Archive for August, 2021

Carnival Time 2005

Friday, August 20th, 2021

Years ago much of my photography was of public events other than protests, partly because there seemed to be fewer protests, or perhaps it was simply harder to find out about when and where they were taking place.

Although social media existed, back in 2005 few groups that were organising protests had began to make much use of it. There were some groups that had web sites on which they published information, and a few wider organisations, particularly Indymedia that had some listings but finding information was still largely a matter of reading printed newsletters and flyposted posters along with lengthy sessions on the web, going through a long list of web sites and searching – and back in 2005 Google had just begun to be the hugely dominant search engine.

But I was also more interested in cultural events, both traditional English events and those that had been brought to us by our migrant communities. And in London many events involved people from all across our now very varied communities, whether their roots were in this country or abroad.

Cultural events change more slowly than political events, and many, particularly religious events tend to follow a set pattern and become less interesting to photograph for me. Though I might still enjoy going, for example, to Notting Hill Carnival after perhaps a dozen times I found I had little new to say. Though it was a knee injury that prevented me from getting there in 2005. I dragged myself painfully to the station, but fell down in agony on the steps and decided it wasn’t a year for dancing and began the painful journey home.

Earlier in the month I’d accompanied fellow photographers to a couple of more traditional English carnivals in Hayling Island and in Hastings, as well as photographing the Shoreditch Festival Parade and the Latino Carnaval del Pueblo in Southwark. The pictures in this post come from those events. That month I also found time to visit Brian Haw and to cover another protest in Parliament Square over new protest laws and one calling for a tax on foreign currency exchange transactions.

Back in 2005, My London Diary was in a slightly less developed state. My comments were still all in lowercase and there are no links to individual events. And although all the pictures on-line are digital colour I also took some pictures in medium format on black and white film.


In 2008 I took part in a show with 3 other photographers, English Carnival, and the web site from this remains on-line. My pictures are a black and white set from Notting Hill in 1990-2001, but those by the others – Paul Baldesare, Dave Trainer and Bob Watkins – are from traditional English events, and include several taken at events I was also photographing.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Kings Road & Chelsea Common 1988

Thursday, August 19th, 2021

Anderson St, Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-21-positive_2400
Anderson St, Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-21

It was the eye on the billboard that particulalry caught my attention on the corner of this long block of rather distressed looking shops and accomodation on the Kings Road, though I now have no idea what it was advertising and rather doubt if I did then. The long terrace has been considerably smartened now, with both advertising hoardings gone and the building has a smooth unblemised finish.

Royal Ave, Chelsea, Kensington and Chelsea, 1988 88-5a-22-positive_2400
Royal Ave, Chelsea, Kensington and Chelsea, 1988 88-5a-22

Royal Avenue was first laid out as a part of a scheme connecting the Royal Hospital Chelsea with Kensington Palace which was apparently approved by Sir Christopher Wren in 1681, but only ever got as far as the King’s Road. At first it was planted with two rows of horse chestnut trees and grass and was known as Chestnut Walk, then it got white ladder stiles over the walls at each ends and became known as White Stiles. The terraces on each side date from around 1840 and are Grade II listed. The chestnuts were replaced by lime and plane trees and the grass by gravel around the same time, and it was renamed Royal Avenue in 1875. In 1970 the road access to King’s Road was replaced by a broad area of pavement. It still looks much the same as when I made this picture in 1988.

Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-23-positive_2400
Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-23

Another view of the King’s Road that is relatively unchanged, although there is now a florists stall which would have obscured this view. Strangely the council have replaces the plain but elegant bollards here with rather more ornate versions which seem rather less in keeping with the elegant white stucco architecture of Wellington Square, behind me as I made this image. The square was developed around the time of the death of the Duke of Wellington in 1852 and was named for him.

The Pheasantry, Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-13-positive_2400
The Pheasantry, Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-13

The Pheasantry got its name from Samuel Baker who bred new breeds of pheasants and other species there in the nineteenth century, though the present building is thought largely to have been built and embellished after the building was bought in 1880 by Amédée Joubert & Son, upholsterers and sellers of furniture, tapestry and carpets. In the early 20th century it also housed artists and a ballet school, and from 1932 when Felix Joubert retired the basement became a bohemian restaurant and drinking club with a host of famous actors and artists among its patrons. The club closed in 1966, the basement becoming a nightclub and the rest of the building flats. Now it houses a branch of Pizza Express and a cabaret club. Wikipedia has more.

The Pheasantry, Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-24-positive_2400
The Pheasantry, Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-24

The listing text describes this as “Central entrance with split segmental pediment supported by 2 male caryatids.”

