Another side of Marylebone

Paddington Green, Paddington, Westminster, 1987 87-3b-15-positive_2400
Paddington Green, Paddington, Westminster, 1987

There is another side to Marylebone, particularly to the north of the Marylebone Road, around Lisson Grove and Edgware Road. The trees are still there on the Green, and I think my tilted camera was an attempt to maximise their effect. The tower blocks at right, Hall and Braithwaite Towers, both 22 stories were commissioned by Paddington Metropolitan Borough Council, more or less identical blocks by R A Jensen, completed in 1966 and still standing, each with 80 flats, but Paddington College, opened here in 1967 was replaced by a new building for what is now City of Westminster College in 2011.

Ralfe Electronics, Transept St, Marylebone, Westminster, 1987 87-3c-42-positive_2400
Ralfe Electronics, Transept St, Marylebone, Westminster, 1987

Ralfe Electronics was indeed ‘The “Famous House” for Electronic Components‘ and a company of that name still exists, but is now in Watford. They were at 10 Chapel St, on the corner of Transept St, just a few yards from Edgware Rd (District) line station. Electronics geeks used to come from all over the country, if not the world, to shop here.

Bookmakers, Crawford Place, Paddington, Westminster, 1987 87-3c-15-positive_2400
Bookmakers, Crawford Place, Paddington, Westminster, 1987 87-3c-15-positive_2400
The Christian Union Almshouses, Crawford Place, Paddington, Westminster, 1987  87-3c-26-positive_2400
The Christian Union Almshouses, Crawford Place, Paddington, Westminster, 1987

The bookmakers was in Crawford Place, a short street off the Edgware Road in the rather plusher area south of the Marylebone Rd, close to the Christian Union Almshouses. This building is still there, and in very much better condition. Built as a small hospital for the elderly and inform in 1899 it was converted into a dozen self-contained flats a few years after I took this picture. It still provides housing “for older or retired people in housing need, who are of the Christian faith“, particularly those “who live in, or have a strong local connection to the Boroughs of Westminster, Camden, or Kensington & Chelsea.

Ken's Junk Shop, Lisson Grove, Westminster, 1987 87-3b-21-positive_2400
Ken’s Junk Shop, Lisson Grove, Westminster, 1987
87-3b-36-positive_2400
Lisson Grove Cottages, Lisson Grove, Westminster, 1987

The date on the houses in this small street off Lisson Grove is 1855, and they were Grade II listed a few months after I took this photograph. I think I was aware of these artisanal dwellings and Bell St from the drawing and writing of Geoffrey Fletcher – these cottages are drawn on p51 of his London Souvenirs (1973).

It was easy to walk past the entry to them without noticing, and I think it is now behind a locked gate.

Bookseller, Bell St, Lisson Grove, Westminster, 1987 87-3b-23-positive_2400
Bookseller, Bell St, Lisson Grove, Westminster, 1987

Bell St here now has a very different character, with most of the shops including this second-hand book dealer now converted to residential properties. Back in 1987 it was difficult to walk along this street without being diverted into browsing the extensive stock in search of a bargain, though these were hard to find.

The first Turkish Bath in London was opened in this street by Roger Evans in 1860, but the area was described at the time as being densely crowded with a population lower than the ‘decent poor’ on the east side of Lisson Grove, with Bell St “the main stream of a low colony, with many tributary channels.”

Stirling & Sons, Bell St, Lisson Grove, Westminster, 1987 87-3b-12-positive_2400
Stirling & Sons, Bell St, Lisson Grove, Westminster, 1987

One of my favourite pictures from this area shows the street and pavement outside Stirlings at 54 Bell St, a junk and scrap metal dealer with an extensive range and whose premises appear to need scaffolding. But it is the group of people in the doorway that provide much of the interest, as well as their backdrop.

Numbers on the street now go direct from 52 to 56, with no 54. The space of this shop and that on its right are now the Lisson Gallery, built to the designs of Tony Fretton shortly after I made this picture. The concrete pillar at left, part of a run-down single-storey building, continued to deteriorate until around 2010 when it was refurbished and in 2015 had two storeys added in a late Victorian manner that could be original.

