Posts Tagged ‘recording studio’

Hats, Bags, Passports, Mansions, Biocrin & Hollywood

Saturday, April 30th, 2022

Hats, Bags, Passports, Mansions, Biocrin & Hollywood: This post continues my 1988 walk South Stokey & Hornsey Detached posted a few days ago.

Marmel & Grossmith, Hat Co Ltd, Boleyn Road, Dalston, Hackney, 1988 88-10a-24
Marmel & Grossmith, Hat Co Ltd, 1 & 2 Boleyn Road, Dalston, Hackney, 1988 88-10a-24

Back Road Kingsland dated from 1839 and was renamed Boleyn Rd in 1877, one of a number of local streets given names associated with Henry VIII who was alleged to have used a hunting lodge on nearby Newington Green. Until 1877 the road like many others in London was divided into a number of blocks or terraces each given its own name by the developers and many streets were renamed around then to end this confusion.

I’m not sure when Marmel & Grossmith set up their hat factory here, but in 1940 they had a hat factory at 159 Commercial St, Whitechapel. I don’t know when hat production ended in Boleyn Road, though the fly-posting suggests the works was no longer in use. The 33 flat Dalston Hat apartments into which the factory was transformed bear little resemblance to it but have an entrance marked by a giant top hat.

Cambay Ltd, Alpha House, Tyssen St, Dalston, Hackney, 1988 88-10a-25
Cambay Ltd, Alpha House, Tyssen St, Dalston, Hackney, 1988 88-10a-25

Alpha House was on Tyssen St which runs north from Dalston Lane, just to the south of where it bends 90 degrees to the east until 2014, although around 2010 the signs for Cambay Bags Luggage & Travel Goods were replaced by those for Cyclone Design Lab. The new flats have solicitors offices on the ground floor.

I was attracted by the confusion of notices and also by the pictures of a large bag, and on the van, a man perhaps cleaning a car.

Dalston Lane, Dalston, Hackney, 1988 88-10a-12-Edit_2400
Dalston Lane, Dalston, Hackney, 1988 88-10a-12

Back on Dalston Lane there was a photographer’s shop window, something I always stop and have a look in. . The most interesting part to me was a framed selection of 16 passport pictures (with a label stating PASSPORTS in case we were not sure), which I thought gave a good representation of the local community.

Navarino Mansions, Dalston Lane, Hackney, 1988 88-10a-15-Edit_2400
Navarino Mansions, Dalston Lane, Hackney, 1988 88-10a-15

Walking towards Hackney I went past Navarino Mansions built in 1885 by the Four Percent Industrial Dwellings Society as 300 flats for Jewish workers from the East End. The architect, Nathan S.Joseph, set new standards for social housing in creating a building that was in finest style of the era as well as providing for the time high standards of provision.

Still owned in 1986-92 by the same organisation, then called simply the Industrial Dwellings Society [IDS] they were treated to a major refurbishment in 1986 to bring them up to modern standards, including the provision of lifts and new gardens in the courtyards and providing more spacious family accommodation.

House, St Mark's, Church, Colvestone Crescent, Dalston, Hackney, 1988 88-10b-61-Edit_2400
House, St Mark’s, Church, Colvestone Crescent, Dalston, Hackney, 1988 88-10b-61

I think I continued my walk back towards Dalston, probably going along Ridley Road – I liked going to the market there, though seldom took photographs – and turning up St Mark’s Rise with the intention of photographing St Mark’s Church which is a prominent local landmark – sometimes called the ‘Cathedral of the East End’, it is one of the largest parish churches in London and used once to have over 2,000 attending its Sunday services.

The church is Grade II* listed, with a nave by Chester Cheston Junior built in 1864-6 and its distinctive tower by Edward Lushington Blackburne added in 1877-80. The area around was developed in the 1860s as housing for the wealthier middle class who worked in the City.

Vine's Biocrin Ltd, Clarence Rd, Lower Clapton, Hackney, 1988 88-10b-52-Edit_2400

Vine’s Biocrin Ltd, 111, Clarence Rd, Lower Clapton, Hackney, 1988 88-10b-52

You can still buy a range of Vine’s Biocrin hand sanitiser, oils and creams although I think the original company, incorporated in 1937 for the “Manufacture of soap and detergents – Manufacture and wholesale of toilet preparations ” was dissolved around 2000.

