Posts Tagged ‘anarchist’

LSE Resist – Working Class, Kidbrooke & Cleaners

Friday, September 29th, 2023

LSE Resist – Working Class, Kidbrooke & Cleaners: in September 2016 then LSE research fellow Lisa McKenzie and a couple of students organised a series of discussions, films, lectures and exhibitions in the 3 day campus-wide 3-day free ‘Resist: Festival of Ideas and Actions’. The festival explored how political resistance is understood within academic research, the arts, grassroots activism campaigns, student debate and mainstream politics.

LSE Resist - Working Class, Kidbrooke & Cleaners

As a part of this festival LSE cleaners began a campaign for parity of treatment with other workers at the LSE. I had contributed some protest pictures to be used in publicity for the festival and attended some of the events on 28-29th September 2016.

LSE Resist - Working Class, Kidbrooke & Cleaners

The success of this festival was perhaps one of the reasons why Dr McKenzie was not given a further contract at the LSE. She has since worked at Middlesex University, Durham University and the University of Bedfordshire and is Board Chair of the Working Class Collective.


Working Class debate at LSE Resist – Wednesday 28th September 2016

LSE Resist - Working Class, Kidbrooke & Cleaners

There was a lively open debate around ideas of the working class at lunchtime on the steps in front of the LSE building in Lincoln’s Inn Fields led by LSE Professor of Anthropology David Graeber and Martin Wright of Class War with contributions from others including LSE research fellow Lisa McKenzie and Class War’s Ian Bone.

LSE Resist - Working Class, Kidbrooke & Cleaners

I arrived late, partly because the LSE then was a huge building site and the Facebook invitation to the event had included a map incorrectly suggesting it was taking place in Houghton Street, so unfortunately missed the some of the opening remarks by Graeber.

He was followed by Whitechapel anarchist Martin Wright, a working-class activist from East London who told us he was proud of his record of not working. He now regularly broadcasts his pithy comments on current affairs on the ‘Red and Black’ channel on You Tube.

Ian Bone, the founder of Class War, once described by the gutter press as the ‘The Most Dangerous Man in Britain‘ gave a typically witty and thought-provoking contribution.

And of course Lisa McKenzie spoke at some length and depth, and there was a great deal of discussion among the main speakers, with contributions from many of those sitting around on the steps, mainly LSE students. I took a great many pictures some of which you can see on My London Diary, but think I managed to keep my mouth shut and listen rather than speak.

More pictures at Working Class debate at LSE Resist.


Simon Elmer of ASH indicts LSE

The following day I was back on the same steps to hear Simon Elmer of Architects for Social Housing (ASH) give a lengthy and detailed indictment, ‘The Intellectual Bloodstain’ on a report by a group of LSE academics on Kidbrooke Village, a development by Berkeley Homes and Southern Housing, on the site of a council estate which was demolished between 2009 and 2012.

The Ferrier Estate had been built for the Greater London Council in 1968-72 on the site of a former RAF base. The first section had five 12 storey towers and three years later a second section six more were added. The estate had around 1,900 flats.

When the GLC was abolished in 1986 for having opposed the Thatcher government it was a sad day for London in general, with the capital being left without its essential city-wide authority, something it has not yet recovered from despite the setting up of the GLA in 2000. But for the Ferrier estate in was even worse news as the estate was transferred to the Royal Borough of Greenwich.

Greenwich made Ferrier a sink estate and failed to maintain the estate properly; its population were markedly multi-ethnic, including many refugees while most of the rest of the borough’s estates were predominantly white.

You can read Elmer’s talk in full on the ASH web site and it makes interesting reading. Perhaps the key fact is that the estate still had 1732 flats which were housing council tenants at social rents, but in the replacement Kidbrooke Village although there will be 4,763 new apartments, only 159 will be at social rent. Some of the others will be ‘affordable’, meaning at up to 80% of market rent, but that means completely unaffordable to those who previously lived there – or to almost all of the 15,000 on the council’s housing waiting list.

As a former member of Greenwich Council was quoted by Elmer as stating, ‘Ten years ago residents on the Ferrier Estate were told that they would have the right to come back. What Greenwich Council didn’t mention is that they would need to win the Lottery to do so.

Elmer uses the case of Ferrier to ague about a key tropes behind the LSE produced report, the idea of ‘urban villages’ and also points out some of the omissions and inaccuracies of the report as well as attacking their use of inadequate and often misleading concepts such as ‘human scale‘, ‘unique identity‘, ‘social interaction‘ (which means going to shop at Sainsbury’s), ‘locally driven‘, ‘mixed communities‘ and more as well as pointing out some simple lies lifted directly from the developers’s marketing book.

