PHotoEspaña 2009 Awards

You can read the details of the PHotoEspaña 2009 Awards on their web page (in English) but the two major awards, the PHotoEspaña Baume & Mercier 2009 Award went to Malick Sidibé (Mali, 1935 or 6), and the  Bartolome Ros Award to Spanish photographer Isabel Muñoz, born in Barcelona in 1951 and based in Madrid.

 Malick Sidibé

I’ve written on several occasions about Sidibé who has become deservedly well-known over recent years and last year was  given the 2008 ICP Infinity Lifetime Achievement award. He opened his portrait studio in Bamako in 1962 and among his other awards are the Hasselblad Foundation International Award in 2003. Lensculture has some pictures by Sidibé, and a transcription of an interview with him.   Hacklebury  also has a selection of his pictures and a brief biography while the Jack Shainman Gallery have an installation view of one of his shows and some works in their frames.

Isabel Muñoz

What strikes me immediately about the work of Isabel Muñoz, which you can see on her web site (her projects are under the link ‘La Obra‘, but ‘Making Off‘ throws some light on her methods) is both the precision of her black and white work, but also its enormous theatricality. It’s work that I admire greatly, but perhaps it sometimes leaves me a little cold.

There is also a gallery of her pictures from Ethiopia on LensCulture, as well as ten minutes (plus three)  of her in conversation with Jim Casper – another of his often revealing interviews (needs Quicktime – unfortunately QuickTime Plugin, v7.1 is blocked by Firefox 3  on Windows. ” Reason: remote code execution in multiple versions” so I had to switch to Internet Explorer – and presumably take a a risk!)  Muñoz talks in some detail about the subjects of her pictures and working with them.  She works on medium format, making large digital negatives (thanks to Dan Burkholder‘s methods) for platinum prints as well as normal silver prints.  In Ethiopia she also used a digital camera and made colour prints – and found the digital camera gave her a different relationship with her subjects.

Kew Bridge Occupation Continues

On Saturday 6 June, a group of activists occupied a site next to Kew Bridge that had been empty for more than 20 years, intending to develop it as a community resource. The action was very much inspired by the 1996 ‘The Land is Ours’ action in Wandsworth, where a site owned by Guinness was occupied for five and a half months before the eviction.

© 2009 Peter Marshall.

Land is a scarce resource, particularly in urban areas, and land rights campaigners argue that it should be used for the good of all, not simply for the profits of landowners. Local communities should have a much greater role in planning, and where owners fail to live up to their obligations to use land responsibly they should lose their rights. Legally UK local autorities have quite extensive powers to “remedy the condition of land”, including the issue of notices under Section 215 of the Town and Country Planning Act, 1990 and compulsory purchase, but seldom make use of them.

The site at Kew Bridge has been derelict for over 20 years, being simply used by its owners as an appreciating asset as land prices have risen. LB Hounslow has failed to take effective action. A year or two ago the current owners submitted a very extensive mixed development for planning permission which was rejected and are making a further submission which Hounslow are in process of approving.  It seems astonishing that while the rejected proposal included affordable housing, there is none at all in the latest proposal. However the current fall in housing prices probably makes imminent development unlikely even if permission is granted.

© 2009 Peter Marshall.

The site appears to have been left to grow wild by its owners, with some dumping of materials in parts of it. The large fence around its perimeter creates an empty eyesore in an extremely desirable and visible riverside site, next to Kew Bridge, part of London’s South Circular Road. The site is also a few yards from a railway station and on several bus routes, and not far from the Great West Road and M4.

The occupiers intend to use the site productively, growing vegetables and providing workshops and meeting spaces for the local community. Local people have brought materials for building and plants and helped in clearing the site and constructing some simple buildings on it. The site welcomes visitors warmly but wants to be a good neighbour and  has banned amplified music and enforces a strict policy against alcohol or drugs on the site.

© 2009 Peter Marshall

Last weekend the Eco Village/Brentford Community Garden had a solstice open weekend with activities including face painting, music, picnic area and children’s workshops, and I dropped in at the end of the day to take some pictures. Already the site has been considerably improved.

More pictures from the Kew Bridge Eco Village on My London Diary

Tamils March for the Release of Captives

Organisers the British Tamil Formum estimate that  100,000 Tamils marched through London today from Hyde Park to Temple Place, calling for justice in Sri Lanka and a separate Tamil state there. The march was led by a group of ‘detainees’ in a barbed wire prison camp to dramatise the terrible conditions of civilians held in internment camps and demanded their immediate release as well as full UN access to the camps.

