Archive for November, 2020

Mainly Westminster

Tuesday, November 10th, 2020
Archibishop Tenison School,  Lambeth High St, Lambeth, 1987 87-9e-63-positive_2400

Thomas Tenison (1636- 1715) was Archbishop of Canterbury from 1694 until his death. Archibishop Tenison School, Lambeth High St, and according to Wikipedia founded boys schools in Lambeth in 1685 and Croydon in 1714. A school for 12 girls began in Lambeth in 1706, and this was built as a new girls’ school in 1863. In 1961 the school amalgamated with a nearby Church of England boys school and this building went out of use, though it was later used as an annexe to the combined school until this closed in 1974. It has since been demolished and replaced by a hostel.

Bennett House, Page St, Westminster, 1987 87-9f-11-positive_2400

Bennett House in Page St, Wesminster is a Grade II listed tenement courtyard block of flats built in 1928-30. It was a part of the Westminster Housing Scheme for the Grosvenor Estate and Sir Edwin Lutyens acted as consultant; the listing text calls it “An imaginative Lutyens treatment of a standard LCC type of housing block.”

Unemployment Benefit Office, Chadwick St, Westminster, 1987 87-9f-55-positive_2400

I admired the stark simplicity of the Unemployment Benefit Office on Chadwick St, Westminster. It remained in use – with changes in name – closing as a Job Centre Plus in 2017.

Old Pye St, Westminster, 198787-9f-65-positive_2400

New office buildings seen from Old Pye Street in 1987. Parts of this still remain though rather more difficult to see.

Salvation Army, Great Peter St, Westminster, 1987 87-9f-66-positive_2400

The building on this corner still has the foundation stone laid by James S Burroughes in 1893, though it has moved a few yards around the corner and I think the site is now occupied by “modern purpose-built flats for single people and couples set in a city centre location” built by SAHA, the Salvation Army Housing Association and allocated through Westminster Borough Council’s housing register.

Vauxhall Bridge Rd, Westminster, 1987 87-9g-02-positive_2400

Avocet House at 92-96 Vauxhall Bridge Road was the home of Avo Ltd, a company founded by Post Office engineer Donald Macadie who was fed up with having to carry separate meters for different measurements and in 1923 designed a meter than would measure Amperes, Volts and Ohms. The Avometer was the leading electical test equipment for many years. The company became too large for this site and bought land for a new factory at Dover in 1962. The company is now called Megger, and its testers are still made and in use around the world.

Francis St, Westminster, 1987 87-9g-14-positive_2400

This 1865 Grade II listed building in a free version of Italian Renaissance style by H A Darbishire was an orphanage for children of Crimean War guardsmen. Later it became a Franciscan friary, and they added the statue of St Francis just visible at the far corner around 1960. When they moved on it became offices. Close to Westminster Cathedral, in 2017 it was bought by the cash-strapped Roman Catholic Diocese of Westminster to be refurbished as a pre-prep for Westminster Cathedral Choir School, at a cost thought to be around £10million. The school is said to be the most expensive prep school in London, and sends pupils on to public schools including Eton and Winchester.

Shop window, Upper Tachbrook St, Westminster, 1987 87-9g-22-positive_2400

I don’t know which shop this was in Upper Tachbrook Street, but it appeared to be selling clothing, jewellery and similar items. From the few details of the shop front which can be seen it looks rather like that now occupied by ‘Mr CAD – For Everything Photographic’. This began around 1960 in Croydon, and although it at one time had nine branches at various sites from Colindale in north London to Brighton became just a giant Aladdin’s cave in Windmill Rd full of secondhand gear, moving to these rather smaller premises in Pimlico but also supplying mail order around the world as “the largest independent photographic dealer in the UKW with “the biggest stock of used analogue photographic equipment worldwide specialising in film, cameras, lenses, enlargers, chemicals, paper, all manner of studio & darkroom hardware & software.”

Clicking on any of the images above will take you to my Flickr album of over 750 images of London in 1987 selected from several thousand exposures I made that year


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Nov 9th 2019

Monday, November 9th, 2020

There is good news and bad news over the issues behind the two protests I photographed a year ago on a wet Saturday 9th November.

