On the Road to Brixton is the second post on my walk in Kennington and Brixton on Sunday 6th May 1889. The posts began with Hanover, Belgrave, Chapel, Shops, Taxis.
This remarkable Grade II* listed building in a composite of Art Nouveau and Byzantine Revival style was designed by Arthur Beresford Pite who was the brother-in-law of the then vicar, Rev William Mowll, whose name is on the adjoining street. It was completed in 1907, though the design dates from the 1890s and the foundation stone was laid in 1898 and the building consecrated in 1902.
It remains in use as an Anglican Church. Some describe it as an architectural monstrosity, but although I think it has a rather split personality it has an overwhelming impact.
The church was built on the site of an earlier chapel, Holland Chapel, built as an Independent Chapel around 1823 and sold to the Church of England around 1835 and renamed Christ Church. This was a simpler building with a central bell turret but of some size, seating around a thousand and was demolished in 1899, with worship continuing in a hall behind while the new church was being built.
The Holland Chapel had no graveyard and Christ Church was at first only a chapel in the parish of St Mark’s Kennington where burials took place. Before 1825 all this area was in the parish of St Mary Lambeth, now the Garden Museum next to Lambeth Palace. Christ Church became a parish church in 1856.
The building is often open to the public over the centre of the day and the stained glass is said to be spectacular. The interior (which I’ve not photographed) has more of an Art Nouveau feel than the exterior. The building has been considerably altered since 1907. It was built to seat 1,200.
You can just about see one of the many unusual features of the church at the extreme left of the picture, where there is a bell-shaped roof over an external pulpit, added to the building in 1907 at the insistence of the vicar.
This terrace is opposite Christ Church and runs from 91 to 115 and was built at Bowhill Terrace. Some of the houses are stuccoed like these with others left as plain brick. I chose this pair partly for the bark of the tree at left, but also because of the different treatment of the two doors at the top of the steps leading up to both. I think the steps and their railings are probably a modern replacement.
Many of the houses along Brixton Road were in poor condition in the 1970s and were refurbished by the Greater London Council, mostly becoming social housing
Brixton Road was a Roman Road leading down to the south coast and was at one time known as ‘The way to Brighthelmstone’. Among other former names was Brixton Causeway, an embanked roadway running along the west bank of the ,. That it was also known as ‘The Washway’ perhaps suggests that it was sometime flooded by the river. The river was lowered and built over in 1880, becoming a sewer below the street and the earth extracted used to provide banking at the nearby cricket ground, The Oval.
Modern development beside the road only gathered pace after the building of Vauxhall Bridge in 1816 and acts of parliament for roads south from that meeting with Brixton Road at the Oval.
“Between 1820 and 1824 the whole of the Manor was let to Henry Richard Vassall, third Baron Holland” and developed piecemeal by “builders and speculators” under building leases as brick houses “of at least the third rate“. According to the Survey of London, “This policy of piecemeal letting, especially in the Brixton Road, resulted in unrelated groups of villas and terrace houses which, in spite of the charm of individual members, gave to the whole an untidy and haphazard appearance.” For me it perhaps enhances the street with many of these varied Regency and early Victorian buildings remaining.
No 188 is a Grade II listed early mid C19 house. The listing text fails to indicate why this building, listed in 1981, has any particular architectural or historic interest. Originally this was one half of a pair of houses, the other half having been replaced by a dull 4 storey block of flats, Willow Court. Perhaps it was listed to save it from a similar fate.
I made a short detour from Brixton Road down Robsart St which leads west attracted by this three-story works just a few yards down on the north side.
The Brixton Sheet Metal Works building is still there at No 2, but considerably tidied and now Raw Material Music & Media Education who describe the building as a “purpose-built 3-storey building hosts 2 recording studios, computer suite, DJ, music and video production equipment and a live room for performance, workshops and ensemble work.”
It now has a red plaque with the message ‘This project is proudly funded by Comic Relief – All the silly nonsense of Red Nose Day is about the serious business of helping people change their lives – BILLY CONNOLLY 2003‘.
In 1919 No 2 Robsart St was occupied bys W Mason & Co. I think the building was possibly no longer in use in 1989, though there appears to still be a small shop at the left, firmly shut behind wire grilles in my picture.
This walk will continue in a later post.
Tags: 1989, art nouveau, Arthur Beresford Pite, Bowhill Terrace, Brixton, Brixton Rd, Brixton Sheet Metal Works, Byzantine Revival, Christ Church, heet Metal Works, Holland Chapel, Kennington, Lambeth, London, London Photos, On the Road to Brixton, peter Marshall, River Effra, Robsart St, Stockwell, William Mowll