Posts Tagged ‘banner’

Rich Door, Poor Door: 2014

Friday, July 30th, 2021

A foot in the Rich Door

I used the text for this protest on 30th July 2014 as the opening text for my ‘zine’ ‘Class War: Rich Door. Poor Door‘ published in 2015 and still available from Blurb. It was the first in a series of around 30 weekly protests (and a couple of special events, pictures from most of which are in the zine, by Class War at this block in Aldgate where the small proportion of social housing tenants have to use a door down a side alley rather than the plush entrance on the main road for those in the private flats.

Class War arrive for their first protest

The series of protests had some success – it had immediately resulted in the alley being cleaned up and later it was given much better lighting and it placed the whole idea of ‘poor doors’ firmly on the national and architectural agenda – but eventually failed to resolved the issue for this particular building.

And put up posters and stickers

Here’s that text, written on 30 July 2014:

Class War, including three of their candidates for the 2015 General Election, protested at 1 Commercial St in Aldgate against London’s new appartment blocks providing separate ‘poor doors’ for the affordable flats they have to include to gain planning permission for the development. Class War characterise this as ‘social apartheid.’

The building manager removes a poster

The front entrance on Whitechapel High St (One Commercial St is the name of the block) has a hotel-like reception desk, and is staffed. It leads to the lifts for the expensive flats, many owned by overseas investors. Like most such buildings, some of them are empty and seldom used, while others are short term holiday lets.

Arguments continue over the door

There is apparently no internal connection* between this part of the building and that containing the social housing, which has been given a different name and a separate door some way down the alley on the west side of the building. Their door, the ‘poor door’ has a card entry system which leads to a bare corridor with some mail boxes on one side.

Lisa makes her views clear

The alley is dark at night, and even though today it was unusually clear of rubbish, it smelt strongly of urine. Certainly a far less friendly place than the well lit main street on which the ‘rich door’ opens. There seems to me to be no reason why all those who live in the building cannot share the same entrance even if their flats are on different floors or different sides of the building, and certainly no reason at all to hide the poor door down a mean alley like this.

Police try to persuade the protesters to move across the road

The protesters arrived with a banner carrying a quotation from the radical US labour activist Lucy Parsons (1853-1942) “We must devastate the avenues where the wealthy live“. The Class War posters – with their skull and crossbones – had the message “We have found new homes for the rich” and showed long rows of grave crosses stretching into the distance, and they were stuck on the windows around the poor door using Class War election stickers with their promise of a 50% mansion tax.

But the protesters are unmoved by the police arguments

A few people were still entering and leaving the building, with the protesters talking and shouting at them but not actually stopping them, and at one point the protesters grabbed the door when it was open. There followed a brief tug of war with several from inside the building, including one of the residents as well as those from the ‘concierge’ attempting without success to close it. The protesters made little attempt to enter the building but wanted those inside to be able to hear the protest through the open door.

The Poor Door. When I visited a few days earlier the alley was filthy

By the time a couple of police arrived and hurried into the building to talk to the people inside around a quarter of an hour the protesters had stopped holding the door. The police came out a few minutes later and tried with little success to get the protesters to move further away from the door.

The rubbish had gone but it still stank of urine and had no lighting

The protest continued until after an hour or so Class War decided they had made their point and left, some for the pub. I went around the building to find the poor door and photographed it and the alley it was in.

Class War – Rich Door, Poor Door

* This was a lie by the building manager. On a later occasion I was taken inside the building by one of the private residents, and after taking me to her flat we then went down and out through the ‘poor door’ which she told me she used when taking her dog for a walk.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


State Opening, Class War and Student Protests

Thursday, May 27th, 2021

I usually make a point of keeping away from the big occasions such as the State Opening of Parliament, but made an exception on Wednesday May 27th 2015, partly because I had been told that Class War were planning to come and protest, but mainly as there were other events I was intending to photograph later in the day.

Class War arrived too late to reach the centre of Parliament Square where they had hoped to display their banner and the area was already tightly sealed off by police. Police security for royal events is always very tight and as on this occasion often goes well beyond what is legal. So although they managed to briefly display their banner well before the Queen’s coach arrived they were quickly forced to take it down and pushed away. Around 50 police then followed the dozen or so as they made their way to a nearby pub and a few more supporters, and stood around for an hour or so looking as if arrests were imminent before most of them moved off, but police continued to follow the group until they left Westminster. Two other people who had been showing posters against austerity in Parliament Square were arrested despite their actions being perfectly within the law; they were released without charge a couple of hours late.

