More Bayswater etc 1987

Bayswater, Westminster, 1987 87-7d-66-positive_2400
Greek Orthodox Cathedral of the Divine Wisdom (Hagia Sophia), Moscow Rd, Bayswater, Westminster, 1987

It’s hard to know where Paddington ends and Bayswater begins, or where Bayswater become Notting Hill. There are two Westminster borough wards called Bayswater and Lancaster Gate which I think most would consider Bayswater, and Notting Hill comes under Kensington & Chelsea, but popular perceptions usually don’t follow local government boundaries – and estate agents have remarkably elastic definitions of areas.

Brunel House, Westbourne Terrace, Orsett Terrace, Bayswater, Westminster 87-7e-22-positive_2400
Brunel House, Westbourne Terrace, Orsett Terrace, Bayswater, Westminster, 1987

My walks by 1987 were generally planned in advance, obviously with a starting point from some Underground or Rail station, but also with an intended destination, and places that looked to be of interest from maps and books marked on an enlarged copies of A-Z pages. But the actual routes I took were subject to considerable deviation from plan, with decisions made at crossroads as to which direction looked more interesting – and I didn’t always end up at the planned destination. I kept notebooks to record my routes and some details of what I photographed, transferring the route to the map copies when I got home and some details to the contact sheets after I developed the films.

Brunel House, Westbourne Terrace, Orsett Terrace, Bayswater, Westminster87-7e-55-positive_2400

When putting the pictures on-line I have tried where possible to verify the locations from the pictures themselves. Some include street names and or house numbers, shop names. My contact sheets usually also have street names and grid references and web searches and Google Streetview or Bing Maps usually enable me to positively identify buildings which are still standing.

Prince of Wales, pub, Cleveland Terrace, Bayswater, Westminster, 1987 87-7e-32-positive_2400
Prince of Wales pub, Cleveland Terrace, Bayswater, Westminster, 1987

But where my pictures show only small details, it has sometimes proved impossible to be sure of the exact location, and this is often also the case in those areas which have undergone extensive redevelopment. But for areas such as Bayswater, where many of the properties have been listed and relatively little has changed it is generally possible to find exact locations.

Bishops Bridge Rd,  Bayswater, Westminster, 1987 87-7e-52-positive_2400
Bishops Bridge Rd, Bayswater, Westminster, 1987

During the 80s and 90s I sold several hundred pictures to the National Building Record, including of a number of buildings that were either already listed when I took their pictures or had been listed after I photographed them. I think there were just a few that I brought to their attention which had previously been unnoticed, mainly in the outer suburbs.

Gloucester Terrace, Bayswater, Westminster, 1987  87-7e-66-positive_2400
Gloucester Terrace, Bayswater, Westminster, 1987

But my work in London came at a time when the worth of many buildings was being recognised both by me and those responsible for listings, which had previously largely concentrated on genuinely ancient structures and some public and ecclesiastical buildings, largely ignoring commercial buildings and those from late Victorian, Edwardian and more modern times. It was a prejudice even reflected in great works such as the many volumes of Pevsner’s The Buildings of England.

Dawson Place, Notting Hill, Kensington & Chelsea, 1987 87-7f-13-positive_2400
Dawson Place, Notting Hill, Kensington & Chelsea, 1987

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


More Notting Hill – 1987

As a schoolboy I used to cycle up a hill past some grand large houses on a street probably of a similar age to these, though not quite as grand, most of them in poor repair and multi-occupied, divided into flats and rooms. My first student flat with two friends in Manchester was in a not dissimilar house where one would meet men, usually the worse for drink, on the stairs when we went to use the shared toilet; we soon realised the occupation of two of the women who had rooms on other floors of the house, including the very motherly woman who collected our rent each week and offered consolation when she arrived one week to find me in on my own and still in bed.

