Pensions, Cuts, Murdoch & Cafe Jiro – 2011

Pensions, Cuts, Murdoch & Cafe Jiro: Thursday 23rd June 2011 – Trade unionists march against public sector pension cuts, a protest against Murdoch being allowed to take over BSkyB and one of my favourite artists turns a St John’s Wood gallery into his café.


20,000 March for Pensions & Against Cuts

Pensions, Cuts, Murdoch & Cafe Jiro

Public Service unions had organised a march against pension cuts and itt was joined by many thousands of union members as well as many others protesting against cuts in public services made by the Tory coalition government.

Pensions, Cuts, Murdoch & Cafe Jiro

There was a large crowd waiting when I arrived in Lincoln’s Inn Fields over an hour before the march was due to begin and more were arriving as it left a little early as the organisers and police worried about overcrowding in London’s largest square – around 28,000 square metres.

Pensions, Cuts, Murdoch & Cafe Jiro

Pensions, Cuts, Murdoch & Cafe Jiro
Sally Hunt, UCU, Mary Bousted ATL, Christine Blower NUT, Mark Serwotka PCS & John McDonnell MP,

Before we left there had been speeches by several union leaders and the march was led to Parliament by Christine Blower NUT, Mark Serwotka PCS and Mary Bousted ATL along with MP John McDonnell.

The Hutton review had clearly shown that the government was lying when it said that public service pensions were not affordable. This report had said it expected “benefit payments to fall gradually to around 1.4 per cent of GDP in 2059-60, after peaking at 1.9 per cent of gross domestic product (GDP) in 2010-11.”

There seemed to be a huge number of police on the street for a peaceful march, particularly one that was mainly composed of teachers and civil servants with only a token presence from militant students and anarchists.

Police had earlier been busy in Lincoln’s Inn Fields where they appeared to be conducting stop and searches on any young male demonstrators in black clothing.

Things did get just a little agitated when for some reason police decided to stop the march on Strand for around 20 minutes and it got very noisy on Whitehall as it passed Downing St.

I stood outside Westminster Central Hall for around an hour as more and more marchers arrived from the main march I had been on and a number of others from various parts of London. Police and march stewards there objected to Charlie Veitch and other ‘Love Police’ haranguing the crowd in his usual deadpan fashion upholding his right to freedom of expression and they moved away.

Westminster Central Hall is a large venue but far too small for the numbers at the event and there was a large overflow rally in Tothill Street at the side of the church. A group of 20 or 30 black-clad protesters there were told by police they must remove their hoods and dark glasses and there were some arguments. I heard later in the day there were a few scuffles with them and police in Whitehall and they were kettled for a few hours in Trafalgar Square.

More on My London Diary at 20,000 March for Pensions & Against Cuts.


Save UK Democracy From Murdoch – Dept Culture, Media & Sport

Outside the Department of Culture, Media and Sport was a protest organised by on-line global campaign network Avaaz and my union the NUJ against the decision by Jeremy Hunt to let Rupert Murdoch to take over BSkyB.

This was an emergency protest organised within minutes of the news breaking early that morning, and the email calling it went out when many were already on their way to work or to attend the pensions protest, so numbers were small.

Obviously some planning had taken place earlier and there was a tall stilt walker with a large but rather inappropriately avuncular head of Rupert Murdoch, surely one of the ugliest figures in world media and pursuing a clear aim of world domination, toying with two large string puppets representing David Cameron and Jeremy Hunt.

But most of the posters were clearly last minute, with laser-printed sheets being glued onto generic NUJ placards. NUJ members were “appalled – like most of the thinking population – by the thought of the UK’s largest commercial broadcaster falling into Murdoch’s hands, and the threat that this poses for in particular for news coverage, but also for a diverse and broadly based media culture. “

They want the government to act in the public interest rather than as puppets for Murdoch’s interest and don’t want Sky News to become another Fox News.”

Save UK Democracy From Murdoch


Café Jiro 2011 – Queen’s Terrace Café, St John’s Wood

In the evening I was at The Queen’s Terrace Café, which had opened in April 2011. This was no ordinary café, but a cultural café, run by Mireille Galinou, who for some years had run a charity called the London Arts Café, which never quite managed to open a café but did organise a dozen or so exhibitions and numerous other art events in London.

London Arts Café and The Queen’s Terrace Café are no longer with us, but you can still read online about many of the the activities the London Arts Café organised during its existence from 1996-2007. For some of this time I was Treasurer of the organisation and also wrote the web site.

One of the most enjoyable art shows I went to in 2009 was Café Jiro, an installation in the Flowers Gallery in Cork St, London by a friend of mine, the Japanese artist Jiro Osuga who grow up in north London. The 2011 was a smaller and more intimate version of that show, with one of the large wall-size panels from the Flowers show, along with a number of other works specially produced for this space – including three in the smallest room.

The small gallery was packed for the opening – and for me a great opportunity to meet some old friends, and it was good to see Jiro’s work in a real café environment. You can read more about the show on a 2011 post in >Re:PHOTO.

Café Jiro 2011


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In Jiro World

Jiro Osuga
Departures
Flowers Gallery
82 Kingsland Rd, London E2 8DP
19 May – 1 July 2023

Last Thursday I was delighted to attend the opening of the latest show by Jiro Osuga, Departures at the Flowers Gallery in Hoxton, London.

I’ve known Jiro for many years and have long admired his work in previous shows at Flowers, including in 2009 when I wrote here about his transformation of their Mayfair gallery into Café Jiro, (more pictures on My London Diary) later shown in the real Queen’s Terrace Café run for a few years by london and art historian Mirelle Galinou.

The work from ‘Café Jiro’ also featured in ‘Pub Jiro‘, his takeover aided by Mireille of the upper floor of the Horse & Groom in Streatham, part of the 2017 Streatham Festival and celebrating the publication of her The Streatham Sketchbook.

Jiro has also been a great help in the hanging of several of exhibitions I’ve worked on over the years, I think the first of which was Cities of Walls, Cities of People in 2001, which I curated for now long missed London Arts Café.

I don’t often review art shows, though I used to write much more about photography exhibitions, and I won’t say a great deal about this one, which I think is Jiro Osuga’s most ambitious and impressive to date, transforming the large space of the Kingsland Road gallery into an airport departure lounge, covering the walls with giant paintings which, according to the gallery cover more than 160 square metres.

The gallery web site shows the works but to really appreciate them you have to go there and stand in the space, where they are far more vibrant and enveloping. Or perhaps you really need to sit and contemplate them, enjoying the wealth of objects and characters from painting, film and real life they include. As the gallery states, the paintings creat “an unfolding state for individual and often unexpected narratives to occur“. There is an immense wit and imagination in this and other work by Jiro.

Actual airport departure lounges are some kind of hell of consumerism, to be avoided at all costs (and part of an industry that is costing the earth.) But don’t miss spending some time with this work, on show until 1st July 2023.

There are more pictures from the opening in my album Jiro Osuga – Departures Opening. I haven’t named those shown in the pictures, though some may tag themselves, but you may recognise two fine photographers as well as others among them.