Posts Tagged ‘BP or not BP’

BP Or Not BP?

Monday, December 20th, 2021

Since their birth as the Reclaim Shakespeare Company in 2012, BP Or Not BP? have carried out an incredible range of high-profile theatrical interventions which have received widepread media coverage against the abuse of our major cultural institutions by BP. One of the world’s major fossil fuel companies, BP uses its support of the arts to give it a respectable and worthy veneer while continuing to play its part in fuelling global warming and preventing real action against climate change.

According to the BP Or Not BP? website, the “have performed without permission at the Royal Shakespeare Theatre, the British Museum, the Edinburgh International Festival, the National Gallery, Cadogan Hall, the Royal Opera House, the Science Museum, the Roundhouse, the Noel Coward Theatre, the National Portrait Gallery and in Tate Britain.’

Some of these events have involved wide public participation, and have had considerable advance publicity andI’ve photographed a number of those that have taken place in London, but others have needed to be kept secret in advance, with only the players and a small number of trusted photographers and videographers being involved.

BP sponsored an exhibition on Mexico – the site of BP’s 2020 Deepwater Horizon disaster

On 20th December 2015, I was pleased to be asked to photograph a performance of a play depicting ‘BP executives’ giving a farewell party to departing Museum director ‘Neil MacGregor’ inside the British Museum’s Great Court as visitors and security stood and watched. The pictures here are a small reflection of those I took on that occasion.

Sunken Cities – BP activities are causing sea level rise

You can read my account of the event at End BP’s British Museum Greenwash, along with a more detailed account of the proceedings including the full written script by BP or Not BP? on their web site. Although as I wrote, the actual performance contained considerable improvised embellishment.

In my account of the event, I included these paragraphs about the reasons behind the protest:

BP makes a relatively small contribution to the museums budget, a fraction of a percent, for which they get an engraved message on the wall of the rotunda in the Great Court and their logo prominently on the publicity for the museum’s major exhibitions, including Vikings, Ming, Indigenous Australia: Enduring Civilisation, the Mexican Day of the Dead and Sunken Cities, the last two perhaps particularly unfortunate as BP has been given the largest corporate criminal fine in history of $18.7 billion for the underwater Deepwater Horizon oil spill which caused huge pollution of the ocean around the coast of Mexico.

The current 5-year sponsorship deal between BP and the British Museum ends shortly and the museum and its new director will soon have to decide whether to renew its with the oil giant. While a good deal for BP, the amount concerned is a relatively small contribution to the museum’s budget, and thanks to the activities of BP or Not BP and other climate activists results in a great deal of bad publicity for the museum; hopefully they will look for less toxic sponsors.

After the performance inside the museu, there was another on the steps outside

Unfortnately the British Museum hasn’t ended its deal but renewed it and is still taking dirty oil money from BP. In November 2021 over 90 leading members of the archaeology and museum community sent an open letter to the Museum trustees calling on them to end BP sponsorship which they describe as “a strategy of reputational management. BP is taking advantage of the British Museum’s status as a highly respected institution, and of the public’s love of museums and heritage, to associate its brand with values of high culture, art, education, sophistication, reason, and knowledge. These values have powerful significance and appeal within our society and, crucially, among our political and civic decision-makers.”

BP or not BP? might put it more succintly: “‘greenwashing’ their very dirty, oily, reputation”.


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British Museum and BP

Sunday, December 20th, 2020

Five years ago today on 20th December 2015 I went into the British Museum with “actor-vists” from ‘BP or not BP‘ to photograph their ‘A Farewell to Neil MacGregor – Director of the British Museum‘ who had enjoyed a “cosy relationship” with the museum’s sponsor, BP.

Fossil-fuel companies make their profits largely through the combustion of the hydrocarbons they produce in the engines of cars, lorries and aeroplanes and the boilers used to generate electricity and heat buildings and other processes which turn the carbon in these fuels into the greenhouse gas carbon dioxide, the main cause of the global warming which is currently threatening the future of human life.

As well as that, the prospecting and exploitation of oil resources, now more and more taking place in environmentally fragile areas such as the Arctic, together with spillages, some inevitable but others demonstrating a remarkable lack of care are causing terrible damage to our environment. And of course most of what doesn’t get burned is made into plastics and we are now becoming aware of the huge amounts of this that ends up in the marine environment with disastrous consequences.

While continuing to fuel the global crisis, companies such as BP have invested heavily in promoting themselves as good guys, publicising the relatively small investments they have been making in renewable energies and other green areas. It’s a short-sighted policy as their long-term future – and ours – depends on a complete move away from carbon fuels, but one which keeps current investors rich at the cost of the rest of us.

Almost certainly the most cost-effective part of the ‘green-washing’ of BP’s ecologically disastrous activities has been their sponsorship of many of our major cultural institutions including the British Museum, something which the cultural activists of ‘BP or not BP’ have highlighted in a number of artistic interventions. I was pleased to be able to photograph their play depicting ‘BP executives’ giving a farewell party to departing Museum director ‘Neil MacGregor’ inside the British Museum’s Great Court.

Although BP’s contribution is only a fraction of the museum’s budget, they get an engraved message on the wall of the rotunda in the Great Court and their logo prominently on the publicity for the museum’s major exhibitions which have included Vikings, Ming, Indigenous Australia: Enduring Civilisation, the Mexican Day of the Dead and Sunken Cities. As BP or Not BP point out, the last two are particularly unfortunate as BP has been given the largest corporate criminal fine in history of $18.7 billion for the underwater Deepwater Horizon oil spill which caused huge pollution of the ocean around the coast of Mexico.

