Archive for January, 2017

Axe Drax Again

Tuesday, January 10th, 2017


The ‘Grim DECC’ attacks a Drax cooling tower with his axe

Some protests are rather drab, with little visual material to work with, which can make for a hard time for the photographer. I like the challenge of photographing people, and there are always people to photograph, but the problem is to get those people to visually express something about the protest. Unless of course they are celebrities, names the papers lap up and will publish almost any picture of- though sometimes they are inundated with pictures of them and even if your photographs are better than the rest, the chances of an editor even looking at yours are small.

Celebrities aren’t any more interesting to me than the next guy, though some people are more interesting to photograph than others. Including some well-known people, though others don’t impress me, particularly some women who hide their faces behind a heavy mask of makeup which robs them of life. Protesters – and most people I watch avoiding eye contact when I’m sitting on the tube – are generally more interesting.

I’m often surprised at how poor some of the pictures of people we see in the press are. And I don’t mean the amateur snapshots which might be the only available image of a murder victim, but the work of professional photographers. Of course editors sometimes deliberately pick bad pictures because they make the subjects look bad. The kind of images that I usually don’t bother to import onto my computer and disappear when the card is formatted ready for the next day’s work.

Axe Drax presents a different challenge, with an embarrassment of symbols – a Draxosaurus, a cooling tower and a grim reaper with his ‘Grim DECC’ axe, and some splendid banners as well as the people. I’ve photographed the Draxosaurus a few times now, and I think I have not yet managed to get a good picture – and I do wonder how many people who see it understand what it is about. The cooling tower is much better, though sometimes hard to see it is a cooling tower in photographs, and the Grim Reaper is fine if rather hard to see where he fits in – and the DECC is certainly not attacking Drax or its cooling tower, rather cosseting them – it’s axe is reserved for green initiatives.

Drax is about dirty coal and environmentally unfriendly biomass – which is benefitting from green subsidies, while genuinely green developments are getting sidelined. It’s about huge CO2 emissions, the devastation of large areas of Colombia with open-cast mining. And while I may get some interesting images, it sometimes feels like I’m trying to write a story in English with only a Cyrillic font.

Physically it’s also difficult space to work in, with a narrow pavement in front of the Grocers Hall with a fairly steady stream of pedestrians. The City of London police keep telling me not to obstruct the pavement most of the time I’m taking pictures – and object when I stand – as they are – in the gutter. For quite a few of these pictures I not only had to look to see the subject, but also to see when the police had turned away and I could get into a suitable position.

It’s actually inevitable that this pavement will be somewhat obstructed – and it would be sensible and cause little obstruction to road traffic, which isn’t particularly heavy and gets held up by the traffic lights anyway – to put down a few cones to give a yard or so more to allow free movement along the pavement for pedestrians. And to get those officers off my back. There probably is a limit to the number of times they will warn me I’ll be arrested for obstructing the pavement before they really do, and I think on this occasion I came pretty close – despite being careful not to actually get in the way of people who were walking past.

More pictures at Drax AGM Biomass opposition and more about the campaign on the Biofuelwatch web site.

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December 2016

Monday, January 9th, 2017

Remember December? Not so long ago, Christmas and all that. Actually I do find it difficult to remember things now, and often when people ask me if I’ve done anything interesting recently it takes me a very long time to answer, and sometimes I need to look in my diary. Weeks and events do somehow seem to merge into each other, and I’m often rather pleased that I can look back to ‘My London Diary‘ to remember those things that I went to and photographed.

Of course I do have an actual diary too, though again it is now online, where I put down in advance when I get invitations or appointments and the details of the events I hope to photograph, though for various reasons it isn’t always possible to do so. In December I managed to get to around half the events I had an interest in. A few there just wasn’t time to get to, with other events over-running, and some days I just had to rest, too tired after other things.

When I do go out to take pictures, I usually like to have a piece of paper in my pocket on which I’ve written the important details – times and places, what the event is about, details of any buses or trains I hope to use, occasionally a name and phone number for the organiser etc. I could put it all on my smartphone, but its more convenient to have it written down, usually on a quarter sheet of scrap A4. That way a quick glimpse stops me heading for Trafalgar Square when the protest I’m going to photograph is actually in Old Palace Yard. And yes, I’ve done that before now.

