Posts Tagged ‘Brighton’

Windows and Doors 1987

Tuesday, September 29th, 2020
Westbourne Grove, Bayswater, Westminster, 1987 87-7g-21-positive_2400

A man studies the menu of a Chinese restuarant on Westbourne Grove while his partner stands uncomfortably a discrete distance to the side. This corner with Hereford Road is still recognisable, but the New Good World is long gone. It was for a while a Rodizio Rico, a Brazilian grill, then another Brazilian bar and grill and, most recently and possibly still Franco Marco Sourdough Pizza, while Vinyl Solution is now a Moroccan restaurant; opened around 1978 by Yves Guillemot after he sold his record shop in Le Havre it was during the 1980s stuffed with obscure records from around the world attracting collectors, as well as DJs including John Peel. It began its own record label and thrived, so much so that this shop became too small and the business moved to Portobello Rd.

Chepstow Rd, Westbourne Green, Westminster, 1987 87-7g-34-positive_2400

This house is part of a long terrace of mid-19th century houses at 22-68 Chepstow Road in Westbourne Green that was Grade II listed in 1981, and was clearly in rather poor condition and recently sold and about to be renovated. These are large houses and now sell for over £2.5m; they are part of the Westbourne Conservation Area and were probably developed in 1850-55. I took an almost identical image on colour film which was a part of a show around 1990 and which now hangs on my stairs.

Pembridge Villas, Notting Hill,  Kensington & Chelsea, 1987 87-7g-43-positive_2400

A number of the grander houses in Kensington have elaborate extended porches like this over the steps leading from their front doors to the street to protect people walking to and from their carriages . They are sometimes called porte cochères, though more strictly this refers to porches into which a coach may be driven. This one in Pembridge Villas, Notting Hill, is more elaborate than most and comes with a front door and a lion on top which this picture rather distorts. You can just see two more lions by the house, here peeping over the wall.

Pembridge Square, Notting Hill,  Kensington & Chelsea, 1987 87-7g-51-positive_2400

Another extended porch at 27 Pembridge Square has some delightful wrought iron work.

Dawson Place, Notting Hill,  Kensington & Chelsea, 1987 87-7g-66-positive_2400

Some fine calligraphy in graffiti on a wall in Dawson Place, though not easy to read. I think I can make out the word ‘Saint’ but the rest escapes me – let me know if you can decipher more. Above the wall is some kind of creeping plant, which not long before had been trimmed back and you can still see the marks it left below.

Royal Pavillion, Brighton, Sussex, 1987 87-7h-31-positive_2400

Brighton has often been called “London by the sea”, and since the railway was built in 1841 has been a popular destination for days out as well as ‘dirty weekends’. So I felt I could include just a few pictures from one of my days out with family and friends to see the sights. I don’t think the girls were greatly impressed by the Royal Pavillion and we didn’t manage to drag them inside, but they did enjoy the Lanes and the Volk’s railway.

Kensington Square Gardens, Kensington, Kensignton & Chelsea, 1987 87-7h-66-positive_2400

36 Letterboxes in one door must be something of a record, and it was hard to imagine how 36 flats could be fitted in to this pair of houses, though the one at bottom left is labelled ‘Other Mail’. Presumably the entrance leading to all the flats is the door at left, and as well as the 18 bells which can be seen there is presumably another block of similar size on the wall at the right of the door.

I think most or all of the flats are one bedroom flats, and in this area would probably be rented at around £500 per week, so all 36 would bring in a weekly income of £18,000 – not far off a million a year.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Brighton 1983

Monday, March 16th, 2020

Here’s one I made earlier. I’d forgotten completely about this image, taken on a family trip to Brighton, but came across it in my archive on hard disk when I was looking for something else a few days ago, and thought it looked interesting.

But I was busy with other things and didn’t make a note of the file name, and when I decided I would share the picture I couldn’t find it. I spent an hour late last night looking through folder after folder of images. It didn’t fit any of the categories I have, and I went to bed annoyed with myself for not being able to find it.

I spent another half hour this morning. If only when I scanned images back in 2012 I had added some metadata. I’d thought a little more about when I’d taken the image, and thought it was almost certainly when we had two young German girls staying with us, some time in the early 1980s. I couldn’t exactly remember the year, but it was easy to track down some of the pictures I’d taken of them playing with my own children.

It still wasn’t easy to recognise this image from the small thumbnail in File Explorer’s ‘Large Icons’ mode, which was on its side and rather low in contrast, and I wasn’t sure I had found it until I double-clicked to load it into FastPictureViewer Pro and see it full-screen.

I wasn’t surprised to find that I hadn’t retouched the scan and there were as usual quite a few blemishes, particularly noticeable in the sky area. Usually I retouch images on a second computer which has a small Wacom Graphire pad and stylus, and is still on Windows 7 – I can’t get this old pad to work on Windows 10. I couldn’t be bothered to switch to that machine for a single image, so I did the retouching using a mouse. It made me realise why I normally use the Wacom pad.

Then I saved the image, resized it to post online (the original is roughly one hundred times the number of pixels), converted to 8 bit sRGB and made the mistake of saving it again over the original file. Fortunately on a drive connected to the other machine I had a backup. So I had to start that machine to restore the original file, and before I did so used the stylus and pad to do a slightly better and rather easier retouch.

Back in 1983 we were of course working with film, and when I took this picture I couldn’t be sure I had caught the moment. It surprises me now that this was the only frame I took, but of course I was on Brighton Palace Pier with a group of people most of whom were more interested in ice creams and silly hats than taking pictures, and some were probably pulling at my arms as I stopped to make this exposure with my Olympus OM1 on Ilford FP4.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.