First the bad news: the UK has maintained its racist immigration policies which lead desperate refugees to endanger their lives to enter this country illegally. Although recent deaths among those crossing the channel have not been on the scale of the terrible deaths of the 39 Vietnamese who died in a container in Essex shortly before last year’s protest took place, the rhetoric against refugees has certainly been stepped up, with Home Secretary Priti Patel considering the use of the navy and even wave machines to sink the boats.

The death in late October of Kurdish-Iranians Rasoul Iran-Nejad, 35 years old, Shiva Mohammad Panahi, 35, Anita, nine, and Armin, six when a boat carrying around 20 people sank close to the French coast was a reminder of the dangers than many face. The government’s response was to blame the criminal activities of people smugglers, but these are only in business because legitimate routes are unavailable. Our government has failed to set up proper systems for allowing asylum seekers and refugees with family connections in the UK to come here despite being urged to do so.

Labour MP Yvette Cooper called for “effective support for refugees who’ve fled persecution to stop them getting sucked into the arms of criminal gangs or making such desperate journeys”. The UK and its allies bear a great deal of the responsibility for the wars and exploitation that cause desperate people to uproot themselves from their homes and seek the safety they see at the end of their dangerous journeys.

The second event I attended was a march and protest by Chileans against state violence in Chile. On My London Diary I wrote:

Police attacks on peaceful protesters have over 20 and injured thousands since protests began in mid-October. Many have been blinded and protesters wore with a gauze pads on one eye. They call for President Piñera to go. The protests have met with human rights violations including torture, sexual abuse and rape and thousands have been arbitrarily detained.

The march halted at Parliament Square where a group of women dressed in black performed in protest against the sexual abuses, smearing fake blood on pairs of white pants which they then removed and held above their heads.

Chile’s constitution had been written under the fascist Pinochet regime; Pinochet had come to power in a military coup on 11 September 1973, and in 1980 a new constitution was produced and approved by a rigged referendum. Another referendum in 1988 voted for his removal and led in 1990 an electionwhich removed him from office, though he remained as Commander-in-Chief of the Chilean Army until he retired in 1998.

The brutal repression by police of protests in Chile in October 2019 recalled the terrible human rights abuses of the Pinochet regime, when around 3,000 of his political opponents were killed, and many thousands held in jail and tortured under a US-supported campaign of political repression and state terror. Sickening methods of torture were used, with a huge amount of sexual violence against women. There were notorious cases with over a hundred people being thrown out of helicopters or aircraft. Around 2% of the population were forced into exile, gaining asylum in other countries. Before he left office Pinochet passed a law giving immunity from prosecution for these human rights abuses.

Sparked off by a metro fares increase, police violence soon made last October’s protests into a call for a new constitution and led to a referendum that, delayed by Covid-19, finally took place in October 2020, with a resounding 78% vote in favour, with many Chileans turning out to vote for the first time.

More on the November 9th 2019 protests on My London Diary:
Funeral March for Chile Protesters
Remember migrants who have died.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


More West London 1987

Sunday, November 8th, 2020
Campden Hill Rd, Kensington, Kensington & Chelsea, 1987 87-9b-32-positive_2400

Although my caption states than this modern house is in Campden Hill Rd, its address is in Campden Street which leads off at the left of the picture. The building by architect Douglas Stephen is said to be in the style of pioneering Italian modernist architect Giuseppe Terragni, (1904-43), something perhaps best seen in his 1937 Villa Bianca in Seveso. I think like a similar larger block by Stephen in Bedford Gardens it was probably built in the mid-60s.

Gourmet Gascon, Hillgate St, , Kensington, Kensington & Chelsea, 1987 87-9b-51-positive_2400

Le Gourmet Gascon gives I think a fairly clear idea of the population of this area of Kensington, where there is a takeaway service offering Quenelles au Brochet. The shop is no longer there and a short walk away you can now get rather more plebian food for tourists at Notting Hill Gate, though I think there is still no shortage of over-priced restaurants in the area and of course Fortnum & Mason still deliver.