 

Dec 2016

New Years Eve Walk
Boxing Day Walk
Howls of protest for death of the NHS


Heathrow “M4-15″protesters at court
Doctors & Nurses Die-in for Syria
Kurds protest for a Free Kurdistan
Vigil on Chelsea Manning’s 29th birthday


UCL Students protest rents and marketisation
Save Yazidi women and girls
Human Rights Day call close Guantanamo
Balochs UN Human Rights Day protest
London Santacon 2016
BBC censors prison struggles
Save the Rhino
Silent Chain for Europe
Israel free British citizen Fayez Sharary


King’s College cleaners Servest protest
Movement for Justice Supreme Court picket


Class War protests ‘fascist architect’
Cannizaro Park
South Ascot Walk


Shut Down Yarl’s Wood 10


Justice for LSE Cleaners

London Images

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Do I have a problem?

Sunday, January 8th, 2017

On the ‘United Nations of Photography‘ site you can read a contribution by an anonymous ex-photographer, who took his last picture as a professional in 2006, I’m a Photographer and I Have a Problem…, and it got me thinking a little about my own and other photographer’s motives, particularly in the main area of photography which I’m now involved with.

The writer is not the only photographer I’ve known who has had similar thoughts and a change of career – in his case to becoming “a Support Worker (£7.20 per hour) at a Residential Drug and Alcohol Rehabilitation Centre.” The current weekly hourly minimum in the UK, it’s actually better money than many photographers now earn, though I’m sure that was not the reason for the change.

Yesterday as I waited outside Harrods for a protest there to begin, I was talking to one photographer about the poor wages earned by some workers in the world’s richest store owned by the richest family in the world – the Qatari royal family. Many of the waiters there get either that same legal minimum hourly rate, or just a few pence more, while that “needy” family get the lion’s sahre of the tips and service charge the public think are for them. We reflected that many if not most of the photographers present put in long hours for a pretty low return, in many cases amounting to an even lower hourly rate than that minimum.

I thought too of a series of exchanges with Chauncey Hare after I’d written about his work. I’d first seen his work when Lewis Baltz showed some of it at a workshop I attended, and went out and bought his 1978 book ‘Interior America’. In the 80s he gave up on photography and became a therapist who concentrated on work related abuse. The piece I wrote about him is no longer on the internet, but you can read a review on ‘5B4’ of the eventual republication of his work as ‘Protest Photographs‘, an extended version of that 1978 Aperture publication.

While informative, Mr. Whiskets’s review is I think in one aspect misleading. The light printing of the book was not “so typical of books from the late 70s” but was the result of a deliberate aesthetic choice by Hare – as was the harsh flash lighting; I think he did not want his work and the book to be seen as “art” but as a manifesto. But I was pleased when in 2009, a few years after our on-line conversation, someone managed to persuade him, as I had failed, to have his work re-published.

The anonymous photographer’s article is illustrated with an image of smashed cameras and equipment; Hare threatened to destroy all of his work – 50,000 negatives, 3500 prints and 30,000 35mm slides and many taped interviews – unless the University of California’s Bancroft Library would accept it as a donation. Fortunately they did, and now the library holds all rights and permission to reproduce pictures from his work in social situations requires the following sentence to be used with them: “These photographs were (or ‘this photograph was’) made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national corporations and their elite owners and managers.” There are no items on-line.

Later yesterday, another photographer said to me that he didn’t mind about the protest we were photographing, all he wanted was “some action“. I didn’t reply but thought to myself that I was only there because I did mind, did care about the issues and the people, and that although I’d do my best to take pictures of anything dramatic that occurred, it wasn’t what motivated me.

2016 Books

Saturday, January 7th, 2017

I don’t like to look too much at the annual posts on many sites about ‘Photography Books of the Year‘, not least because if I spend too much time reading them I will invariably find some I feel I really need to buy.  And while I could usually afford to do so in terms of cash, I just do not have the space. Virtually every room in my house now has its shelves of photography books (and there are some in the loft) and there is just no room for any more. (We do have a few non-photography books too, but they are well in a minority.)