More pictures of various areas of London in 1987.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


12 Years Ago – our journey to Iona

Twelve years ago today (I’m writing this the day before posting) we – myself, my wife and our elder son – were on our way to Iona. We’d enjoyed 5 nights in Glasgow at a Rennie Mackintosh hotel – more pictures here – and seen the sunset over the Clyde but had got up early to leave the hotel to catch a bus to Oban in the rain which continued to drive against the windows throughout the 3 hour journey.

Near Inverary – this was the clearer view from the bus on our way home

It was still raining as we queued to buy tickets for the two ferry journeys. We were fortunate to reach the bus when the ferry landed at Craignure in time to get a seat, while some unlikely people were left standing in the rain, waiting for 5 hours for our bus to return for a second journey.

We could see Mull from the ferry on our journey home. Outward we only saw rain
The ferry we had arrived on from Oban at Craignure. seen from the bus windo

The rain eased off a little for what is quite a spectacular journey across Mull to Fionnphort, around 35 miles on what is rather jokingly called the A849, mostly single track with passing places. It was around an hour and a half before we arrived at the landing slip there for the ferry across the strait to Baile Mòr on the island of Iona.

The jetty at Fionnphort and Mull. The ferry has just started across the strait.

From the slip we could see the island clearly, though there was still a little light rain, and watch the ferry making its way across the 0.85 miles of water, and very clearly see the Abbey where we were to spend a week.

The ferry docks at Fionnphort.

Technically our stay at the Abbey was not a holiday but a retreat and we were there with around thirty friends sharing in the life of the Abbey, including sharing the chores as well as taking part in its religious life including shared meals. But this left plenty of time to enjoy and explore the island, 3 miles long and at its widest point only 1.5 miles wide and virtually car free. I’ll perhaps write more about that later this week.

The Bishop’s House and the Abbey – where we were to stay – from the ferry

A week later we were on our way home, and the weather was much better, and I was able to make a few more photographs, a couple of which I’ve used here.

The ferry approaches the slip at Baile Mòr on Iona

Today, sat at home and still only venturing out for exercise and the very occasional shopping for essentials it’s good to re-live a little from 12 years ago. We’ve had to cancel our holiday this year which would have been in Wales – and hope to make it there in 2021.

More on My London Diary.


Marylebone musings

Joseph Bros, Textiles, Great Portland St, Fitzrovia, Westminster, 1987 87-3e-45-positive_2400
Joseph Bros, Textiles, Great Portland St, Fitzrovia, Westminster, 1987

Joseph Bros (Textiles) Ltd according to Companies House is dissolved, last filing company reports in 2006, though some online directories still list it at an address in Finchley which appears to be a garage. But the building is still there, with its ground floor occupied until recently by an “avant-garde” cosmetics company claiming inspiration from Salvador Dali claiming a “cosmetic artistic approach to stop time and restore youthful appearance.” Seeing what Dali did with clocks in his ‘The Persistence of Memory’ and other works, I don’t think I’d want to entrust my own ‘clock’ to them.

Park Crescent, Marylebone, Westminster, 1987 87-3e-21-positive_2400
Park Crescent, Marylebone, Westminster, 1987

John Nash’s Park Crescent, built in 1812-21 for the Prince Regent and still owned by the Crown Estate is of course Grade I listed, although only its facades are orginal, everything behind them having been restored in the 1960s. They had been badly damaged by bombing in 1940.

According to John Summerson‘s classic work ‘Georgian London’ published in 1945 (my copy is of the 1947 reprint though bought a little later) “Nash inaugurated the real stucco age with the building of Park Crescent in Parker’s Roman Cement in 1812“. He also comments that “the simple appropriateness of Park Crescent with its Ionic colonnades is beyond criticism“.

All Saints Church, Margaret St, Fitzrovia, Westminster, 1987 87-3e-02-positive_2400
All Saints Church, Margaret St, Fitzrovia, Westminster, 1987

All Saints Church in a kind of fantasy gothic called for a very different treatment. It was designed by William Butterfield in 1850 and completed in 1859. Another Grade I listed structure it has been described by Simon Jenkins as “architecturally England’s most celebrated Victorian church” and was pioneering in its use of brick rather than the traditional gothic stone. It set a style that would be much copied for the next 20 years though largely less flamboyantly.