The products, apparently still largely made for hairdressers, are now made elsewhere as this small factory has been replaced by flats, although the building part shown at the left is still there, now Capital Die-Stamping and The Hill Church at “Holy Anointing Christian Centre Where All Yoke Are Broken By The Anointing.” I don’t know if Vine’s make an anointing oil.

Kenninghall Rd, Hackney Downs, Hackney, 1988 88-10b-54-Edit_2400
Kenninghall Rd, Hackney Downs, Hackney, 1988 88-10b-54

I think this is De Vere Court at 63 Kenninghall Road, but if so the details on the impressive porch have been lost presumably in the conversion to 14 flats. Their are other impressive porches on the street but the brickwork around the first floor windows is unusual.

Hollywood Studios, Upper Clapton Rd, Clapton, Hackney, 1988 88-10b-56-Edit_2400
Hollywood Studios, Upper Clapton Rd, Clapton, Hackney, 1988 88-10b-56

The Lea Bridge Tramway Depot at 38-40 Upper Clapton Road was built in the Victorian era for horse-drawn trams, opening in 1873, and remains, its future under much doubt, as one of the few remaining examples of a Victorian horse-drawn tram depot in London.

The existence of the trams, taking people to work in the City and the West End until 1907 drove the development of a thriving suburb in Clapton. Until recently many of the buildings were in use by a range of businesses who were forced to quit after planning permission was given for this locally listed building to be demolished and the site redeveloped in 2011. Statutory listing was refused in 2005, probably because of English Heritage’s snobbish lack of interest in our industrial past. Hollywood Studios was a rehearsal room and recording studio used by groups including Iron Maiden occupied a part of the buildings for a few years from 1983.

My walk around Clapton in 1988 will continue in a later post.

Sculpture and more – Battersea &Chelsea 1988

Wednesday, September 22nd, 2021

Sculpture, In Town, John Ravera, Battersea Bridge, Wandsworth, 1988 88-5f-12-positive_2400
Sculpture, In Town, John Ravera, Battersea Bridge, Wandsworth, 1988 88-5f-12

My next walk in London on the following Friday started where I had finished the previous Sunday. I think I’d finished my teaching for the week at midday and jumped on a train to Clapham Junction then a bus to Battersea Bridge. I got off on the south side of the bridge to photograph a couple of pieces of sculpture and to enjoy the walk across the river.

Sculpture, In Town, John Ravera, Battersea Bridge, Wandsworth, 1988 88-5f-15-positive_2400
Sculpture, In Town, John Ravera, Battersea Bridge, Wandsworth, 1988 88-5f-15

The first piece, just the the west of the bridge was the sculpture In Town by John Ravera (1941-2006), commissioned by Wates Built Homes Ltd who developed the area around it and dates from 1983. Ravera was born in Surrey and went to Camberwell School of Art and created many public sculptures still on display. This one was cast at the Meridian Foundry in Peckham, where two of Britain’s leading art foundries were located in the railway arches between Consort Road and Brayards Road.

Sadly this sculpture is no longer intact, and the dove for which the young child is reaching – the real climax of the piece – has gone.

Two swans, Catherine Marr-Johnson, sculpture, Battersea Bridge, Wandsworth, 1988 88-5g-62-positive_2400
Two swans, Catherine Marr-Johnson, sculpture, Battersea Bridge, Wandsworth, 1988 88-5g-62

On the Thames Path on the other side of Battersea Bridge Road in front of an office block is Two swans, by Catherine Marr-Johnson, born in Crickhowell in Wales in 1945. The two piece sculpture dates from 1984 and the swans taking flight reflected the formation of the new company in front of which it stood.