So over the past few years I’ve adopted in fairly strict rule. I only buy books by photographers I know. I’ve stopped asking for review copies some years ago too, though I won’t review books from PDFs – unless they are being published in that format – it just isn’t the same. I’m still pleased when people give me books, and I’ll try and find room for them, but I’ll really have to find something I already have that I feel I can do without to give away or at least move up to a box in the loft.

I’ve already posted about my book of the year – and a very thick one that I have bought – Provoke. I needed it for a talk I was writing, but I still haven’t found a place for it, and it’s in a pile of stuff on the carpet behind me.  I see in my guilty sneaked glimpses that it has featured in some other people’s lists too.

Currently I’m sitting on my hands and thinking about hiding my credit card after having taking a peek at the recommendations by Elizabeth Avedon, at least some of which seem more to my taste than most, Part 1 and Part 2.

I see at the right of her pages it has a counter recording ‘PEOPLEVIEWS’, which stood at 1,863,069 when I visited. I don’t have such a counter on this site, but I can get some statistics from my ISP, though I don’t know what a ‘Peopleview’ is.

At the moment I can only get statistics for the past 18 months, from 1st July 2015, although the site has been running since December 2006. Last year, 2016 >Re:PHOTO had 1,558,105 page impressions by 372,417 visitors.

The numbers fluctuate a bit through the year, with August and December being my best months last year, each average over 5500 page views per day. I suspect that I wrote more posts in these months and more people have time to read them because we have some holidays from work. Anyway, thanks for reading!

Top Shop & John Lewis

Friday, January 6th, 2017


Outide Topshop in the Strand as the protesters leave

The United Voices of the World may be a small union, but it is getting a pretty big reputation for taking on some of the best known names for their poor employment practices. Their planned protest at Harrods tomorrow against the company paying low wages and stealing tips from those who work in the restuarants in the store has made the papers and even the BBC, who usually turn a blind eye to protests. Other big names they have taken on include the Barbican Arts Centre, John Lewis and Topshop, as well as some leading companies in the City of London.


Outide Topshop Oxford St after police have assaulted protesters Class War brought out Crime Scene tape

When the cleaners who work inside Topshop protested peacefully to be paid the London Living Wage, cleaning contractor Britannia reacted by suspending (and later sacking) two of them – the ‘Topshop 2‘. The UVW accuse Brittania of systematically victimising, bullying and threatening cleaners and Topshop  of refusing to intervene although they are working in their shops.


Susanna, one of the ‘Topshop 2’ speaks in the Strand

The UVW, a grass roots union run by the workers, have gained the support of other groups involved in similar struggles to get a living wage for London’s low paid workers, many of whom are migrants. London only runs because of the essential work carried out by these and other low paid workers, many of whom have English as a second or third language and have qualifications which are not recognised in this country. As well as taking action to protect their members and improve pay and conditions, unions such as the UVW, CAIWU and IWGB also run English and other classes for their members.

As the pictures show, a large force of police had come to protect the shops, at first in the Strand and later they moved with the protesters to the Oxford Street Topshop, though the protesters were keen to point out that they should instead by arresting Philip Green,  the chairman of Arcadia Group which includes Topshop (along with Topman, Wallis, Evans, Burton, Miss Selfridge, Dorothy Perkins, and Outfit) for his activities in disposing of BHS, and certainly  not protecting a business that avoids paying the taxes which pay for the police.

One of the groups supporting the UVW at the protest was Class War, and there where other anarchists and left groups present, but the protest was peaceful and orderly, with just a little friction as police tried to move the protesters away from the shop entrance – which they then proceeded to block themselves.

After the protest had continued for some time, the protesters marched away and up to the Oxford St branch, close to Oxford Circus, with the police following. Outside there, the police got rather more physical, and I was pushed back with excessive force while taking pictures, and protesters – some of whom were pushing police, but others who, like me were simply standing close – started to get thrown bodily away, some of them hitting me as I now stood a few feet further back.

It was then that Class War got out their ‘Crime Scene Do Not Enter‘ tape and stretched it out in front of the line of police who had been assaulting the protesters.

