FotoArtFestival Diary – 2005

FotoArtFestival Diary: Back in June 2005 I was at the first FotoArtFestival taking place in Bielsko-Biala, Poland. This was an international festival with exhibitions featuring one photographer from each of 25 countries, including some of my post-industrial urban images from London. But the pictures in this post are some of the colour pictures I made during my visit to Poland on a compact digital camera.

FotoArtFestival Diary - 2005

I was also there to give a couple of talks. As well a presentation on my own work I also talked about the work of other photographers from the UK, including Raymond Moore, Tony Ray-Jones and some personal friends including the London-resident American John Benton-Harris, Paul Baldesare, Derek Ridgers and Mike Seaborne.

FotoArtFestival Diary - 2005

I hadn’t really anticipated the problem of translation, and although both festival organiser Inez and another translator did their best to translate my talks into Polish, it meant that the talks took more than twice as long with me having to wait between paragraphs for them to repeat my sentences in Polish.

The on-screen presentations which accompanied my talks consisted almost entirely of pictures. When I went back two years later I had prepared a presentation with key phrases and captions along with the pictures and a much shorter text for the translators. But for this occasion I had to edit my presentations on the hoof, leaving out or précising some whole sections to keep within the time allowed. But you can download the full versions (without images) online.

FotoArtFestival Diary - 2005

My talks, given in English but translated into Polish, must have gone down well, as I was invited back to speak again at the second FotoArtFestival. And John Benton-Harris was invited to show work at that, while the gallery in nearby Krakov (whose director was in my audience and who I had a long conversation with) put on a show of the work of Tony Ray-Jones.

FotoArtFestival Diary - 2005

After I returned home I published my FotoArtFestival Diary which is still on-line, with many of the pictures I took during my stay. I had a fantastic time there and it was particularly great to meet many other photographers there, including some of those whose work was also on show.

FotoArtFestival Diary - 2005

Here is an extract from that diary with more about the festival and the start of my ‘Thoughts from Bielsko‘ I wrote while there.

FotoArtFestival

The festival set out to invite the best photographers in various fields from around the world, and included some well-known names – such as Eikoh Hosoe, Ami Vitale, Boris Mikhajlov and Malick Sidibe, as well as many rising stars and a few of those no longer with us, Mario Giacomelli, Inge Morath and Robert Diament.

FotoArtFestival Diary - 2005

The 26 major shows represented work from 25 countries – just one photographer from each, with a group show of older Polish photo-reportage. It was truly an effort to be international, although concentrating on European countries, including Albania, Austria, Belgium, Czech Republic, Denmark, Finland, Germany, Holland, Hungary, Italy, Latvia, Lithuania, Poland, Russia, Slovakia, Spain, Sweden, Turkey, the Ukraine and of course the UK, as well Iran, Japan, Mali, South Africa and the USA. France and Switzerland were also represented, with a representative from Magnum and a presentation on the work of Werner Bischof.

Thoughts from Bielsko

Gatwick and Hell

I hate travelling, especially travelling by air. Endless waiting in arid lounges, surrounded by retail irrelevance, shops of pointless and unwanted items.

It’s an enforced spell of purgatory, with what must be the most infuriating announcements ever devised to punish the lost souls, “Please enjoy the facilities in the lounge” in an irritatingly banal false female voice. You realise Douglas Adams travelled this way.

Eventually we are allowed to go through the departure gate, for yet another spell of waiting until we can clamber into a bus to be driven across the apron to the waiting jet.

FotoArtFestival Diary - 2005

After take-off I try to see where we are heading. The first place I can definitely place is Canvey island on the Thames estuary where I was taking pictures a couple of months back.

Two hours later we are bumping down through the clouds and into Krakow airport. Fortunately this is so small it takes a relatively short time to collect my case and go through to meet the driver who is to drive me and another festival visitor, Marta Daho of Magnum, to Bielsko-Biala.

Life Imitates Art

     Life imitates Art,

     Art Imitates Nature.