© 2009 Peter Marshall.

Some also carried photographs of their relatives who have been killed or who have disappeared and demanded that the Sri Lankan government and army be tried for war crimes, as well as calling for economic sanctions, an arms embargo and the suspensiotn of Sri Lanka from the Commonwealth.

Some in the demonstration carried black flags, but many showed their support for the banned LTTE (Tamil Tigers) with flags and t-shirts.

© 2009 Peter Marshall.

The march was certainly more than 2 km long, as when I was with the head of it in Trafalgar Square a police officer I was standing beside received a message saying that it was still coming out of Park Lane. The front was moving slowly (it isn’t easy to walk with a concentration camp) and the people behind were generally fairly tightly packed across the whole eastbound carriageway of Picadilly and down Lower Regent St, so I think that the BBC figure of 20,000 was probably a considerable under-estimate. By the time I went home just after 4pm, crowds were still streaming past onto the Victoria Embankment.

© 2009 Peter Marshall.

More pictures on My London Diary.

Rogue Frames and the f0.0 lens

I don’t know whether I’m unlucky but I do seem to get some fairly inexplicable problems with cameras. Back in April I suddenly found that while taking pictures my Nikon D300 had suddenly decided to switch from using program mode to manual, and then to set the rather unlikely speed of 1/8000. Since I’d been shooting on around 1/250, this gave considerable underexposure and it was a few shots before I noticed. I do suffer from wandering fingers and it’s just possible that I had twiddled the dials while intending to do something quite different, but I rather doubt it.  Apart from anything else, I make a point of always leaving the manual setting on 1/250 f8 as a handy starting point under normal conditions, and there had been no reason to change it that day.

But even more curious were 5 or 6 rather dark frames that appeared on Sunday. I was using the D700 with my new f2.8 HSM Sigma 24-70mm zoom, and the first 960 exposures were more or less spot on.

I didn’t notice it at the time, but scattered through the next 250 or so exposures are 5 or 6 rather dark frames. I was taking pictures at Kew Eco-Village, and for frame 972 I have a perfect histogram and the settings show I’m in mode P, 1/500, f11 and 24mm.

© 2009 Peter Marshall.

Frame 973, for reasons best known to the camera, was apparently taken using mode A, 1/5000, f4*  and 8mm*, while 974 is back to the identical settings as 972.

© 2009 Peter Marshall.

By giving +4.0 stops of exposure in Lightroom, and pushing up the brightness, I can actually see and image, but it’s as if I had shot at perhaps ISO 12,800 rather than the indicated ISO 400. You can clearly see the difference even when reduced to web size.

© 2009 Peter Marshall.

I didn’t change the settings for 973, just pressed the shutter again. I hadn’t changed lenses and the widest that lens goes is 24mm. I’ve no idea what those asterisks mean – and despite its 444 pages I don’t think the D700 manual tells me. I’ve tried asking Nikon support, but they don’t have a clue either.

In Lightroom I can actually reclaim a rather noisy but possibly usable image from 973, and I also learn that I took it with my 0.0mm f0.0 lens…

Of course as photographers, you will be surprised that the frame was actually under-exposed. 1/500 at f11 isn’t that different in terms of exposure value from 1/5000 at f4 – perhaps 1/3 stop less, or the equivalent of perhaps ISO 650, while the actual result looks more like ISO 6400 or faster. So the camera is lying about the exposure it actually gave.

Yesterday I actually took around 1150 frames on the D700 working on several different things in various locations. A few used the internal flash, and all were shot using RAW. The battery was still up for more when I finished, but perhaps in future I’ll try and remember to change it whenever it gets below around 50% and see if that gets less rogue frames. But battery life when I used my first digital camera was less than a hundred frames – sometimes considerably less. It’s an area where we’ve really seen a dramatic improvement.

I’ll also perhaps try to look at the back of the camera rather more often. I actually don’t like to do so, finding ‘chimping’ disturbs my concentration.

Do other photographers suffer from this and similar problems?  Odd frames that the camera has obviously thrown a wobbly on – if not identical to mine. If so I’d like to know – please either comment or e-mail me (petermarshall(at)cix.co.uk – replace the (at) with the @ character.)