My write-up on My London Diary gives a fairly full account of what happened with a lot more pictures. Many museum staff are unhappy about taking cash from BP and welcome the publicity protests like this give. The protesters assured the museum security that they would cause no damage and leave without any trouble after the relatively short performance which continued without any interruption and entertained a number of the visitors to the museum.

You can also read a fuller account, with some of my pictures and including the full text of the play on the on the BP or not BP website.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


British Museum’s Stolen Goods

Tuesday, September 3rd, 2019

Stolen Land – Stolen Culture – Stolen Climate‘ was the message on the banner carried by two people dressed as cartoon criminals in masks and striped jumpers for the unofficial tour of the British Museum by campaigners ‘BP or Not BP?’ callling for stolen cultural objects to be be returned to their countries of origin.

As in a previous tour by the campaigners, the event with indigenous Australian campaigner Rodney Kelly in front of the Gweagal shield, stolen from his ancestor by Captain Cook and his men when they arrived at Botany Bay, along with other shields and spears. His plea with the museum authorities that this shield be returned to its homeland to form the nucleus of a new museum there has so far fallen on deaf ears.

Danny Chivers of BP or Not BP? had introduced the event, explaining their campaign to end sponsorship of the British Museum and other cultural institutions by BP which they use to improve their image, with a great deal of positive publicity at relatively little cost. BP are one of the companies driving climate change and their operations in oil extraction around the world are highly polluting and dangerous to the environment as well as being accompanied by significant human rights abuses. Putting cash into exhibitions, concerts and opera performances helps to cover up their crimes.

After Kelly had spoken about his ancestors and their treatment and the failure of tbe British Museum to contemplate handing back the stolen objects, Samir Eskanda spoke about many objects which have been taken over the years from ‘biblical’ excavations in Palestine, but which are important to understanding the culture and history of Palestine and the Middle East and should be returned to museums there.

The crowd then moved on to the Assyrian galleries, where as well as the removal of cultural objects by excavations in the last century, the 2003 invasion of Iraq was accompanied by a huge amount of looting. Many of these looted objects have now been sold at auctions, particularly in the UK and US and are now in museum and private collections, despite objections from Iraq and Iraqi institutions.

Finally we all moved on to the gallery which contains the Parthenon (or Elgin) Marbles, bought from the Turkish occupiers of Athens by Lord Elgin, essentially looted items.

More pictures at British Museum Stolen Goods Tour.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, please share on social media.
And small donations via Paypal – perhaps the cost of a beer – would be appreciated.


BP out of the BM

Saturday, May 25th, 2019

‘BP or not BP’ is a bunch of activists who stage performances of one sort or another at various cultural institutions and events to protest at the way the arts are being used to promote and sanitise companies guitly of destroying the planet and other crimes, ‘greenwashing’ to hide their mucky stains.

BP are a prime example of such a company, responsible for many murky political dealings in countries around the world in search of oil, Extracting oil has destroyed valuable ecosystems though pollution, with huge oil spills threatening large areas of ocean life. Its oil feeds the plastics and artificial fabrics industries, while the use of oil products in heating, air conditioning and transport etc is the cause of the huge increase in grrenhouse gases which is causing disastrous global warming.

BP gives a relatively small financial contribution to the British Museum, for which it gets a incredible return in good publicity, its logo on posters and on labels in the museum.

The protest took place on the 16th anniversary of the invasion of Iraq, conducted as is now clear from documents from many sources largely to ensure access by US companies to Iraqi oil resources rather than anything to do with the WMDs which all knew did not exist. It also took place while the BP-sponsored show I am Ashurbanipal: King of the World, King of Assyria‘ was nearing the end of its run. It’s a show which includes a number of looted objects from the area (which stretched from Egypt to the Persian Gulf), both from historical times when the BM was itself sending archealogists to the area and apparently some more recent acquisitions sold to dealers after Iraq was left in chaos and during the current conflict in Syria, bought with the aid of BP money.

While several hundred protesters gathered at the front of the Great Court, a small performance took place in the Assyrian galleries, and was then repeated in front of the entrance to the Assyrian exhibition. Meanwhile the main protest got under way, amd after an introductory rally people were lead to from a ring all around the Great Court, with posters all round.

The Great Court is a large area around the old former BM Reading Room (where my wife once worked) and is said to be the largest covered public square in Euripe, with an area of 3,692.5 square metres. I think the chain around it holding the banners must have been around 600 feet long, though only relatively small sections were visible from any one point.

This was something of a challenge to still photographers, and I walked around it several times taking pictures. Long banners are always a challenge in terms of the aspect ratio. Even if you frame the people holdina banner from head to toe working in landscape format, this only results in a horizontal field of view of around ten foot. To frame longer banners results in the people and the banner shrinking to a narrower strip across the image.

You can improve matters by photographing the banner from one side, filling the frame height with the nearest person or going in even closer, and this is often my approach. But as the make the viewpoint more oblique, the banner text becomes less and less legible. And legible text is important with banners.

My friend taking video had a simpler task and did it well, filming as he walked around the whole circle. A similar approach using still photography would have resulted in a print with a roughly 100:1 aspect ratio, and while it might have been possible to join up the banner, as you moved from exposure to exposure the backgrounds would change.

I did take a series of pictures from the top of the stairs overlooking the area in front of the Assyrian exhibition, where the banners were brought and people sat on the ground. Possibly taken together they would show the whole string of banners (though I think some were folded before they reached the display), but more than the two on My London Diary make rather tedious viewing.

End BP sponsorship at British Museum

There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, please share on social media.
And small donations via Paypal – perhaps the cost of a beer – would be appreciated.

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

To order prints or reproduce images