Stanley Gardens, Stanley Crescent, Notting Hill, Kensington & Chelsea, 1987 87-6d-11-positive_2400

When I started work in the 1960s I could have bought one of those houses I cycled past for with a mortgage for around three times my then annual salary. There would have been a few sitting tenants, some of whom could have been easily persuaded to leave. Had I been like Peter Rachman I would have first made a modest cash offer, then if they refused would make their lives miserable by holding loud and noisy all-night parties in the already empty flats, moving finally to cutting off the water and electricity and perhaps sending men with large angry dogs to harass them. He made his fortune mainly in the more northerly parts of Kensington, and not so far as I’m aware in any of the areas shown in my pictures. But even for more law-abiding landlords there were fortunes to be made. Those houses I cycled past, now converted into self-contained flats are now worth at least a thousand times more, allowing for inflation around 50 times as much.

Stanley Gardens, St Peter's Church, Notting Hill, Kensington & Chelsea, 1987 87-6d-12-positive_2400

Stanley Gardens was as a part the Ladbroke Estate owned by James Weller Ladbroke who in the 1820s employed Thomas Allason to make a grand overall plan for the whole area. Ladbroke ran into problems with various developers and the plans were modified in the 1840s by landscape artist and architect Thomas Allom in the 1840s. After James Weller Ladbroke died in 1847 his cousin Felix Ladbrooke sold the land to developer Charles Blake who employed a builder in 1853 to build the houses to Allom’s designs and street plan. The builder went bust before finishing the job and others finished the work in 1858. Most of the houses in Stanley Crescent are also to Allom’s designs and THe Survey of London comments that these streets represent “grand display in the latest taste” of the Victorian era. All were Grade II listed in 1969. You can read a very full account of the area and its history at The Ladbroke Association.

St Peter’s Church Notting Hill was also designed by Thomas Allom and was built before the houses were completed in 1855-7. The site had been donated by Charles Henry Blake (1794–1872) who had made a fortune trading in indigo in India before coming back to make more as a developer in Notting Hill. Its classical style was out of fashion by the time it was built, but fits in better with the housing than would a gothic design.

Man on Skateboard, Portobello Rd, Notting Hill, Kensington & Chelsea, 1987 87-6d-31-positive_2400

My father, born in 1899, was a man of few if any qualifications but skilled in many trades including carpentry, all kinds of building work, plumbing, painting and decorating, bee-keeping and gardening. It was in this latter respect that he became a member of the Soil Association and we grew up eating the food and vegetables he grew in several gardens and an allotment, organic before anyone had thought of the marketing name.

We knew about Whole Earth Foods and Ceres, set up by Nebraska-born brothers Craig and Gregory Sams in 1967, though I don’t think we ever shopped there. Their shop on Portobello Rad was said to be the first English bakery selling wholemeal goods, though I think dedicated to them would be more accurate. They advertised Ceres as “London’s complete natural food centre featuring a full range of organically grown vegetables and grains.”

According to Craig’s blog “This was on the Portobello Road in the 1970s where we were in competition with 30 fruit and vegetable stallholders as well as cheap bakers, and when the yuppification of Notting Hill was just a glint in the property developers’ eyes.”

At some point Craig and his family moved away from Notting Hill to Hastings to continue their business – which went on to include various other companies including the fantastic ed Green & Black’s Organic Chocolate. The shop at the left of the picture had been the Ceres Bakery (which perhaps accounts for the rather American fire hydrant pictured on its front), and to the right is the entrance to Portobello Garden Arcade.
The shop is now Portobellow Health Foods.

I grabbed this image rapidly as a skateboarder came into view, which accounts for the more than usual tilt.

Pembridge Crescent, Notting Hill, Kensington & Chelsea, 1987 87-6d-41-positive_2400

Pembridge Crescent dates from 1854-9. Much of the area was developed by brothers Francis and William Radford, with Francis being the architect for the houses, and was one of the most financially successful developments in Notting Hill. The Survey of London suggests their work in Pembridge Crescent was “coarse in comparison with the earlier, gracious proportions of the houses” in the rest of the area they developed.

Pembridge Crescent, Notting Hill, Kensington & Chelsea, 1987 87-6d-43-positive_2400

Since 1969 the area has been a part of the Pembridge Conservation Area. There is a description of the architecture of the area in the Survey of London on the British History Online web site.

