Posts Tagged ‘disabled’

Atos & more – 19 Feb 2014

Friday, February 19th, 2021

Seven years ago, 19 Feb 2014 was a big day for protests, particularly as campaign groups Disabled people Against Cuts (DPAC), Black Triangle, Atos Miracles, the Green Party, NUS, Occupy New Network, PCS, Unite and many others were taking part in a National Day of Action against Atos for its institutionally incompetent Work Capability Assessment testing of disabled people which has resulted in many disabled people being unfairly refused benefits.

There were protests at each of the 144 Atos testing centres around the country, including those at Wimbledon, Neasden, Marylebone, Highgate, Ealing, Balham and Croydon in London, but I only photographed them at the Atos offices in Triton Square, just north of the Euston Rd.

Even a report commissioned for the government pointed out serious flaws, and over 40% of appeals after people have had their benefits cut by Atos assessments have been allowed a figure rising to over 70% where the appellants have been assisted in their appeals by benefits experts. These appeals take months, during which people are thrown into abject poverty, and often having won on appeal claimants are within a few weeks again penalised by a new Atos assessment.

Atos apparently get paid more for finding people fit to work, and use simplistic tests and often tricks to do so, with no quality control or penalty for those tests which are overturned on appeal. The protesters called for the company to lose its contracts and be prosecuted for its mishandling of the tests, and for these tests to be abandoned and the Minister responsible, Ian Duncan Smith to be sacked.

Many disabled people have been driven to suicide by these failed tests and the stressful appeals procedures. The government figures for January to November 2011 showed that 10,600 people, an average of 223 a week, died withing six weeks of having been found fit for work by ATOS. The Department of Work and Pensions scandalous response to the public outcry when these figures were released was not to take action to make the improvements that were clearly needed, but simply to refuse to respond to requests for similar information for later years. The campaigners say that assessments of fitness to work should be made by qualified medical doctors, ideally by “the GP who regularly sees and treats the sick or disabled individual in question” who they say “is the only person able to decide if an individual is fit for work.”

Among those I heard speaking outside Atos HQ were MP Dennis Skinner, Paula Peters of DPAC, Among those I heard speaking outside Atos HQ were MP Dennis Skinner, Paula Peters of DPAC, Green Party leader Natalie Bennett, journalist Sonia Poulton and the Rev Paul Nicolson of Taxpayers Against Poverty. You can read more about the protest and see more pictures at Atos National Day of Action.


I left the Atos protest briefly to cover three further events. The first at the Iraqi consultate in Kensington was a solidarity vigil by the wife and daughter of Shawki Ahmed Omar, an American citizen held and tortured in Iraq by US and Iraqis since his arrest in 2004, and now in Abu Ghraib. They were accompanied by two supporters at one of their regular vigils calling for his release. You can read more about the vigil and the case at Solidarity vigil for Shawki Ahmed Omar.



Next was a picket at the Irish Embassy close to Marble Arch to demand the immediate release of Margaretta D’Arcy, imprisoned for protesting against illegal US flights from Shannon Airport, and now in Mountjoy Women’s Prison, Dublin. More about this at Free Margaretta D’Arcy picket.



Third was a protest called by my own union the NUJ at the Egyptian Embassy in Mayfair, for press freedom in the country and calling for the release of all jailed journalists, including the four Al Jazeera journalists. More at NUJ demands Egypt release jailed journalists.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Change Makers: Ways of Protest

Wednesday, December 2nd, 2020
DPAC 19 Feb 2014 20140219-316_2400
Paula Peters of Disabled People Against Cuts speaks outside ATOS offices in National Day of Protest against mishandling of Work Capability Assessments. 19 Feb 2014

I am one of the very long list of artists taking part in the show currently at the Elysium Gallery in Swansea, Change Makers: Ways of Protest.

Here is the full list from the gallery web site:

Asim Ahmed | Phoebe Beckett | Nazma Botanica | Jason & Becky | Beltalowda | Frans Van Den Boogard | Bourdon Brindille | Ben Browton | Hazel Cardew | Louise Burston | Elsa Casanova | Philip Cheater | Michael Cheung | Jonah Brucker-Cohen & Mark Ramos | Lucy Donald | Judit Csobod, Marcela Echeverki & Stephen Donnelly | Plein Le Dos | Angus Eickhoff | Camila Espinoza | Gisela Ferreira | Mark Folds | Virginie Foloppe | Dawes Gray | Amy Goldring | Emily Grimble | Carol Harrison | Vinay Hathi | Hannah Jones | Paul Jones | Julia Justo | Ken Kamara | Tim Kelly | Shona Davies, David Monaghan & Jon Klein | Bob Bicknell-Knight | Hannah Lawson | Catherine Lewis | Laura Elisabeth Levick | Peter Lewis | Peter Marshall | Alice Mason | Steph Mastoris | Celia Mora | Karl Morgan | Sarah Poland | Jota Ramos | Euros Rowlands | Fiona Roberts | Si Sapsford | David Sladeck | Ekene Stanley | Ben Steiner | John Thomson | Daniel Trivedy | Vladimir Turner | Kenechi Unachukwu | Undercurrents | Natacha Voliakovsky | Eef Veldkamp | Aisling Ward | Thais DeMelo & Pedro H.C |Dawn Woolley & Davin Watne | Caroline Wilkins | Ian Wolter | Tess Wood

Elysium gallery in partnership with Swansea Museum, Swansea County Council and Fusion presents ‘Ways of Protest’, an extensive exhibition looking at how the arts can be used as a vehicle for protest, and how activism and a desire for social change can drive individual and collective creativity.