I’ve always felt it would be a good location for a horror film, but is actually a leading centre for Anglo-Catholics in the Church of England.

West London Synagogue, Upper Berkeley St, Marylebone, Westminster, 1987 87-3d-52-positive_2400
West London Synagogue, Upper Berkeley St, Marylebone, Westminster, 1987

Quite in contrast is the West London Synagogue, Upper Berkeley St, Marylebone, Westminster, opened in 1870. The congregation had split away from the Sephardi and Ashkenazi synagogues to worship as “British Jews”, adopting a practice based on the “written Torah”. In 1940 they becamae a part of mainstream Reform Judaism.

The architectural style of the building, by Henry David Davis (1838/9-1915) and Barrow Emanuel (1841-1904), is described as Neo-Byzantine, and is certainly unlike their other works I’ve been able to identify. As well as some artisanal blocks of flats for the East End Dwellings Company they also designed the City of London School for Boys still on Victoria Embankment. The synagogue seems to me a slightly odd amalgam of a fortress and a triumphal gateway.

Off-licence, Upper Berkeley St, Marylebone, Westminster, 1987 87-3d-51-positive_2400
Off-licence, Upper Berkeley St, Marylebone, Westminster, 1987

I was amused by the shop sign and not at all sure that I understood it when I took this photograph of what appears to be a rather up-market off-licence. I’m still not sure about it, with a star, arrow and what seemed to me half a lyre with the text ‘E du V’. Doubtless there is some obvious cultural reference which is lost on me, and hopefully someone will point out my ignorance in response to this post.

The reflection in the window clearly indicates it was on a corner of Upper Berkeley St, though I’m not sure on which corner, possibly of Seymour St. It is surely long gone.

St Mary's Church, Wyndham Place, Marylebone, Westminster, 1987
St Mary’s Church, St Mary’s School, Wyndham Place, Bryanston Square, Marylebone, Westminster, 1987

The church, listed Grade I, was designed by Robert Smirke and built in 1823-4. There is a very full description of the church in ‘A Topographical and Historical Account of the Parish of St. Mary Le Bone’ by Thomas Smith, printed and published in 1833 by John Smith and available at the Internet Archive. The descirption ends on p105-6 with these comments:

It would have been desirable, if possible, to have procured a site for this church in a more central part of the District than that which has been assigned to it. In short, it should almost seem as if the greatest possible pains had been taken to select a site, in all respects the most inconvenient for the majority of the congregation ; it being surrounded by streets of worse than a second rate description.

If it be said, that the accommodation of the poor has been principally consulted the answer is the poor are always sure to fill the free seats allotted to them wherever the service of the Church of England is decently and impressively performed. The tower and cupola of this church form a tolerably picturesque termination to the view from Cumberland Gate, Hyde Park.

Internet Archive
Bryanston Square, Marylebone, Westminster, 1987 87-3d-21-positive_2400
Bryanston Square, Marylebone, Westminster, 1987
St Mary's School, Wyndham Place, Marylebone, Westminster, 1987  87-3d-11-positive_2400
St Mary’s School, Wyndham Place, Marylebone, Westminster, 1987

1987 Shoreditch

Great Eastern St, Curtain Rd, Shoreditch, Hackney, 1987 87-3h-63-positive_2400
Great Eastern St/Curtain Rd, Shoreditch, Hackney, 1987

Almost every picture I took in Shoreditch in 1987 seemed to have a ‘For Sale’ notice on a building in it.