Doulton, Southbank House, Black Prince Rd, Lambeth High St, Lambeth, 1987 87-9d-12-positive_2400

Later in September I was back south of the river in Lambeth, and photographing in Lambeth. The terracotta carving above the doorway on the corner of Black Prince Rd and Lambeth High St is of Mr Doulton in his studio, and seated at left Hannah Bolton Barlow paints on one of the vases from his pottery, her pet cat under her chair.

Doulton, Southbank House, Black Prince Rd, Lambeth High St, Lambeth, 1987 87-9d-13-positive_2400

Pottery was produced not far from this site in Vauxhall Walk by  Jones, Watts & Doulton from 1815 and they moved to Lambeth High St in 1826. In the early years their most successful product was ceramic sewage pipes, for which their was a surge in demand driven by the 1846-60 cholera pandemic.

The company had several parts and a complex history but by the time this building was erected as their museum, school and design studio in 1871, with close links to Lambeth School of Art. The Lambeth studio pottery was producing signed works of art as well as more mundane items in the rest of the factory – and they later bought a factory in Burslem for making bone china tableware. The company only became Royal Doulton when it obtained a Royal Warrant in 1902. Production at Lambeth was forced to end in 1956 with the Clean Air Act which prohibited their salt glazing in this urban area, and all work went to the Potteries.

Doultons were major producers of the architectural terracotta or stoneware which adorns many Victorian buildings, and their building acted as a real life catalogue for their wares, though they also produced many specifically commissioned pieces as well as the more general stock.

London Fire Brigade, obelisk, snorkel tower, Albert Embankment, Lambeth, 1987 87-9e-03-positive_2400

A few yards up Lambeth High St is a view of this rather strange obelisk in the yard beside the (now former) headquarters of the London Fire Brigade, which moved to a new building here on a part of the former Doulton pottery factory site in 1937. This obelisk or ‘snorkel tower’ was built to provide ventilation for the war-time underground control room, according to the listing text “constructed to withstand a direct hit and a gas attack, with its own reserve electric light installation and forced ventilation.”

Ventilator, Metropolitan Police Central Communications Command Centre, Lambeth Rd, Lambeth, 1987 87-9e-45-positive_2400

A short distance away in Lambeth Rd is another rather bulkier structure, also a ventilator, for the underground Metropolitan Police Central Communications Command Centre. A new special operations room was opened there in 2008, but there are also other communications centres in Bow and Hendon.

Works, Old Paradise St, Lambeth, 1987 87-9e-56-positive_2400

As this and other pictures in the Flickr album 1987 London Photos show, there was rather more evidence of the area’s industrial past then. This chimney and works was a former soap factory.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Yarl’s Wood November 7th 2015

Saturday, November 7th, 2020

On November 7th 2015 I went to a protest outside Yarl’s Wood organised by Movement for Justice, calling for this and all immigration detention centres to be closed down. It was a cold and wet day, but fortunately the rain eased off at times.

As a result of the Covid-19 pandemic, the Home Office began moving detainees out from the Yarl’s Wood immigration centre, and all of them had gone by the middle of August. The centre which opened in 2001 had been used mainly to hold women, though there were also some families there. But the centre is not to be closed down, but is being used to house migrants who have come across the Channel. It seems likely they will be treated just as badly as the previous residents.

There was very little reason for most of those housed there over the nineteen years it was in operation to be held in a secure unit. They presented no danger to the rest of us and the centre provided none of the support that many needed, with inadequate health care, poor food and little or no counselling for the many vulnerable people who who had fled their countries because of violence against them including rape. Holding them in this fairly remote location with limited contact with the outside world made it difficult for them to prepare themselves for immigration hearings.

Some were found to have been illegally deported and many more were not given proper consideration before they were deported. But over half of those held there are simply eventually released, amny after months or even years of imprisonment – one woman was held for just a few days under 4 years. These people are not criminals but we treat them as if they were – though worse in some ways as their detention is indefinite at the the whim of the Home Office.