Pembridge Crescent, Notting Hill, Kensington & Chelsea, 1987 87-6d-55-positive_2400

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill Carnival 2000

Notting Hill Carnival, 2000. Peter Marshall 00-814-55_2400

Some might think that pictures from 2000 have no place in an album called ‘Notting Hill Carnival – the 1990s‘, but the decade really starts with 1991 as when we move to labelling years as ‘anno Domini’ or AD the first year was 1 and not 0. It was only around 1200 that the idea of zero and ‘0’ as a number really came into European thought, though it had existed much earlier in other civilisations in Asia, the Middle East and South America. So while some celebrated the Millenium at the start of 2000, the more educated knew it really had another year to go.

Notting Hill Carnival, 2000. Peter Marshall 00-817-45_2400

But its actually just a matter of convenience and the result of a small mistake I made when I was putting together an exhibition of my first ten years at Carnival. For some reason I thought I had first taken pictures there in 1991, so this was to cover the years 1991-2000, but as I worked on the show I found I had also been there in 1990.

Notting Hill Carnival, 2000. Peter Marshall 00-819-34_2400

For the moment I’ll end this album at 2000, though probably I’ll come back later and change its name to include all those years I covered the carnival on film rather than digital, though I’m not quite sure when that was.

Notting Hill Carnival, 2000. Peter Marshall 00-805-32_2400

I’d also intended the album simply to be black and white pictures, but then I found a couple of years where I had taken few or no black and white pictures. So I’m now busily scanning colour negatives from the other years and adding them. Except for one year where I seem to have mislaid the file containing the negatives – which I’ve spend hours searching for, so far without success.

Notting Hill Carnival, 2000. Peter Marshall 00-805-66_2400
Notting Hill Carnival, 2000. Peter Marshall 00-808-52_2400
Notting Hill Carnival, 2000. Peter Marshall  Notting Hill Carnival, 2000. Peter Marshall 00-809-36_2400

See more pictures from 2000 on Page 3 of ‘Notting Hill Carnival – the 1990s‘.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill Carnival 1999

I’ve so far digitised only a small proportion of images that I took of Carnival in 1999, though I think that those I’ve put into the Flickr album Notting Hill Carnival in the 1990s are probably the best of those I took. But I’m sure there are some other pictures worth adding later from the 600 or so black and white pictures I took over the two days – and I also made around 250 in colour.

Notting Hill Carnival, 1999. Peter Marshall 99-807-15_2400
Notting Hill Carnival, 1999. Peter Marshall 99-808-34_2400
Notting Hill Carnival, 1999. Peter Marshall 99-808-56_2400
Notting Hill Carnival, 1999. Peter Marshall 99-810-31_2400
Notting Hill Carnival, 1999. Peter Marshall 99-817-35_2400
Notting Hill Carnival, 1999. Peter Marshall 99-817-61_2400
Notting Hill Carnival, 1999. Peter Marshall 99-821-63_2400

As usual, the pictures display rather small on this site, but clicking on them will take you to a larger version on Flickr. You can see all the pictures from 1999 in the album by clicking on this link to go to the first and then clicking to go to next picture to go through the other 18.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill 1998

1997 I again photographed Notting Hill in colour, and I have yet to digitise any of the roughly 600 frames I took over the two days. I also have some more colour work from previous years I have yet to add to my Flickr album, and I will share some of those also at a later date.

