Posts Tagged ‘Mois de la Photo-Off’

Saturday In Paris – 2008

Wednesday, November 15th, 2023

Saturday In Paris. It’s some years since I’ve been to Paris for the large Paris Photo show and the Mois de la Photo, though for a few years I went regularly. Partly I got bored with seeing the same work again and again at many dealers stalls in Paris Photo, and it also seemed increasingly dominated by the kind of large images for corporate walls that had little interest for me (but sold at huge prices per square foot.)

Saturday In Paris - 2008

Paris Photo generally occupied me during a couple of days, but most of my time on my visit was spent in visiting the many other exhibitions around the city which was really saturated with photography with a huge fringe of events. One evening I managed to attend five openings, though by the last I think the wine was taking a toll, and to pack in almost 90 shows in a five day visit – and there had been others where a short look had led me to turn away. There has never been anything like this in Britain, perhaps the closest we have ever got to it was in the East London Photomonth.

Saturday In Paris - 2008

The more interesting of those shows I went to I reviewed here on >Re:PHOTO and you can still find these reviews in the archives, along with every other post I’ve written on this site. And there are also posts covering many of our walks, along with some like this on My London Diary.

Saturday In Paris - 2008

The walks around Paris were sometimes more interesting than the shows. I first came to Paris to visit Linda who was then staying in a student hostel to the south of the city in 1965 and we’ve returned quite a few times since we were married, always taking long walks as well as making the most of our weekly travel tickets (which cost little more than a day’s public transport around London.) Few pages of the Michelin Green Guide have been left unturned over the years.

Saturday In Paris - 2008

On Saturday 15th November Linda and I left our cheap hotel close to the Metro at Barbes Roucechoaurt after breakfast and walked to the Rotonde de la Villette. As always I found a few things to photograph. We were on our way to visit shows by Gilles Raynaldy and then on to work by two photographers at a new arts centre in what had previously been the municipal funeral services.

The Metro took us to the centre of Paris for a short non-photographic interlude, including a nostalgic picnic in the Square du Vert Galant on the tip of the Ile de la Cite before another train took us to Galerie Vu and a show by Swedish photographer Lars Tunbjork, who I had met at the FotoArtFestival in Poland in 2005. Sadly he died in 2015.

Then we walked around the Marais, visiting a number of shows their, some rather briefly though others held our attention rather more, including work by Robert McCabe & Aurelia Alcais.

Some of the galleries were perhaps more impressive than the shows in them and this was true of the Galerie Karsten Greve in the rue Debelleyme (it also has galleries in Cologne and St Moritz which perhaps tells you something about who it’s audience is) which was showing work by Italian photographer Mimmo Jodice. I didn’t feel it was worth my writing about.

More to our taste was a show across the road in the Galerie Blue Square with remarkable images from the Global Underground project by artists Valera and Natasha Cherkashin.

Around the rue Vielle du Temple we looked in briefly at a number of shows, several of them aimed at the fetish market but none detained us long. On the rue du Perche we found John Bulmer’s ‘Hard Sixties: L’Angleterre post-industrielle, black and white and colour images from the 1960s in the north of England, mainly around Manchester where we had spent the first few years of our married life (all we could afford as a honeymoon was a day coach trip to the Lake District.)

It was getting dark and we took the Metro back to our hotel to change and then go out to meet Linda’s brother and his wife who live on the outskirts of Paris on the Grands Boulevards. We had planned to enjoy a three course meal at Chartier, but they weren’t feeling well so I was disappointed when we simply went to a creperie.

They left early to go back home and we took another Metro ride to Trocadero and walked down and across the bridge to stand under the Eiffel Tower, admiring its ring of blue stars to mark Sarkozy’s term as President of the European Council.

We then walked around the area, but it was late and the streets were dark and deserted. Eventually we came to a bus stop and after a wait of around 15 minutes a bus arrived and took us to the Place de Clichy.

Here the boulevard at least was still lit up and there were plenty of people as we walked on past Place Blanche and on to Place Pigalle, wandering past or hanging around the various sad-looking neon-covered come-on facades of sex shops and clubs. I took some more pictures, though with the large and obvious Nikon I kept my distance and concentrated on the signs. We walked back around a mile to our hotel and were exhausted after a long day.


Paris 2010 (final)

Monday, November 23rd, 2020

After breakfast on Saturday we went for a walk, first making our way alongside the Metro Aerienne to La Rotonde de la Villette, one of my favourite Paris buildings, and then walking a little beside the canal, first to the north and then turning and going south to where there was a street photography show displayed as single images in each of a number of shop windows in the streets around the Rue de Lancry. It was a nice idea, but not really much of a way to display photographs, though we did enjoy the hunt for them. See more about the exhibition and the wedding here on >Re:PHOTO and more photographs in my diary at  Street Photography in the 10e.

Of course I was taking pictures, and for a short while became an unofficial wedding photographer, though I turned down an opportunity to join the party as we had other things to do.

The largest photographic event taking place in Paris was not the dealer show Paris Photo, nor even the Mois de la Photographie, though that had the most prestigious shows, but the fringe, the Mois de la Photo-Off. This is a well organised event, with a free booklet listing the many events accepted for it (and there is also a fringe of the fringe with many other photography shows), but also a series of organised tours around the shows in different areas of Paris on each Saturday afternoon in November.

Photographer Loïc Trujillo (left) talks with Neil Atherton, Commissaire General of the Mois de la Photo-OFF, who led the tour, in Galerie Impressions

On November 20th we had a choice of two areas, and picked ‘Beabourg’, going to eight shows and meeting the photographer or gallerist at all but one of them. We spent around 15-20 minutes in each gallery before walking the short distance to the next. At times it was rather taxing on my hazily remembered ‘O’ Level French, and I was pleased to have my interpreter with me. You can read more about the shows on the tour in two posts here, Photo-Off – A Guided Tour – 1 and Photo-Off – A Guided Tour – 2, and again there are more pictures in my diary.

We had to hurry away at the end of the tour to change and meet Linda’s brother and his wife for a dinner in one of Paris’s institutions, Chartier. It has become a must for tourists and it’s best to go early to avoid a long queue.

I spent Sunday morning at the Maison Européenne de la Photographie and you can read about what I saw there in Sunday Worship at the MEP, though there are no illustrations as photography is forbidden there. Linda chose instead to attend the culte at the Temple de l’Oratoire du Louvre, and we met afterwards for lunch, buying some delicious slices of quiches and cakes on the rue St Antoine and sitting and eating them on a bench out of the light rain in the Place des Vosges.

Afterwards we wandered aroung the Marais, visiting several shows open on a Sunday afternoon, including ten Swedish photographers of the collective Tio Fotgrafer and A Few Shows in the 4e, before making our way across the Seine to the Bibliothèque nationale de France (BnF), to view France 14, the work of 14 younger photographers selected by Raymond Depardon, and then another Metro ride to FIAP Jean Monnet in the 14e, to view a show celebrating 40 years of women’s liberation. And then it was time for dinner and to return to our hotel and rest. There are more photographs from the afternoon in my diary at The Marais and BnF and FIAP.

We had a day before catching our Eurostar back to London on Monday evening for a final walk, rather more relaxed than in the previous days with hardly a visit to a photographic exhibition. You can see the pictures at  Monday Wandering and read a little more about the walk at Monday in Paris.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.