Telling the Story – 19 July 2019

I often find myself thinking about my role as a documentary photographer when I’m taking pictures of protests. And of thinking about how I can carry out that role.

Clearly I’m not their to take part in the protest – though often I support the cause of the protesters I’m making pictures of. I’m an observer rather than a participant, though there are occasions when I will intervene in some way, largely the kind of actions that I would expect anyone to take, like stopping people walking into traffic or helping someone who has fallen down or dropped something.

There have been times too when I reminded police of the law (not always advisable) or protested at their use of unnecessary force. And on some occasions when marches have got lost or taken a wrong turning I’ve pointed this out to the marchers. Some embassies and companies are quite hard to find.

I never set up people or groups, though sometimes when photographing people I may ask or gesture them to look at me or to hold their poster or placard higher or lower. But it isn’t a portrait session and I don’t ask them to smile or scowl or act up for the camera. It would have been much easier to make the picture of the XR symbols in those dark glasses in the studio and it took a number of attempts to catch him looking in exactly the right direction and catch those reflections from a banner which I’d noticed moving across them earlier.

But it isn’t just a matter of passive observing. I’m choosing my position, framing my pictures, selecting the moment, working to try to present the story clearly and effectively.

It isn’t essentially about making dramatic or attractive pictures, though I always hope some might be.

Extinction Rebellion’s ‘Requiem for a Dead Planet’ at Northcliffe House, home of the Daily Mail, Independent, Mail on Sunday, London Live and Evening Standard demanding they publish truth and end lies about climate change was a tricky one to cover, with heavy rain falling much of the time and a very limited area under cover for protesters and photographers. As we’ve seen in the past week, the weather is becoming more violent and this seemed appropriate if making the job more difficult.

Here’s some of the text I wrote at the time – the link below has more and more pictures:

“XR say avoiding climate & ecological devastation needs the media to tell the truth and stop publishing fake science denying climate change as well as advertising and editorial material that promotes high-carbon lifestyles, whether about fashion, travel food or other consumerist content so government can take the drastic action needed.

The protest included suitable requiem music by a small group of musicians in XR Baroque, a eulogy for lost species by a priest, speeches, poems, skeletons, banners and a die-in.”

Requiem for a Dead Planet at Daily Mail

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


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