I walked from the pub up to Downing St, where a line of people from Compassion in Care where holding up posters and calling for ‘Edna’s Law’ which would make it a criminal offence to fail to act on the genuine concerns of a whistle-blower, and would make the state protect whistleblowers rather than them having to spend thousands of pounds on taking their cases for unfair dismissals to industrial tribunals. They say current law, the Public Interest Disclosure Act 1998 which has failed to protect the public, the victims or the whistle-blowers. So far nothing has changed.

As I arrived in Trafalgar Square where people were gathering for a protest against education fees and cuts there was an angry scene when a squad of police surrounded and arrested a man, refusing to talk with any of those in the crowd around about their actions. Had they explained at the time that the man being arrested had been identified as someone who was wanted for an earlier unspecified offence and was being taken in for questioning, it would have defused the incident, but this was only revealed after the man – and one of the protesters who had questioned the police about their action – had been put into a police van a short distance away and driven off.

Back in Trafalgar Square there was music as we were waiting for the National Campaign Against Fees and Cuts protest to begin, provided by ‘Disco Boy’ Lee Marshall from Kent who had brought a mobile rig to Trafalgar Square. Apparently as well as running local discos he has a huge social media following.

Finally the NCAFC protest got under way, with a good crowd of mainly students in Trafalgar Square and speakers on the plinth of Nelson’s Column.

Class War came along (still followed by police) and there were cheers as they displayed their several banners; also taking the stage and marching with the students were the Hashem Shabani group of Ahwazi Arabs, who later held their own protest.

After the speeches in Trafalgar Square the NCAFC protesters set off to march to Parliament. Police tried to stop them with a line of officers and barriers at Downing St, but there were too few officers and many of the protesters walked around them and the barriers. Police apparently randomly picked on a few of the demonstrators and tackled them with unnecessary force making several arrests. The protesters continued marching around Westminster for some hours, but I left them at Parliament Square.

I finished my day’s work in Parliament Square with the Ahwazi Arabs who protested there against the continuing Iranian attacks on their heritage and identity since their homeland, which includes most of Iran’s oil was occupied by Iran in 1925. The occupation was important in protecting the interests of the Anglo-Persian Oil Company, effectively nationalised by the UK government in 1914 (later it became the Anglo-Iranian Oil Company and then in 1954, BP) and even after the nationalisation of Iran’s oil, BP remained a leading player in the consortium marketing Iranian oil.

Lucy Parsons

Monday, June 1st, 2020
Poor Doors protest, Aldgate 30 Jul 2014

I’ve just been reading a guest post on A D Coleman’s Photocritic International by Colleen Thornton on Paul Grottkau and Lucy Parsons, the first in a series of posts in what Coleman describes as her “painstaking inquiry” which “introduces to the medium’s history two extraordinary figures: a German-born 19th-century U.S.-based anarcho-socialist photographer, Paul Grottkau, and his subject, the African-American anarcho-socialist Lucy Parsons, widow of one of the men railroaded to public hanging in the prosecution of the suspects of the Chicago Haymarket Riot.”

Her research was prompted by finding a cabinet portrait of Parsons on eBay with the photographer’s details on the card below the picture. It is to be published on Photocritic International in three parts of three instalments each. As I write the first two of Part I are online, introducing the photograph of ‘an attractive, well-attired “woman of color”’ for which surprisingly Thornton was the only bidder, and with the photographer, who was previously unknown to me.

I’ve long known a little about Lucy Parsons, a remarkable figure in the history of the USA, and about the Haymarket massacre which led to May 1st being celebrated by socialists as May Day – here’s a brief paragraph I wrote on this site in 2018:

Since around 1891, May 1st has also been celebrated as a socialist festival, usually called May Day, but often also referred to as International Workers’ Day, Labour Day or Workers’ Day, the date chosen in memory of the Haymarket massacre in Chicago in 1886, where a bomb was thrown at police as they attempted to disperse what had been a peaceful rally of trade unionists. Eight anarchists – none of whom had actually thrown the bomb – were convicted of conspiracy, and seven were sentenced to death, though the sentences on two were commuted to life imprisonment. The trial was widely criticised as a miscarriage of justice and the three men still alive were pardoned and freed in 1893. The massacre was on May 4th, and the date of May 1st was almost certainly chosen because it was by tradition May Day.

