Notting Hill in colour – 1997 Part 3

Another set of pictures from the 1997 Notting Hill Carnival.

Notting Hill Carnival, 1997 97c8-nh-075_2400

Various organisations take part in carnival, including religious groups, notably The Nation of Islam,

Notting Hill Carnival, 1997 97c8-nh-091_2400

and some trade unions who show a little more of the carnival spirit.

Notting Hill Carnival, 1997 97c8-nh-099_2400

It’s a time for dancing on the streets, and at times its difficult to hold the camera steady, with music you don’t just hear but which sets your internal organs vibrating and even the tarmac under your feet.

Notting Hill Carnival, 1997 97c8-nh-101_2400
Notting Hill Carnival, 1997 97c8-nh-109_2400

It’s hard to capture the intensity of the event, and a kind of glorious disorder on the streets.

Notting Hill Carnival, 1997 97c8-nh-113_2400
Notting Hill Carnival, 1997 97c8-nh-126_2400

Some people are insistent that I take their picture – and of course I oblige.

Notting Hill Carnival, 1997 97c8-nh-131_2400

But it all gets a bit too much for some. And after some hours I get to feel rather like this and decide to go home and rest. Because after the Children’s Day on the Sunday comes the main day on Monday when the streets are more crowded and the dancing more frenetic.

More carnival pictures:

Notting Hill Carnival – the 1990s
Notting Hill Panoramas – 1992


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill in colour – 1997 Part 2

Here are a few more from Ladbroke Grove in 1997, I think all from the first day of the event, the Children’s Day on the Sunday.

Notting Hill Carnival, 1997 97c8-nh-040_2400

I think all of these pictures were taken with a 28mm or 35mm lens, probably on a Minolta CLE (the improved successor to the Leica CL) using Fuji Super G 400 colour negative film.

Notting Hill Carnival, 1997 97c8-nh-047_2400
Notting Hill Carnival, 1997 97c8-nh-056_2400

I did take more photographs of the children, but while the costumes may be cute and sometimes very colourful (though not in this example) they generally lack the exhuberance of older revellers and I found them of less interest. There are more of the children in the album on Flickr.

Notting Hill Carnival, 1997 97c8-nh-058_2400
Notting Hill Carnival, 1997 97c8-nh-066_2400
Notting Hill Carnival, 1997 97c8-nh-072_2400

I took several pictures of this young woman holding a child as she danced beside one of the floats pumping out fairly deafening music, and this one I think shows her and the child both enjoying the moment.

Notting Hill Carnival, 1997 97c8-nh-073_2400

But the second frame puts her better into the whole siuation, part of the crowd moving down the street with the lorry.

All these pictures were taken within a few minutes of each other, and I made many more during the two days of carnival – and will post more another day. As usual you can see any of them larger in the album by clicking on them – and can then continue to view more if you wish.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Notting Hill 1998

1997 I again photographed Notting Hill in colour, and I have yet to digitise any of the roughly 600 frames I took over the two days. I also have some more colour work from previous years I have yet to add to my Flickr album, and I will share some of those also at a later date.

On the way to Notting Hill Carnival, 1998. Peter Marshall 98-817-46_2400
En route to carnival, 1988 Peter Marshall

But in 1988 I was busy with both black and white and colour – and again there are very few of the colour images I have yet printed or digitised, including some more colour panoramic work. I have so far only scanned or digitised around 15 of the several hundreds of black and white pictures I took, some of which have appeared in the several publications and exhibitions of my carnival pictures, including the ‘The English Carnival‘ exhibition in 2008. I’ve uploaded these to the Flickr album, Notting Hill Carnival – the 1990s, but I think there are probably quite a few more pictures worth digitising when I find time

Notting Hill Carnival, 1998. Peter Marshall 98-822-24_2400
Notting Hill Carnival, 1998. Peter Marshall 98-822-12_2400
Notting Hill Carnival, 1998. Peter Marshall 98-818-642_2400
Notting Hill Carnival, 1998. Peter Marshall 98-815-63_2400
Notting Hill Carnival, 1998. Peter Marshall 98-812-54_2400

More on page 3 of my Notting Hill album.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


More from the XR Garden Bridge

On my next visit to London two days after XR had occupied Waterloo Bridge to make it into a ‘garden bridge’ I found myself needing to cross the Thames to get to an event I wanted to photograph, and the obvious way to get there was to walk through the garden.

There had been reports of arrests by police trying to clear the bridge, but things were still happening there, and for the half hour or so I had given myself to cross it the police were simply standing and watching.

The protesters seemed well settled in, though there were still new people arriving, with an induction session taking place. People were drumming and others simply sitting and chatting around, with a small library being pushed around to offer books to those who wanted to read.

And there was singing, poetry and story-telling on the lorry that was there as a stage, though there were also people locked on underneath it to prevent it being moved, with others sitting on the roof, probably just to get a good view and so that they caught a little more of the breeze coming up the river, as it was a hot morning.

Some people were keeping busy keeping the site running and others were enjoying the sun and a rest. It seemed a very calm place and it was good to be away from traffic and fumes, and I was sorry I had to leave.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, please share on social media.
And small donations via Paypal – perhaps the cost of a beer – would be appreciated.


XR’s Garden Bridge

While Boris Johnson wasted many millions of public money as London Mayor on a crazy project for a garden bridge across the Thames where no-one wanted it and it fortunately came to nothing, Extinction Rebellion provided one for free for a few days .

It helped that they didn’t actually have to build a bridge, but just took over an existing one, Waterloo Bridge, closing it to traffic. This did cause a certain amount of disruption, and doubtless inconvenienced some people, but it, together with their other actions around London, did serve to put the issue of climate catastrophe – and the very real threat of human extinction unless people across the world take radical action – into public consciousness.

It was a minor inconvenience for me, as found myself having to walk around London rather than sit on a bus rather often during the week, though fortunately the tube was still working. But were I a transport planner for London, I think that at least one of London’s bridges – though probably not this one – would be permanently pedestrianised. We have far too much traffic in central London, causing far too much pollution – and thousands of early deaths – and the congestion charge hasn’t solved the problem.

It was very pleasant to be able to walk across the bridge past the trees and plants, or to sit for a few minutes in the sun and listen and watch the activities taking place on the bridge. And the air there certainly felt cleaner, once you were on the bridge and away from the traffic jam south of the river.

Many of those on the bridge had travelled up from the country, and had brought a little of it with them. Some had even walked all the way from Cornwall. Extinction Rebellion has certainly gained a great deal of support, if largely from the kind of people who will go to public meetings and listen to their speakers. Most could be labelled middle class, though not mainly the comfortable and affluent high-consuming middle class, but largely those in low-paid occupations; teachers, social workers, health workers were I’m sure all over-represented.

XR has developed from the activities of groups like ‘Stop Killing Londoners’ whose protests against air pollution in the city I’ve photographed from their start, working on the ideas of Roger Hallam on non-violent protests and people being prepared to be arrested (as I photographed him being arrested at the LSE in a protest for the cleaners there.)

There were arrests at the ‘garden bridge’ but on the couple of occasions I visited police just watched and occasionally took notes. XR’s attitude to the police and their policy of encouraging people to be arrested has been much criticised by others, and they appear to have little regard for the problems it may cause and have under-estimated the support needed. But these are desperate times and rather than carping perhaps the critics should be showing an example by launching their own, more effective actions – but there is little sign of that happening. XR certainly isn’t a perfect game, but it has little competition.

More at Extinction Rebellion Garden Bridge


There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, please share on social media.
And small donations via Paypal – perhaps the cost of a beer – would be appreciated.

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.