Photoshop | >Re-PHOTO

Pride in 2002

Pride in 2002: Back in 2002 Pride was still in black and white, or at least the pictures I posted on My London Diary were, as were those I took to the picture library I was then working with. They still only worked with black and white prints and colour transparencies and I was working with colour negative.

It would have been possible for me to convert those colour negatives into transparencies, but it wasn’t worth the time and expense in the hope of possible sales to do so.

For my personal use and to exhibit work I could make colour prints – and I had crammed a colour processor into my darkroom so could feed the exposed Fuji paper in at one end, shut the lid and let the machine do the rest before I took the print to the print washer.

I had a smart colour enlarger with a linked probe that at least almost got the necessary filtration somewhere close, though I always ran at least one test strip – and often 2 or 3 – before making the final print. Making prints was a rather tedious business working in near total darkness with just a very, very dim sodium light.

The way forward was obviously to scan negative film to provide digital files, but in 2002 the equipment I had was fairly primitive and the scans I produced in 2002 looked rather poor, which is probably why I only posted the black and white images on My London Diary at the time. Scanning the black and white 10×8″ press prints gave rather better results.

Back then I only wrote two short paragraphs about the event in My London Diary – and here they are in full (with the usual corrections):

July started for me with the annual Pride march. This year it was probably the smallest I’ve attended, and was a rather sad event compared to previous years.

It was enlivened a little by some visitors from Brazil, but the whole thing seems to be more of a commercial event now. Much less fun and joy.

For this post I’ve revisited some of those 2002 scans and improved them significantly with the aid of some smart sharpening and other minor adjustments to post here. You can click on these colour images to see them larger.

Most of the colour images are of the same subjects as I took in black and white, and at least for some I still prefer them in black and white. But generally I think the event is best seen in colour.

More black and white pictures start here on My London Diary.

Flickr – Facebook – My London Diary – Hull Photos – Lea Valley – Paris
London’s Industrial Heritage – London Photos

All photographs on this page are copyright © Peter Marshall.
Contact me to buy prints or licence to reproduce.

Hull Revisited December 2005

Hull Revisited December 2005: Usually I sit down to write these posts and tell some kind of story about the events or places that I photographed on a particular day or walk or project. And the pictures in this article were all taken on 17-19th December during a short visit to Hull.

But when I looked at them they didn’t look as you see them now, and my first thought was about the colour and quality of the 49 images that I’d posted to the web back in 2005, and rather than writing about them I decided to try and improve them a little. Going back to the original RAW images taken on a Nikon D200 would have been the best way to do this, but would have been very time-consuming and instead I simply worked on the 600×400 pixel jpeg images that I’d put on-line.

Back in 2005 the RAW conversion software available was pretty much in its infancy and often required considerable judgement to get anything like the most from the images. Using the current version of Lightroom would have enabled me to improve the images considerably.

But time was short, and instead I spent perhaps 30 seconds on each image, bringing them into Photoshop in batches and then using its auto-color and and auto curve correction on each. On a few I had to modify the auto settings, fading the correction or tweaking the curve a little, but most were done fully automatically, and the improvements in some cases were dramatic.

We’d gone to Hull mainly to celebrate the 60th birthday of an old friend, and stayed at the large and architecturally interesting home of another friend, as well as to visit my mother-in-law in her nursing home. But I found some time to get out and photograph parts of the city I’d first photographed in the 1970s and 1980s as well as find some new scenes to photograph. Here I’ll post a few of them, but you can see more on My London Diary.

Using Flickr

Thames Barrier, Charlton, Greenwich, 1985 85-4j-56 — Flickr album: 1985: South of the River: Deptford to Cliffe

Some time last Saturday (19th December 2020) the total number of views of my photographs on Flickr passed the two million mark. Of course I have rather a lot of pictures on show, precisely 11,236 at the moment, so that’s only an average of around 178 views per picture if my arithmetic is correct.

Quai de Jemappes / Rue Bichat, 10e 84-8s01 — Flickr Album: In Search of Atget – Paris 1984

Most of those 2 million views have been this year. Until the start of December 2019 I only had a free Flickr account which I had been required to set up to join a web forum, with a total of about 100 pictures on it. I set up a paid account and began uploading pictures seriously on December 3rd 2019, wanting to find a better way to share pictures with a wider public than my various web sites.

Hanbury St, Spitalfields, Tower Hamlets 86-4p-52_2400 — Flickr album: 1986 London Photographs

I looked at several alternatives, including Instagram before deciding to go with Flickr. I think Instagram would probably have provided greater visibility for my work, but I couldn’t find an easy way to upload large numbers of images. Flickr certainly isn’t perfect, and in particular those 2m views have largely been by other Flickr users rather than a more general public. But if you are thinking of using Flickr for showing pictures taken on film you may find my workflow described below useful.

Notting Hill Carnival, 1991. Peter Marshall 91-8au-36-Edit_2400 — Flickr album: Notting Hill Carnival – the 1990s

It’s still taken considerable time to put over 10,000 images onto Flickr, but most of that time is in the digitisation of the negatives – now mainly using a Nikon D810 and a 60mm macro lens with the Nikon ES-2 adaptor which is far quicker than scanning – and their preparation.

Barges, The Old Harbour, River Hull, Hull, 1977 12g41 — Flickr album: Hull Black and White

Currently I import the photographs of the negatives into Lightroom, where I roughly crop off the borders and rotate them as necessary, rename them to my negative file numbers and use Negative Lab Pro to batch invert them to positives. I don’t really need NLP for black and white negatives, but it’s convenient and does a good job needing very little user intervention.

Lea Navigation, Tottenham Marshes, 1983 34l-31_2400 — Flickr Album: River Lea – Lea Navigation

From LR I then export the original files to Photoshop for accurate rotation and cropping, and of course dust removal. Generally I’m finding that images digitised using the camera require less retouching than scanned images and except for some old negatives that are badly damaged this seldom takes more than a minute; using a cheap XP-PEN stylus and tablet makes this far easier and faster than a mouse. A Photoshop action does a little edge-burning to correct slight light fall-off at the edges, and to convert black and white images from 64bit colour to 16bit grey and I make any necessary slight adjustments to black and white points, curves etc before saving back as 16bit Tiff files to LR. These then become my master images and I remove the RAW files from LR, keeping them as a backup.

It’s taken me almost a year to work out the best way to add the Titles, Description and Tags for Flikr is to do this in LR – and you then have them available for other uses. The answer is of course metadata.

The keywords you put into LR are picked up by Flickr as ‘Tags’;
The IPTC Headline becomes the image title on Flickr (if the IPTC field is blank this defaults to the filename);
The IPTC Description becomes the Description on Flickr.

Some of my descriptions are several hundred words, but so far I’ve not come across any limits on either IPTC or Flickr. It’s better to enter the data in LR, partly because it is a little easier to do, but mainly because you have a copy safely on your computer. The Flickr web uploader does occasionally freeze or crash and lose data which can be very annoying if you have spent several hours on getting a large batch ready. The only things I need to do in the uploader is to drag in the files, select them all and chose an album for them to go in. I also usually drag the files around into the order I want them to appear in the album (or rather its reverse as Flickr seems to do things back to front.)

Entering the data in LR also has the advantage that I have it with the pictures on my computer for when Flickr’s life comes to an end or changes in such a way that I no longer wish to use it.

To browse my work on Flickr you can start from any of these collections:
Black and White London
London Cross-Sections (1977-82)
Paris & France
Hull
Protests
Other Albums

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.