Posts Tagged ‘Machine Gun Corps Memorial’

Hyde Park Corner & Belgravia

Sunday, June 13th, 2021

St Georges Hospital, Royal Artillery, Memorial, Hyde Park Corner, Westminster, 1988 88-3d-22-positive_2400
St Georges Hospital, Royal Artillery, Memorial, Hyde Park Corner, Westminster, 1988 88-3d-22

I can’t recall why on this particular March Day in 1988 I decided to photograph these major military meorials at Hyde Park Corner. I think I’d probably emerged from the tube there, or perhaps got off a bus from Victoria Station and thought the lighting looked right. Non-photographers often see me going out on bright sunny days with a blue sky and no trace of cloud and say to me “Good weather for it!” and I usually just give a faint smile, while thinking to myself it might have been better to have left the cameras at home. For subjects like these, a bright overcast day with no shadows is generally the best, enabling you to chose your viewpoint to bring out the best in your subject.

Machine Gun Corps, Memorial, Hyde Park Corner, Westminster, 1988 88-3d-43-positive_2400
Machine Gun Corps, Memorial, Hyde Park Corner, Westminster, 1988 88-3d-43

St George’s Hospital is a good backdrop for the . The hospital opened next door in 1733 and was expanded with this building in 1830, to provide 300 beds. Its medical school moved to Tooting in1970 and the hospital finally closed here in 1980. Part had clearly moved much earlier and the Nightingale Ward in which I stayed for a couple of weeks at St George’s in 2003 were clearly from the 19th century and falling to pieces. The Grade I listed Royal Artillery Memorial designed by Charles Sargeant Jagger, with architectural work by Lionel Pearson, was unveiled in 1925, to commemorate the 49,076 soldiers from the Royal Artillery killed in the First World War and to my mind is the finest sculptural piece of the several around.

Wellington Arch, Memorial, Apsley Way, Hyde Park Corner, Westminster, 1988 88-3d-44-positive_2400
Wellington Arch, Memorial, Apsley Way, Hyde Park Corner, Westminster, 1988 88-3d-44

The Machine Gun Corps Memorial was also erected in 1925, but rather further to the south in Grosvenor Place. It was dismantled to enlarge the roudabout in 1945 and only replace in its current position at the north of the isolated square in 1963, By Derwent Wood, it shows David holding Goliath’s sword and at a lower lever are two real Vickers machine guns covered with bronze and with laurel wreathes. The Grade I-listed triumphal arch by Decimus Burton was built nearby in 1826-30 to celebrate the victory over the French and moved to its curent location in 1882-3. At the same time a huge and ugly equestrian statue of Wellington which had been placed on top in 1846 was removed and sent to Aldershot, being replace by the more fitting Quadriga by Captain Adrian Jones. Until 1992 the arch was home to London’s smallest police station but it now houses an exhibition about Waterloo.

Wellington statue, Memorial, Apsley House, Hyde Park Corner, Westminster, 1988 88-3d-46-positive_2400
Wellington statue, Memorial, Apsley House, Hyde Park Corner, Westminster, 1988 88-3d-46

When the eyesore huge Wellington statue was taken from the top of the arch to Aldershot, Joseph Boehm was commisioned to make a replacement, which was installed on a plinth facing the Duke of Wellington’s house, Apsley House, at Hyde Park Corner. Below on the four corners of the plinth stand four foot-soldiers, one from each of the four nations of the united kingdom.

Hans Crescent, Knightsbridge, Westminster, 1988 88-3e-22-positive_2400
Hans Crescent, Knightsbridge, Westminster, 1988 88-3e-22

Hans Crescent in Knightsbridge is a little to the west of Hyde Park Corner, between the back of Harrods and Sloane St. Part of the Cadogan Estate, this building at 2-4 Hans Crscent on the corner of Pavilion Road stands out in the area both for its white finish – and is know at the White House among so much red brick and is home to the Holy Carrot vegan restaurant, described by some as London’s best vegan restuarant and also to Urban Reatreat, “a one stop shop for all things to do with beauty” also with a restuarant but not vegan who are responsible for a large pink and gold plastic creature on its balcony.