The Mission, Shoreditch High St, Shoreditch, Hackney, 1987 87-3h-54-positive_2400
The Mission, Shoreditch High St, Shoreditch, Hackney, 1987

Shoreditch is an area just outside the City of London, and it was this position outside of the City’s jurisdiction that led to its being the site of London’s first theatres towards the end of the 16th century. These soon moved to other areas – such as Southwark – but people and trades continued to grow in the area. There was a massive increase in population in the Victorian era, with local industries particularly based on timber and furniture-making and upholstering. There are still many Victorian warehoused in the area, but almost all now put to other uses as the furniture trade lost out to cheaper mass-produced and often imported goods. The de-industrialisation was hastened by the shift under Thatcher away from manufacturing to service industries, and by the time I took these pictures in 1987 many warehouses and workshops were empty.

Andrews Office Equipment, Great Eastern St, Shoreditch, Hackney, 1987 87-3h-42-positive_2400
Andrews Office Equipment, Great Eastern St, Shoreditch, Hackney, 1987
Shops, Paul St, Old St, Islington, Hackney, 1987 87-3h-24-positive_2400
Shops, Paul St, Old St, Islington, Hackney, 1987

The fire at Butler’s wharf led to the many artists who had set up studios and often lived in them illegally in disused warehouses being given notice to quit in 1978/9. One of my artist friends being evicted got on his bike and cycled north looking for a suitable new home and got a flat tire on Curtain Rd. He stopped to repair it outside a furniture factory which was closing down and asked a man there if he could have a bowl and water to try and locate the puncture. They talked a little and he was told that the premises were to let – and he had his studio there for the next 20 years or more.

Old St,  Shoreditch, Hackney, 1987
Old St, Shoreditch, Hackney, 1987

Other artists also found cheap property to use as studios, and their presence kept the area alive and gradually made it a more desirable area. Developers moved in, rents increased and artists were gradually forced out of the area, as new clubs, restuarants and other leisure venues proliferated. From the mid-90s Shoreditch began to be a popular area to go for a night out, and is now one of London’s tourist destinations.

W A Hudson Ltd, Curtain Rd, Shoreditch, Hackney, 1987 87-3g-12-positive_2400
W A Hudson Ltd, Curtain Rd, Shoreditch, Hackney, 1987
Old St,  Shoreditch, Hackney, 1987 87-3g-43-positive_2400
Old St, Shoreditch, Hackney, 1987

There are still some artists with studios in the area, but most of its art is now outside on its walls as London’s prime graffiti area. In their place as well as the clubs and food outlets the area has also become home to many high-tech computer based companies, and an epitome of gentrification and hipster culture.

Rivington St,  Shoreditch, Hackney, 1987 87-3g-34-positive_2400
Rivington St, Shoreditch, Hackney, 1987
B Smiler & Sons, Rivington St,  Shoreditch, Hackney, 1987 87-3g-23-positive_2400
B Smiler & Sons, Rivington St, Shoreditch, Hackney, 1987

More from Shoreditch and elsewhere on Page 3 of my 1987 London Photos.


Marylebone Doors

Duchess St, Marylebone, Westminster, 1987 87-3j-65-positive_2400
Duchess St, Marylebone, Westminster, 1987

This gem of a building is just around a corner from the BBC on a few yards down Duchess St, on the opposite side of Portland Place was built to the plans of Robert Adam in 1769-71 as the stable-coach house to Chandos House, Queen Anne Street, and was altered – according to its Grade II listing text “quite sympathetically” around 1924 by Arthur Bolton. The text states it is now part of the British Medical Association.

The lean of the lamp post emphasises the rectangular formality and symmetry of the building as does the man walking past. I’m not sure if I would have preferred not to have a taxi speeding into the picture. The 35mm shift lens enabled me to keep the verticals upright and get the whole building in frame from the opposite side of a fairly narrow street.

Mansfield St, Marylebone, Westminster, 1987 87-3j-56-positive_2400
Mansfield St, Marylebone, Westminster, 1987

Just around the corner from the previous picture is this magnificent fence with its baskets of flowers. I felt the out of focus bush made a suitable contrast between natural vegetation and its representation.

I think this is the garden screen mentioned in the listing text and probably like the house behind dates from 1914.

Hinde St,  Marylebone, Westminster, 1987 87-3j-22-positive_2400
Hinde St, Marylebone, Westminster, 1987

Doorways are one of the most important architectural features of buildings, and this one very clearly gives an impression of the luxury of the flats inside Hinde House.