His report points out “the white elephant standing in the middle of the living room of every one of these luxury apartments – that is, their complete failure to meet the housing needs of the local community” and went on to look more widely at housing issues in the UK before concluding his talk by convening a People’s Court for the indictment of the LSE Four, listing four charges and calling for their suitable punishment “in the name of Architects for Social Housing and on behalf of the former residents of the Ferrier Estate.” I think they were unanimously found guilty.

At the end of the meeting Petros Elia, General Secretary of the United Voices of the World trade union spoke briefly about the failure of LSE management to protect the interests of the LSE cleaners in outsourcing them to a cleaning contractor with no insistence on decent working conditions and conditions of service and inviting all present to a meeting later that do to discuss further action.

More pictures at Simon Elmer of ASH indicts LSE.


LSE Cleaners Campaign Launch

Later on Thursday I went to the meeting where cleaners at the LSE began their campaign for parity of treatment with other workers at the university.

The cleaners, employed by Noonan on a LSE contract, are paid the London Living Wage, but have only the statutory minimum holidays, sick pay and pension contributions, while workers directly employed by the LSE have more generous terms. They also complain they have lost rest facilities, are not allowed in the canteen with other workers, exposed to dangerous chemicals, not allowed to use lifts to move heavy equipment between floors and are generally treated like dirt.

We were all shocked when one of the cleaners stood up and told how she had been sacked by Noonan after 12 years of service at the LSE. The UVW will fight her unfair dismissal as well as pursuing their other claims.

Others attending the meeting included most of the students from a new graduate course at the LSE on issues of equality, something the LSE has a long history of campaigning for outside of the institution but seemed rather blind to on its own campus. Support for the cleaners was expressed by the LSE Students Union General Secretary and by several LSE staff members, and Sandy Nicoll from SOAS Unison told the meeting about their 10 year fight to bring cleaners there in-house.

Several of the cleaners spoke in Spanish, and their comments were translated for the benefit of the non-Spanish speaking in the audience,

There were suggestions for further actions to improve conditions and fight the unfair redundancy, and I was to photograph some of these in the months that followed, eventually leading the them being taken back in-house as LSE employees in 2017.

More pictures at LSE Cleaners campaign launch.


Portrait of a woman – Lucy Parsons

Thursday, August 13th, 2020

I’ve just finished reading the final instalment of a series of five articles by Colleen Thornton on Paul Grottkau and Lucy Parsons published as a guest post on A D Coleman’s Photocritic International. It was a story which began by Thornton buying on E-bay a rather fine cabinet-card portrait of an unidentified African American woman, made by a hitherto unknown photographer whose name and Chicago address were below the picture.

Although Paul Grottkau was not well-known as a photographer, he had been prominent in socialist circles both in his native Germany and, after escaping to the USA in 1877 following political arrests and persecution, in Chicago where he settled, quickly becoming editor of the German language workers’ newspaper there.

Thornton goes briefly into considerable detail about his activities there, and in particular to the Haymarket Bombing in May 1886 and the arrests and execution of leading anarchists who were Grottkau’s colleagues, and were clearly unconnected with the bomb. Grottkau had by the time of the bombing moved to Milwaukee, where he had started another German language workers newspaper and become a leader in a number of strikes, including the large strike at the Milwaukee Iron Company’s rolling mill in Bay View. The National Guard fired on the 12,000 strikers and their supporters in ‘The Bay View Massacre’, and Grottkau was arrested as he tried to calm the situation by speaking to them in German. The New York Times reported Mrs. Albert R. Parsons as being in the court when he was sentenced to a year in jail (he only served 6 weeks.) Her husband, Albert Parsons was one of The ‘Haymarket Martyrs’, then awaiting execution, and hanged in November 1887. The following year Grottkau returned to Chicago to edit the newspaper again and opened a photo studio. Two years later he moved away with his family, briefly setting up studios in Milwaukee and Detroit before settling in San Francisco in 1891. There he may have worked in the studio of Joseph Holler, as well as continuing his political activities as a Social Democrat. He contracted pneumonia after returning to work for them in Milwaukee in 1898; 10,000 people attended his funeral and his obituary was published by the New York Times. But although his life-long work as an “anarchist/socialist writer, editor, labor organizer, and political activist” is well-known and documented, nothing at the time mentioned that he made a living and supported his family as a studio photographer, and very little is known about his photographic work.

