Back on Saturday 12th October there were two protests taking place in Trafalgar Square and it was raining. One was by trade unionists supporting Extinction Rebellion and the school climate strikers, and there was a powerful speech from Ian Hodson, National President of the Baker’s Union BFAWU. His union is one of the older and smaller unions in the TUC, founded in 1847 in Manchester though it has changed its name a couple of times.
The BFAWU is a union that still fights actively for its members and isn’t afraid to take on large organisations, including McDonald’s, Burger King, and KFC in its campaign to unionise and improve pay and conditions for fast food workers.
The rain came on rather more heavily, and I kept my cameras in my camera bag or under my coat, and took rather fewer pictures than I would otherwise. Working in wet conditions is still rather a pain, even though some cameras and some lenses are ‘weatherproof’ this doesn’t really keep them going in the rain.
The 3million organisation representing the three million EU citizens who were living in the UK had come prepared, wearing blue and yellow plastic rain capes with a sticker on them also in the colours of the EU flag and the message ‘I am not a bargaining chip’.
They had come to protest at the broken promise made by the Vote Leave campaign, which had clearly stated that EU Citizens currently living in the UK would “automatically be granted indefinite leave to remain in the UK” in the event of Brexit. Instead we have a complex scheme of applications, with many who have applied for leave to remain having their applications rejected. Some who have lived here for over 50 years, and have children who are UK citizens may face deportation.
Together they tore up copies of the promise, though the light had dropped and the pictures I took on a longer lens were rather blurred by their motion – I hadn’t got my camera set to a high enough ISO.
I still can’t decide which is the best way to work with my digital cameras when lighting conditions are likely to change. The different cameras I use – and on this occasion it was an Olympus OMD M5 II and a Fuji XT-1 – have slightly differing implementation of auto-ISO, which would seem to be a good answer, but in practice can mean that you are too often working at full aperture.
Probably the answer is to work in manual mode, setting both aperture and shutter speed when using auto-ISO, but it is then very easy to find that either you have reached your maximum ISO set and the camera then underexposes everything, or, even worse, you are at the minimum ISO in your range and all your images are overexposed with burnt out highlights.
More on both protests:
Brexit unfair for EU citizens
Trade Unionists join the Rebellion
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.