Tag: urban landscape

When I was busy photographing London as urban landscape in the 1980s and 90s little of the area to the east of Bow Creek was accessible, occupied by a gas works, a power station and a large private industrial estate and it was more or less a no-go area for photographers.

Around ten years ago, the riverside walk on the east bank south from Twelvetrees Crescent was reopend as ‘The Fatwalk’ but there were several problems. One was the name, and I proposed back then it be renamed as ‘The Bow Creek Trail‘. My suggestion wasn’t taken up (perhaps those guys just don’t read ‘My London Diary’ or ‘Re:PHOTO’) but around 2016 it was renamed and is now ‘The Leaway’, which is just slightly silly and geographically imprecise. And when we walk it we hope our course will not shift a little sideways and deposit us in the mud or deep water of the creek.

Back in 2010 when I first used it the main problem was that it was a dead end. You could (and I did) go south for around 5/8ths of a mile but you then simply had to turn around and come back. I was on my Brompton, so I didn’t much mind, but had I been walking I would have been annoyed.

Things have improved a little at both ends of this short stretch. Cody Dock has opened at the south end, allowing the exit I took today with a fairly short walk to Star Lane DLR station, which opened in 2011. The adventurous could swing themselves around the fence at the south of Cody Dock onto what looks like a perfectly good path beyond, and possibly make their way out through the Electra Business Park as a longer route to Star Lane, but there is still no access to the creek bank between the business park and the East India Dock Road.

Going north from Twelvetrees Crescent is now easier, with new steps from the bridge there leading down to the path beside the Lea Navigation, which previously needed an unpleasant detour. You can keep on walking beside the Lea from here to Hertford.

More pictures and text: Bromley-by-Bow to Star Lane

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

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