Yarl’s Wood had a particularly bad record, with abuse and sexual harassment and a failure to provide adequate care, highlighted both by official inspections and by undercover reporting for Channel 4 News. Many of those held inside have reported horrific stories of their mistreatment.

Yarl’s Wood is run for profit by Serco, whose CEO Robert Soames is the brother of former Tory MP Sir Nicholas Soames and is a grandson of Winston Churchll and a nephew of former Defence secretary Duncan Sandys. Like many of our leading Tory politicians he studied PPE at Oxford and was a member of the Bullingdon Club. Perhaps these kind of connections help the company in getting lucrative government contracts despite their poor record on delivery.

Serco have been given the most Covid-related government contracts among UK-listed companies and despite their failures with test and trace were recently awarded another £57 million contract for it – as with the others without any competitive tendering. Shadow Cabinet Office secretary Rachel Reeves commented “This government seems obsessed with shovelling huge sums of public money to a handful of outsourcing companies without competition, rigour or accountability“. Serco’s share price shot up by 17% on news of the latest government handout and they revised their profit forecast for the year upwards to £165m.

Yarl’s Wood is on an industrial estate created on a former Second World War air base in the middle of nowhere on the top of hills a little over 5 miles north of Bedford. Around 20 coaches brought campaigners from around the country, with a shuttle service bringing some from Bedford Station and others arriving by car, taxi and bicycle. Among them were a number of Movement for Justice supporters who had previously been held in this and other detention centres. Most of the speakers at the rally were former inmates, and we also heard from some of those inside who are allowed mobile phones and held up their numbers in the windows.

The protesters are not allowed into the Business Centre and instead walk along the road and across a several fields on a public footpath to reach a field on the edge of the centre which is surrounded by a 20 foot high fence. The bottom ten feet of the fence is made of solid metal panels and the centre can only be seen through the top half which is covered with a metal mesh.

Photographing through this mesh presents some problems. Apart from partly blocking the view, my cameras autofocus systems prefer to focus on the mesh and it is generally easy to use manual focus. Standing on the small hill facing the centre gives a view of the top two floors of one wing of the centre above the solid metal fence. The windows of the centre can only be opened a few inches – just enough for those inside to wave a towel or clothing etc. And Serco staff try to keep the women inside away from the windows and in other parts of the centre, sometimes assaulting them to prevent them reaching these windows.

‘We Are From Torture We Need Freedom’

To get good views of the windows long lenses are needed, and require fast shutter speeds to avoid camera shake. I don’t really have the most suitable lenses for the job.

Many more pictures and more about the protest on My London Diary:
MfJ ‘Set Her Free’ protest at Yarl’s Wood
MFJ Meet Outside Yarl’s Wood


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill in colour – 1997 Part 4

Friday, November 6th, 2020

A final selection of my pictures from 1997 when I mainly worked with colour.

Notting Hill Carnival, 1997 97c8-nh-135_2400
Notting Hill Carnival, 1997 97c8-nh-145_2400
Notting Hill Carnival, 1997 97c8-nh-158_2400
Notting Hill Carnival, 1997 97c8-nh-163_2400
Notting Hill Carnival, 1997 97c8-nh-174_2400
Notting Hill Carnival, 1997 97c8-nh-182_2400
Notting Hill Carnival, 1997 97c8-nh-184_2400
Notting Hill Carnival, 1997 97c8-nh-191_2400
Notting Hill Carnival, 1997 97c8-nh-196_2400
Notting Hill Carnival, 1997 98c8-nh-221_2400

I hope you have enjoyed my pictures which I think show something of the spirit of carnival, something sadly missing at the moment.

You can see more of my pictures from carnival in Notting Hill Carnival – the 1990s on Flickr.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Remember, Remember – Nov 5th

Thursday, November 5th, 2020
Nov 5th 2014

As England begins four weeks of partial lockdown I ponder briefly on the significance of the date and the incompetence of our government before looking at some protests in recent years on November 5th.