Shop window, Elystan St, Chelsea, Kensington and Chelsea, 1988 88-5a-33-positive_2400
Shop window, Elystan St, Chelsea, Kensington and Chelsea, 1988 88-5a-33

Elystan Street runs from the miniscule remains of Chelsea Common and was originally called College St. Here in 1913 the William Sutton Trust built 14 red-brick blocks of model dwellings, designed by E C P Monson, with 674 dwellings for around 2,000 working-class residents of Chelsea. Another large estate was also begun close to this in 1913 by the Samuel Lewis Housing Trust, with eight blocks of model dwellings completed after the First World War to house 1,390 people. (British History Online.)

Elystan St, Chelsea, Kensington and Chelsea, 1988 88-5a-35-positive_2400
Elystan St, Chelsea, Kensington and Chelsea, 1988 88-5a-35

Elystan St is better known now as the name adopted by a restaurant at No 43 with a Michelin star.

Monkeys, Restaurant, Cale St, Chelsea, Kensington and Chelsea, 1988 88-5a-36-positive_2400
Monkeys, Restaurant, Cale St, Chelsea, Kensington and Chelsea, 1988 88-5a-36

Monkeys in Cale St, also leading from the residual Chelsea Common, a small triangle of grass in a road junction looks more my kind of restaurant. It faces that triangle and still looks very similar, but now claims to be “London’s best Neapolitan pizzeria”.

Click on any of the pictures to see a larger version and to browse other images in my album 1988 London Photos.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Around Chelsea

Wednesday, August 18th, 2021
Michelin Building,  Fulham Rd, Brompton, Kensington & Chelsea, 1988 88-4r-46-positive_2400
Michelin Building, Lucan Place, Fulham Rd, Brompton, Kensington & Chelsea, 1988 88-4r-46

It was too hard to resist the Michelin Building any time I walked past, though I felt it had already been photographed to death – and most of my pictures were in colour, including closer views of its decorative panels.

Opened in 1911 as the first UK headquarters and tyre depot for the Michelin Tyre Company Ltd, and designed by Michelin employee and engineer François Espinasse it was more an architectural advertising hoarding featuring the Michelin Man ‘Bibendum’, his name derived from “Nunc Est Bibendum“, “Now is the time to drink”. A precursor of art-deco, it is grade II listed. It was also a fairly early use of ferro-concrete, using the Hennebique system, which gave its interior wide spaces for a tyre bay and made it relatively fire-proof. This picture was made three years after Michelin moved out, when the building was redeveloped by publisher Paul Hamlyn and restaurateur/retailer Sir Terence Conran as offices, shop and restaurant. (mainly from Wikipedia.)

Fulham Road, South Kensington, Kensington & Chelsea, 1988 88-4r-54-positive_2400
Trees, Fulham Road, Kensington & Chelsea, 1988 88-4r-54

This house is on the west corner of Pelham Crescent, and the three trees that attracted my attention are still there, remarkably little changed 33 years later, though of course each spring they get covered with leaves.

Selwood Terrace, South Kensington, Kensington & Chelsea, 1988 88-4r-61-positive_2400
Selwood Terrace, South Kensington, Kensington & Chelsea, 1988 88-4r-61

The east side of this street is Neville Terrace and the west side is Selwood Terrace. This front garden with a wall covered with ivy is close to the Fulham Road and I think both wall and ivy have disappeared, possibly as a part of a basement extension to the property.

South Parade, Chelsea, Kensington & Chelsea, 1988 88-4r-62-positive_2400
South Parade, Chelsea, Kensington & Chelsea, 1988 88-4r-62

I think this tall building probably dates from around 1892 and is part of long terrace including a former fire station with that date on the north side of Chelsea Square. It was the Nurses Home for the Royal Brompton Hospital and is still a part of the hospital. Chelsea square was named Trafalgar Square when it was laid out in 1810 but that was later used for a rather larger square in Westminster. The square later became a tennis club before much of the area was rebuilt in neo-Georgian style in the 1930s.

The Crown, pub, Dovehouse St, Chelsea, Kensington & Chelsea, 1988 88-4r-63-positive_2400
The Crown, Dovehouse St, Chelsea, Kensington & Chelsea, 1988 88-4r-63

The Crown pub is on the corner of Dovehouse St and Dudmaston Mews, just a few yards south of the Fulham Rd and more or less surrounded by hospitals. No longer a Whitbread pub it has lost the crown sign, replaced by a dreary sign with a neon crown, and other largely flowery embellishments have ruined the simplicity of the frontage. The Princess Of Wales at the left of the row of buildings closed as a pub around 2000 and is now a French restaurant, with considerably more expensive food than The Crown.

Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-11-positive_2400
Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-11

I took fewer pictures of the Kings Road than I should have done. This shop window display seemed more erotic than most.

Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-16-positive_2400
Kings Road, Chelsea, Kensington and Chelsea, 1988 88-5a-16

These rather disparate buildings are still there on the Kings Road, on the south side just east of Radnor Walk, though now occupied by different shops and rather less trendy.

Jubilee Place, Chelsea, Kensington and Chelsea, 1988 88-5a-15-positive_2400
Jubilee Place, Chelsea, Kensington and Chelsea, 1988 88-5a-15

And immediately opposite the previous picture is Jubilee place, leading north with this house and wrought ironwork at No 9 over double gates leading down to a basement garage.

Click on any of the images to go to larger versions in my album 1988 London Photos were you can browse through these and other pictures.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Edinburgh against Fascism: 2013

Tuesday, August 17th, 2021

I seldom photograph protests outside London, and I hadn’t gone to Scotland to take photographs, but we had been invited to spend a week there during the Edinburgh festival. We’d never been to the festival before, and had timed our two previous stays in the city deliberately to avoid it, but decided to go and see what it was like. We did actually enjoy the week, but haven’t felt it was an experience we need to repeat.

On Saturday 17th August we rushed out after breakfast to attend a play about a male clergyman and a female quantum physicist, time travel and religion; clever and quite funny but it was too early in the morning for me. However it was conveniently close to where Unite Against Fascism and others were gathering to oppose a march by the fascist Scottish Defence League, and while Linda went to listen to a classical concert I made the short walk to cover the protest – my first in Scotland.

Like many such events in London it was slow to start. The assembly time was a couple of hours before the SDL were expected to march and the Scottish police were determined to keep the two groups as far apart as they could. But it gave me more than enough time to take pictures of the marchers and their banners and placards.

At the time all of my work on protests was made using Nikon DSLRs, but I’d left them at home when I came away for a week’s holiday, and all of these pictures were made using the relatively light and compact Fuji X-E1 and a single lens, the Fuji 18-55mm zoom. It was the first time I’d used the Fuji camera for a protest, and I did it a little less responsive than the Nikon, with slower auto-focus and sometimes a perceptible lag between shutter press and picture-taking.

The electronic viewfinder couldn’t match the Nikon’s optical one either for clarity, and sometimes was noticeably slow to react when I moved the camera or zoomed the lens. And having just an equivalent focal length of 27-83mm I found limiting, missing both the extreme wide-angle and longer telephoto I usually worked with. But despite this I was reasonably pleased with the pictures from the day.

Eventually the march moved off and was escorted by police who kept them well away from the SDL as they marched to a large pen on Horse Wynd at the back of the Scottish Parliament. Approaching a thousand people had come to oppose the racist march.

There was still no sign of the SDL, but I avoided the pen and walked back up Canongate to meet them coming down. Through a tight police cordon around the group of around a hundred I saw quite a few faces familiar from EDL protests in London – and some of them obviously recognised me and made threatening gestures.

Once police had led them into a separate pen far enough away from the anti-fascists to prevent the two groups throwing missiles at each other but within shouting distance, it got a little easier to photograph some of the EDL. Although there were police lines stopping either fascists or anti-fascists from getting closer to each other a few anti-fascists found their way though the entrance area to Hollyroodhouse and were then arrested as they approached the EDL.

I left as the two groups were still shouting at each other to go to the Postgrad show at the College of Art before it closed, then on to a comedy show and finally to a meal with the dozen of us who were sharing a large flat at a convenient Thai restuarant. We were up early the next morning to catch a train back to London.

SDL and UAF in Edinburgh

Marikana Anniversary 16th August

Monday, August 16th, 2021

Justice for Marikana, South Africa House, 2019

In August 2012 workers at the Marikana platinum mine in Rustenburg demonstrated calling for a pay rise and better working conditions. After a week of protests police opened fire on the miners killing 34 and injuring others. The police attack came the day after Cyril Ramaphosa, now President of South Africa, then a non-executive director of mine-owner Lonmin and owner of the company Shanduka, a shareholder in Lonmin, had called on the the police to take action against the miners, who he called “plainly dastardly criminals”.

Protest at Investec, 14 Aug 2015

Although an official inquiry largely cleared Ramaphosa of guilt over the massacre, campaigners still hold him very much responsible for what is often called the “darkest hour of South Africa’s democracy” and still call for him to be brought to justice. Both the National Union of Mineworkers (NUM) and the Association of Mineworkers and Construction Union (AMCU) refuse to invite him to the annual remembrance ceremonies at Marikana.