Hinde St,  Marylebone, Westminster, 1987 87-3j-21-positive_2400
Hinde St, Marylebone, Westminster, 1987

A similar doorway next door (London streets sometime number in odd ways) is a little plainer, perhaps suggesting that inside are flats for less important people. Though it is certainly not a ‘poor door’ leading to any social housing in the block.

The Royal Society of Medicine, Henrietta Place, Marylebone, Westminster, 1987 87-3i-52-positive_2400
The Royal Society of Medicine, Henrietta Place, Marylebone, Westminster, 1987

My theme of doors continues with the grand entrance for The Royal Society of Medicine in Henrietta Place.

Marylebone Lane, Marylebone, Westminster, 1987 87-3i-42-positive_2400

And another door is a prominent feature in this building with its series of semi-circles on Marylebone Lane. It’s a building with the window at the centre of the picture set a little lower, so it seems to be winking at us.

Again a taxi has crept in. There are far too many of them, often simply cruising around empty in the centre of London, a significant cause of both pollution and congestion. They are slowly changing from diesel to electric which will help with the pollution, but wont ease the congestion. Ridiculously they are exempted from the congestion charge while minicabs have to pay it. We don’t need ‘ply for hire’ when cabs can be summoned by smartphone and its time for change.

Rimmel, Wigmore St, Marylebone,, Westminster, 1987 87-3i-25-positive_2400
Rimmel, Wigmore St, Marylebone, Westminster, 1987

There are a few more pictures of doors in the area in this section of my 1987 London Photos, but this at Bessborough House on the corner of Cavendish Square is perhaps the most impressive. According to the Grade II listing the house dates from 1770s with c.1800 and early C20 alterations. About this entrance it states “Blind return to Wigmore Street has neo-Adam style pilaster treatment to ground floor with shallow relief modelled “graces” between pairs of pilasters under entablature – all in stucco.”

When I took this picture it had the circular message at left that it was the premises of Rimmel, the cosmetics house founded in 1834 by French-born perfume chemist Eugène Rimmel and often known as Rimmel London. He put on sale a product for darkening eyelashes using the newly invented petroleum jelly and black pigment, marketed under the name mascara which was hugely successful both in the UK and internationally – and mascara is still called ‘Rimmel’ in a number of languages.

More pictures on page 3 of 1987 London Photos.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

No More Hiroshimas

A prayer by Japanese monk Rev Nagase, from the Battersea Peace Pagoda, 2011

Most years if I am in London at the start of August I attend the London CND Hiroshima Day commemoration in Tavistock Square. This year, the 75th anniversary, I will be at the online event.

The US bombing of Hiroshima and Nagasaki was a war crime on a massive scale and lacked any real military justification. So far, despite a huge number of atomic weapons being manufactured and many billions spent on them and their delivery systems none have been used, though we now know that it was only the refusal of one Russian soldier to obey orders that saved us from nuclear annihilation.

The theory of nuclear deterrence never made sense, and over the years more countries have created their own nuclear weapons, mainly as a status symbol. US, UK, Russia, France, China, India, Pakistan, Israel and North Korea currently have them. South Africa is the only country which has given them up (several soviet republics handed them back to Russia when the USSR broke up) but around 190 countries including South Africa have now signed up the the nuclear Non-Proliferation Treaty, confirming they will not develop them.

The Treaty on the Prohibition of Nuclear Weapons opened for signature at United Nations headquarters in New York on 20 September 2017 having been passed with 122 countries in favour – but none of the nuclear states or other NATO members voted and the Netherlands was the sole vote against. So far only 40 states have ratified the treaty.

The London 75th Anniversary event is one of many around the world you can join in or view online. I’ve posted a few of my pictures from earlier years here, but there are many more on My London Diary – for 2004, 2009, 2011, 2013, 2014, 2015, 2016, 2017, 2018 and 2019.

