The Wednesday of the final week of November in 2014 was an easier day for me as I was able to spend most of it at home and catching up on various things including a little shopping and visiting the library to borrow new books to occupy me on my train rides to London. I only had to leave home around 5pm to arrive in Aldgate for the Class War Xmas Ceasefire Special outside the tower with separate entrances for its wealthy and its social housing tenants.
After 19 weekly protests outside the ‘rich door’ the tower owners had finally agreed to talk with Class War and try to reach a solution to the problem, and in response Class War had agreed to call off further protests unless the talks failed. So this was more of a celebration than a protest, although the talks, when they took place didn’t really reach a satisfactory conclusion.
But there were some concessions and the protests did lead to some real improvements including new paving and lighting and better cleaning for the side alley which lead to the ‘poor door’, and perhaps more importantly they raised the whole issue of segregated entrances very much into the national agenda.
I was sorry to have to rush away from the celebrations, which I suspect continued afterwards in one of the local pubs.
A tube ride took me across town to the US Embassy, still then in Grosvenor Square, and the Candlelit Vigil for Michael Brown.
In August, police officer Darren Wilson had shot and killed Michael Brown Jr, an 18-year-old black man in the St Louis suburb of Ferguson, Missouri. Brown’s companion said that Wilson had grabbed Brown through his car window after calling on them to stop as they walked down the street; Brown, who was unarmed, tried to grab the officer’s gun as he threatened him and two shots were fired, one hitting Brown’s hand. Brown and his friend fled and when Wilson fired again, Brown turned around, raised his hands in surrender and shouted ‘Don’t Shoot!’ and Wilson fired six more bullets into his body. Wilson’s account differed greatly and a grand jury having heard decided not to indict him.
Riots followed the shooting, continuing for over a week in Ferguson, and there were protests across America and worldwide against the shooting, using the slogan ‘Hands Up, Don’t Shoot!’ There were further protests in 170 cities after the grand jury verdict was announced, and elsewhere across the world including this candlelit vigil in London called by London Black Revolutionaries and the NUS Black Students Campaign. Among those who spoke at the event were the Chair of London Campaign Against State & Police Violence, Malia Bouattia of NUS Black Students Campaign, Zita Holbourne of BARAC (above), Marcia Rigg, Carole Duggan, the RMT Paddington Branch Secretary, Wail Qaisim of Defend the Right to Protest and some people from London Black Revs.
Whatever actually happened in Ferguson, it is clear that US policing is racist, killing black people disproportionately, and acting – as Wilson did – out of fear due often due to racist stereotyping. Black Lives Matter – but not very much to some US Police forces and officers.
There was little or no street lighting in the area in front of the US Embassy where this protest took place, and for most of these pictures the main light present came from the candles and nightlights that were held by the protesters. A very tightly packed crowd made working in it difficult. When I got to the front of the protest there were some videographers at times using lighting which I took advantage of, but it seldom produces an attractive effect.
It was unfortunate the the Socialist Workers Party had decided to hold their own separate protest before this, probably because the organising groups had declined to let them take it over, but at least they did allow this vigil to use the public address equipment they had brought for their event. And many of those taking part are holding the placards that they provided in very large numbers.
When covering events at night I usually carry a small LED light which can illuminate people or objects a up to a few metres from the camera, usually holding it high and away from my body in my left hand while holding the camera to my eye with my right hand to give better lighting than using it in the hot shoe. If I have to, I’ll use my Nikon SB800 flash in the hot shoe, still using high ISOs to try and avoid a black background, usually with the camera on manual or shutter priority with speeds around 1/30s.
More on both events:
Candlelit Vigil for Michael Brown
Class War Xmas Ceasefire Special