Nov 5th 2014

Guy Fawkes was it is often said, the only person to enter Parliament with honest intentions, perhaps a slightly harsh judgement on our politicians, but events over the past few years have certainly shown that being honest has not served Jeremy Corbyn well. Although we no longer openly torture prisoners and Corbyn, though clearly put on the rack by the media is unlikely to be actually hung, drawn and quartered – much though some might revel in it – and he is unlikely to have to jump from the scaffold like Fawkes to avoid this excruciatingly gory fate. But the establishment have become no less weak, simply more devious and discrete in protecting their enormous wealth and privileges against all-comers.

And Covid has given the government an excuse to clamp down on protests across the board, though some have still continued. But with various police actions and Acts of Parliament we are clearly moving closer to a police state, with the active support of a failing opposition in Parliament.

Nov 5th 2013

Fawkes was the inspiration behind  the anonymous anti-hero of the graphic novel ‘V For Vendetta’ written by Alan Moore and illustrated by David Lloyd later made into a film. It shows an England without political or personal freedom caused not by a pandemic but after a devasting war.

Anonymous, a loose internet based movement of hacker activists took on the Guy Fawkes mask from the film as a symbol, uniform and disguise for their activities, in online videos and street protests – ironically greatly benefiting the mask copyright owners Time Warner who get a royalty from every official sale. And one of their main protests in ‘meat life’ is the ‘Million Mask March’ taking place on November 5th every year.

Nov 5th 2014

But Anonymous is not the only Nov 5th game in town. Guy Fawkes celebrations traditionally include bonfires, and in 2014 Class War took their own guy, an effigy of then London Mayor Boris Johnson to their ‘Poor Doors’ protest at One Commercial St in Aldgate. 

Class War’s guy dressed as London Mayor Boris Johnson burns vigorously at the protest at One Commercial St, Aldgate against separate doors for rich and poor residents. Nov 5th 2014

I wasn’t quite clear how Boris got set on fire (my back was possibly deliberately turned at the time as I don’t seem to have any pictures), though it was always inevitable, and he burned merrily but safely in the middle of the wide pavement.

For reasons best known to them, the police went ballistic, calling in first the Fire Brigade, who were clearly not pleased to have been troubled and arrived some time later with just a bucket of water when the fire was already more or less burnt out, and then making the scene a major emergency with police vans, cars and blue flashing lights, before surrounding and arresting Class War’s Jane Nicholl.

Jane is arrested – Nov 5th 2014

The crowd surrounded them and tried to prevent her being taken to the police van, but there were now probably more police then protesters and they managed to force their way through. Another protester was also arrested and taken to a van, I think for being one of the fifty or more who had tried to stop Jane’s arrest.

Surprisingly Jane Nicholl’s case was actually taken to court, but the police were unable to produced any evidence that anyone had been ‘injured, interrupted or endangered’ by the burning Boris – with the prosecution having already admitted that burning effigies on Bonfire night was perfectly lawful and the case – which had already been altered three times to try to find different offences – collapsed. Clearly the police and Crown Prosecution Service were using the arrest and trial simply to harass and intimidate Class War into ending their ‘Poor Doors’ protests. As they did with other arrests on other occasions, none of which led to a conviction.

I don’t know if there will be people trying to take part in a ‘Million Mask March’ in London this year despite the lock-down; the Facebook pages have only small numbers signed up though already well over 6,000 have expressed an interest for Nov 5th 2021. I suspect police will be out in force as in previous years to stop the event taking place. But I’ll certainly be staying at home.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill in colour – 1997 Part 3

Wednesday, November 4th, 2020

Another set of pictures from the 1997 Notting Hill Carnival.

Notting Hill Carnival, 1997 97c8-nh-075_2400

Various organisations take part in carnival, including religious groups, notably The Nation of Islam,

Notting Hill Carnival, 1997 97c8-nh-091_2400

and some trade unions who show a little more of the carnival spirit.