Cameras are now computers. So we shouldn’t be surprised if occasionally they crash or give obviously nonsense results, or even hang.  All of the digital cameras I’ve used have occasionally stopped working. The D100 had a little hole you could poke a pen down to reset it, but that seems to have been left out on recent models.  If your camera starts playing up or simply stops working, usually simply removing the battery then replacing it will reboot it and sort things out.

And if anyone actually finds that f0.0 lens, I’d like to borrow it for some available light work at dead of night!

Lightroom 2.4 & Picture Window Pro

Despite my previous experience of upgrades to Adobe Lightroom, I threw caution to the winds and downloaded the latest version, Lightroom 2.4, as soon as I got the notification from Adobe.

Of course I did back up my current Lightroom catalogue before installing the upgrade, but in fact everything went smoothly. Apart from adding a few newer cameras, and fixing some minor bugs, there are no great changes listed for Lightroom 2.4, but on my system at least, the latest version is a welcome improvement.

I’d been thinking that perhaps I needed a more powerful computer when processing a lot of images in Lightroom. It wasn’t that it was particularly slow, but even the odd second or two waiting here and there adds up to a very late night when you have shot a lot of stuff.

Lightroom 2.4 just feels more responsive, making it faster to go from images to image, easier to adjust the various sliders, lagging behind less when you dodge or burn.

I’ve long been an evangelist for Lightroom,  recommending it so often and so firmly that people have told me I should be getting a salary from Adobe. But it really has improved the way I handle digital images, getting better pictures faster from those RAW files. So I’m just a grateful user, though should Adobe read this I wouldn’t turn down some bounty  – a free copy of the ridiculously expensive Photoshop for example…

Seriously though, if you are using Lightroom, I think you’ll find this free upgrade worthwhile – and so far, working with it on around a hundred images, I’ve come across no problems. And if you take digital images and haven’t yet moved to Lightroom, what are you waiting for?

Another recent upgrade, one that I’ve not tried, is to Picture Window Pro 5.0 a sensibly priced alternative to Photoshop from Digital Light & Color (Windows only.)  I quite got to like this program in an earlier version, but though I think in some ways it was more powerful, I never got to find it’s approach to simple things as intuitive as that of Photoshop.  It was very much a program written for photographers rather than graphic designers, but I’d been using Photoshop for too long to really adjust.

The new version does have a powerful range of features including full 48 bit support, colour management including soft proofing and raw conversion and the price – $89.95 ($44.95 for an upgrade from previous versions)  is sensible. I think the only feature I needed (if very occasionally and under protest)  missing from the earlier version was CMYK conversion, and I assume it still doesn’t do this. It can read CMYK files, although I think this still needs an additional dll to be installed.

Let Them Work

© 2009 Peter Marshall.

As a part of Refugee Week, London Amnesty Local Groups  and others including the Refugee Council organised ‘Still Human – Still Here‘,  a march starting at Cleopatra’s Needle on the Embankment to a rally in Trafalgar Square. As well as marchers with placards and banners, there were a number of large puppets depicting refugees from different countries.

Among the other groups taking part in the march were the London Detainee Support Group ‘Detained Lives‘, Refugee Action, members of the Let Them Workcampaign, supported by Student Action for Refugees (STAR), Refugee Council, TUC, Brighter Futures, Barnardos, and Still Human Still Here,
Fight Racism! Fight Imperialism! and the Gay Activists Alliance International.

© 2009 Peter Marshall.

The UK’s treatment of asylum seekers is often inhumane and seems driven more by a desire to look tougher than the right wing on immigration than any sensible response to the issue. A report by the Independent Asylum Commission last year stated that our treatment of asylum seekers “falls seriously below the standards of civilised society“. In particular, as many including MP Iain Duncan Smith have commented, “the policy of making asylum seekers destitute is mean and nasty and has not worked.”

Many of those who come here have skills that would contribute to our society – and are keen to do so. One placard pointed out that there are over 1100 medically qualified refugees on the BMA database. Others emphasized the considerable contribution made by famous refugees, both historical, such as Isambard Kingdom Brunel, and more recent refugees including Rashmi Thakrar, the founder of Tilda Rice, the first company to bring Basmati rice to the West, who arrived in Britain in 1972 when Idi Amin expelled Ugandan Asians.

Allowing refugees to work would also reduce dependence on public funds and avoid the degrading hardship faced by those who are forced to depend on charity and handouts. It makes sense in every respect, but to do so might leave Labour exposed to attacks from the ultra-right. Labour are running scared of the BNP.