Protest outside Lonmin’s office in London, 2017

Ramaphosa himself issues a partial apology for his messages and stated “I am determined to play whatever role I can in the process of healing and atonement for what happened at Marikana” but so far this appears to be an empty promise.

18th August 2012

There were protests in London in the days immediately following the massacre and there has been an annual protests on 14th August each year since then, either outside offices of Lonmin and other companies profiting from the mine or outside South Africa House in Trafalgar Square. When I’ve been in London I’ve gone to take part and to take photographs.

Charlie X is shut out of the block where Lonmin have their offices, 2017.
People place flowers on the portraits of the murdered miners at South Africa House, 2018
A woman holds pictures of the murdered miners at South Africa House, 2018
South Africa House, 2019

More on My London Diary:

2012: Solidarity with Marikana Miners
2014: Second Anniversary of Marikana Massacre
2015: Marikana Mine Murders protest at Investec
2017: Marikana Massacre Protest at Lonmin HQ
2018: Justice for Marikana vigil
2019: Justice for Marikana – 7 years on


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.



A Busy Saturday – August 15th 2015

Sunday, August 15th, 2021


I began my working day rather later than the pickets outside the National Gallery, who held a short rally after picketing since the early morning on the 61st day of their strike against plans to outsource the jobs of 400 gallery assistants and the sacking of PCS union rep Candy Udwin for her union activities.
More at: National Gallery 61st day of Strike

A related protest against the privatisation of visitor assistants was taking place a little later outside Tate Modern on Bankside, with workers giving out leaflets calling for equal pay and conditions for outsourced and in-house workers at both Tate Britain and Tate Modern in London. Privatised staff doing the exactly the same job have zero hours contracts with no guarantee of regular work, get £3 an hour less, and do not get the decent pensions, sick pay and holidays enjoyed by their colleagues.
More at: Equalitate at Tate Modern

Back over the river to Aldwych and the Indian High Commission, where two protests were taking place on Indian Independence Day. Sikhs were supporting the call by hunger striker Bapu Surat Singh, now on hunger strike for over 200 days, calling for the release of Sikh political prisoners and other prisoners of all religions who have completed their jail terms but are still in prison.

Many of the Sikhs held posters of Gajinder Singh, a founding member Dal Khalsa which calls for an independent Sikh state, Khalistan, and they called for a referendum to be held in the Punjab and among the Sikh diaspora around the world on the setting up such as state.
More at: Sikhs call for release of political prisoners

Also protesting outside the Indian High Commission were a crowd of Kashmiris calling for freedom. Kashmir is a disputed territory with parts occupied by India, Pakistan and China, and since 1987 the Indian occupation has turned their area into one of the most militarised places in the world, with around one Indian soldier for every 14 Kashmiris.

Over 100,0000 Kashmiris have been killed since the current uprising against Indian occupation began in 1987, and torture is used as a mean to get confessions and terrorise the civilians including women and children. In Kashmir Indian Independence day is observed as ‘Black Day’.
More at: Kashimiris Independence Day call for freedom

Back in Trafalgar Square Iranian Kurds from the Party of Free Life of Kurdistan (PJAK) remembered its fighters killed in the fight against Iran and ISIS for self-determination. Like the PKK, PJAK owes allegiance to Abdullah Öcalan and the ideals of the Rojava revolution.
More at: Kurdish PJAK remembers its martyrs

A few yards away, Koreans were holding their monthly silent protest for the victims of the Sewol ferry tragedy, mainly school children who obeyed the order to ‘Stay Put’ on the lower decks as the ship went down. They continue to demand that the Korean government raise the Sewol ferry for a thorough inquiry and punish those responsible as well as bringing in special anti-disaster regulations.
More at: 16th ‘Stay Put’ Sewol silent protest

Finally I made my way to Oxford Circus to meet members of the United Voices of the World and supporters including those from SOAS Unison, the National Gallery strikers, Class War and others who were marching to protest outside Sotheby’s in Old Bond St. The UVW werecampaigning for proper sick pay, paid holidays and pensions for the cleaners who work there, and so far Sotheby’s response had been to sack two of the union members, Barbara and Percy.

Police harassed the protesters as they arrived outside Sotheby’s, trying to move them off the road they were marching along and onto the pavement, and they responded by sitting down on the road and refusing the police orders to move. After some minutes they got up and marched around the block, past the rear entrance to Sotheby’s, with two union officials going into some of the shops on the way to hand out leaflets explaining the action. Police tried to stop these two going into the shops and some arguments developed.


