Archive for March, 2020

HS2

Friday, March 13th, 2020

Lord Adonis has a lot to answer for, a rival to Failing Grayling who also served as Secretary of State for Transport – from 2016 to 2019. Adonis regards himself as “the architect of HS2” and published the original plan around ten years ago during the then new Labour government. It is down to him that we have the pigs ear which is HS2 rather than a modern railway that would be a great asset to our infrastructure.

Some protesters came with trees

HS2 as presently planned is crazy. It doesn’t connect with HS1, so we will eventually need to build a new connection there. It doesn’t run into Birmingham New Street, and the time saved by the faster transit into Curzon St will be lost for passengers requiring onward services there. And while the high-speed trains will be able to continue their journeys on existing track further north, they will actually be slower on these than the existing tilting stock.

One campaigner was dressed as a tree

There were alternative routes that would have worked better and certainly been more friendly to the environment, but these were dismissed under Adonis apparently without proper investigation. And it would have been better to have started by sorting out existing northern routes where the need is greater. We already have two working routes to Birmingham from London, from either Euston or Marylebone.

London-Birmingham is really too short a trip for the huge cost of a high-speed 300km/h connection to be worthwhile, they saving in time been too short. Currently the fastest services make the journey in 1 hr 22 mins, and that time could almost certainly be shortened by relatively small changes in to the existing route and signalling. The distance is 161km and the current average speed of the fastest services is only 118 km/h, using trains capable of over 200km/h.

Chris Packham gave me 3 acorns to plant but we have too many trees in our garden already

The protest at Euston led by Chris Packham and The Woodland Trust was over the environmental damage being caused by destruction of ancient woodlands on its route, taking place at a time when the whole HS2 project was still in doubt and was precipitated by the imminent destruction of South Cubbington Wood, due to be destroyed on 9th October. This is one of 30 classified ancient woodlands among a total of 108 woods to be wholly or partly lost to HS2. And the felling was put on hold.

Since then, the project has been given the go-ahead by Boris Johnson and is likely to be too far advanced by the time we get a new government to make some sensible changes. But I have a horrible feeling it may just end up as a huge white elephant.

More on the protest: HS2 threatens ancient Woodland


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, please share on social media.
And small donations via Paypal – perhaps the cost of a beer – would be appreciated.


Mooning for Soldier F

Thursday, March 12th, 2020

I hadn’t come up to London to photograph ‘Operation Zulu’, a protest against the prosecution of ‘Soldier F’ for the murder of civil rights protesters in Londonderry on ‘Bloody Sunday’ in 1972, but since I was in London I did take a brief walk through Parliament Square and Whitehall. And stopped to take a few photographs, mainly of a small group ‘mooning’ on the roof of an armoured vehicle. And to wonder why they called this ‘Operation Zulu’.

I remember going to see the film Zulu back in 1964, I thought at the Dominion Cinema in Hounslow, but memory is fallible as that apparently closed in 1961 (though this fine Art Deco building was only demolished after 45 years as a Bingo club in 2007), so perhaps it was the Regal. The film itself although based on history is incorrect in many aspects, and though the courage of the defenders of Rourke’s Drift is undeniable, the Zulu War it took place in was one of the worse aspects of our colonial past.

The man responsible for it has a statue I often walk past, in the Embankment gardens close to Northumberland Avenue, though I suspect few who walk past could tell you anything about Sir Henry Bartle Edward Frere. He was sent to South Africa as High Commissioner for the British Empire  to carry out a British plan to combine all of the south of the continent into a Canada-style federation. Frere took advantage of postal delays between South Africa and the UK to carry out his unauthorise policy, sending the King of Zululand a completely unacceptable ultimatum which amounted to a declaration of war, and then sent in the British Army.

Despite the Zulus being equipped largely with spears, clubs and hide shields against British firepower of breech-loading rifles and a couple of field guns, the first battle resulted in a great Zulu victory – as Wikipedia puts it, “The British Army had suffered its worst defeat against an indigenous foe with vastly inferior military technology“. The successful defence of Rourke’s Drift (the subject of the film) did much to restore British morale and a much stronger force was then dispatched to finally defeat the Zulus.