     Nature abhors a vacuum,

     Hoovers suck.

     Life? Well, sometimes it happens.

     Always it happens, magic or shit.

     Bielsko was brimming with magic.

I Translate

     I translate

     It rans late



And everything did run late, due to the tremendous enthusiasm of the audience to the presentations by all the photographers who had come to talk about their work. In a later post here I’ll post part of an introduction to my talk which I wrote in my hotel room in Bielsko-Biala, as well as some more pictures including some of the other photographers taking part in the festival. And I even did a little translating although the remnants of my ‘O Level’ French wasn’t really up to it.


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FotoArtFestival Diary 2007 – Poland

FotoArtFestival Diary 2007 – Poland: In 2007 I was invited to speak at the second FotoArtFestival in Bielsko-Biala, Poland and made a fairly lengthy illustrated diary of my visit. I’d been there two years earlier at the first festival there in 2005 and had enjoyed the event greatly, although it was not without a few problems, but it had been a great success.

FotoArtFestival Diary 2007

I’ve been reminded of this in recent days by several things. Firstly by seeing pictures from this years FotoArtFestival on Facebook, the 10th of these remarkable events still being organised by the wonderful Inez Baturo from 13-29th October 2023.

FotoArtFestival Diary 2007

Also on Facebook recently I’ve been seeing again and admiring many of the pictures by Misha Gordin, (1946-2020) who arrived in Krakov on the same flight with me. His conceptual images constructed in the darkroom are powerful and quite remarkable. I still can’t quite imagine how he produced some of them, though my diary says what he told me about his methods. You can read more about his pictures in a 2007 article by A D Coleman on his Photocritic International site, Misha Gordin: Reflex of Freedom.

FotoArtFestival Diary 2007

And on a quite different Facebook group, someone recently posted an image from Bielsko-Biala that jumped off the screen. It wasn’t one that I had taken, but of one of the most famous doorways in the city that I had also photographed. I posted as a comment a picture the had taken in 2005 – the top one on this post.

FotoArtFestival Diary 2007

I hadn’t gone there on either of my two visits to take photographs and in terms of photo gear on both occasions had travelled light, with just a pocketable digital camera, intending simply to create a diary of the event. In 2005 that was a 3.9MP Canon DIGITAL IXUS 400, but by 2007 I had upgraded to a 6.1MP Fuji FinePix F31fd. As you can see from the pictures in both my 2005 and 2007 diaries, both were pretty capable little cameras.

Bielsko-Biala is a city in southern Poland around 240 miles from Vienna which became an important centre for the textile industry in the 19th century when it was a part of the Austro-Hungarian Empire, and became home to many wealthy industrialists. Many had homes built in styles then popular in Vienna, particularly Art Nouveau and there are some fine examples in what is often called “Little Vienna”.

I rose early and walked around the centre of the city before the festival venues and events began taking pictures as well as walking with the others between events. My diary also has some brief reviews of some of the shows in the festival by Michal Macku (Czech Rep), Karol Kallay (Slovakia), Stasys Eidrigevicius (Lithuania/Poland), Aleksandras Macijauskas (Lithuania), Michael Kenna (UK), Walter Rosenblum (USA), Jose Luis Raota and Pedro Luis Raoto (Argentina), Franco Fontana (Italy), Judit M Horvath and Gyorgy Stalter (HUngary), Joan Fontcuberta (Spain), Misha Gordin (Latvia/USA), Lukas Maximilian Huller (Austria), Sarah Moon (France), Alex ten Napel (Holland), Mitra Tabrizian (Iran/UK) and Dalang Shao, Du Shao and Jiaye Shao(China) as well as accounts and pictures of some of the festival events. Most of those who were able to attend are in my pictures in my diary.

You can read all 16 pages of my FotoArtFestival Diary 2007 online – with many more pictures. I’ve made no real changes other than correcting the date at the top of each page. Probably many of the links in it will no longer work and those who reach the end will find will find that I still haven’t managed to put my talk from 2007 online. Copyright problems are probably insurmountable.