Stop the Killing

I spend a lot of time at events wondering what I should photograph. Of course there are people and situations that are visually attractive and it would generally not be sensible to miss these opportunities, but that isn’t enough. It can often even be quite misleading and unrepresentative of the event, though it’s often such images that get published, and what I think many photographers aim for to sell to newspapers.

Another type of image that seems often to get published are group photos, with large numbers of people holding a banner, taken frontally in the manner of team photographs – I often joke about putting someone in the middle holding the ball, though few find them funny. I suppose for small events these at least let you see how many were taking part, and local newspapers used to feel that showing more faces boosted sales, but when there is often a large group of photographers crowding to get around the centre spot I usually avoid it.

My motivation for photographing events is to tell the story. And for me that very seldom can be done in a single image but requires a series of images. Placards and banners are often very important in this, as to are gestures and expressions. At this protest, I tried to show something of the anger that people felt at the cold-blooded shooting of Palestinian protesters by Israeli snipers.

Things that are worth photographing aren’t always particularly photogenic, and it is often something of a challenge to make pictures that are visually attractive, clear and precise. I took a great many pictures, probably over a thousand, though at times there were very many of the same subject as I tried hard to ensure I had something close to what I wanted.

Photographing an event like this involves a huge number of decisions about where to be when and what to photograph – and on more technical matters such as focus, focal length and framing. I try to concentrate on these and take advantage of the automatic features of the camera to deal with as much as it can; though usually I like to chose where the focus is, I’m happy to let the camera actually auto-focus there, and to let auto-exposure get the exposure more or less correct.

This was a large protest, with several thousand packing mainly in to a fairly small space, making movement through the crowd a little difficult. There was a small press area in front of the stage, but I chose not to use it for photographing the speakers as it was too close to them looking up from below. But the crowd perhaps meant I stood in that one place rather longer than I would have liked.

I wondered briefly whether or not to photograph the counter-protest by half a dozen Zionists a few yards away, and decided to do so – and you can see a few at the link below. There were many, many more Jews in the protest ashamed of the actions of the Israeli snipers following their orders to kill and maim unarmed protesters at a distance, shooting many in the back as they ran away, using bullets designed to expand and inflict maximum damage to those they did not kill.

And as usual at such protests there were the anti-Zionist Jews with their message “Judaism Demands FREEDOM for GAZA and ALL PALESTINE & forbids any Jewish State” .

Here I’ve only posted a small and fairly random selection of the images that I took – and written very little about the actual protest. You can read more and see an unusually large number – around a hundred – of the pictures I made (edited down from perhaps a thousand) on My London Diary at Great March of Return – Stop the Killing


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My London Diary : London Photos : Hull : River Lea/Lee Valley : London’s Industrial Heritage

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.

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