The marchers returned to the street in front of Sotheby’s and held a short rally, again ignoring police who tried to move them off the road. Police then tried to stop them marching around the block again, holding some while others surged around and the marchers made another circuit, returning to Sotheby’s for a short final rally before marching back towards Oxford Circus.
More at: United Voices – Reinstate the Sotheby’s 2.

My day wasn’t quite over, and I moved to Grosvenor Square, where two young women, one black and one white, had organised a Black Lives Matter protest close to the US embassy in solidarity with events across the US against the collective and systemic unlawful arrests and killings of black people in America. The protest around the statue of Franklin Delano Roosevelt was supported by groups including BARAC (Black Activists Rising Against Cuts) and the Nation of Islam.

More at: BlackoutLDN solidarity with Black US victims.

In all the travelling around central London on foot or by bus, I had time to take a few pictures between protests.
More at: London Views.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Blacklands, Blowup, Flats, Baby Doll & more: 1988

Saturday, August 14th, 2021

Blacklands Terrace, Earl Jellicoe, Chelsea, Kensington & Chelsea, 1988   88-4r-23-positive_2400
Blacklands Terrace, Earl Jellicoe, Chelsea, Kensington & Chelsea, 1988 88-4r-23

A GLC plaque records that Admiral of the Fleet Earl Jellicoe (1859-1935) lived in this house.

Blacklands Lane ran from the Kings Road to Fulham Road; most was renamed Marlborough Road in the 1820s and later became Draycott Avenue. The name Blacklands possibly came from the dark earth of Chelsea Common and was a small hamlet and a large house dating at least from the 1680s which at the start of the 18th century was a French boarding school for young ladies and became an asylum for the insane in the 19th century and Samuel Wesley spent some time as a patient there in 1808. Blacklands Terrace was developed at the end of the 19th century taking its name from the house a short distance to the west and was on a part of its extensive estate There was also a house nearby called Whitelands, which became a paper factory. The short street is now best known for a restaurant (an earlier version was a location in Blowup) and a independent bookshop opened by John Sandoe in 1957.

Blacklands Terrace, Bray Place, Chelsea, Kensington & Chelsea, 1988  88-4r-25-positive_2400
Blacklands Terrace, Bray Place, Chelsea, Kensington & Chelsea, 1988 88-4r-25-positive_2400

Both the outside of Andrea’s Restaurant and the interior feature in the film ‘Blowup’ made in 1966 and its exterior had changed little 22 years later. After than it became El Blason Restaurant & Tapas Bar and then in 2013 went considerably upmarket as The Five Fields with a Michelin star and prices to match.

Lucan Place, Chelsea, Kensington & Chelsea, 1988  88-4r-31-positive_2400
Lucan Place, Chelsea, Kensington & Chelsea, 1988 88-4r-31

This huge block of flats in Brompton is the rear of Chelsea Cloisters, ten storeys with over 800 small flats as well as shops etc along its Sloane Avenue frontage, built in the 1930s, demolishing the earlier houses on the site. The block was controversially bought in 1968 by the Freshwater Corporation. The conversion of part of the property into a hotel was extremely controversial, and many tenants lost their homes. Plans by the GLC and Kensington & Chelsea council to buy the block for public housing fell through and in 1984 the 747 flats, garage, petrol-filling station, restaurant, and coffee shop were sold. It was then extensively refurbished. (British History Online.)

Bury Walk, Chelsea, Kensington & Chelsea, 1988 88-4r-34-positive_2400
Bury Walk, Chelsea, Kensington & Chelsea, 1988 88-4r-34

The entrance into a small private courtyard in front of 53 Bury Walk still has this pair of lions proudly guarding a rather plain and basic gate. The street perhaps gets its name (previously Bury Street) as it led to St Lukes Burial Ground. It was developed on Chelsea Common in the nineteenth century.

Flats, Kinbolton Row, Brompton, Kensington & Chelsea, 1988 88-4r-43-positive_2400
Flats, Kinbolton Row, Brompton, Kensington & Chelsea, 1988 88-4r-43

These flats are I think Thurloe Court which consists of two linked blocks, that at right with a frontage on the Fulham Road, or possibly a neighbouring 1930s block of flats, and I walked down the narrow Kinbolton Way to take this picture bwtween the blocks. An estate agent describes it as a “charming, period, redbrick portered mansion block ideally situated between South Kensington, Knightsbridge and Sloane Square” and flats there are valued at £1.5-£2m.