On the way to Notting Hill Carnival, 1998. Peter Marshall 98-817-46_2400
En route to carnival, 1988 Peter Marshall

But in 1988 I was busy with both black and white and colour – and again there are very few of the colour images I have yet printed or digitised, including some more colour panoramic work. I have so far only scanned or digitised around 15 of the several hundreds of black and white pictures I took, some of which have appeared in the several publications and exhibitions of my carnival pictures, including the ‘The English Carnival‘ exhibition in 2008. I’ve uploaded these to the Flickr album, Notting Hill Carnival – the 1990s, but I think there are probably quite a few more pictures worth digitising when I find time

Notting Hill Carnival, 1998. Peter Marshall 98-822-24_2400
Notting Hill Carnival, 1998. Peter Marshall 98-822-12_2400
Notting Hill Carnival, 1998. Peter Marshall 98-818-642_2400
Notting Hill Carnival, 1998. Peter Marshall 98-815-63_2400
Notting Hill Carnival, 1998. Peter Marshall 98-812-54_2400

More on page 3 of my Notting Hill album.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill 1996

for sep 4th

Notting Hill Carnival, 1996. Peter Marshall 96-823-46-16_2400

For 1996 I was back to working with black and white, and it was a year which produced a few of my favourite images of Carnival. I’d looked at the results from the previous year and found the colour often distracting. It was the people that attracted me, not the colourful costumes.

Notting Hill Carnival, 1996. Peter Marshall 96-89-34_2400

I took around 800 black and white pictures over the two days of carnival in 1996, but cannot find a single colour image. Unlike for some of the earlier years I haven’t recently reviewed the whole set of pictures and there may be a few more to add when I do so.

Notting Hill Carnival, 1996. Peter Marshall 96-814-54-16_2400
Notting Hill Carnival, 1996. Peter Marshall 96-816-24 (2)_2400
Notting Hill Carnival, 1996. Peter Marshall 96-817-41s_2400
Notting Hill Carnival, 1996. Peter Marshall 96-823-14-16_2400

You can see more of the pictures from 1996 (and other years) in my album Notting Hill Carnival in the 1990s. The pictures from 1996 start towards the bottom of page 2.

I’ll post some more from Notting Hill later in the year when I’ve added more pictures to this album.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill 1995

Notting Hill Carnival, London, 1995 Peter Marshall 95-8-20-63_positive_2400

Notting Hill was in colour for me in 1995. Although I’d taken a few colour pictures in earlier years, this was the first year I decided to work entirely in colour – except for a few frames finishing a black and white film in one of my cameras.

Notting Hill Carnival, London, 1995 Peter Marshall 95-8-21-70_positive_2400

I’ve never really gone back to look at the colour pictures I took in earlier years – something now on my ‘to do list’, as the black and white interested me rather more. But I think I had been encouraged to cover the event in colour by one of my potential clients – not an actual commission, but a suggestion that they might be more interested in colour, and I’d thought it would be interesting to try and see if I could do the kind of things I’d already done in black and white.

Notting Hill Carnival, London, 1995 Peter Marshall 95-8-11-47-positive_2400
Notting Hill Carnival, London, 1995 Peter Marshall 95-8-11-37-positive_2400

It wasn’t of course the first time I’d worked in colour. I’d taken colour pictures for as long as I’d been involved in photography, alongside black and white, but generally of rather different subjects. I’d switched from using colour transparency to colour negative film ten years before I took these pictures, but still hadn’t really worked out a good system for dealing with the work. At first I’d had everything trade processed and getting enprints. It’s a good system for the occasional film such as holiday snaps, but when you get thousands of them it becomes a little difficult to organise.

Notting Hill Carnival, London, 1995 Peter Marshall 95-8-15-57-positive_2400

By 1985 I was developing my own colour films – along with the mainly chromogenic black and white films I was also using which could be developed in the same chemicals. Making contact sheets from colour negatives on colour paper was a little more difficult because I had to work in total darkness (or virtually so) and colour filters had to be used to expose them. The results were often not very useful, unlike those from black and white, and selecting images from them was rather hit and miss.

Notting Hill Carnival, London, 1995 Peter Marshall 95-8-18-55-positive_2400

Last week I digitised every frame of all 18 films I took at carnival in 1985 – around 670 pictures – batch processing the results to give a roughly balanced image, discovering quite a few pictures I had previously overlooked. Around a third were worth further processing, and after eliminating some near duplicates and a further round of culling I was left with around 140 I felt were worth adding to the album Notting Hill Carnival – the 1990s. The colour work begins on page 3.