Frere was censured but allowed to stay on for long enough to cause several other wars across the area, including the disastrous First Boer War before being finally recalled to London, where he was eventually dismissed by Prime Minister Gladstone and censured by Whitehall for his disastrous actions in South Africa and policies he advocated over Afghanistan which had led to the Second Anglo-Afghan War.

Bloody Sunday in Londonderry in 1972, when British soldiers shot 26 unarmed civilians during a protest march against internment without trial, is a more recent shameful episode in British history. The Tory governent recently announced that soldiers would be granted protection against prosecution for any alleged historic offences, except for those in the Northern Ireland “troubles”. Although there have clearly been some cases where the allegations made against soldiers have been unfounded, where there is significant genuine evidence there should be no immunity from prosecution.

If anything I think there is more justification in providing protection against prosecution for crimes committed by both sides in Northern Ireland than for the crimes against civilians in Iraq and other overseas conflicts the army have been sent to. We need peace in NI, and there needs to be a reconciliation between the two communities . Post-Brexit I think that also means a united Ireland, though it may take some years for this to arrive.

More pictures at Veterans Moon for Soldier F


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, please share on social media.
And small donations via Paypal – perhaps the cost of a beer – would be appreciated.


Climate Rally for the Imagination

Wednesday, March 11th, 2020

Climate Rally for the Imagination was organised for artists, designers, musicians, cultural workers and leaders to propose creative individual and collective responses to the climate emergency.

There were some heavy showers before the event began, with water on the paving giving reflections, which was good, but also getting on cameras and lenses which wasn’t.

But fortunately it stopped for a while as the event got going, as some of those taking part did look a little wet and bedraggled, probably including this photographer.

There were some interesting performances, including from folk singer Sam Lee, and some interesting presentations from people working with arts-based projects as well as at least one that seemed to me to be away with the fairies. But Extinction Rebellion has a very wide range of supporters.

Several people read from their contributions to the book ‘Letters to the Earth’ and perhaps the event became a little too much like a book promotion. But there were a number of contributions from others, about the protests over BP sponsorship of museums and culture, with a student involved speaking about the letter threatening a boycott of the Royal Shakespeare Company by school climate strikers which got the company to drop BP in days.

Another speaker had written to the Arts Council over its failure to recognise the vital importance of combating climate change through the activities it sponsors, while architect Michael Pawlyn gave a challenging analysis of current architectural practices and their contribution to climate change, spressing the newd for a new ‘regenerative architecture’.

Among those contributing to the book was environmental lawyer Farhana Yamin, arrested for protesting against Shell with Extinction Rebellion in April.

Climate Rally for the Imagination

Trailblazers of Light

Tuesday, March 10th, 2020

Around a year ago I read an article by the remarkable photojournalist Yunghi KimGaslighting in Photojournalism‘ in which she rightly took umbrage at a statement on NationalGeographic.com by photographer Daniella Zalcman, “For a very long time, we’ve been predominantly looking at the world through the experience and vision of male photographers“.

It was, she rightly said “a sexist and ageist quote“, which ignored the great contribution made by many women in the past in order to boost the achievements of NatGeo’s current crop of women photojournalists.

As some readers will know, I used to write for an online photography web site, and before that to teach photography to mainly young students, the majority of whom were female. I had a number of principles that underlie the articles that I wrote about photographers and the work that I showed students and among them were that I wanted to show the contribution that had been made to photography by women through the whole history of our medium and over many fields. Another was to show that not all photographers were American or even British or European – something that was probably a major factor in my contract eventually being terminated.

I tried hard to find women who would qualify for my list of notable photographers, but men still outnumbered them by around 5 to 1, at least in part because of the lack of published material (and particularly published material on the web) by or about them. But there were some truly great women photographers on that list and I think I wrote rather more about many of them than about most of the men.

Yunghi Kim has gone on from her critical article first to produce a list ‘The Silent Generation‘ of women photojournalists, and then to work with her team to produce a remarkable web site – Trailblazers of Light, highlighting the many, many women photojournalists of the film era, decades before the advent of digital cameras and photography.

