Posts Tagged ‘Loughborough Junction’

A Couple, Shops, Shakespeare and a Green Man

Thursday, July 6th, 2023

A Couple, Shops, Shakespeare and a Green Man is the fourth post on my walk in Kennington and Brixton on Sunday 6th May 1989. The posts began with Hanover, Belgrave, Chapel, Shops, Taxis. The previous post was Loughborough Estate, Angell Town & A Garage – 1989

Couple, Loughborough Jct, Lambeth, 1989 89-5d-11
Couple, Loughborough Junction, Station, Lambeth, 1989 89-5d-11

I turned right at the end of Ridgway Road onto Loughborough Road and walked under the railway bridge to the junction with Coldharbour Lane, turning east and walking a few yards under another bridge to the station entrance. Outside the station which was then closed at the weekends were a young couple who saw my cameras and asked me what I was photographing. We had a short talk and then they asked me to take their picture.

The Flower Box, Coldharbour Lane, Loughborough Jct, Lambeth, 1989 89-5d-12
The Flower Box, Coldharbour Lane, Loughborough Jct, Lambeth, 1989 89-5d-12

A few yards further on I was back to the small parade of shops in front of the alley leading to the Celestial Church of Christ where I had made some photographs a month earlier.

I don’t know how long The Flower Box had been closed, but clearly it was some time, although I could still read its faded signage, ‘FLOWERS FOR EVERY OCCASION’ and ‘SAY IT WITH FLOWERS’.

Perhaps surprisingly this building with the triple decoration at left is still standing at No 208, now a Chinese takeaway, with the demolished shop at right under the hoarding rebuilt and now serving Caribbean Cuisine.

Shops, Coldharbour Lane, Loughborough Jct, Lambeth, 1989 89-5d-13
Shops, Coldharbour Lane, Loughborough Jct, Lambeth, 1989

My next picture came just a couple of yards away, when a young man riding a bike emerged from the alley. I could see him coming as the shop at left had been demolished. I was rather surprised that the two floors above, hidden by the hoarding were still standing as there didn’t appear to be very much holding them up.

Shops, Coldharbour Lane, Loughborough Jct, Lambeth, 1989 89-5d-15
Shops, Coldharbour Lane, Loughborough Jct, Lambeth, 1989 89-5d-15

I turned around and walked back westwards along Coldharbour Lane which bends southwards under more railway lines before almost immediately swinging west again, creating the narrow space for this building between viaduct and road. That end wall of the property is only six bricks wide – around 4ft 6inches, though the building widens out further away.

This block is still there, looking perhaps a little better than when I made this picture. The first floor window on the end wall has been bricked up. It appears to be leaning a little in my picture because I did not have the camera level.

Jubilee Terrace, Shakespeare Rd, Loughborough Jct, Lambeth, 1989 89-5d-16
Jubilee Terrace, Shakespeare Rd, Loughborough Jct, Lambeth, 1989

Shakespeare Road runs south here and I walked a short distance down it to photograph Jubilee Terrace. The road was obviously named for William S, and as the plaque states, Jubilee Terrace was built in 1887, the year of Queen Victoria’s Golden Jubillee, 50 years after her accession on 20 June 1837. It was the occasion for her to start making public appearances again after a long period of isolation following the death of her husband in 1861.

I think these were built as a terrace of houses in conjunction with the business premises to the north shown in the next picture. The houses at both ends and the central pair are three-storey while the others only have two.

Shakespeare Business Centre, Shakespeare Rd, Loughborough Jct, Lambeth, 1989 89-5e-62
Shakespeare Business Centre, Shakespeare Rd, Loughborough Jct, Lambeth, 1989 89-5e-62

At the north end of Jubilee Terrace and joined to it, this was built as commercial premises for Osborne and Young corn merchants, with an entrance for horse-drawn vehicles at its centre. Later it became known as Coldharbour Works.

You can read more about the history of the building on Brixton Buzz, including the rather surprising finding underneath that underneath the blank boards of the shopfronts at right were those you can now see on the building for bird seed specialists B.O.Y, Brinkler, Osborne & Young, including the original owners of the premises – B.O.Y were apparently in business here from around 1932 until they were taken over around 1974.

