Posts Tagged ‘people’

Kilburn to Maida Vale

Monday, October 25th, 2021

My walk around Kilburn ended by going down Kiburn High Road with a small slight deviations to catch the tube at Maida Vale.

Bingo Hall, Gascony Avenue, Kilburn High Rd, Kilburn State, Odeon, Kilburn,  Camden, Brent, 1988 88-5m-63-positive_2400
Bingo Hall, Gascony Avenue, Kilburn High Rd, Kilburn State, Odeon, Kilburn, 1988 88-5m-63

The Kilburn State Theatre was built on grounds formerly occupied by houses and since the 1890s by a furniture factory, The Palmerston Works. From 1916 to 1926 it was the home of the Central Aircraft Company which built cheap wooden aircraft and also gave flying courses and joy rides from Northolt Airport. The flights were a great success but although the planes only cost £250 sales were poor and the factory returned to making furniture.

The site was bought by Gaumont and opened in 1937 as the Gaumont State Cinema, designed by George Coles and this now Grade II* listed Art Deco masterpiece has a tower inspired by the Empire State Building in New York and when built had seating for over 4000, making it the largest purpose-built cinema in Europe. You can read much more about it in The Kilburn State Cinema.

Gascony Avenue, Kilburn High Rd,  Kilburn,  Camden, Brent, 1988 88-5m-64-positive_2400
Gascony Avenue, Kilburn High Rd, Kilburn, Camden, Brent, 1988 88-5m-64

This wall on the corner of Gascony Avenue and Kilburn High Road was almost totally covered with advertising and branding, including three giant posters for the Invalid Children’s Aid Nationwide, (I CAN), founded in 1888 as the Invalid Children’s Aid Association by Allen Dowdeswell Graham to help poor children in London’s East End who were either seriously ill or handicapped. It is now a national charity for children with speech and language difficulties.

People, Kilburn High Rd, Kilburn, Brent, Camden, 198888-5m-51-positive_2400
People, Kilburn High Rd, Kilburn, Brent, Camden, 1988 88-5m-51

Walking along the Kilburn High Road with a camera (or possibly two) around my neck attracted the attention of several groups of people on the street, who demanded I take their pictures.

People, Kilburn High Rd, Kilburn, Brent, Camden, 1988 88-5m-66-positive_2400
People, Kilburn High Rd, Kilburn, Brent, Camden, 1988 88-5m-66

And I was happy to do so. They were all in a good mood, possibly in some cases helped by a little exposure to Guiness. I think all had good Irish accents.

Posters, Kilburn High Rd, Kilburn, Brent,  Camden,1988 88-5m-53-positive_2400
Posters, Kilburn High Rd, Kilburn, Brent, Camden,1988 88-5m-53

And flyposters on several buildings advertised Irish events in London.

Kilburn Banks Ltd, Springfield Joinery, off Kilburn High Rd, Kilburn, Brent, 198888-5m-54-positive_2400
Kilburn Banks Ltd, Springfield Joinery, off Kilburn High Rd, Kilburn, Camden, 1988 88-5m-54

I think the Springfield Joinery was probably at 1Springfield Lane, but no trace of this building remains. Possibly it was where the beer garden of the Old Bell Inn now is. If so it was in the LB Camden.

The Animals War Memorial Dispensary, Cambridge Ave, Kilburn, Brent, 1988 88-5m-46-positive_2400
The Animals War Memorial Dispensary, Cambridge Ave, Kilburn, Brent, 1988 88-5m-46

Animals, particularly horses, dogs, carrier pigeons and donkeys, but also many other species played an important role in the FIrst World War, and many were killed carrying out their duties. After the war the RSPCA proposed a memorial to them, and plans were drawn up for one at Hyde Park Corner but this was never built – though many years later in 2004 one was unveiled on Park Lane. The RSPCA changed its plans and decided on a more practical project, buying this site in Kilburn for The Animal War Memorial Dispensary in 1931.

There are two memorial inscriptions, one on each side of the door, but too small to read in my photograph. They are given in full on the Imperial War Museum web site.

