Black Country DADA

Please take a look at Brian Griffin’s Kickstarter project to produce a hardback volume of his autobiography from 1969-1990. Here is the first paragraph:

“I have written my autobiography ……yes I have written it myself! A hardback book of over 200 pages, with an insightful introduction by W. m. Hunt. It tells truthfully what it was like to survive and make ones way as a photographer in Britain back then. I tell the story through my personal experience of those tough times.”

Black Country Dada by Brian Griffin

Brian writes more on the project page, and of course there are some of his best-known images to illustrate the book, as well as some that I’ve not seen before. The book is expected to have 216 pages, professionally designed and edited by Cafeteria, a design agency based in Sheffield and roughly 10×8 inches in size, very appropriate for a photographic book.

If you’ve had the pleasure of attending one of his talks over the years – or rather I should call them performances – you will know that he is a great story-teller in words as well as images, and that he has some fabulous stories to tell, as well as an interesting taste in clothes.

I’ve written about Griffin’s work on several occasions, including about his show at the National Portrait Gallery of his London Olympic commission and the Paris opening of ‘The Black Country’.

The project needs £30,000 to be pledged by October 29th to go ahead, a daunting goal. As usual there are various levels of pledge, with perhaps the most popular likely to be £35, for which you will get a copy of the book, probably in February 2021, though shipping is extra, depending on your country – and seems a little expensive at £10 for the UK.

Higher amounts pledged qualify for extra rewards, including a signed poster, signed prints of various sizes, and at the top end, a special portfolio of 22 prints and a day-long portrait session with the photographer.

Black Country DADA on Kickstarter.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


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