Houses, Anna French, Fabrics, Lace, Wallpaper, Shakespeare Rd, Loughborough Jct, Lambeth, 1989 89-5e-63
Houses, Anna French, Fabrics, Lace, Wallpaper, Shakespeare Rd, Loughborough Jct, Lambeth, 1989 89-5e-63

The southern end of Jubilee Terrace and in the yard of Coldharbour Works behind the shop of Anna French, Fabrics Lace Wallpapers in what I assume was one the store of the corn merchants. Anna French started a company in Scotland in 1976 to make her designs and is one of the best-known wallpaper and fabric designers. The company is now part of Thibaut, the oldest US company in wallpaper and fabrics.

Anna French moved to smaller premisess in Hinton Rd and the building is now Kings College Hospital Therapies Department

The Green Man, Coldharbour Lane, Loughborough Jct, Lambeth, 1989 89-5e-64
The Green Man, Coldharbour Lane, Loughborough Jct, Lambeth, 1989 89-5e-64

The Green Man on the corner of Coldharbour Lane and Hinton Road had been at the edge of one of the pictures I’d taken on an April walk, but here in a picture taken looking from the end of Belinda Rd it is in the centre of the picture and we can see its name and pub sign.

It closed in 2003, not because it was unprofitable, but because it was too popular with drug dealers and petty criminals and was asked to close. There had been a pub of that name on the site since before 1800, but this building dates from 1881. In 2016 the building, now a skills zone and careers advice centre, was given a Shimmer Wall Green Man artwork on the second floor above its entrance.

There will be further posts on this walk later.


Cold Harbour & Myatt’s Fields

Wednesday, May 31st, 2023

My walk on Sunday 9th April 1989 continues in this post, Cold Harbour & Myatt’s Fields. The previous post was Camberwell & Myatt’s Fields.

Church, Shop, Coldharbour Lane, Camberwell, Lambeth, 1989 89-4j-61
Church, Shop, Coldharbour Lane, Camberwell, Lambeth, 1989 89-4j-61

Back in 1989 I was still pretty pressed for cash, still buying film in bulk 100 ft lengths and loading it into cassettes myself in total darkness.

Over the years I’d perfected my method. Two nails on the back of my darkroom door, hang one of the sprocket holes at the end of the roll of film on the top one, unroll it down to the second, cut across, replace film in can. Pick up first spool from a waiting row on the bench, already with a short length of masking tape on it, attach to the bottom end of the hanging length of film, carefully roll it up to the top, remove from nail, pick up cassette body, insert spool with film end though velvet light trap, pick up end cap and pinch cassette to push it into place. Repeat another 18 times until the film roll is finished. Turn on light, trim film ends to fit cameras and put into plastic pots to go into camera bag.

Slow, tedious but then less than half the cost of buying film in 26 exposure cassettes, though I did ocasoinally treat myself – and if I bought Ilford film rather than Kodak I could reuse the cassettes with bulk film. Kodak had crimped on ends which had to be removed with a bottle cap remover destroying them.

I had learnt to be very careful with film in this project to photograph London, working with 35mm cameras much as I would have done with large format camera, carefully considering various viewpoints before deciding on an exposure. But when working with people I had to respond rather more quickly, and seeing these two men in front of the white church door my response was immediate.

Shops, Coldharbour Lane, Camberwell, Lambeth, 1989 89-4j-62
Shops, Coldharbour Lane, Camberwell, Lambeth, 1989 89-4j-62

After that rather snatched image I continued with photographing the two shops which had attracted my interest here, making first a vertical image and then moving back across the road for a wider view. In this (below) you can see the notice for the Celestial Church of Christ and the alley leading to this.

Shops, Coldharbour Lane, Camberwell, Lambeth, 1989 89-4j-63
Shops, Coldharbour Lane, Camberwell, Lambeth, 1989 89-4j-63

As well as these black and white images I also took a couple in colour which you can see in another album. I had two Olympus OM bodies with me and only brought the one with colour negative film out of my bag occasionally, while the black and white camera was usually on a strap around my neck. When I was intending to photograph people rather than buildings I usually went out with a Leica M2 instead.

Coldharbour Lane leads from Camberwell to Brixton and got a very bad reputation after the 1981 clashes between police and locals in Brixton. In 2003 it was called in an article in the London Evening Standard the most dangerous street in the most dangerous borough in London, but that was lagely rabid tabloid journalism. Wikipedia gives several theories about its name none of which seem entirely convincing, but the name seems often to have been associated with the ruins of Roman or Romano-British settlements, The area we know usually call Loughborough Junction around the station on early maps was called Cold Harbour. Coldharbour Lane was then known as Camberwell Lane.