Notting Hill Carnival, 1997 97c8-nh-099_2400

It’s a time for dancing on the streets, and at times its difficult to hold the camera steady, with music you don’t just hear but which sets your internal organs vibrating and even the tarmac under your feet.

Notting Hill Carnival, 1997 97c8-nh-101_2400
Notting Hill Carnival, 1997 97c8-nh-109_2400

It’s hard to capture the intensity of the event, and a kind of glorious disorder on the streets.

Notting Hill Carnival, 1997 97c8-nh-113_2400
Notting Hill Carnival, 1997 97c8-nh-126_2400

Some people are insistent that I take their picture – and of course I oblige.

Notting Hill Carnival, 1997 97c8-nh-131_2400

But it all gets a bit too much for some. And after some hours I get to feel rather like this and decide to go home and rest. Because after the Children’s Day on the Sunday comes the main day on Monday when the streets are more crowded and the dancing more frenetic.

More carnival pictures:

Notting Hill Carnival – the 1990s
Notting Hill Panoramas – 1992


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Trump

Tuesday, November 3rd, 2020

Although I’ve photographed many politicians, most of them have been from opposition parties, and I’ve tried to ignore and avoid those whose views I disagree with. There have been a few exceptions – and I think I have at least once photographed people like David Cameron, Boris Johnson, and people on the more extreme right like Nigel Farage, Nick Griffin et al.

There are politicians I’ve liked, and examples that spring to mind include Tony Benn, John McDonnell and of course Jeremy Corbyn, though I’m certainly not going to burst into song over him. But I have met and listened to him speaking and occasionally talked with him over the years and have always been positively impressed.

The only problem I have with Corbyn is that he belongs to a party which also includes many MPs and staff who support colonialist and capitalist policies which favour the rich and wealthy in our world over the interests of the poor both in this country and overseas, and schemed against him both when he was leader. He is perhaps unfortunately not a politician, but an honest and sincere man – and one who has fought against injustice and racism in all its manifestations.

But back to Trump. Although I’ve never really had the opportunity to photograph him, if I put his name into the search box on ‘My London Diary’ it comes up with 30 results – pages of protests or protesters against him. And although I don’t know when we will find out the results of today’s US elections – probably not for some days or even weeks – I shall be rather sorry and rather worried if it results in a Trump victory. Not that I will be that pleased if Biden wins. It’s a choice between a major and a minor disaster for the world; the only possible positive result would be an overwhelming write-in vote for “neither of the above”. Though of course such a democratic decision would be surely ignored.

Anyway, here on election day, a few images of ‘Trump’ for you from the protests against his visit to London in July 2018. I’ve chosen only those that represent him visually, but there are many others of protesters with banners and placards about him in the links at the bottom of the post.

July 2018 protests against Trump’s UK visit:

US Embassy protest says NO to Trump
Noise protest against Trump
‘Trump: Climate Genocide’ Giant banner
‘Bring The Noise’ Women march against Trump
Soho parties to protest Trump’s visit
Massive protest against Trump’s Visit
Against Tommy Robinson & Trump


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill in colour – 1997 Part 2

Monday, November 2nd, 2020

Here are a few more from Ladbroke Grove in 1997, I think all from the first day of the event, the Children’s Day on the Sunday.

Notting Hill Carnival, 1997 97c8-nh-040_2400

I think all of these pictures were taken with a 28mm or 35mm lens, probably on a Minolta CLE (the improved successor to the Leica CL) using Fuji Super G 400 colour negative film.

Notting Hill Carnival, 1997 97c8-nh-047_2400
Notting Hill Carnival, 1997 97c8-nh-056_2400

I did take more photographs of the children, but while the costumes may be cute and sometimes very colourful (though not in this example) they generally lack the exhuberance of older revellers and I found them of less interest. There are more of the children in the album on Flickr.

Notting Hill Carnival, 1997 97c8-nh-058_2400
Notting Hill Carnival, 1997 97c8-nh-066_2400
Notting Hill Carnival, 1997 97c8-nh-072_2400

I took several pictures of this young woman holding a child as she danced beside one of the floats pumping out fairly deafening music, and this one I think shows her and the child both enjoying the moment.