Two swans, Catherine Marr-Johnson, sculpture, Battersea Bridge, Wandsworth, 1988 88-5g-65-positive_2400
Two swans, Catherine Marr-Johnson, sculpture, Battersea Bridge, Wandsworth, 1988 88-5g-65

I think on this visit I didn’t have a lens with a wide enough angle of view to take the picture I wanted with the pair of swans taking off across the river, though I returned at a later date to do so. It was rather easier to show both from the front, but not so satisfying as you can see if you browse the album.

Old Church St, Kensington & Chelsea, 1988 88-5g-56-positive_2400
Former Dairy, Old Church St, Kensington & Chelsea, 1988 88-5g-56

I walked across the bridge and began taking pictures in Chelsea, including one of a house decorated with tiles at 46 Old Church St and, between the second floor windows a cows head, with another cows head on the building down the alley by its side, which is dated 1908, though it could be the date a much older building was restored.

Wrights Diary was first set up in 1796 with around 50 cows and a goat, though it moved slightly west to this site in the 1800s. Cows were kept here into the 20th century but eventually milk production moved completely out of London. The company was eventually bought by United Dairies probably in the 1950s. Their properties on Old Church St became shops but the courtyard building was converted into a recording studio, Sound Techniques which was in business from 1964-74, where, according to Metro Girl, “Among the acts to record at Sound Techniques Ltd included Sir Elton John, The Who, Jethro Tull, Judy Collins, Tyrannosaurus Rex and John Cale.” as well as Pink Floyd and Nick Drake.

Justice Walk, Chelsea, Kensington & Chelsea, 1988 88-5g-41-positive_2400
Justice Walk, Chelsea, Kensington & Chelsea, 1988 88-5g-41

The picture looks up from Justice Walk into Lawrence St, and was probably named as the home of John Gregory, a Justice of the Peace, who possibly lived in the house which now has the name Judges House. An imposing building on the street, named The Court House has had many stories told about it by estate agents and others about trying highway robbers and other criminals is a former Wesleyan Methodist Chapel built in 1841 and used as a church until 1903.

This corner is the former site from 1750-84 of the Chelsea china works, demolished at the end of the 18th century. It was the first factory outside of Japan and China to produce high quality porcelain. Should you wish to walk around this area I recommend Adam Yamey’s Where A Judge Once Walked In Chelsea from which much of the information above comes. Nothing like this was available to me when I was walking around in 1988 before the days of the World Wide Web.

Lawrence St, Cheyne Walk, Chelsea, Kensington & Chelsea, 1988 88-5g-42-positive_2400
Lawrence St, Cheyne Walk, Chelsea, Kensington & Chelsea, 1988 88-5g-42

Lawrence St took me back to Cheyne Walk, and on the corner was this side of Carlyle Mansions, No 54 Cheyne Walk, dated 1886 and named after Thomas Carlyle who lived nearby. The white-painted stone relief panels with cranes and flowers date from 1888.

The block is nicknamed the “Writers’ Block” and has been home to authors including Henry James, Somerset Maugham (briefly), Erskine Childers and Ian Fleming who wrote Casino Royal here. Henry James who lived and died in Flat 19 described his flat as his “Chelsea Perch…the haunt of the sage and the seagull“.

Untitled, bas-relief, Jacob Epstein, sculpture, Ropers Gardens, Chelsea Embankment, Chelsea, 88-5g-45-positive_2400
Untitled, bas-relief, Jacob Epstein, sculpture, Ropers Gardens, Chelsea Embankment, Chelsea, 88-5g-45

More sculpture close to the riverside in Ropers Gardens – this by Jacob Epstein.

Awakening, Gilbert Ledward, nude, sculpture, Ropers Gardens, Chelsea Embankment, Chelsea, Kensington & Chelsea, 1988 88-5g-33-positive_2400
Awakening, Gilbert Ledward, nude, sculpture, Ropers Gardens, Chelsea Embankment, Chelsea, Kensington & Chelsea, 1988 88-5g-33

And a rather more realistic nude by Gilbert Ledward in this very artistic area of London. Ledward (1888-1960), born in Chelsea, trained at the Royal College of Art (where he was later a professor) and the Royal Academy Schools and became one of the best-known of British sculptors. His works included many war memorials.


Click on any of the images to go to a larger version in the my album 1988 London photos from where you can browse other images.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.