Shop, Fulham Rd, Brompton, Kensington & Chelsea, 1988 88-4r-44-positive_2400
Shop, Fulham Rd, Brompton, Kensington & Chelsea, 1988 88-4r-44

The Baby Doll poster is for the 1956 American dramatic black comedy film directed by Elia Kazan. I think the shop is probably in Crescent Mansions at 113 Fulham Road. Steps led down to a basement where men’s clothes were for sale.

Pelham Crescent, South Kensington, Kensington & Chelsea, 1988 88-4r-45-positive_2400
Pelham Crescent, South Kensington, Kensington & Chelsea, 1988 88-4r-45

Pelham Crescent was named after Henry Thomas Pelham, third Earl of Chichester, one of the trustees of the Smith’s Charity which acquired the land from nurserymen Samuel Harrison and William Bristow who went bankrupt in 1832. George Basevi junior provided the drawings for the house frontages which were contracted to builder James Bonnin who was required to build houses worth at least £800 and complete the job in seven years. (British History Online.) They now sell for over £10m.

Click on any of the images to see a larger version in my album 1988 London Photos and to browse the images there.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


South Kensington and Chelsea 1988

Friday, August 13th, 2021

Redherring, Old Brompton Rd, South Kensington, Kensington & Chelsea, 1988 88-4q-52-positive_2400
Redherring, Old Brompton Rd, South Kensington, Kensington & Chelsea, 1988 88-4q-52

Red Herring had a shop for some years at 6 Old Brompton Road, more or less opposite South Kensington Station, which has now for some years been an opticians. They sold trendy casual clothes for women including shoes and bags. The poster at left in Arabic I think reflects the Iranian presence in the area.

Old Brompton Rd, South Kensington, Kensington & Chelsea, 1988 88-4q-53a-positive_2400
Old Brompton Rd, South Kensington, Kensington & Chelsea, 1988 88-4q-53

The Brompton Hotel is still there at 30 Old Brompton Road, getting rather mixed review which perhaps reflect its 3* status and rather cheap rates for London. You can no longer go in and swear an oath at Lawrence Bloomfield, though the curious short pillar is still there. The Punch wine bar has last its superstructure, though the low wall at the bottom remains and there is still a popular bar area, but now steps lead down to a steak restaurant.

Imperial Hotel, Queen's Gate, South Kensington, Kensington & Chelsea, 1988  88-4q-62-positive_2400
Imperial Hotel, Queen’s Gate, South Kensington, Kensington & Chelsea, 1988 88-4q-62

I couldn’t resist another picture of the Imperial Hotel on the corner of Queen’s Gate and Harrington Rd, demolished in 1992 and since then a cleared site used as a car park. In an earlier post I mentioned that planning permission had been granted in 1975 for the erection behind this facade of a cultural centre for the Islamic Republic of Iran and twenty self-contained flats, and later by Kensington and Chelsea for the use of the cleared site as a car park pending the building of this.

Shop,  Harrington Rd, South Kensington, Kensington & Chelsea, 1988  88-4q-63-positive_2400
Shop, Harrington Rd, South Kensington, Kensington & Chelsea, 1988 88-4q-63

There was a crude simplicity about this mosaic of a bottle advertising the off-licence to its left that attracted my attention.

Instutut Francais, Queensberry Place, South Kensington, Kensington & Chelsea, 1988 88-4q-64-positive_2400
Instutut Francais, Queensberry Place, South Kensington, Kensington & Chelsea, 1988 88-4q-64

The Institut français du Royaume-Uni was begun in 1910 by Marie d’Orliac to introduce Londoners to well-known French writers, thinkers and artists. This building in Queensbury Place by architect Patrice Bonnet (1979-1964) in an art deco style was opened in 1939. Along the top of the facade are an olive branch, a cockerel, an asp and an owl, symbolising peace, courage, knowledge and wisdom. The Grade II listing text attributes the building to A J Thomas, a former assistant of Edwin L Lutyens and the architect of St Pancras Town Hall.

Bray Place, Chelsea, Kensington & Chelsea, 1988  88-4r-13-positive_2400
Bray Place, Chelsea, Kensington & Chelsea, 1988 88-4r-13

Bray Place is a short street a little to the north and parallel to the King’s Road in Chelsea presumably named for Sir Reginald Bray who owned the manor at the time of Henry VII. This house with its two round windows is on the corner with Draycott Ave.

Bray Place, Chelsea, Kensington & Chelsea, 1988 88-4r-14-positive_2400
Bray Place, Chelsea, Kensington & Chelsea, 1988 88-4r-14

Mr Brunello is no longer here, and the shop is now a hairdresser, on the corner opposite the previous image at 3 Bray Place. The view is looking down Draycott Ave to the houses on Coulson St, and above them the tall block of flats, Whitelands House, a 10 storey block of flats dating from 1935-7 above the shops in the Kings Road by Frank Verity & Sam Beverley.