Also referred to as the, “The Silent Generation,” it refers to a time when a few courageous women first entered the photojournalism work force and simply did the work without fanfare but with steely determination. They worked side by side with men on a daily basis at newspapers, magazines, wire services, and photo agencies. They reported from foreign war zones, the streets of our towns and cities across America, and everywhere in between.

https://trailblazersoflight.com/women-of-the-film-era

It isn’t an exhaustive list and will doubtless grow in time. As the site says, “Most of the names here are American photojournalists or those who worked for American-based publications, photo agencies and news wires. There are some international photojournalists listed as well.”

Currently the site lists 517 photojournalists and 249 picture editors, and the site gives a short history of the contribution of women to photojournalism in the USA, beginning with “Frances Benjamin Johnston, who worked for Acme News Service. She was born in 1864 and had a career which lasted over 50 years” and continuing to the digital age.

It’s a remarkable history, only a fairly small part of which was familiar to me, and although there are plenty of names among the 517 that are familiar to me, there are rather more I’d not before heard of. Clicking on their names in the list of Photojournalists generally links to an article on a web site with some more details or an article about them. The site also has a historical timeline and some oral histories.

It’s looks a hugely valuable resource for students and educators, though I’ve only had a short time to investigate it. It would be good to see a similar resource to cover other areas of photography worldwide.



You are invited…CANCELLED

Monday, March 9th, 2020

Unfortunately we have had to cancel the private view, but we still expect the show to take place as scheduled – and you can come along any time from 19th March to 22 April to view it.

Perhaps not the best time to be having an opening, as the whole country could well be in lock-down by then. But I hope there will be no problems in going ahead with this. The hospital main entrance is just across the top of Tottenham Court Road from Warren St station; turn right immediately you enter for the show, which you will have seen through the windows as you walk along to the entrance.

My contribution is 12 panoramic images taken on a number of walks along the Regent’s Canal over the past year as a small celebration of the 200th anniversary of its opening.

If you can come, please RSVP to help planning for snacks and wine etc. But anyone can just turn up at the event – or go and see the show any time until 22nd April.

If you would like to print out the invitation you can download a PDF.

Students Strike for climate justice

Sunday, March 8th, 2020

The young get it, and inspired by the actions of Greta Thunberg as well as the words of David Attenborough and the overwhemlming conclusions of scientists, school students around the world are coming out on the streets to demand yhat governments take the necessary action to decrease carbon dioxide emissions and act in accordance with the Paris Agreement and the IPCC report, though many recognise that even these are insufficient to deal with the problems we face.

Fridays for Future London started out as a small group, but now together with Youth Climate Strike and other groups there has been an impressive turnout for protests taking place during a Friday in school terms. Some came with parents or grandparents and there were a few other older protesters, but the great majority were with others from their schools and school classes.

Notable by their almost complete absence were the mass-produced placards of so many protests, produced by left groups such as the Socialist Workers Party or Socialist Party. Clearly the climate catastrophe is now a major inspiration for the work of school art departments as well as many obviously home produced posters and placards.

The protesters are deadly serious about the existential crisis they face, with messages on some posters addressed to the older generations who run our country like ‘YOU will die from old age – WE will die from Climate Change’ but there are many more humorous though also deadly serious.

If the world was run by the youth it would have a future. But unfortunately it is largely run by the old and extremely rich. Billionaires who largely can’t see beyond their immediate short-term interests and are doing very well from business as usual. They’ll be OK in the short-term when the sea-level rises or we get more and more storms and floods, when millions (or even billions) die in the majority world and thousands in countries like ours.

Of course in the longer term even the filthy rich will suffer. They are huge hoggers of resources, particularly those made by the poor who mine the metals, grow the crops etc. The world doesn’t need the rich, but the rich do need the rest of the world to support them.

More pictures at Students Strike for climate justice.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, please share on social media.
And small donations via Paypal – perhaps the cost of a beer – would be appreciated.


