March For Our Flag & Chinese New Year – 2007

March For Our Flag & Chinese New Year: Sunday 18th February 2007 was very much a day of two halves for me, photographing ‘football supporters‘ on an extreme right march and then going to Chinatown for a brief visit to the New Year celebrations. Here’s what I wrote back in 2007 about the day (with the usual minor corrections) and some of the pictures – with links to a few more on My London Diary.


March For Our Flag – United British Alliance

March For Our Flag & Chinese New Year - 2007
There were around 200 football supporters in the right-wing march.

There were perhaps just over 200 marchers in the ‘March For Our Flag’ which made its way from Westminster to Marble Arch on Sunday. Organised by football supporters, it was billed as “a peaceful march consisting of Whites, Blacks, Asians” and the invitation was clearly made for people to attend “regardless of colour or creed or firm or team.” However it was also an event that members of the National Front Youth ‘Bulldogs’ were urged to support in one of their forums with the hope of attracting new members.

March For Our Flag & Chinese New Year - 2007
Marchers at the start in Tothill St

Englishness has been officially relegated to a fringe activity, and to a great extent politically appropriated by the ultra-right. So it isn’t surprising that we get populist outbreaks such as this, under the banner of the ‘United British Alliance’. This seems to be largely an anti-Islamic movement of football supporters, many of whom seem to take a pride in their membership of noted hooligan groups (the ‘firms‘.) On its web page, UBA describes itself as “a multi-ethnic, multi-faith organisation with a passionate interest in reclaiming our once proud nation from the grip of international terror and political correctness gone-mad, with a view to re-installing some pride in our communities and way of life.”

So I was hardly surprised to find the march almost solidly white and male; I noted only one Black and one Asian face – and only three women. What was overwhelming was the drab surliness of it all, with rather few English flags in evidence – probably fewer on hats and shirts than in the average crowd, now that many England soccer and rugby fans regularly appear covered with St George symbols.

March For Our Flag & Chinese New Year - 2007

At its front was a large St George’s flag with the message ‘Tunbridge Wells Yids On Tour.’ Although generally a term of racist abuse, here it is a name Spurs fans use with pride, having christened themselves ‘Yids’ in response to the anti-Semitic chants from fans of other clubs.

Events such as this, organised by a fringe extreme right group, do represent a widespread feeling among many people that we need to do more to promote English culture and a pride in being English. Nothing prevents us celebrating St George’s Day, [but] such celebrations have never attracted the official support and funding that attend the other national saints days in the UK.

March For Our Flag & Chinese New Year - 2007

In the arts, there has been a reluctance or even a refusal to finance traditional English folk arts, while those from many other ethnic groups have often received generous support. In part this comes from the elitist snobbishness of an establishment that massively funds opera while being unable to stomach grants to Morris dancing, brass bands, folk singers and English choirs and other elements of a genuinely popular and largely working class English culture.

Even, if not especially, on the left, we have generally left official culture and the patronage it gives to be run by the champagne socialists in Islington and Hampstead rather than supporting the kind of activities that came with our roots in the co-operative movement, the Methodist and other [non-conformist] churches and the Working Mens Clubs and unions.

The police took a very obvious interest in the event, and in the few of us trying to photograph it. I was twice questioned by them, and my press card details were noted down both times, while I was photographed [by police.] There were probably more police than marchers covering the event, both at Liverpool Street, where many of the marchers had met, and also on the march itself.

March For Our Flag & Chinese New Year - 2007
Some of the marchers did not want to be photographed

The police were polite and made sure I was aware that some of the marchers resented being photographed and suggested it would not be sensible for me to attend the rally at the end of the march. I hadn’t intended to do so, although this almost made me change my mind.

[More specifically I was told that they “would not be able to guarantee my safety” if I went on to the rally.]

Just a few more pictures on My London Diary


Chinese New Year Celebrations

Chinatown, Westminster

It was the year of the pig

I’m very much in favour of London celebrating the Chinese New Year (as well as St George’s Day) but it now seems hardly worth me photographing it. Partly because I’ve done it so often that there seems to be little more to say, and in part because it is just too crowded with far too many people trying to take pictures.

Controlling crowds such as this is a tricky affair, but there never seems to be much reason in it, with police lines often blocking off relatively quiet areas and thus creating jams elsewhere. I wandered round a little and took a few pictures before going home. There are better days to come to Chinatown.

I’ve taken many pictures of the lions in previous years, so didn’t really bother this year

A few more pictures begin here on My London Diary.


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Biennial Thoughts

The Whitney Biennial  according to its web site “is an unmissable event for anyone interested in finding out what’s happening in art today. ” That is in art in the USA, and this years show features “seventy-five artists and collectives working in painting, sculpture, installation, film and video, photography, performance, and sound.”

It’s interesting to look through the list of artists and perhaps explore some of their work on-line, but even where I in New York, I think I might find the whole rather too daunting to contemplate.

My attention was drawn to it by a post on The Online Photographer with the site’s longest ever title:
Open Mike: What Danielle Jackson’s Artnet Review Tells Us About What the Whitney Biennial Tells Us About the Future of Photography—and the Reviewers and Curators and Academicians Who Will Shape the Artists Who Will Shape It

Though it was the content of the post rather than its length that caught my attention. It starts with a short reflection on the idea of ‘political correctness’ and then cites Danielle Jackson’s review as an example “written from the perspective of political correctness about a show that appears to be mainly about political correctness.” I felt I had to go and read it.

Jackson writes she was sent by Artnet with “a brief to consider the photography in the exhibition and left thinking about the power of affiliation.” In a long piece she suggests that the artists “come from nearly every conceivable historically marginalized group” and that they form the new mainstream.

It’s perhaps unsafe to make any conclusions from the installation views and example of work which accompany her post, or from the Whitney web site, but if this is the future then there seems relatively little in it that I find of any great interest.

Michael C Johnston looks at her review in somewhat greater length and I certainly have some sympathy with his views, and in particular with his opinion that “The actual photographs in the show seem to be secondary to the positions they take on various political implications” which appears to be at the base of both the curation and the review of the show.

But perhaps both he and I will be accused of thinking and writing from our own positions of age and race and privilege. And of course I am what I am, though I think I am rather more of an outsider than many of the established artists whose work is featured in the Whitney.