Cafe,  Hinton Rd, Camberwell, Lambeth, 1989 89-4j-65
Café, Hinton Rd, Camberwell, Lambeth, 1989 89-4j-65

The S&J Corner Café was on the corner with Wellfit Street, close to Loughborough Junction station. The railway line here is just south of the station. A second bridge can be seen going above this and the cafe which is the line from Brixton to Denmark Hill, now used by London Overground services.

Cyclist, HInton Rd, Camberwell, Lambeth, 1989 89-4j-51
Cyclist, Hinton Rd, Camberwell, Lambeth, 1989 89-4j-51

Another picture I took on the spur of the moment as I saw a cyclist coming towards me under the bridges on Hinton Road. I was standing on the pavement beside the cafe in the previous image, and the cyclist is on the pavement, rather safer than roads like this in London. At the end of the row of shops on the left are the traffic lights and Coldharbour Lane whch I had just begun to walk towards.

Hinton Rd, Camberwell, Lambeth, 1989 89-4j-52
Hinton Rd, Camberwell, Lambeth, 1989 89-4j-52

The pub at right of this picture is The Green Man on the corner with Coldharbour Lane. According to a post on the Brixton Buzz, this had been on the site since 1881, but that is the date of the current building which replaced an earlier pub on the site important enough to be marked on Stanford’s 1862 map. The Buzz says it was closed in 2003 because of drug dealing and crime, and it quotes from the Urban75 blog that it was “was frequented by dealers (crack, heroin you name it), prosi’s and general madhatters.

The buildings at the left date from around the same time as the area was developed around the railways, and number 6 at left has a barely legible road name ‘Hinton Terrace‘ and I think at the top the illegible name of a builder and decorator whose sign presumably once hung on the bracket beside the street name.

House, Lilford Rd, Camberwell, Lambeth, 1989 89-4j-53
Houses, Lilford Rd, Camberwell, Lambeth, 1989 89-4j-53

I walked up past Loughborough Junction and made my next picture on Lilford Road at the corner of Minet Road, returning to the area I had been earlier on this walk, the Minet Estate around Myatt’s Fields. This is on the corner of a terrace with basement flats with an entrance here under the steps which extends along both streets and this grand entrance is actually for two adjoining houses above the flats, one on each street. The Grade II listing calls these “Early-mid C19″ and describes this a “double prostyle composite porch with fluted composite columns.”

Longfield Hall, Knatchbull Rd, Myatts Fields, Camberwell, Lambeth, 1989 89-4j-54
Longfield Hall, Knatchbull Rd, Camberwell, Lambeth, 1989

William Minet founded this Grade II listed community hall, architect George Hubbard, which opened in 1889, as well as the Minet library opposite which was destroyed by bombing and rebuilt in 1956 in what Pevsner described as ‘a meek replacement’. The Library was a memorial for his late wife. The Hall is still in use for various community activities including three church congregations and from 1969 -1975 was the base of Britain’s first Black Theatre Company, ‘Dark And Light’, recently marked by a Blue Plaque. It was Grade II listed in 1979 and is now run by a charity, The Longfield Hall Trust.

My walk made on on Sunday 9th April 1989 will finish in a later post. The first part from it is at Peckham and East Dulwich 1989.


South of the River

Sunday, June 28th, 2020
Cafe, Norwood Rd, Herne Hill, 1991 TQ3274-001
Café, Norwood Rd, Herne Hill, 1991

I think I only took my first pictures on colour negative film in 1985. When I began in photography at the start of the 1970s it was quite clear that colour neg was just for amateur snaps and social photography, but real photographers – if they stooped to colour – did it on transparency film.

Cafe, Loughborough Junction, 1989, TQ3275-001
Café, Loughborough Junction, 1989

Most publications – books, magazines, newspapers etc – . still used only – or mainly – black and white, and when colour was used it was almost invariably from colour transparency. Images taken on colour neg were only used at a last resort, and usually then duped onto transparency for repro, or occasionally printed onto black and white paper to be used. You could get special panchromatic black and white paper which gave some chance of normal tonality, but it was a pain to use as normal darkroom safelights fogged it, and often normal black and white paper was used despite the often very poor tonality it gave.

Shops, Flaxman Rd, Loughborough Junction, 1987 TQ3276-002
Shops, Flaxman Rd, Loughborough Junction, 1987

Though colour transparency was great for repro, making prints from it had its limitations – as did using transparency film. I found myself too often having images with empty black shadow areas or unusably blown highlights as it the film had a limited exposure range. You could get great punchy saturated colour prints, fine for advertising (which was never my scene) but it was difficult to achieve subtlety. Fed up with telling printers what I wanted and being told it wasn’t possible I began making my own prints, working at times with complicated unsharp masking for Cibachromes. My German project I deliberately printed on outdated Agfa direct reversal paper.

