Posts Tagged ‘Loughborough Junction’

South of the River

Sunday, June 28th, 2020
Cafe, Norwood Rd, Herne Hill, 1991 TQ3274-001
Café, Norwood Rd, Herne Hill, 1991

I think I only took my first pictures on colour negative film in 1985. When I began in photography at the start of the 1970s it was quite clear that colour neg was just for amateur snaps and social photography, but real photographers – if they stooped to colour – did it on transparency film.

Cafe, Loughborough Junction, 1989, TQ3275-001
Café, Loughborough Junction, 1989

Most publications – books, magazines, newspapers etc – . still used only – or mainly – black and white, and when colour was used it was almost invariably from colour transparency. Images taken on colour neg were only used at a last resort, and usually then duped onto transparency for repro, or occasionally printed onto black and white paper to be used. You could get special panchromatic black and white paper which gave some chance of normal tonality, but it was a pain to use as normal darkroom safelights fogged it, and often normal black and white paper was used despite the often very poor tonality it gave.

Shops, Flaxman Rd, Loughborough Junction, 1987 TQ3276-002
Shops, Flaxman Rd, Loughborough Junction, 1987

Though colour transparency was great for repro, making prints from it had its limitations – as did using transparency film. I found myself too often having images with empty black shadow areas or unusably blown highlights as it the film had a limited exposure range. You could get great punchy saturated colour prints, fine for advertising (which was never my scene) but it was difficult to achieve subtlety. Fed up with telling printers what I wanted and being told it wasn’t possible I began making my own prints, working at times with complicated unsharp masking for Cibachromes. My German project I deliberately printed on outdated Agfa direct reversal paper.

Shops, Denmark Hill, Camberwell, 1989 TQ3276-004
Shops, Denmark Hill, Camberwell, 1989

In the 1980s, Fuji shook up colour negative (and, to a lesser extent transparency film), producing new film and print materials that gave greater fidelity, longer print life and greater flexibility in the darkroom. Seeing the prints that other photographers were making (and the fact I wasn’t actually selling my slides professionally) was a conversion experience. Since then I don’t think I’ve ever taken pictures on slide film.

Hairdresser, Coldharbour Lane, Camberwell, 1989, TQ3276-007
Gee P. Johnson, The People’s Salon, Coldharbour Lane, Camberwell, 1989,

At the same time I was beginning a major black and white project to photograph the fabric of London, and saw my colour work as separate to that, but dependent on it. I don’t think I ever went out to visit a place or area to take colour pictures, but simply did so when opportunities arose as I visited various areas.

I didn’t have a particular interest in cafes or hairdressers, but saw these and other shops and offices as example of small businesses with relatively low start-up costs which reflected both the aesthetic of their owners and of the people of the area which they served. Gee P Johnson’s unisex ‘The People’s Salon’ for me expressed that sense well.

TQ3276-013
Daneville Rd, Camberwell, 1989, Southwark,

Filing selected trade prints in albums according to their grid references was a way to explore the differences between different areas across London – and I chose to do so in these 1km wide south-north strips. It was also a kind of cataloguing system for my work, though not always as well documented on the prints it should have been.

Garage, Camberwell Station Rd, Camberwell, 1989 TQ3276-017
Garage, Camberwell Station Rd, Camberwell,

These examples come from the first thirty or so images in my Flickr album TQ32 London Cross-section, which contains a little over 300 pictures. I’ll perhaps look again at some more shortly.


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage : Flickr

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Brixton TQ31

Sunday, June 14th, 2020
Van, Rushcroft Rd, Brixton, 1987 TQ3175-001

There must be a reason for this van, parked at the junction of Rushcroft Rd and Vining St behind the large Foodstation building to have a horse on its cab roof, and I’d love someone to enlighten me. I think this is a classic Citroen H van, which were often adapted for use as catering or camping vans, and some are still in use and sell for high prices. There was even a special horse-box version.

Fishmongers, Shop, Atlantic Rd, Brixton, 1987 TQ3175-004

The much-loved fishmonger in the railway arches, one of a number of businesses recently lost to the relentless gentrification of Brixton, despite a long and hard-fought campaign.

Sculpture, Flats, Barrington Rd, Brixton, 1989 TQ3175-014

This sculpture and the mosaic panels were on Kemble House in Barrington Rd, and the pillar still has the mosaic, though the sculpture is long gone. I think both were added to the building in the mid-80s by Freeform Arts. The Loughborough estate was built by the LCC from 1954-70 to the designs of their architects department under Sir Leslie Martin, and provided 1,031 dwellings, including maisonettes in nine 11-storey blocks such as Kemble House. Since 1995 the estate has been run by the Loughbourough Estate Management Board.

Coldharbour Lane, Loughborough Junction, Brixton, 1989 TQ3175-018

An alley between shops on Coldharbour Lane still leads the Celestial Church of Christ at Loughborough Junction, and that strange post is still there in the middle of the pavement. The church “came into the world from heaven by DIVINE ORDER on the 29th of September 1947 in Porto Novo, Republic of Benin through the founder of the Church, the Late Reverend, Pastor, Prophet, Founder Samuel Bilehou Joseph Oshoffa. The Church is well known with Parishes, Dioceses all over the world with its International Headquarters in Nigeria.” More here.

Graffiti, Stockwell Ave, Brixton, 1989 TQ3175-026

I think this graffiti on Stockwell Avenue was on the side wall of 8 Bellefields Rd though it has long disappeared. A number of more official-looking murals had been painted in the area at the time, and one is still present on the facing wall, but this seemed to me to be more ‘Brixton’. The mural opposite was painted in 1987 by Sonia Martin of London Wall Public Art after consultations with local residents and was one of a series of Brixton murals painted after the 1981 Brixton riots with funding from Lambeth Council and the GLC.

More pictures from Brixton in TQ31 London Cross-Section.


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage : Flickr

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.