Stopping locking up asylum seekers and would-be migrants in immigration detention centres when they have committed no crime would save considerable public expenditure and avoid the current denial of justice when many of them are unable to have access to advice and legal support. The detention centres – run by private companies to maximise profits at the expense of the detainees – have been repeatedly condemned for their mistreatment of those in their care.

Our treatment of refugees is a disgrace, and New Labour’s record in this area is sickening. There really is something gravely wrong with the priorities of British media (and perhaps the British people) when so little is made of this and other major issues and so much of the relatively minor expenses fiddles by our politicians.

More pictures on My London Diary.

Zombies Dismember Gordon Brown

Thursday I was splashed down the back with Gordon Brown’s blood. It was a clean shirt, and a new one or else I wouldn’t have minded. It’s soaking in cold water now and I just hope it will all rinse out.

© 2009 Peter Marshall.

Brown himself was in a sorry state. I’d watched his head torn off and his limbs dismembered, and now the zombies were trying to eat the revolting bloody mess from inside his torso. The dummy (it is really was a dummy, not just a figure of speech about our revered leader) was in pretty poor shape, rather like New Labour, outside whose HQ on Victoria Street we were. Even the best efforts of the zombies to bring him back to life were fruitless.

© 2009 Peter Marshall.

At the megaphone, Professor Chris Knight was calling for New Labour to go, and for a new Labour Party to return to socialist values, starting with the re-adoption of Clause 4:

“To secure for the workers by hand or by brain the full fruits of their industry and the most equitable distribution thereof that may be possible upon the basis of the common ownership of the means of production, distribution and exchange, and the best obtainable system of popular administration and control of each industry or service.”

Around Knight’s neck was a placard with a simple solution for a current problem: “No Redundancies – we’ll nationalize the Lot!

Membership cards for the real The Labour Party were handed out, signed by the new General Secretary, Chris Knight, who led the small assembled crowd in ‘The Red Flag’, and unlike most party conference delegates he actually knew the words.

The meeting was then addressed the Political Commissar for Zombie Wrangling of the Government of the Dead, one V I Lenin, who carried a poster misquoting himself from 1918, “I want to support the ‘New’ Labour Party in the same way as the rope supports the hanged man“, complete with a small gibbet and hanging skeleton.

© 2009 Peter Marshall.

A police community support officer had come and talked to the demonstrators and had moved away after declining to join the party and asking them not to stay for more than half an hour and to tidy up after them. The New Labour offices are in the area where permission is required for demonstrations, but this piece of street theatre probably qualified as a ‘media event’, for which apparently permission is not needed. It’s a fine distinction, but one that saves considerable police time.

The event was also watched by a couple of rather low-key security men from the New Labour offices, one taking photos. The only slight unpleasantness was when a man going into the offices barged angrily through the people standing around watching, and then came back to threaten one of the photographers who had protested at his rudeness. He withdrew when a number of people – including the security men – came up to him and quickly guided him inside. From his attitude I thought he might be from the No 10 Press Office, but his language was insufficiently colourful.

More pictures on My London Diary

1200 Naked Cyclists

The World Naked Bike Ride is in several ways an interesting event, and certainly causes quite a stir as it goes through London, Passing as it does through major tourist traps including Piccadilly Circus, Trafalgar Square, Parliament Square and Oxford St, guarantees it a huge audience, and almost all of those seem to be holding cameras and camera phones.

Most of those taking part also seem to be taking photos – often even when cycling around, which can be rather tricky, but certainly at the numerous pauses on the 10km route. There’s even a Flickr pool for images, with around 700 online when I looked, mainly taken by riders.

The World Naked Bike Ride is a high profile public event in a very public place – and nobody can have any expectation of privacy.  Everyone taking part knows they will be photographed and most seem pretty happy about it.  Many smiled and waved as I took their pictures (including some who know me, but many more who don’t) and a few quite clearly tried to attract my attention.

– – –

Perhaps the most surprising aspect of the whole ride was the notice that one cyclist chose to carry on his bicycle:

© 2009 Peter Marshall.

It reads:’This photo was taken without permission.’ Well of course, as no permission was needed  – either to take it or to publish it as news, nor was it feasible to ask for permission at the time.  And so far as the law is concerned, as I mentioned recently,  wityh regard to the European Convention on Human Rights, “It is no surprise that the mere taking of someone’s photograph in a public street has been consistently held to be no interference with privacy.

