Posts Tagged ‘gorilla’

Rev Billy, Chelsea Manning & Global Racism – 2013

Saturday, July 27th, 2024

Rev Billy, Chelsea Manning & Global Racism – On Saturday 27th July 2013 I followed the amazing Reverend Billy and the Stop Shopping Choir into a branch of HSBC to protest over their support for fossil fuels, went to a vigil supporting whistleblower Bradley (now Chelsea) Manning and then a march and rally against Global Racism and Injustice


Rev Billy at HSBC Victoria,

Rev Billy, Chelsea Manning & Global Racism

If you’ve not come across Reverend Billy and the Stop Shopping Choir, a radical performance community based in New York City led by Billy Talen you have missed something. They perform guerrilla theatre actions which amuse and entertain while also highlighting the serious problems the world is facing and calling for action.

Rev Billy, Chelsea Manning & Global Racism

The performance in London was one of many at various JP Morgan Chase and HSBC banks in 2012 and 2013 which had begun in New York, a “radicalized midsummer cloud forest dream” against the support given to fossil fuels and climate chaos by the banks and the City of London.

Rev Billy, Chelsea Manning & Global Racism

Golden Toads had become extinct in their home in Costa Rica, one of many species that have already become extinct because of climate change. The message of the performance “was a simple one. Fossil Fuels are killing life on this planet. Already many species have suffered extinction, and the continuing huge investment in fossil fuel use backed by the banks and the stock exchange is driving climate change, threatening us all with extinction.

Rev Billy, Chelsea Manning & Global Racism

As I wrote “London’s banks and the London Stock Exchange are playing a key role in the destruction of life on the planet, with over £900 billion of Fossil fuel shares on the London Stock Exchange – a quarter of the value of all the holdings and representing fossil fuel reserves of over 200 time the UK’s annual carbon emissions. Burning of all these reserves would create catastrophe. Between 2010-2012 … the top five UK banks raised £170 billion for fossil fuel companies, and the largest of these was the HSBC.”

On My London Diary you can read how I met the group as they trained for the performance opposite New Scotland Yard and then more about the performance which as well as the Golden Toads people also played moneys, eagles and jaguars and were joined by a gorilla. with the Rev Billy preaching about the need for the banks to repent and change their ways as the animals dropped dead on the branch floor.

One member of the team was there to reassure the bank staff and customers that there was no threat to them or property and that the performers would leave as soon as the event finished. And they did, leaving behind only some leaflets and small pools for water on the floor from the large ice eggs the Golden Toads had brought with them to help cool the planet down.

After leaving the bank the performance carried on for a few minutes on the wide pavement outside. A couple of police officers arrived and went inside the Bank to talk with the staff, and by the time they came out the Rev Billy and others were leaving to celebrate a successful action at a café and bar in Victoria station.

More at Rev Billy at HSBC.


Free Bradley Manning Vigil – St Martin’s, Trafalgar Square

People were begining to arrive to take part in a silent vigil on the steps of St Martin-in-the-Fields on Trafalgar Square as a part of the international day of action by the Bradley Manning Support Network.

Bradley – now Chelsea – Manning’s court-martial for passing classified documents to Wikileaks had begun over a month earlier and an inevitable ‘guilty’ verdict was expected shortly.

The documents had exposed a great deal of illegal and immoral actions by the US and other governments and Manning had been celebrated in countries across the world and awarded the Sean MacBride Peace Prize.

On July 30th 2013 Manning was sentenced to 35 years in the maximum-security U.S. Disciplinary Barracks at Fort Leavenworth, but in 2017 her sentence was commuted by President Obama to seven years and she was released. In 2019 she was again imprisoned for a year for contempt of court after refusing to testify at a grand jury investigation into WikiLeaks founder Julian Assange.

Free Bradley Manning Vigil


Against Global Racism and Injustice – US Embassy to Whitehall

Black Activists Rising Against Cuts (BARAC) UK organised a march and rally against Global Racism and Injustice in solidarity with families of Trayvon Martin, Stephen Lawrence, Azelle Rodney, Jimmy Mubenga and many others to highlight the reality of racism and seek justice, both in the UK and US.

The event began with a rally outside the US Embassy, then still in Grosvenor Square, led by Zita Holbourne and Lee Jasper, founders and national co-chairs of BARAC, an anti-austerity, anti-racist campaigning organisation, with various other activists and poets speaking.

