Goodbye to Wandsworth – 1990

Goodbye to Wandsworth – 1990: The final post on my walk on Sunday 4th March 1990 which had begun at Clapham Junction in Battersea with St John’s Road & East Hill, Battersea – 1990. The previous post on this was walk was Point Pleasant and the Thames.

It wasn’t of course the last time I went to Wandsworth – I was even back there a couple of weeks ago, walking through the same areas, though much of it now hardly recognisable.

West Hill Primary, School, Broomhill Rd, Wandsworth, 1990, 90-3c-25
West Hill Primary, School, Broomhill Rd, Wandsworth, 1990, 90-3c-25

The school building is locally listed and its address is 5 Merton Road, but this is the view from Broomhill Road.

London Theatre School, Chapel Yard, Wandsworth, 1990, 90-3c-26
London Theatre School, Chapel Yard, Wandsworth, 1990, 90-3c-26

On a second image I made of this building I can just about make out the inscriptions on the frontage as at left ‘Erected 1573, Enlarged 1685 and on the right ‘Repaired 1809 – 31, Rebuilt 1882’. You can read all four plaques lower on the building on the London Remembers site.

This is Wandsworth Chapel and possibly the site was first used by Huguenots, though perhaps only rather later than this. Another plaque lower down mentions a Dutch congregation but from 1713-87 this was the ‘French Church.’ Later from 1809 it was Congregational and a plaque states they continued to use it for mission work until 1939 after moving to a new church on East Hill in 1860. Its history reflects the many immigrants who settled in Wandsworth and set up industries along the Wandle using its water and the power it could generate.

The current building with a hall which could hold 500 people opened in 1883 and is locally listed. Since housing the London Theatre School it became the National Opera Studio.

Pizza Delivery, Scooters, Wandsworth High St, Wandsworth, 1990, 90-3e-65
Pizza Delivery, Scooters, Wandsworth High St, Wandsworth, 1990, 90-3e-65

Pizza Delivery began in the UK in the mid-1980s, but back in 1990 you had to phone for a pizza, with on-line ordering only becoming widespread in the late 1990s. It was still fairly unusual in 1990 and HIPPO PIZZA with this row of five scooters ready and waiting for a call was something of a pioneer.

Entrance, Car Wash, Wandsworth High St, Wandsworth, 1990, 90-3e-66
Entrance, Car Wash, Wandsworth High St, Wandsworth, 1990, 90-3e-66

‘Welcome, Please Drive In’ for a ‘Guaranteed Complete Clean’. At at right someone sits waiting. There is still a ‘HAND CAR WASH’ here on the High Street.

Gas Holder, Armoury Way, Wandsworth, 1990, 90-3e-51
Gas Holder, Armoury Way, Wandsworth, 1990, 90-3e-51

I walked up Ram Street again to Armoury Way and took a few more pictures of the gas holder – which I’ve written more about in earlier posts about this walk.

Gas Holder, Armoury Way, Wandsworth, 1990, 90-3e-53
Gas Holder, Armoury Way, Wandsworth, 1990, 90-3e-53

I think I then looked at my watch and hurried to Wandsworth Town Station taking no more pictures to catch a train rather than have to wait another half hour for the next one.

Finally, here is just one picture from the area I made on my last visit in April 2026, looking across where Bell Lane Creek and the River Wandle join. On ‘The Spit’ is a sculpture, ‘Sail’, by Sophie Horton placed there in 2003, financed by the Wandsworth Challenge Partnership. It was inspired by the sail of a dinghy, though I don’t think these have ever sailed up here. But perhaps in the new Wandle Riverside they will.

The flats are part of a new development on the former site of the Wandsworth Gasworks. And where I was standing to take this picture where there is now a riverside path leading to the River Thames was, back in 1990, part of the Shell Oil Terminal.


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1995 Colour – Part 1

1995 Colour – Part 1: The first of a series of posts on my colour work, mainly in London, from 1995, 35 years ago and when I’d been working extensively with colour negative film for ten years, though still continuing to work with black and white.

1995 Colour - Part 1
Car Wash, St Paul’s Cray, Bromley, 1995, 95c01-122

Although I’d always taken both colour and black and white photographs since I began in photography, black and white had dominated my work. It was still the serious side of photography in the 1970s; almost all gallery shows then were black and white, and most publications were still only printed in monochrome, including photographic magazines, although some occasionally had a few colour pages.

1995 Colour - Part 1
Frost & Smith, Accident Repairs, Cray Rd, Bexley, 1995, 95c01-123

And back then, almost all professional colour was taken using colour slide film such as Ektachrome and Kodachrome. Films were mainly sold inclusive of processing and you sent away your exposed film and a few days later s box of slides came back through the post. Professionals might use Ektachrome and take it to a lab for processing, but that worked out more expensive, though you could get the results in an hour or so.

1995 Colour - Part 1
St Paul’s Cray, Bromley, 1995, 95c01-132

I was interested in colour but in the early years took far fewer colour images, largely because of the cost, though I did cut this down by buying colour film in bulk and home processing, though this needed much tighter control of time and temperature than black and white and the results were not always quite as they should have been.

1995 Colour - Part 1
Hi-Q, Tyres, Sevenoaks Way, St Paul’s Cray, Bromley, 1995, 95c01-133

Most photographers at the time felt that colour negative film was only for amateurs, but two things changed that for me. One was my frustration with transparency film which simply could not handle many of the high contrast scenes I was interested in, giving impenetrable shadows where I wanted detail and the second was seeing some prints produced by another photographer, printed on Fuji paper.

1995 Colour - Part 1
Opticians, Walthamstow, 1994, Waltham Forest, 95c01-141

There was a clarity about the colours that this paper gave when compared with Kodak, Agfa and the others, but the other great advantage was that there was little or no colour shift with exposure. This meant that I could dodge and burn prints with a similar creative control to working with black and white.

Chinese Takeaway, Hoe St, Walthamstow, 1994, 95c01-155

Some time early in 1985 I made the decision to switch entirely from transparency to negative for all of my personal colour work.

Belvedere, Bexley, 1994, 95c01-161

This post is the first of a number which will show some of my colour images from 1995.

Belvedere, Bexley, 1994, 95c01-163

These pictures were all made in December 1994 or January 1995 with some 1994 images only being processed in January 1995.

War Memorial, Callender’s Cables, Church Manorway, Belvedere, Bexley, 1994, 95c01-165

I’ll publish more in later posts, perhaps also including some of the colour panoramas I made. There is much more of my colour work on film in a number of Flickr albums.


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