Lucy Parson’s husband, Albert Parsons, was one of the “Haymarket Martrys”, a union leader with no connection to the actual bombing who was executed on November 11, 1887. She had been born a slave on a plantation in Virginia in 1851 and had married Parsons in Texas in 1871, the couple having to move to the north because of racist hostility to their marriage. She became one of the USA’s leading anarchists, a labour organiser and journalist with an international reputation, one of the founders of the  Industrial Workers of the World (IWW). Famously described by Chicago police as “more dangerous than a thousand rioters” she continued her political activities until shortly before her death in 1942.

I think Lucy Parsons first came to my attention through Class War, one of whose banners carries the text “We must devastate the avenues where the wealthy live” Lucy Parson 1853-1942 CLASS WAR“. It has on it another portrait of her, a far less formal image – and one that appeals to me rather more than the younger and slightly dreamy vignetted pose in the image that attracted the attention of Thornton. The photographer of this picture, made in the 1920s, is unknown.

The ‘Lucy Parsons banner’ was one they used in the long series of ‘Poor Door’ protests – around 30 in all – that I photographed outside 1 Commercial St, Aldgate, calling attention to the socially divisive separate entrances being provided for wealthy private residents and social housing tenants in this and other blocks.

It has also been carried by them at many other events. In December 2014 Class War used the banner outside the Mayfair offices of US property developers Westbrook Partners who were intending to evict tenants from the New Era Estate in Hackney before Christmass so they could refurbish these low rent social properties and re-let them at market rents – roughly four times as much.


Class War: ‘Evict Westbrook, Not New Era

It’s a banner I’ve made so many picture of, both at protests about various housing issues and at other events. So I thought I’d share just a few here, and an hour later I was still finding more and more to share from My London Diary. So perhaps as more of Thornton’s research is published I may share another set. Those in this post are all from 2014.


More from May Days: 2015

Monday, May 11th, 2020

My May Day started as usual with the march from Clerkenwell Green, dominated visually by members of the Turkish and Kurdish communities and with the usual mix of trade unionists and left-wing groups, perhaps even more international in nature than in previous years.

The march to Trafalgar Square was made a little livelier than usual by the presence of Class War and other anarchist and anti-capitalist protesters, some of whom took over the whole of the road rather than keep to one carriageway. Police tried hard to control them and made at least one arrest, which led to some scuffles.

One issue that dominated the rally in Trafalgar Square was the strike against privatisation at the National Gallery which overlooks the square, and in particular the victimisation by the management of Candy Udwin, the PCS rep there.

Later in the afternoon anti-capitalist protesters met up at Tower Hill, and led by lass War and their Lucy Parsons banner went on to block Tower Bridge this afternoon and blocked traffic, calling for social housing rather than social cleansing for Londoners and an end to cuts in foundation courses and other aspects of education. It was a lively event, and I left them when they marched off along Tooley St past London Bridge to protest in Westminster.

I walked back across Tower Bridge and on to Aldgate where Class War were organising their ‘Reclaim the Beats’ “epic street party” outside the tower block where they had held around 30 weekly ‘Poor Doors’ protests against the separate entrance down a side alley for the social housing tenants in the block.

A huge cheer went up as they unfurled a new banner showing leading politicians with the message “All Fucking Wankers”, a replacement for that seized by police at an earlier protest. Although it had later been judged to be an acceptable political comment, the police contrived to lose it rather than face the indignity of returning it to Class War.

A few minutes later a mobile sound system in the form of a small house on wheels with ‘Affordable Housing’ across its roof and the party really kicked off. After a few minutes people moved out to block the main road and then to march off to protest at Tower Bridge and in Bermondsey. I was too tired to go with them and instead went down the stairs into Aldgate East tube.

‘Reclaim the Beats’ at ‘Poor Doors’
Anti-Capitalists block Tower Bridge
May Day Rally supports National Gallery
May Day march against austerity and racism


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.