Later, when the protesters moved along first to briefly block Oxford Circus and then to protest against John Lewis, a police officer threw Susana, one of the Topshop 2, to the ground. Fortunately she was not injured, but the protesters were incensed, and finally after an angry confrontation with UVW’s General Secretary Petros Elia, the officer concerned was forced by the senior officer to apologise to her for his inappropriate use of force. It was something I’ve never seen happen before, and surely a sign that the police recognised they had gone too far.

UVW Topshop 2 protest – Strand
UVW Topshop & John Lewis Protest
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Hull Photos 29/12/16-4/1/17

Thursday, January 5th, 2017

29 December 2016

Another view of the Humber Bridge from the ferry in the middle of the river. The sky is less dramatic than in the landscape version, but this shows more of the Humber.


27n53: Humber and Humber Bridge, 1981 – Humber

30 December 2016
Another view from Hull’s fantastic dockside rooftop path looking up-river to the Humber Bridge. Steps take the path down to road level at this point and it continued between road and river.


27o13: St Andrew’s Dock and Humber Bridge, 1981 – Docks

31 December 2016

The large building just right of centre is I think the 1919 Grain Silo on King George V Dock and there are 2 ships in the dock visible to the right.


27o16: View from rooftop path at Albert Dock east to King George V Dock, 1981 – Docks

1 January 2017

There was still quite a lot of activity in Albert Dock.


27o22: View from rooftop path at Albert Dock, 1981 – Docks

2 January 2017

Today’s picture of Hull shows the dockside buildings along the south of Albert Dock. The light was I think just right on this occasion. This is from the steps where the footpath climbs up to go along the top of the next block of dockside buildings – I think there are 4 blocks like this one.


27o24: ‘A’ block, Albert Dock, 1981 – Docks

3 January 2017
From a lower viewpoint you can see the boxes of fish on the platform under the canopy at the front of Block A.


27o26: ‘A’ block, Albert Dock, 1981 – Docks

4 January 2017

My last post on the docks for a while, a picture taken as I walked over the swing bridge across Albert Dock entrance on my way back to the city centre. This is the the same bridge that my wife was trapped on for a while as she walked across pushing my younger son in a baby buggy – the warning lights had only come on after she had passed them and the bridge operator had not noticed her still walking across


27o26: ‘A’ block, Albert Dock, 1981 – Docks

You can see the new pictures each day at Hull Photos, and I also post them daily with the short comments above, edited slightly for this ‘omnibus’ edition, on Facebook.

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Health, homes, jobs & education

Wednesday, January 4th, 2017

One of the things that I learnt from my friends who photographed English carnivals, and who I went out with to them for a number of events was that photographically speaking they were more or less over by the time they had started. As the carnival set off, we would turn away, hopefully to a nearby pub, our job done. Sometimes we might return to take pictures at the end of the route.

It’s often the same with protest marches, though these days I less seldom get down the pub, but often find other things to do as the march makes its way through the streets.  With large marches, I’ll often photograph the start moving off, then stay in place or walk backwards photographing the rest of those waiting to start marching. Then as the last marchers start I’ll take the tube to the final destination, hopefully arriving in time for the start of the rally.

Situations are more varied and people are closer together while waiting to start, giving more interesting scenes to work with, but for the People’s Assembly march Against Austerity, Goodge St was just so packed it made movement and photography very tricky. The pictures I was able to make come mainly from the less crowded edges of the roadway.

The march brought together many different issues that have arisen or been made worse by the government cuts, and included people from virtually all the campaigns I’ve photographed over the years of austerity, along with others from around the country. Only missing were some of the minority ethnic groups and the anarchists who felt that people should be acting rather more directly than walking in an orderly fashion to Traflagar Square, listening to a few speeches and then quietly going home.

This time I gave up waiting for the march to start, as it was held up by police getting the route clear. And held up more. I’d intended to rush to the tube as it started to meet another group of protesters, Ahwazi Arabs who were to stage a protest in Westminster, close to Trafalgar Square where the People’s Assembly march was to finish, so I could go on to take pictues at the rally at its end. I was just a little late for the Ahwazi event, but met them as they marched down from Downing St to Parliament Square.

