XR October 2019

A year ago in October I was having a busy few days covering Extinction Rebellion’s International Rebellion in London. The event had started early on the 7th October when XR supporters occupied eleven locations at government ministries, outside Downing St, on The Mall, and blocking both Westminster and Lambeth bridges, bringing traffic in that area of central London to a halt. Outside the actual areas blocked, traffic was also largely gridlocked over a much wider area.

For the next couple of days the only ways to get around in the area was by tube and on foot. Police were initially overwhelmed by the sheer number of campaigners and the area covered by the protests, and added to the chaos by themselves closing off some routes to traffic and pedestrians.

The protests of course got considerable coverage in the press and broadcasting media, mainly around the disruption the protest was causing with rather less attention to the reasons why XR felt their actions were necessary to try and get our government to take the actions we need to avoid disaster and possible extinction of human life.

Probably few who only followed the media reports would have become aware of XR’s three demands, that the government tell the truth about the climate and ecological emergency, act to halt biodiversity loss, reduced emissions to net zero and create and set up a Citizens Assembly to ensure that proper action is taken. Our democracy is failing because politicians serve the sectional interests of the powerful few rather than the needs of us all.

I didn’t quite manage to get to all eleven of the occupied sites on Monday, though I did visist and photograph most of them. The highlight of the day for me was the wedding in the centre of Westminster Bridge between two campaigners, Tamsin and Melissa. I’d first photographed Tamsin when Climate Rush re-enacted the 1908 Suffragette storming of Parliament on its 100th anniversary and had got to know her better during later protests including those against the third runway at Heathrow, but hadn’t seen her for five years.

A year ago today, October 8th, was the second day of XR’s protests. By now the police were beginning to take back parts of the area, having made many arrests overnight.

I think many of the protesters were shocked as I was at the deliberate violence and destruction of property when occupied areas were trashed by police, and for some it perhaps made them question the XR policy of non-violence. Standing and shouting ‘Shame on You’ as police assaulted protesters and trashed tents and food stalls turned out not to be very effective.

The day turned out to be a long one for me, as after spending my time with XR I made my way to Camden for a protest by Architects for Social Housing (ASH) outside the champagne reception at the Royal Institute of British Architects awards ceremony for the Stirling Prize. Architects, like our politicians, are largely the servants of the rich and the awards reflect this. ASH were particularly angered by the new Neave Brown Award, supposedly honouring the recently deceased champion and architect of council housing at the Dunboyne Road Estate (formerly known as Fleet Road) and Alexandra Road Estate both in Camden, being awarded to a scheme for a commercial company owned by Norwich Council which demolished council housing to build properties which will not be offering secure council tenancies, with nothing to stop the company raising the service charges or converting the few social rent homes in it to so-called ‘affordable’ rents in the future.

The images here are a small and fairly random selection from the many that I took, and you can see more of them and read more about the protests on My London Diary:

Extinction Rebellion continues
XR Rebels marry on Westminster Bridge
Extinction Rebellion occupy Westminster

Stirling Prize for Architecture


My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage : Flickr

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


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