and photograph it from my own viewpoint. So while I’m happy to cover events when I can, I don’t normally want to be a part of them.

Sometimes groups who approach me would be happy to pay for my services, though more often there isn’t any money involved. I’ve long been a supporter of trade unions and the idea that the labourer is worthy of his hire, and am opposed to my work being used without payment by anyone else who is making money out of it. I don’t actually need the money any more but there are plenty of younger photographers out there who struggle to make a living, and I’d rather any paid job went to one of them.

While I understand that many organisations want to improve the chances of hasing their protest or other event features in publications by providing free high-quality images, this is something I don’t like to support. If an event is newsworthy, then the media should be prepared to pay for decent pictures – otherwise no news photographers can make a living.

I have two simple rules when I’m asked for permission to use any of my images without payment:
Firstly – and this applies also when people approach me offering to pay – do I approve of the way they want to use the image. Some organisations get a straight refusal, though agencies with whom I place most images are less discerning.
Secondly if any organisation wants to use my work without payment my second question is to ask if the organisation has paid staff. If it can afford to pay workers it can also afford to pay photographers like me. It’s a simple test.

There are of course exceptions. One long-established is for the occasional exhibitions I take part in, where images are provided for free use in publicising and reviewing the show. And there is one or perhaps two magazines worldwide I would allow to use my work without payment in the unlikely event they would want to do so. And my work is made freely available to you all to view on my various web sites, particularly My London Diary, London Photographs, Hull Photos and the River Lea, links to which appear at the bottom of most posts on this site, a total of around 200,000 pictures and still growing.

As well as their general role in promoting climate disaster and ecocide, the protest at the London Shell HQ also highlighted their crimes against the people of the countries of the global south in which they operate, particularly in Nigeria where the company has been responsible for the killing of opponents to its activities, including Nigerian writer, television producer and environmental activist Ken Saro-Wiwa, executed by the military government there in 1995.

I arrived far too late to see the activists daubing slogans on the Shell building and deliberately causing criminal damage so that they would be able to demand a trial before a jury, enabling them to argue their justification for the action. But there were still two activists occupying the glass porch above the entrance, as well as a group of supporters protesting on the road outside.

You can see a few more pictures at Extinction Rebellion at Shell. I didn’t stay long as I’d missed the main action and little now seemed ot be happening – and I had another protest to visit on my way home.

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.