Hands Off Iraq, George Galloway & Tony Benn – Saturday 2nd March 2002 saw a huge protest against Britain becoming involved in the US plans to invade Iraq and depose Sadam Hussein.
It’s hard to know how many marched that day, though I think there may have been around half a million of us on the streets of London,but it was certainly a very large march though not quite on the scale of that on 16th February 2003. Unfortunately I had to miss that one as I had only come out of hospital the previous day and could only walk a few yards.
George Galloway, then Labour MP for Glasgow Kelvin, has come back into the news recently by winning the Rochdale by-election. He along with Tony Benn and others was one of the founders of Stop The War following the US invasion of Afghanisatan and the coalition organised this and other protests against the invasions of Iraq then being prepared by the US Miitary. Galloway was and still is a flamboyant figure and a powerful speaker, though I was rather more attracted to others in the movement such as Tony Benn, who appears in more of my pictures.
But then as now, I wasn’t at the protest to photograph celebrities, but to tell the story of the event, mainly through photographs of the ordinary people taking part. Of course my pictures concentrate on those who caught my attention, sometimes by their expressions and actions, but more often through their banners and placards which link them to the cause they were marching for.
Although I’d been photographing protests for some years – occasionally since the 1970s and more intensively since the 1990s, my pictures had simply gone into picture libraries and a few exhibitions and few had been used in the mass media.
Shortly after Indymedia, a global network of independent news media was set up in 1999 I began publishing work on the UK site – and some of it may be still be available on the now archived site. This was of course entirely non-commercial, and had a very limited readership on the left, among anarchists and the security services.
But I also set up a new web site of my own, My London Diary, which is still available online, though its now several years since I have added new work. Although I have unlimited web space there is a limit to the number of files my web server can handle, and I was very close to this. Covid also played its part in various ways.
In the early years of My London Diary I was still working with film and only had a black and white flatbed scanner. So the pictures for Hands Off Iraq online were all in black and white, though I will also have taken some in colour, but so far I’ve digitised few colour images from these years. The 24 black and white images on My London Diary will have been made from 8×10″ black and white press prints submitted to a picture library and scanned on a flatbed scanner. In 2002 although many magazines were printed in colour the main sales for news images were still black and white, though things were rapidly changing, and I was soon to begin moving to working mainly in digital colour.
Here, with a few corrections is the text I put on line back in 2022 with these pictures:
The Stop the War, Hands off Iraq demonstration on 2 march was a large sign of public opinion. people were still leaving Hyde Park at the start of the march when Trafalgar Square was full to overflowing two and a half hours later.
Police estimates of the number were risible as usual – and can only reflect an attempt to marginalise the significant body of opinion opposed to the war or a complete mathematical inability on behalf of the police.
Tony Benn told me and other photographers it wasn’t worth taking his picture – “it won’t get in the papers unless I go and kick a policeman” but he didn’t and he was quite right.
21 years ago on 22 Jan 2000 I photographed a March against police racism organised by the Movement For Justice in Wood Green, and it is one of the earlier protests that I featured on my web site My London Diary.
It wasn’t of course the first protest that I had photographed, which had been around 25 years earlier, and through the 1990s I had increasingly begun to attend and photograph various political events, although the bulk of my work was still in other areas.
My London Diary didn’t exist in January 2000, but when I set up the site a year or two later I scanned some of my 8×10″ file prints from 1999 and 2000 to put some content on the site from the start.
At the time I was still working mainly in black and white and sending prints to the library that handled my work; they also worked with colour transparencies, but I had given up taking these 15 years earlier and moved to colour negative. The library then couldn’t handle digital files, and also my flatbed scanner was only black and white. At the start there was little or no colour work on My London Diary, though things soon changed as I first used a consumer digital camera as a personal notebook, then moved to working with a Nikon DSLR.
The earliest protest to be featured on My London Diary was from Brixton in February 1999, and over a similar issue, a National Civil Rights march calling for the release of Winston Silcott. So many years later things perhaps have changed very little – just the names, as the recent death of Mohamud Mohammed Hassan shows.
It wasn’t in 2000 easy to find out when and where protests other than the big national events organised by groups such as CND and the anti-war protests were taking place, but in June 1999 Indymedia had been founded around the global justice anticapitalist protest Carnival Against Capital and around this time many groups involved in protests were beginning to use the web to communicate through e-mail and web sites.
From around 2000 I began to cover many more protests, partly because I left full-time teaching and could attend more, but also because it became easier to find out about them. It was some time later that I began to put my pictures from protests on Indymedia, as a way of sharing my work with those I had photographed. I was also sending them to photo agencies in order to finance the work, as well as working as a writer on photography. I began My London Diary as a way to get my work to a wider audience, and hoped it would generate enough direct sales to at least cover the costs involved.
It has managed to do that and has also provided a great deal of feedback over the years, but hasn’t been a huge financial success.