Jeremy Corbyn introduces the Mayor of Camden, Cllr Faruque Ansari, 2009
Hetty Bower, 105, holds up a Peace Card given her by a primary school class, 2011
Tony Benn speaks, 2011
CND Chair Kate Hudson, 2014
Flowers are laid at the Hiroshima Cherry Tree in Tavistock Square, 2015

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


The Incredible World of Photography

Thanks to an article by Jörg M. Colberg on Conscientious I have just spent most of the time I would normally have taken writing a post for this blog on the Kunstmuseum Basel web site online exhibition ‘The Incredible World of Photography‘ which is based on the collection of over half a million images made over 45 years since 1974 by Ruth and Peter Herzog as well as images in the Kunstmuseum’s collection. Among other things the Herzog collection includes around 3,000 photo albums produced by individuals and families around the world, with their small images pasted or held by photo corners onto scrapbook pages for passing around with friends and family – an earlier and limited form of social media.

The Herzog collection is particularly interesting in containing much work by unknown photographers (I don’t much like the term ‘anonymous’ as it’s just that no record has been made of their names.) The web site presents them with an interesting commentary and the site takes some time to explore; although I might argue (you always do my wife would say) with some of the texts it’s both informative and entertaining, and my only slight disappointment came when clicking on the magnifying glass icon to see images more clearly results in only a slight increase in size, hardly enough to warrant the effort of finger on mouse.

If you are in Basle you can visit the gallery and see more, and there is also a 360 page catalogue of this and two other exhibitions of the collection, ‘Exposure Time (E): A Photographic Encyclopaedia of Man in the Industrial Age‘ with a preview online.

Unlike Colberg, I haven’t actually seen a copy of the catalogue, and his piece, The Incredible World of Photography puts the show and book in a wider context. In a short consideration of the difference between physical albums and digital ones he asks “It will be interesting to see how future historians will deal with digital albums: is there actually going to be a way to do that, given that so many of them exist on corporate platforms?”

Colberg suggests that the Herzog collection might be a good starting point for developing “a vastly expanded (and more critical) new History of photography” allowing “what as long been dismissed as vernacular photography” to “have its proper part in that endeavour.” It isn’t of course a novel idea, and something we have already seen at least to a limited extent. And while there may be much of interest in unearthing material from the vernacular and neglected, a great deal of it is tedious in the extreme. My own view of history is very much one that stresses the importance of influence and development which I think is behind the “artists that we think are so special“. I still think at least most of them were.



1987 Fitzrovia and around

Fitzroy Square, Fitzrovia, Camden, 1987 87-2q-24-positive_2400
Fitzroy Square, Fitzrovia, Camden, 1987

I think I had an appointment to see a man who worked for a well-known architect’s firm with plush offices in Fitzroy Square. It was such a different atmosphere from my own workplace, at the time in a sixth-form college. I was offered coffee and a secretary brought it, filter coffee in a cup with a saucer on a tray with biscuits, cream and tinted sugar crystals. When I had visitors at work they got instant served by me from a kettle in the corner of a dingy shared office and if they wanted milk it was powdered granules. Sugar would come in a screwed up bag and if they were lucky I’d find a spoon to stir it, otherwise they might be offered a cleanish spatula or even a pencil. We had a BBC computer with a small green screen in one corner, there I walked past more computers, large graphics tablets and oversize screens than I’ve ever seen in the same building before. It was the first time I’d really seen how things were where the real money was.

The coffee was good, the talk interesting, but I don’t think I sold any of my photographs.

Fish Stall, Goodge Place, Fitzrovia, Westminster, 1987 87-2r-65-positive_2400
Fish Stall, Goodge Place, Fitzrovia, Westminster, 1987

It was only a fairly short meeting, and I had time to walk around the area before and after – and to cut my costs I’d got a train to Charing Cross and walked from there rather than use the Underground. So there are some pictures from Covent Garden and St Giles as well as Fitzrovia.

There are still stalls in Goodge Place, but not I think any dealing in basic foods such as fish, but all selling fast food for lunches for those who work in the area.