Witold Krassowski – Sackcloth and Ashes

Saturday, March 7th, 2020

Many UK photographers will remember Witold Krassowski who worked in London with Network Photographers from 1988-2005 and was also for the first five years here a freelance for The Independent.

On his web site you can read the story by Colin Jacobson of how he came to work for the Independent, having come to London to work as a house painter and you can also see some fine pictures from his work in Poland, Britain, India, Mongolia and Afghanistan as well as portraits and some commercial work.

Others will know him from his pictures in a couple of World Press Photo shows, and rather more awards in Poland, where I met him as vice-president of the Association of Polish Art Photographers. He’s led a Master Class for the WPP in Amsterdam, taught at Pathshala in Dhaka and been lecturer and deputy dean at the Faculty of Media Arts of the Academy of Fine Arts, Warsaw

But although his work has appeared in many publications and he has had a couple of books published in Poland, one on the social revolution at the end of communism in 1989 in that country and a second of portraits of much later of actors whose careers were dramatically changed by that political event, there has not yet been a book to present the breadth of his work over the years

Sackcloth and Ashes, Photographs by Witold Krassowski is described as “A lifetime of unstaged work on 35mm underlining human unity across borders and cultures.” With 119 black and white images, taken entirely on film, between 1985 and 2007 it represents his project to document “the commonality of human fate and the unity of mankind that stretches beyond culture and politics. “

But the book does not yet exist, and its publication depends on a Kickstarter campaign raising the £8,000 needed by April 1st. You can read much more about the book and why Krassowski feels it important that it should be published. By pledging £40 or more you can get a signed copy on publication, while for larger pledges there are further rewards.

Sackcloth and Ashes, Photographs by Witold Krassowski

Antanas Sutkus

Friday, March 6th, 2020

Antanas Sutkus (b1939) from Lithuania was one of the photographers I met and saw his work for the first time when I went to Bielsko-Biala in 2005 for their first FotoArtFestival, though while I saw his show there, I unfortunately missed his presentation as I was getting ready for my own.

One of the better aspects of the countries on the other side of the Iron Curtain was their support for the arts, although it was not always entirely beneficial. There was a huge emphasis on cultural activities, with concert halls, large galleries and museum, but also censorship, and artists had to tread an often difficult line between their personal aspirations and interests and the state’s idea of what literature, music or the visual arts should be.

Sutkus it tell us in his brief biography at the RussianTeaRooms gallery “realized more than 120 works. Major works: Lithuanian People (1959); Lithuania from a Bird’s Eye (1973–1980); Meetings with Bulgaria (1972–1979); Lithuanians of the World (1991–1994); Nostalgia for Bare Feet (1959–1979); Pro Memoria: To the Living Martyrs of Kaunas’ Ghetto (1994–1997); Past Times (1999)” and from the various positions he held and awards he gained flourished both when his country was under Soviet control and after the end of Russian domination.

From his photography we can see that he was able to pursue a strong personal view despite censorship and restrictions. There are two sets of pictures on the RTR site, one of the visit to his country of Jean Paul Sartre and the second ‘Miscellaneous’. While the most striking of the Sartre images have a strong formal appeal, it is in the other set that his love for people stands out, particularly in an image of his Aunt Agota, running down the path towards his camera.

The Russiantearoom Gallery in Paris is now the Galerie LIZA FETISSOVA, and “Je t’aime” by Antanas Sutkus opens here on 6 March 2019 until March 29. The gallery page quotes Sutkus “To photograph people, you have to love them” and in their text for the show sums up his work well:

Antanas Sutkus (born 1939) captured love as a man, humanist, photographer, patriot. His native country, his Lithuania and its people, proud and resistant to the Soviet invasion, inspired him so much love, that every image breathes it, radiates it … Gives it away.

The same text with a slightly different set of pictures is on the Eye of Photography page which alerted me to this show. You can also see some of his work at the White Space Gallery. His official web site has a considerable amount of writing, some in English, but I could find no pictures.