Draycott Avenue, Chelsea, Kensington & Chelsea, 1988 88-4r-15-positive_2400
Draycott Avenue, Chelsea, Kensington & Chelsea, 1988 88-4r-15

I can tell you nothing about this small half-timbered house on Draycott Avenue, which I suspect is considerably more modern than it looks. At a glance the tiles and windows look remarkably ancient, and the beams have something of the character found in genuinely old buildings. Perhaps someone reading this will know more and comment.

Click on any of the above images to go to a larger version in the album 1988 London Photos from where you can browse through other pictures that I made in that year in London.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Fire Risk Tower Blocks

Thursday, August 12th, 2021

Newham 12 August 2017

Ferrier Point, Canning Town

In the now over four years since the disastrous Grenfell Tower fire in June 2017 there has been little change and no reckoning, with a tediously slow inquiry taking place that began by shifting blame unfairly onto the firefighters but is at last making clear some of the deliberate failures by local government, manufacturers and installers of the fatal cladding and others with a complete disregard for the safety of those living in the tower.

Cladding was not of course the only issue, and there were many other failings that led to the terrible loss of life. Most basic was the attitude of governments of both parties towards health and safety issues, describing essential safety regulations as “red tape” and dismantling what were essential checks to increase the profitability of builders and developers and reduce the liabilities of building owners. It was a system that needed reforming and strengthening, perhaps learning from practice in other countries to provide effective control and not abandoning to commercial whim.

Most of what has emerged in the inquiry only reinforces what was already made clear from informed reports – such as that by Architects for Social Housing – within weeks of the fire, adding truly shameful detail to the broader outline. It surely should have come out in courts within months of the fire and some of those responsible might well be behind bars and companies charged with massive fines, and the main point of the inquiry seems to be to prevent the course of justice.

A resident of Tanner Point speaking

Local authorities and building owners have been forced to inspect their high-rise properties, and the government has provided at lest some of the money it promised to replace unsafe cladding in the public sector. But little has been done for those living in private blocks who are still living in fear and now pay increased charges for extra fire safety provisions. A parliamentary briefing paper estimates the total cost of replacement of unsafe cladding at around £15m, and so far government has come up with a third of that. Government policy has changed from the initial promise to fund “remediation of historical safety defects, to a suggestion that leaseholders should be protected from unaffordable costs” and even the provision for a low interest scheme to ensure they would not pay more than £50 a month has failed to materialise despite the promise in the current Building Safety Bill.

In August 2017, a number of tower blocks in the London borough of Newham were found to have unsafe cladding. Housing activists Focus E15 Mothers led a demonstration putting pressure on the council to act urgently to make the blocks safe. The council came to a decision the following month to remove the cladding though work to do so only began in April 2018.

The march began at Ferrier Point in Canning Town, with other groups including East End Sisters Uncut, Movement for Justice, the Socialist Party, the Revolutionary Communist Party, One Housing campaigners and Whitechapel Anarchists joining Focus E15 and some tower block residents.

From there they marched to Tanner Point in Plaistow North for a longer rally outside, including some speeches from tower residents. Then came another long march to Stratford and the Carpenters Estate.

The Carpenters Estate was a popular estate, close to Stratford station and the town centre, and was viewed by the council as a prime opportunity for highly profitable redevelopment schemes, wanting to demolish the estate which is well-planned and in good condition. Focus E15 led opposition that in 2013 ended plans for UCL to set up a new campus here and have constantly urged the council to bring back people to the estate where despite a critical housing shortage in the borough, 400 good homes had been kept empty for over 10 years. The march ended with a ‘hands around the Carpenters Estate’ solidarity event against decanting, demolition and social cleansing.

More pictures at Fire Risk Tower Blocks.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


South Kensington & Chelsea, 1988

Wednesday, August 11th, 2021
Roland Gardens,  South Kensington, Kensington & Chelsea, 1988 88-4p-65-positive_2400
Roland Gardens, South Kensington, Kensington & Chelsea, 1988 88-4p-65

More pictures from my wandering walks around South Kensington.