Contemporary artworks by Welsh and International artists will be accompanied by archival artefacts from the vast Swansea Museum collection as well as memorabilia, photographs, interviews, and artworks provided by members of the public and protest groups from Swansea and Wales.

http://www.elysiumgallery.com/events/event/change-makers-ways-protest/

If you are in Swansea you can book a free time slot to see the show which continues until Saturday 23 January. New lock-down restrictions announced for Wales this week means that the show will have to close from 6pm on Friday 4th December it but it will re-open in January.

But otherwise you can find out more about the show on the Change Makers Festival Facebook Group or Instagram feed.

My contribution to the show is six A2 prints of protests in London by DPAC (Disabled People Against Cuts) and I accompanied my submission with this short text:

Disabled People Against Cuts

When the Tories came to power (with the Lib-Dems) in 2010 and began their savage austerity programme they turned the screw hardest on the disabled, thinking they would be an easy target. DPAC soon proved them wrong.

DPAC 8 Jan 2012 20120128-0234_2400
Disabled People Against Cuts and supporters block Oxford Circus in protest against the Welfare Reform Bill, which will penalise the poor and disabled. 28 Jan 2012
DPAC 18 Apr 2010 20120418-0421_2400
Disabled People Against Cuts chain wheelchairs to block roadway at Trafalgar Square in protest against benefit cuts and unfair fitness assessments. 18 Apr 2010
DPAC  4 Sep 2013 20130904-463_2400
Disabled People Against Cuts hang pants with messages outside the Dept of Work and Pensions at launch of UK Disabled People’s Manifesto. 4 Sep 2013
DPAC 12 May 2014 20140512-692_2400
Disabled People Against Cuts protest at the Dept of Work and Pensions against plans to end the Independent Living Fund. 12 May 2014
DPAC 2 May 2017 20170502-350_2400
Disabled People Against Cuts protest at Conservative Party HQ the day before the General Election against Tory policies which have killed and impoverished the disabled. 2 May 2017

Click on any of the pictures to go to see the group larger on Flickr.

There were several reasons for my choosing this set of pictures (there were four more in my original submission.) Foremost was my great admiration for the people in DPAC and the way they have stood up to the cuts, putting themselves on the line as these pictures attempt to show. I wanted to present something coherent rather than simply choosing my most striking images and while there were several groups and issues among the hundreds I have photographed I could have chosen, DPAC was one that stood out, and also one that I thought would have considerable public appeal. The government may have little concern about the disabled who it writes off as unproductive, but the great majority of the people have a heart.

Because the show was to be in Swansea I did briefly consider sending pictures of Class War – which had its origins in that city – as readers of Bash The Rich will know (if you’ve not read it, get your copy now.) But Class War are perhaps the Marmite of protest (and I do like Marmite.) Of course if anyone other gallery would like to invite me to show work on protest, other pictures are always available. After all I have several hundred thousand of them.


All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.


Global Women’s Strike

Tuesday, June 18th, 2019

International Women’s Day began as a socialist festival in New York in 1909 and was adopted more widely by the socialist movement in the following years. In 1914 it moved from the last day of February to May 8th and has since been celebrated on that date.

Largely observed by communists in the early years, it was taken up more generally by feminists in the 1960s and 70s but remained a day of radical protests, calling for equal rights, equal pay and for women’s control of their own bodies in areas such as abortion, sexual preferences and consent.

In 1975 the UN celebrated the day as part of a year dedicated to women’s rights and two years later declared it as  UN Day for women’s rights and world peace. Although this gave it a much wider audience, it also extended the celebrations to include many less radical events and organisations, including some that seem to be more media beanfeasts than any real part of the fight for women. As Wikipedia comments:

In the twenty–first century, in the West, the day was increasingly sponsored by major corporations and used to promote feel–good messages, rather than radical social reforms.[30] In 2009, the British marketing firm, Aurora Ventures, set up a “International Women’s Day” website with corporate sponsorship.[31][32] The website began to promote hashtags as themes for the day, which became used internationally.[33] The day was commemorated by business breakfasts and social media communications that were reminiscent of Mother’s Day greetings.

https://en.wikipedia.org/wiki/International_Women%27s_Day

One organisation that has certainly kept its radical edge is Global Women’s Strike, who I first met on a protest march on International Women’s Day  back in 2002, protesting at the offices of the World Bank, the Defence Ministry and elsewhere.

This year they were at Royal Courts of Justice, outside the High Court to protest against destitution, detention, deportation, benefit cuts, sexism, racism and other discrimination, criminalisation, pollution and in particular the state use of Family Courts to take children from their mothers. And alongside them were others, including anti-fracking Nana from Nanshire Tina Louise Rothery, DPAC’s Paula Peters, a speaker from the English Collective of Prostitutes and two speakers from Extinction Rebellion.

It was a lively protest, and ended with a short road block on the pedestrian crossing in front of the courts. Many of those present were going on to meetings in the afternoon and another women’s protest in the evening which I was also intending to photograph.

More pictures at Global Women’s Strike.


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All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

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