Thornton was led by her research to Lucy Parsons and by comparing with the few known pictures of her, was able to establish to her satisfaction that the picture she had bought was of Lucy Parsons. Without access to the original it is difficult to fully assess the evidence, and in particular that of some fairly extensive and skilled retouching by Grottkau that Thornton discusses. She certainly makes a good case, but I am left with just a scintilla of suspicion; I’m convinced but not entirely so. But of course her research about both Grottkayu and Parsons still stands even in the unlikely event that Thornton was wrong about the photograph which prompted it.


I have a particular interest in this story as I have photographed Lucy Parsons many times in different locations, or rather her image on a banner produced by UK anarchist group Class War. What I call their ‘Lucy Parsons‘ banner has on it “We must devastate the avenues where the wealthy live” attributed to ‘Lucy Parsons (1853-1942)’. I first photographed it in July 2014 at one of their many protests against one of London’s new apartment blocks providing separate ‘poor doors’ for those living the the social housing from those in the larger private part of the building. I’ve since learnt rather more about her life and politics, but not before about some of the aspects of her life covered in this series of article.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Lucy Parsons

Monday, June 1st, 2020
Poor Doors protest, Aldgate 30 Jul 2014

I’ve just been reading a guest post on A D Coleman’s Photocritic International by Colleen Thornton on Paul Grottkau and Lucy Parsons, the first in a series of posts in what Coleman describes as her “painstaking inquiry” which “introduces to the medium’s history two extraordinary figures: a German-born 19th-century U.S.-based anarcho-socialist photographer, Paul Grottkau, and his subject, the African-American anarcho-socialist Lucy Parsons, widow of one of the men railroaded to public hanging in the prosecution of the suspects of the Chicago Haymarket Riot.”

Her research was prompted by finding a cabinet portrait of Parsons on eBay with the photographer’s details on the card below the picture. It is to be published on Photocritic International in three parts of three instalments each. As I write the first two of Part I are online, introducing the photograph of ‘an attractive, well-attired “woman of color”’ for which surprisingly Thornton was the only bidder, and with the photographer, who was previously unknown to me.

I’ve long known a little about Lucy Parsons, a remarkable figure in the history of the USA, and about the Haymarket massacre which led to May 1st being celebrated by socialists as May Day – here’s a brief paragraph I wrote on this site in 2018:

Since around 1891, May 1st has also been celebrated as a socialist festival, usually called May Day, but often also referred to as International Workers’ Day, Labour Day or Workers’ Day, the date chosen in memory of the Haymarket massacre in Chicago in 1886, where a bomb was thrown at police as they attempted to disperse what had been a peaceful rally of trade unionists. Eight anarchists – none of whom had actually thrown the bomb – were convicted of conspiracy, and seven were sentenced to death, though the sentences on two were commuted to life imprisonment. The trial was widely criticised as a miscarriage of justice and the three men still alive were pardoned and freed in 1893. The massacre was on May 4th, and the date of May 1st was almost certainly chosen because it was by tradition May Day.

Lucy Parson’s husband, Albert Parsons, was one of the “Haymarket Martrys”, a union leader with no connection to the actual bombing who was executed on November 11, 1887. She had been born a slave on a plantation in Virginia in 1851 and had married Parsons in Texas in 1871, the couple having to move to the north because of racist hostility to their marriage. She became one of the USA’s leading anarchists, a labour organiser and journalist with an international reputation, one of the founders of the  Industrial Workers of the World (IWW). Famously described by Chicago police as “more dangerous than a thousand rioters” she continued her political activities until shortly before her death in 1942.

I think Lucy Parsons first came to my attention through Class War, one of whose banners carries the text “We must devastate the avenues where the wealthy live” Lucy Parson 1853-1942 CLASS WAR“. It has on it another portrait of her, a far less formal image – and one that appeals to me rather more than the younger and slightly dreamy vignetted pose in the image that attracted the attention of Thornton. The photographer of this picture, made in the 1920s, is unknown.

The ‘Lucy Parsons banner’ was one they used in the long series of ‘Poor Door’ protests – around 30 in all – that I photographed outside 1 Commercial St, Aldgate, calling attention to the socially divisive separate entrances being provided for wealthy private residents and social housing tenants in this and other blocks.

It has also been carried by them at many other events. In December 2014 Class War used the banner outside the Mayfair offices of US property developers Westbrook Partners who were intending to evict tenants from the New Era Estate in Hackney before Christmass so they could refurbish these low rent social properties and re-let them at market rents – roughly four times as much.


Class War: ‘Evict Westbrook, Not New Era

It’s a banner I’ve made so many picture of, both at protests about various housing issues and at other events. So I thought I’d share just a few here, and an hour later I was still finding more and more to share from My London Diary. So perhaps as more of Thornton’s research is published I may share another set. Those in this post are all from 2014.