Another of the houses in Roland Gardens, No 46, was built in 1883-5 for Peter Le Page Renouf, a former professor of ancient history and Oriental languages, an Inspector of schools who in 1886 became the Keeper of Oriental Antiquities in the British Museum, and was occupied after his death in 1897 by his wife and daughter. Since the late 1930s the house together with No40, 42 and 44, is now St Teresa’s Home, a care home run by Sisters Hospitallers of the Sacred Heart of Jesus. According to the Survey of London, the architect of this Tudor Gothic house, which is “reminiscent of a Victorian country vicarage, and has a prominent corner tower capped by a small spire” was most probably T Chatfeild Clarke who designed the rather similar Parmiter’s School in Bethnal Green.

Poster, Queensgate, SOuth Kensington, Kensington & Chelsea, 1988 88-4q-03-positive_2400
Poster, Queensgate, South Kensington, Kensington & Chelsea, 1988 88-4q-03

The Iranian Embassy in London is in Princes Gate overlooking Hyde Park and there is also a Consular section in Kensington Court in South Kensington, as well as a vacant site on the corner of Harrington Rd and Queens Gate, so it was perhaps not surprising to find this poster calling on Ayatollah Khomeini, Supreme Leader of Iran, to stop killing children and end his terrorism and mad war, though it was a called destined to fall on deaf ears.

Shop, Fulham Rd, Chelsea, Kensington & Chelsea, 1988 88-4q-12a-positive_2400
Shop, Fulham Rd, Chelsea, Kensington & Chelsea, 1988 88-4q-12

I think my bus to South Kensington went along the Fulham Road, and I decided to alight here and take a few pictures. I’m not sure who would want to buy any of the things on display here or what they would do with them, other than the fireplaces which are around the edges, but I am sure they would all be very expensive.

Fulham Rd, Chelsea, Kensington & Chelsea, 1988 88-4q-22-positive_2400
Fulham Rd, Chelsea, Kensington & Chelsea, 1988 88-4q-22

I suspect it will have been this shopfront which made me get off the bus, and take a few pictures on the corner of Sydney St on my way home from South Kensington. The shop window has the name of New Zealand born interior designer Anouska Hempel (Lady Weinberg) whose “vision of a utopian world encompasses luxury design from landscapes, gardens, hotels and residential to retail, yachts and couture” according to her website.

This location is now occupied by a Thai restaurant which a rather plain frontage, and the pub opposite, the Cranley, which can be glimpsed in a reflection in the window in one of the pictures closed bin 1990.

Onslow Square, South Kensington, Kensington & Chelsea, 1988 88-4q-33-positive_2400
Onslow Square, South Kensington, Kensington & Chelsea, 1988 88-4q-33

Onslow Square is between Fulham Road and South Kensington station and is on land purchased by the trustees of the Henry Smith Charity in the 1620s from the Earl of Onslow. Henry Smith had made his fortune as a moneylender in the City. When the chrity trustees leased land to Charles Freake to build the square they insisted they were built to the specifications of their architect George Basevi. The first houses were completed in 1847 two years after Basevi’s death and the square was only completed in 1865, with later houses diverging from his designs with exposed stock bricks. The Smith Charity estate was sold to the Wellcome Trust in the late 1970’s.

French school, Queensberry Way, South Kensington, Kensington & Chelsea, 1988 88-4q-41-positive_2400
French school, Queensberry Way, South Kensington, Kensington & Chelsea, 1988 88-4q-41

The Lycée Français Charles de Gaulle has a distinctly French look to its building along Harrington Road and Queensbury Way, known as Victor Hugo, which was built in the 1980s. The concrete structures at the entrance from Queensbury Way, (this was one of a pair) have been replaced.

Small Ads, Harrington Rd, South Kensington, Kensington & Chelsea, 1988 88-4q-42-positive_2400
Small Ads, Harrington Rd, South Kensington, Kensington & Chelsea, 1988 88-4q-42

I was amused by the range of small adds, offering dance lessons, corrective training, Caribbean Beauty, health therapy, French massage, electrical repairs, a Morris Oxford, a flat for students and more.

Vacani, School of Dance, Harrington Rd, South Kensington, Kensington & Chelsea, 1988  88-4q-43-positive_2400
Vacani School of Dance, Harrington Rd, South Kensington, Kensington & Chelsea, 1988 88-4q-43

The Vacani School of Dance was founded in 1915 by Marguerite Vacani and later taken over by her niece Betty Vacani, and the pair of them later gave private lessons to the young Princesses Elizabeth and Margaret Rose. Lady Diana Spencer later spent three months as an apprentice teacher at the school. Founded in Knightsbridge it moved to South Kensington under Elfrida Eden and Mary Stassinopoulos in the early 1980s. There are now Vacani schools in Clapham and Woking.

The doorway is still there on Harrington Rd, but now longer a school of dancing, but at the side of the South Kensington Club at 38-42.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.