WeWork doesn’t pay

Thursday, March 5th, 2020

I’d never heard of WeWork before I received an Facebook post inviting me to photograph a protest outside one of their London premises in Shoreditch. The company began in 2010, has its HQ in New York and provides flexible working spaces for companies from 1 to 500 people, equipped, serviced and ready to move in. In London alone it has 49 locations providing shared facilities.

When we started WeWork in 2010, we wanted to build more than beautiful, shared office spaces. We wanted to build a community. A place you join as an individual, ‘me’, but where you become part of a greater ‘we’. A place where we’re redefining success measured by personal fulfillment, not just the bottom line. Community is our catalyst.

But community doesn’t extend to all that work there, and in particular not to the cleaners who keep these shared office and community spaces beautiful. WeWork outsource their cleaning to cleaning company CCM.

Outsourcing is always a bad deal for workers. The companies bid for contracts almost entirely on price, and they pare down prices by screwing the workers. Low pay, high workloads, the legal minimum terms and conditions and often a lack of equipment and concern over safety combined with bullying management enable outsourcing companies to keep costs to the bone and profits to the company owners.

Trade unions are anathema to such companies, and also to many US based firms, and grass roots unions such as CAIWU who manage the difficult job of unionising marginal and often immigrant workers find it hard to get basic rights for their members. Workers who stand up for their rights get victimised, and CAIWU were protesting here as five CAIWU members have been dismissed here in the past few months, with Wework staff members involved in getting CCM to dismiss them.

The loud protest outside the offices attracted a great deal of attention, with one local business owner coming to ask them to keep quiet and one man stopping to argue with the protesters, getting quite angry and pushing some of them. But these were the exceptions and many others read the fliers that the protesters were handing out and expressed support, including one team of workers who came out from the building and join the protest.

More at: Wework stop victimising cleaners


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Old Street New Photos

Wednesday, March 4th, 2020

I live just a couple of miles outside the Greater London boundary, two miles that cost me around £1500 a year in travel costs, though I might be saving a little in council tax. I live in the only area of what used to be Middlesex which wasn’t included in Greater London when the boundaries were established in the 1960s, though the town I live in is fairly typical of outer London. But the posh Tories down the road who ran the local council at the time rose up against becoming a part of the London Borough of Hounslow and opted the whole area to become part of Surrey with their wealthy chums across the river.

So while Londoners of my age got a Freedom Pass, now valid at all times on London Underground, London Overground, Bus, Tram, and Docklands Light Railway services in Greater London as well as rail services between 9.30am and 11.30pm, instead I got a national bus pass, giving free rides only on the buses. And where practicable my normal mode of travel around London is by bus.

When time is limited or bus journeys far to slow I do use the Underground (or Overground or Rail) to get around London and pay. And on days where the traffic is paralysed by large-scale protests or sporting events I’ll take the tube as well, either using a London-wide Travelcard or using a contactless card.

Other than cost, and for some journeys speed (though it can be quicker to use the bus or walk) there are some advantages to bus travel. Thanks to most London routes being served by double-deckers you are treated to some splendid views of the capital from viewpoints that would otherwise be impossible. It’s a poor man’s cherry-picker, and these pictures of the Old Street roundabout and some nearby locations show this well.

The Old Street roundabout was constructed at the height of brutalist architecture in the 60s, with some very odd concrete shapes at its core on top of Old Street Tube station, some underground shops and a public toilet in an area known as St Agnes Well. It’s an area I’ve often visited for convenience and travel, and sometimes for photography over the years.

Work has been going on for some time to replace the roundabout by a smoother two-way traffic flow with improved cycling and pedestrian routes and a new public open space and is due for completion later this year. The area around the roundabout has also changed in recent years with new large blocks on the south side as well as a gigantic suspended advertising block. A cluster of software houses in some of these new buildings have led to a new name, Silicon Roundabout.

I was able to photograph from the bus going through the now ex-roundabout both west to east and in the reverse direction along Old St after photographing a protest not far away. And with various traffic lights and queues in operation the bus stopped several times at convenient locations for my pictures.

More pictures at Clerkenwell Road & Old St.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, please share on social media.
And small donations via Paypal – perhaps the cost of a beer – would be appreciated.