H Wolfin, Textiles, Great Titchfield St, Fitzrovia, Westminster, 1987 87-2r-46-positive_2400
H Wolfin, Textiles, Great Titchfield St, Fitzrovia, Westminster, 1987

This shop is still there, but rather than selling fabrics in large rolls to the trade now sells children’s clothes and baby presents to tourists and others, with delivery around the world. H Wolfin is still in business but elsewhere in Greater London, now was Wolfin Textiles in Hatch End, Pinner, and their web site states:

Originally known as Wolfin and Levy, Wolfin Textiles has been established for over 100 years and began in 1900 as an independent family-owned textiles shop in London’s Old Street. Specialising in fabrics for the theatre, film, interior and fashion industries, Wolfin and Levy moved to London’s West End in 1972, before finally relocating to Greater London in 1999 as Wolfin Textiles. Today we continue to hold onto the family ethos of offering the finest quality fabrics and real customer service. We pride ourselves on being able to offer wholesale prices for everyone, with no minimum order.

https://www.wolfintextiles.co.uk
St Charles Borromeo, Church, Ogle St, Fitzrovia, Westminster, 1987 87-2r-24-positive_2400
St Charles Borromeo, Church, Ogle St, Fitzrovia, Westminster, 1987

St Charles Borromeo in Ogle St is one of London’s stranger church buildings, a small Grade II listed Roman Catholic Church in what is described as a simple but “muscular” Gothic. Charles Borromeo was a 16th century Italian cardinal who took an active role in the counter-Reformation and is best known to Protestants for his ruthless suppression in the Swiss valleys; during a pastoral visit to one of them in 1583 he arrested 150 people including the provost, who, along with 11 women was condemned to be burnt alive for witchcraft.

According to Wikipedia, one biographer described him as “an austere, dedicated, humorless and uncompromising personality” and his uncompromising implementation of reforms “brought him into conflict with secular leaders, priests, and even the Pope.” After his death in 1584 he was rapidly venerated, particularly in Milan where he had been archbishop since 1564, and was made a saint in 1610.

Centre Point, St Giles, Camden, 1987 87-2q-66-positive_2400
Centre Point, St Giles, Camden, 1987

The building of Centre Point, designed by architect Richard Seifert, began in 1963 at the start of ‘Swinging London’ and the building, described as London’s first ‘Pop Art Buildings’ has always been controversial – as was its listing in 1995. Completed in 1966 it was then one of London’s tallest buildings and still dominates the area, its 34 floors reaching to 385 ft (117m).

Centre Point stood empty, apart from a brief occupation by squatters to draw attention to its being deliberately left empty during a housing crisis in London in 1974, for nine years until 1975. In 2015-8 the building was converted to residential use with 82 apartments, their interiors designed by  Conran & Partners. The cheapest was on sale in 2017 for £1,825,000 but the owners apparently denied that these were luxury flats.

More on page 3 of my 1987 London Photos.

Brixton Feb 1987

Celestial Church of Christ, Coldharbour Lane, Loughborough Junction, Lambeth, 1987 87-2p-11-positive_2400
Celestial Church of Christ, Coldharbour Lane, Brixton, Lambeth, 1987

Friends and others I showed pictures to at the time or talked about my work with often expressed surprise at some of the areas of London I went to when taking photographs. They saw places like Brixton as crime-ridden and dangerous and wondered that I felt safe, particularly as I was walking around the streets carrying a bag with expensive equipment worth thousands of pounds on my shoulder.

Beds, Coldharbour Lane, Loughborough Junction, Lambeth, 1987 87-2p-23-positive_2400
Beds, Coldharbour Lane, Loughborough Junction, Brixton, Lambeth, 1987

I did think a little about it myself and even once attended a training session – the only man in a group of women – about keeping safe on city streets. But the only times I ever really felt threatened were not in the kind of areas that some reacted with horror to, but in lonelier parts of the plusher suburbs.

Furniture, Coldharbour Lane, Loughborough Junction, Lambeth, 1987 87-2p-25-positive_2400
Furniture, Coldharbour Lane, Loughborough Junction, Brixton Lambeth, 1987

I felt more at home in the many working-class areas of London than in the West End or City, and certainly dressed in a way that fitted in more there. I tried hard to be aware of my surroundings and not to behave in ways that drew attention to myself. And I think I was reasonably street-wise, keeping calm and confident, looking as if I knew what I was doing and where I was going and being aware of others. There were a few times when I decided against going down a particular street or alley, or crossed the street to avoid possible trouble. Because I needed the light I always worked during the day time, when all areas are safer.