The event was supported by a wide range of anti-racist groups including Operation Black Vote, the National Black Students Campaign, Global Afrikan Congress, PCS, RMT Black Members, Counterfire, UAF, Love Music Hate Racism, Lambeth TUC, Lambeth People’s Assembly.

The protest was in part because of the global outcry over the acquittal in Florida of the murderer of Trayvon Martin under the Florida ‘Stand Your Ground’ law. But it was a protest against global racism and injustice, with a particular emphasis on several well-known cases in this country.

One was the attempt by the Metropolitan Police to smear both the Lawrence family and its supporters through a covert police surveillance unit while failing to properly investigate the racist murder of Stephen Lawrence.

Lee Jasper stated “We march for Jimmy Mubenga, Mark Duggan, Kingsley Burrell, Smiley Culture and Azelle Rodney. We march for justice and equality in the 50th anniversary year of Dr Martin Luther King’s 1968 March on Washington. The truth is that his dream is a threadbare vision here in the UK where racism is on the rise amplified by austerity.”

More at Against Global Racism and Injustice.


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A black woman and a gorilla

Friday, July 24th, 2020

Photographers have often I think failed to pay sufficient regard to the people in their photographs. Its something that is particularly important because of the power differential that always exists between the person holding the camera and those being depicted. Its something implicit in the language of photography, when we use the metaphors of the gun or jailer, talking about ‘shooting’ or ‘capturing’ pictures, both terms I try hard to avoid. And particularly important where our work involved people of a different class or race.

It is a question that worried me greatly in my early years as a photographer, and explains why I made relatively few pictures of people in those years, outside my own circles of family, friends and communities, concentrating on the built environment. And it was why, though I had admired his earlier black and white work greatly, I felt considerable disquiet about the colour images of working class families holidaying on beaches which turned Martin Parr from a photographers’ photographer into a celebrity. They seemed the work of an intruder while previously he had worked within communities.

The years have somewhat mellowed my view of this work, and Parr has of course gone on to do so much more, including turning his camera on his own middle class, but I still find those pictures marred by class prejudice and I think that this was at least in part what led to their popularity in the media. But of course we have seen far worse by other photographers here and around the world, and Parr is in many ways one of the good guys of photography, through the foundation he set up to encourage young and emerging photographers from all backgrounds and one whose advice encouraged me on several occasions in my early years in photography.

I wasn’t until very recently aware of the work of Italian photographer Gian Butturini and his 1969 book on London, reissued in 2017 with the text ‘Edited by Martin Parr‘ on the cover. It’s the kind of European approach popular at the time when I first began as a photographer and which I set out in total opposition to in terms of its graphic nature and quest for instant impact rather than a more serious consideration of the subject. I’ve not seen the book, only those images I’ve seen on line, and not seen the particular pairing of images of a black woman and a gorilla at London Zoo a which so shocked student Mercedes Baptiste Halliday when she was given the book as a present that she began her 18-month campaign against the book which she says is “appallingly racist.”

Parr has now said he was ashamed of his association with the book and that he deeply regrets his failure to appreciate its racist implications, something Halliday points out is hard to understand from a visually literate person. Parr also points out that the claim on the cover that he edited the book is incorrect as it he only supplied an introduction to what is otherwise a facsimile of the photographer’s 1969 book. He has also said he will donate the fee he received to charity and has called for the book to be removed from sale and destroyed. It is no longer listed on the Damiani Editions web site.

The book and Parr have come into the news as the campaign has led to both the public apology from Parr and his decision to stand down as the artistic director of the first Bristol Photo Festival. But last year’s protests by Halliday outside Parr’s show at the National Portrait Gallery were brushed aside and ignored by the photographic establishment. Perhaps it was the decision by the photography students from the University of the West of England to cancel their end-of-year show at the Martin Parr Foundation in Bristol that precipitated Parr’s decision.

One supporter of Halliday has been Benjamin Chesterton, known to many in photography and film for his ‘duckrabbit’ blog which I’ve mentioned here on several occasions. Last month he made a post which looked critically at his own family’s history, ‘Our skin in the slave trade. Uncle Sir John Moore and I.‘ which – as ever – is well worth reading. The Guardian quotes him in its article about Parr and the Butturini case as making the very salient point, “The question remains why is it down to a black teenager to confront one of the UK’s leading photographers and curators?”