Shops, Denmark Hill, Camberwell, 1989 TQ3276-004
Shops, Denmark Hill, Camberwell, 1989

In the 1980s, Fuji shook up colour negative (and, to a lesser extent transparency film), producing new film and print materials that gave greater fidelity, longer print life and greater flexibility in the darkroom. Seeing the prints that other photographers were making (and the fact I wasn’t actually selling my slides professionally) was a conversion experience. Since then I don’t think I’ve ever taken pictures on slide film.

Hairdresser, Coldharbour Lane, Camberwell, 1989, TQ3276-007
Gee P. Johnson, The People’s Salon, Coldharbour Lane, Camberwell, 1989,

At the same time I was beginning a major black and white project to photograph the fabric of London, and saw my colour work as separate to that, but dependent on it. I don’t think I ever went out to visit a place or area to take colour pictures, but simply did so when opportunities arose as I visited various areas.

I didn’t have a particular interest in cafes or hairdressers, but saw these and other shops and offices as example of small businesses with relatively low start-up costs which reflected both the aesthetic of their owners and of the people of the area which they served. Gee P Johnson’s unisex ‘The People’s Salon’ for me expressed that sense well.

TQ3276-013
Daneville Rd, Camberwell, 1989, Southwark,

Filing selected trade prints in albums according to their grid references was a way to explore the differences between different areas across London – and I chose to do so in these 1km wide south-north strips. It was also a kind of cataloguing system for my work, though not always as well documented on the prints it should have been.

Garage, Camberwell Station Rd, Camberwell, 1989 TQ3276-017
Garage, Camberwell Station Rd, Camberwell,

These examples come from the first thirty or so images in my Flickr album TQ32 London Cross-section, which contains a little over 300 pictures. I’ll perhaps look again at some more shortly.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Brixton TQ31

Sunday, June 14th, 2020
Van, Rushcroft Rd, Brixton, 1987 TQ3175-001

There must be a reason for this van, parked at the junction of Rushcroft Rd and Vining St behind the large Foodstation building to have a horse on its cab roof, and I’d love someone to enlighten me. I think this is a classic Citroen H van, which were often adapted for use as catering or camping vans, and some are still in use and sell for high prices. There was even a special horse-box version.

Fishmongers, Shop, Atlantic Rd, Brixton, 1987 TQ3175-004

The much-loved fishmonger in the railway arches, one of a number of businesses recently lost to the relentless gentrification of Brixton, despite a long and hard-fought campaign.

Sculpture, Flats, Barrington Rd, Brixton, 1989 TQ3175-014

This sculpture and the mosaic panels were on Kemble House in Barrington Rd, and the pillar still has the mosaic, though the sculpture is long gone. I think both were added to the building in the mid-80s by Freeform Arts. The Loughborough estate was built by the LCC from 1954-70 to the designs of their architects department under Sir Leslie Martin, and provided 1,031 dwellings, including maisonettes in nine 11-storey blocks such as Kemble House. Since 1995 the estate has been run by the Loughbourough Estate Management Board.

Coldharbour Lane, Loughborough Junction, Brixton, 1989 TQ3175-018

An alley between shops on Coldharbour Lane still leads the Celestial Church of Christ at Loughborough Junction, and that strange post is still there in the middle of the pavement. The church “came into the world from heaven by DIVINE ORDER on the 29th of September 1947 in Porto Novo, Republic of Benin through the founder of the Church, the Late Reverend, Pastor, Prophet, Founder Samuel Bilehou Joseph Oshoffa. The Church is well known with Parishes, Dioceses all over the world with its International Headquarters in Nigeria.” More here.

Graffiti, Stockwell Ave, Brixton, 1989 TQ3175-026

I think this graffiti on Stockwell Avenue was on the side wall of 8 Bellefields Rd though it has long disappeared. A number of more official-looking murals had been painted in the area at the time, and one is still present on the facing wall, but this seemed to me to be more ‘Brixton’. The mural opposite was painted in 1987 by Sonia Martin of London Wall Public Art after consultations with local residents and was one of a series of Brixton murals painted after the 1981 Brixton riots with funding from Lambeth Council and the GLC.

More pictures from Brixton in TQ31 London Cross-Section.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.