Notting Hill Carnival, London, 1995 Peter Marshall 95-8-18-60-positive_2400

None are great pictures, though I think all have some interest. As a whole I felt they backed up my decision to work mainly in black and white in other years. But while some are similar to my black and white pictures, others do show another view of carnival.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill 1994

I had a good year at Carnival in 1994, taking some of the pictures of the event I like best, and I think rather more varied than some years, as these pictures show:

Notting Hill Carnival, 1994. Peter Marshall 94-8bj-65_2400
Notting Hill Carnival, 1994. Peter Marshall 94-8bk-46_2400
Notting Hill Carnival, 1994. Peter Marshall 94-8bl-62_2400
Notting Hill Carnival, 1994. Peter Marshall 94-8bl-63-8_2400
Notting Hill Carnival, 1994. Peter Marshall 94-8bn-43-16_2400
Notting Hill Carnival, 1994. Peter Marshall 94-8bc-51-16_2400
Notting Hill Carnival, 1994. Peter Marshall 94-8bf-43_2400
Notting Hill Carnival, 1994. Peter Marshall 94-8bf-52-16_2400
Notting Hill Carnival, 1994. Peter Marshall 94-8bh-36-16_2400

You can see more pictures from 1984 – and other years – in my Flickr album.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill 1993

I’ve started, so I might as well finish. Here are a few of my pictures from Notting Hill Carnival in 1993, still in black and white. I did take a few in colour, probably using up a film already in the camera, but I’ve not really looked at them yet. Perhaps in a few days I’ll find time.

In the 1990s I was still working as a full-time teacher in a Sixth Form and Community College, and too often we seemed to start the term the Tuesday after carnival and I would go into work with ears still ringing part-deafened from the previous day. Carnival wasn’t just loud on the ears, the tarmac of the street vibrated with the beat, and so too did your internal organs, your whole body dancing to the music. It took me a few days to recover. Fortunately the first few days of term were mostly taken up with administration and not actual teaching.

It’s now around 20 years since I left full-time teaching to earn a living through writing and photography so even had I been able to go to carnival I wouldn’t be worried about going in to work today.

I seem to have taken rather fewer pictures than usual in 1993, or at least to have scanned rather fewer. I was in Notting Hill on both the Sunday and Monday and made almost 500 exposures, but there are only 17 in the album from that year. Looking at the contact sheets I think there are probably a few more worth adding when I have time.

Notting Hill Carnival, 1993. Peter Marshall 93-8bl-61_2400
Notting Hill Carnival, 1993. Peter Marshall 93-8bm-33_2400
Notting Hill Carnival, 1993. Peter Marshall 93-8bp-62_2400
Notting Hill Carnival, 1993. Peter Marshall 93-8bf-43_2400
Notting Hill Carnival, 1993. Peter Marshall 93-8bg-12_2400
Notting Hill Carnival, 1993. Peter Marshall 93-8bj-21-8_2400
Notting Hill Carnival, 1993. Peter Marshall 93-8bl-53_2400

More in the album Notting Hill Carnival – the 1990s


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill 1992

We can’t go to carnival this year so I’m posting some pictures from previous years – today from 1992.

Notting Hill Carnival, 1992. Peter Marshall 92-8aa-12_2400
Notting Hill Carnival, 1982. Peter Marshall 92-8ab-15-16_2400
Notting Hill Carnival, 1992. Peter Marshall 92-8ac-55_2400
Notting Hill Carnival, 1992. Peter Marshall  92-8af-33_2400
Notting Hill Carnival, 1992. Peter Marshall  92-8ag-014_2400
Notting Hill Carnival, 1992. Peter Marshall 92-8ag-46_2400
Notting Hill Carnival, 1992. Peter Marshall 92-8ab-23_2400
Notting Hill Carnival, 1992. Peter Marshall 92-8ac-52_2400

I think all except one of these pictures were taken on Ladbroke Grove north of the station, the odd one out being the Kensington Food Centre a few yards away on the corner of Chesterton Rd and St Lawrence Terrace.

More pictures on Flickr in Notting Hill Carnival – the 1990s.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.