Chester Square, Belgravia, Westminster, 1988 88-3e-24-positive_2400
Chester Square, Belgravia, Westminster, 1988 88-3e-24

Edward Walford in his contribution ‘The western suburbs: Belgravia’, to Old and New London: Volume 5 (London, 1878), pp. 1-14. has a lengthy description of Belgravia, much a which is still relevant today. You can read it in full at British History Online but the rest of today’s text come from this volume:

This mine of wealth—the present suburb, or rather city, of Belgravia, for such it has become—passed into the possession of the Grosvenor family in 1656, when the daughter and sole heiress of Alexander Davies, Esq., of Ebury Farm, married Sir Thomas Grosvenor, the ancestor of the present Duke of Westminster. This Mr. Davies died in 1663, three years after the Restoration, little conscious of the future value of his five pasturing fields.

Edward Walford, ‘The western suburbs: Belgravia’, in Old and New London: Volume 5 (London, 1878), pp. 1-14. British History Online http://www.british-history.ac.uk/old-new-london/vol5/pp1-14
Chester Square, Belgravia, Westminster, 1988 88-3e-25-positive_2400
Chester Square, Belgravia, Westminster, 1988 88-3e-25

“In Queen Elizabeth’s time,” observes a writer in the Belgravia magazine, “this sumptuous property was only plain Eabury, or Ebury Farm, a plot of 430 acres, meadow and pasture, let on lease to a troublesome ‘untoward’ person named Wharle; and he, to her farthingaled Majesty’s infinite annoyance, had let out the same to various other scurvy fellows, who insisted on enclosing the arable land, driving out the ploughs, and laying down grass, to the hindrance of all pleasant hawking and coursing parties. Nor was this all the large-hearted queen alone cared about; she had a feeling for the poor, and she saw how these enclosures were just so much sheer stark robbery of the poor man’s right of common after Lammas-tide. In the Regency, when Belgrave Square was a ground for hanging out clothes, all the space between Westminster and Vauxhall Bridge was known as ‘Tothill Fields,’ or ‘The Downs.’ It was a dreary tract of stunted, dusty, trodden grass, beloved by bull-baiters, badger-drawers, and dog-fighters.

Edward Walford, ‘The western suburbs: Belgravia’, in Old and New London: Volume 5 (London, 1878), pp. 1-14. British History Online http://www.british-history.ac.uk/old-new-london/vol5/pp1-14
Chester Square, Belgravia, Westminster, 1988 88-3f-16-positive_2400
Chester Square, Belgravia, Westminster, 1988 88-3f-16

There can be little doubt that, in right of his Manor of Ebury, the Duke of Westminster enjoys one of the largest rent-rolls, if not the very largest, in the kingdom. The current rumour of the day sets it down at £1,000 a day, or £365,000 a year. Other noblemen, especially the Dukes of Sutherland, Buccleuch, and Northumberland, are thought to approach very nearly to a like rental.

Chester Square, which almost abuts upon the north side of Eaton Square, was commenced about the year 1840, and was so called after the City of Chester, near which place Eaton Hall is situated. The picturesque Gothic church of St. Michael, which stands in a commanding position at the western end of the square, was erected in 1844, the foundation-stone being laid by Earl Grosvenor, father of the present Duke of Westminster; and it was built from the designs of Mr. Thomas Cundy in the Decorated style of the fourteenth century. Its principal external feature is the tower, with a lofty spire, which, till some additions to the body of the church were made in 1874, appeared to be somewhat out of proportion to the remainder of the fabric.

Edward Walford, ‘The western suburbs: Belgravia’, in Old and New London: Volume 5 (London, 1878), pp. 1-14. British History Online http://www.british-history.ac.uk/old-new-london/vol5/pp1-14

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.