White goods, Coldharbour Lane, Loughborough Junction, Lambeth, 1987 87-2p-36-positive_2400
White goods, Coldharbour Lane, Loughborough Junction, Brixton, Lambeth, 1987

Of course taking photographs does make you stand out, but mostly people just ignored me. A few would stop and talk, and I tried to explain why I was taking a picture, though I think they mostly thought I was mad but harmless. Some people thought I must be from the council – or the newspapers, and occasionally people – particularly children – would insist I took there picture. Of course I did.

Flats, Coldharbour Lane, Brixton, Lambeth, 1987 87-2p-41-positive_2400
Flats, Coldharbour Lane, Brixton, Lambeth, 1987
Burroughs, Coldharbour Lane, Brixton, Lambeth, 1987 87-2p-64-positive_2400
Burroughs, Coldharbour Lane, Brixton, Lambeth, 1987

‘Burroughs’ closed as an Eel and Pie shop in the 1990s, but remains as a restaurant. Its shop-front had been replaced by something flat and bland but was recreated a few years ago, and it now serves Japanese soul food rather than cockney.

There are a few more pictures from this area in February 1987 in the album 1987 London Photos.

1987: More Soho

Dance shop, Charing Cross Rd, Soho, 1987 787-2k-41-positive_2400
Dance shop, Charing Cross Rd, Soho, 1987

It’s always difficult to know where London’s districts begin and end, and sometimes it is rather a matter of personal opinion. There are some definite boundaries – postal districts and borough boundaries – though these seldom coincide with our perception of place, and most people – unless they actually live there are unaware that in central London you may be in Camden or Westminster etc. The City is a little more obvious, with its borders on some main streets clearly marked, but who would know when crossing the Charing Cross Road you might move from Westminster into Camden.

Poland St,  Soho, Westminster, 1987 87-2j-64-positive_2400
Poland St, Soho, Westminster, 1987

Names too change with the years. Fitzrovia for example only began to be used in the late 1930s, and other older area names are now seldom used. Building tube stations led to many of their names being used for areas which previously went under other names, and estate agents are notorious for promoting properties into nearby more salubrious areas – or inventing new area names, often by adding the word “village” to an existing name.

Never Park Here, Falconberg Mews, Soho, Westminster, 1987 87-2j-23-positive_2400
Never Park Here, Falconberg Mews, Soho, Westminster, 1987

Soho is perhaps one of the more clearly defined of all London areas, though some might quibble slightly at Googles definition, clearly bounded by major roads – Oxford St, Regent St, Shaftesbury Ave and Charing Cross Road. Many of us would also include Chinatown in its ambit, perhaps going south down Haymarket as far as Orange St to include Leicester Square. And perhaps some of the fringes just across Oxford St might qualify…

Carnaby St, Soho, Westminster, 1987 87-2i-21-positive_2400
Carnaby St, Soho, Westminster, 1987

On the streets themselves, the more modern street names – since the mid 1960s – include the borough name, but many London streets have proudly retained their older signs, sometimes with a postal district (though sometimes the earlier version.)

Taylors Buttons, Silver Place, Soho, Westminster, 1987 87-2h-35-positive_2400
Taylors Buttons, Silver Place, Soho, Westminster, 1987

Like all things, Soho is defined by what it isn’t. It isn’t Mayfair or Fizrovia or Bloomsbury or St Giles or Covent Garden or Westminster (the area not the Borough – which all or almost all of it is inside) or St James. And it’s not just a matter of geography, but also of character.

Walker's Court, Soho, Westminster, 1987 87-2h-25-positive_2400
Walker’s Court, Soho, Westminster, 1987

And it was that character which was uppermost in my mind as I made these pictures.

You can see more of them on page 2 of my Flickr album 1987 London Photos.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.