What is even more ridiculous is that the gentleman in the picture – actually a crop of around 1/8 of the full image – is actually apparently taking pictures himself, in circumstances where it would clearly be impossible for him to have the permission of all those who are in his pictures.

– – –

It’s perhaps a pity the the WNBR seems overall a little  confused as to what it is about, and certainly those watching find it hard to understand. I’ve written in earlier years that it it would be better to have more clarity, and in particular to make it much more clearly an environmental rather than a naturist event.  It would be good to see everyone taking part carrying a relevant message on their bike or person.

© 2009 Peter Marshall.

And yet again I have to ask why can’t Nikon make a decent lens hood, with a bayonet fitting that isn’t easily knocked out of place?  I didn’t take many pictures before I noticed, but one is too many. I’ve just bought another Sigma lens, the new 24-70 mm f2.8, for use with the full-frame D700, and the lens hood – like that on other Sigma lenses – is so much firmer and more firmly fixed. Most days when I’m out using the Nikon 18-200 I’ll have to pick it up at least once from the ground after it’s been knocked off the lens.

More on the new Sigma 24-70 mm f2.8, when I’ve used it in anger a few times. But it certainly impresses in feeling solid and well built. As you might expect it isn’t a light lens, but shorter and lighter than the major competition (not that I could use the Canon in any case.)

Canon  83.2mm x 123.5mm, 950g
Nikon 83 x 133 mm, 900g
Sigma 88.6mm X 94.7mm, 790g

Most modern lenses can of course perform at the highest level, giving results that will satisfy practical photographic needs. Mostly any differences only become noticeable when photographing test charts!

More pictures from the World Naked Bike Ride in London on My London Diary, where there is the obvious warning – don’t click on the link if pictures of naked men and women might offend you.

Speak Out!

Some events are important but don’t really offer a great deal for the photographer to work with. On Saturday lunchtime at the Angel in Islington I went to a demonstration against the shameful way that we treat people who want to come and live in this country and to contribute to our economy. Some come seeking asylum, some for other reasons, but whatever restrictions we have on immigration, we should treat people fairly and humanely. At the moment it is only too clear that we do not.

We have policies that stop people from working but fail to provide proper support. That imprison people who have committed no crime (and set up special prisons for the purpose, run for profit by companies that are apparently without morals.) We have a Borders Agency that seems to take delight in operating procedures that deny people proper legal representation and  that appears to be institutionally racist. A government that seems determined to outflank the racists on the right hand side in an attempt to gain electoral advantage.

© 2009 Peter Marshall.

The people in the background of this picture are from the Suarez family.  One of their young members who grew up in this country – where all his family now live – faces deportation because of a juvenile offence.  He’s one of the successes of our system in that since then he hasn’t been in trouble again. But a few years later he is threatened with deportation to a country he left when he was six and has no family. His case has gone to the European Court of Human Rights, but our immigration officers don’t care about that – they tried to deport him without waiting for the legal process to take its course.  He’s still here only because all his family turned up at Heathrow to protest when they tried to put him on a plane.  They will probably try again and hope they can get away with it without the family noticing.

© 2009 Peter Marshall.

But it was Christina who made me thing and feel most at the event. Nineteen years old, her husband is in Campsfield Detention Centre awaiting deportation, breaking up their young family. She had never spoken in public before, and broke down in tears. It was hard to keep on photographing, but I felt I had to, to do what little I could for her case – and to put the pictures and her story on news sites as soon as possible.

More about the event, the cases and more pictures on My London Diary.

Carshalton Carnival Procession

Last Saturday I went to St Helier in south London, at the centre of what was one of the largest council estates in London, to photograph the start of the Carshalton Carnival procession. It’s theme was “planets and stars” as 2009 is the UN International Year of Astronomy.

There’s something I rather like about this picture with its contrast between the high-tech space image and the very prosaic row of houses in the background.  As well as the caption in the background, not all visible, but is seems to say London Rescue Team.  The vehicle behind is of course a green goddess.

But my main interest was that three May Queen groups were taking part in the procession. Two came as May Queens and the third were dressed as aliens in keeping with the theme.

© 2009 Peter Marshall.
On the Wallington May Queen float

But I’m not quite sure how pictures like this will contribute to my continuing project on May Queens, but its all a part of trying to build up a wider picture.

© 2009 Peter Marshall.
The Beddington May Queen float

But there were others that more obviously fit into the project.

Of course there were other groups taking part, and you can see more of the pictures from the event as usual on My London Diary.