LEFT: THIS BUILDING IS DEDICATED AS A MEMORIAL TO THE COUNTLESS/ THOUSANDS OF GOD’S HUMBLE CREATURES WHO SUFFERED AND/ PERISHED IN THE GREAT WAR 1914 – 1918 KNOWING NOTHING OF THE/ CAUSE. LOOKING FORWARD TO NO FINAL VICTORY. FILLED ONLY WITH/ LOVE FAITH AND LOYALTY THEY ENDURED MUCH AND DIED FOR US./ MAY WE ALL REMEMBER THEM WITH GRATITUDE AND IN THE FUTURE/ COMMEMORATE THEIR SUFFERING AND DEATH BY SHOWING MORE/ KINDNESS AND CONSIDERATION TO LIVING ANIMALS.

RIGHT: 1914 – 1918 THIS TABLET RECORDS THE DEATH BY ENEMY ACTION/ DISEASE OR ACCIDENT OF 484,143 HORSES MULES CAMELS AND/ BULLOCKS AND OF MANY HUNDREDS OF DOGS CARRIER PIGEONS AND/ OTHER CREATURES ON THE VARIOUS FRONTS DURING THE GREAT WAR/ IT ALSO RECORDS THE FACT THAT IN FRANCE ALONE 725,216 SICK AND/ WOUNDED ANIMALS WERE TREATED IN VETERINARY HOSPITALS/ PROVIDED BY THE RSPCA.

Bas-relief, The Animals War Memorial Dispensary, Cambridge Ave, Kilburn, Brent, 1988 88-5m-55-positive_2400
Bas-relief, The Animals War Memorial Dispensary, Cambridge Ave, Kilburn, Brent, 1988 88-5m-55

The Grade II listed dispensary is a converted mid-nineteenth century house memorial plaque above the door on the facade of the building is by Frederick Brook Hitch of Hertford who won the competition for the design. The dispensary continued in use until a RSPCA reorganisation in 2016.

TS Bicester, Sea Cadets, Tin Tabernacle, Cambridge Ave, Kilburn, Brent, 1988 88-5m-44-positive_2400
TS Bicester, Sea Cadets, Tin Tabernacle, Cambridge Ave, Kilburn, Brent, 1988 88-5m-44

Next door to the dispensary is Kilburn’s ‘Tin Tabernacle’, Grade II listed as Cambridge Hall and erected as St James’s Episcopalian Church in 1863. Active as a church until the 1920s it became an “Air Raid Precautions store during the Second World War, and was later known as the Lord Lloyd of Dolobran Memorial Hall. The building was taken over by the Sea Cadets in about 1949, and from then on was known as Training Ship Bicester“. In the 1950s they remodelled the interior as a mock-up of a Ton-Class Minesweeper. It had been built with a spire which was apparently stolen in the 1980s before this picture was taken.

Maida Vale, St John's Wood, Westminster, 1988 88-5m-34-positive_2400
74 Maida Vale, St John’s Wood, Westminster, 1988 88-5m-34

The pineapple was a symbol of wealth and found a place on many gateposts, but 74 Maida Vale is unusual in also having three on the parapet wall. I think the house probably dates from some time between 1829-1840 and that the rooms behind those upper pineapples are a later addition, but have found no specific information about this particular house; although several others on the block are listed this is not.


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Streets & people

Monday, May 27th, 2019

Thanks to PetaPixel for bringing to my attention the video 1838-2019: Street Photography – A Photo For Every Year with 182 photos — one photo for every year between 1838 when Daguerre set up his camera overlooking the Boulevard du Temple and 2019 with activists hassling an MP outside Parliament in London.

It’s a curiously hypnotic experience, with each photo appearing for around 6 seconds, with a musical soundtrack that reflects the changing decades, and a rather strange selection of images by Guy Jones, taken on streets around the world, though majoring on the USA. I found it rather annoying but I couldn’t stop watching, though I did turn the volume right down.

Almost all of the pictures certainly are taken on streets and show people, but it rather reflects the lack of any real integrity in the term ‘street photography‘. And while the pictures do reflect the changes in technology over the years, any real historical oversight is entirely prejudiced by every picture from the 20th and 21st century being presented as colour – which for most means a recently colorized version of an original black and white picture. Some colours were rather less than believable. This is faux history in the making.

You’ll probably recognise a few of the pictures, and some of the photographers, but mixed in with these are some rather anonymous postcard views, press images and amateur holiday snaps, which don’t always seem particularly appropriate to represent the year in which they are taken. It’s in a way a very uninformative video; often I found myself wanting to know more about why a particular picture was taken and what it it shows. And for those taken in more recent times I did wonder whether Jones has permission to use the images from the copyright holders. I hope so, though I saw no closing credits to indicate this.