Notting Hill Carnival, 1997 97c8-nh-073_2400

But the second frame puts her better into the whole siuation, part of the crowd moving down the street with the lorry.

All these pictures were taken within a few minutes of each other, and I made many more during the two days of carnival – and will post more another day. As usual you can see any of them larger in the album by clicking on them – and can then continue to view more if you wish.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Pimlico to Parliament 1987

Sunday, November 1st, 2020
Churchill, statue, Big Ben, Westminster, 1987 87-8m-01-positive_2400

I had my doubts about including this picture in my London album, not because of my opinions about Churchill, but because it is very much a cliché. But at least I think it is a fairly well done version, and the two men with the motorbike add just a little interest.

Churchill was a great leader in wartime, not least because his first action as Prime Minister was to invite Attlee, Sinclair and Chamberlain – the leaders of the Labour, Liberal and Conservative parties – to serve in a Coalition Government. I was too young to vote in the 1945 election (just over two months old) but clearly the nation wanted a change and saw that his strengths were no longer relevant to its future. His return to power in 1951 was something of a disaster for the country, made more clear by his protégé and successor Eden.

Nine Elms Cold Store, RIver Thames, Nine Elms, Vauxhall, Pimlico, Westminster, 198787-9a-12-positive_2400

All of these buildings at Nine Elms, seen from across the River Thames, have now been demolished. None was I suppose a great loss, but together I think they made an interesting ensemble. The cold store, brutally functional but with the elegant spiral staircase at its centre, presumably a fire exit, the curving horizontal of 95 Wandsworth Rd, for long occupied by Cap Gemini, demolished in 2018 and I think the site now owned by a Chinese property developer, and the two tower blocks at the right have also gone.

Riverside flats, Pimlico, Westminster, 1987 87-9a-15-positive_2400

Taken on the riverside path opened up in front of Crown Reach in Pimlico and now a part of the Thames Path. This view of the building looks to me like an Escher drawing, but for real, and I liked the contrast in shape and style with the rounded and decorated riverside lamp post.

Locking Piece, Henry Moore, sculpture, Riverside Walk Gardens, Millbank, Westminster 87-9a-22-positive_2400

Another picture of Henry Moore’s Locking Piece in the Riverside Walk Gardens on Millbank, again with the River Thames, Vauxhall Bridge, Nine Elms Cold Store and Market Towers in the distance. A figure walking past gives some sense of the scale of the piece, and the view is tightly cropped (I think the negative probably just contains the right edge of the plinth at its extreme edge.) I deliberately stood where a small area of sky was visible through the centre of the sculpture.

Millbank Tower, Millbank, Westminster, 1987 87-9a-42-positive_2400

Another example of very deliberate framing at the left and top edges of this view of the buildings around the base of the Millbank Tower.

Millbank Tower, Millbank, Westminster, 1987 87-9a-46-positive_2400

I wasn’t able to quite do the same when I made another exposure including the whole of the tower, but I think it makes effective use of the curvature of the building.

Thorney St, Westminster, 1987 87-9a-56-positive_2400

I think this picture in Thorney St shows the rear of the rather oddly shaped Millbank Tower building, but I think the concrete spiral ramp has been replaced by a garden.

John Islip St, Westminster, 1987 87-9a-54-positive_2400

And my final picture, taken in John Islip St, is something of a mystery to me, because of the reflections in the large polished stone triangular section fins on its surface. I found two of these fairly close together and the reflections make it almost impossible (at least for me) to see this building as it actually was rather than some optical illusion. If I start at the bottom of the frame where there is less reflection I can force myself to see it as it was.

Abell House and its neighbour Cleland House were I think built as government offices by TP Bennet around 1930, and were over-clad in 1985 using matching dark brown marbleised granite cladding, with a highly polished surface. I’m not sure which of the two is in this picture. Both were demolished around 2011-2 and replaced by taller residential towers with the same names, completed in 2016. The replacements look over-fussy to me, but would be rather easier to photograph.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.