After photographing the Ahwazi I walked up to Trafalgar Square as the start of the People’s Assembly march was arriving, in time to photograph the people who were gathering there. Many of the marchers didn’t make it to the rally (and the pubs around got pretty full) but there was still a large crowd in the square to listen to speeches.

It was a well-organised event for press coverage, with space for us to move around in front of the crowd, and with a stage for the speakers we could move around and mingle with those waiting to speak.

I particularly liked my pictures of Danielle Toplady, one of the student nurses leading the ‘Bursary or Bust’ campaign against the axing of NHS student bursaries apparently impersonating one of the Landseer lions, but just couldn’t quite get the right angle to include Green Party leader Natalie Bennett she was talking with (and whose hand is in the foreground), and I was also pleased to find Shadow Chancellor John McDonnell standing next to Len McCluskey General Secretary of Unite.

The speeches too gave plenty of opportunity to photograph both of them and the others, though the roof over the stage was rather distracting – even after I’d burnt down the prominent struts.

The perspex lectern was also interesting, and I tried hard to include it and the reflections it gave in various ways in the images.

I felt quite pleased with my work, but rather tired by the time the rally had more or less finished – but I knew I had more to do, much though I would have liked to put my feet up and relax. It was to be a long day.

Homes, Health, Jobs, Education Rally
Ahwazi protest against Iranian repression
March for Homes, Health, Jobs, Education
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Berger & Mohr

Tuesday, January 3rd, 2017

This morning the media is full of tributes to John Berger, and in particular his 4 episode TV series which I watched back in 1972, Ways of Seeing. You can now view these on Youtube (start with Part 1 and the links to the other parts will appear.)

But although I listened to a discussion about him on Radio 4 there was no  mention of his long collaboration with Swiss documentary photographer Jean Mohr, and in particular what is perhaps a rather better thought out book they produced together,  Another Way of Telling (1981), recently republished in a new and improved edition by Bloomsbury. You can read Berger’s essay ‘Appearances‘ photocopied from the 1982 US edition as a PDF online, but that misses the real feeling of the work, which needs to be taken as a whole.

Ways of Seeing‘ also came out as a Pelican original, and the book is rather better than the TV programme if you want to think about Berger’s work and ideas, which were not universally accepted. ‘Art-Language‘ in 1986 (Volume 4 Number 3 October 1978) was 123 pages of criticism of the book, much of it worthy of consideration.

Mohr’s first published collaboration with Berger was the book A Fortunate Man: The Story of a Country Doctor, first published as a hardback in 1967 (I bought it a few years later) and re-issued by Canongate Books in 2015. The new edition, as Rick Poyner points out has the advantage of much improved modern reproduction (though the more detailed images are less dramatic), but in several respects its design unfortunately fails to match the sensitive work in the original by Gerald Cinamon, which contributed greatly to its success in combining photographs and text.

On Mohr’s web site – if you select  ‘Itinéraire’ (or ‘Route’ if you view the site in English) you can browse through the  content of his CD “Journey of a photographer Jean Mohr” published in 2000 by  l’Association Mémoires de Photographes. As well as 1200 photographs, there are also texts, videos, interview and more.

As well as the collaboration with Berger – other books include Art and Revolution, (1969) A Seventh Man, (1975) and At the Edge of the World, (1999) – Mohr is well known for his images of Palestinian refugees, which began with a commision for the International Committee of the Red Cross in 1949 and continues through the years – including another ICRC assignment in 2002. His After the Last Sky: Palestinian Lives (1986) includes a poetic meditation on Palestinian identity by the late Edward W. Said in response to his pictures.

Greed and the Homeless

Monday, January 2nd, 2017

As I collapse into bed I often think of those unfortunates who have nowhere to sleep at night. I certainly would not last long on the streets, and would soon be either dead or in hospital, or perhaps under arrest and in jail if I became desperate enough to steal food or break into premises.

Like many others, I appease my feelings of guilt by the occasional charity donation and also try to publicise the terrible injustices that lead people to become homeless and protests aimed at improving things. We live in a wealthy society where no one should go homeless or lack food, and I would be much happier if more of the tax I pay went towards making sure these things didn’t happen rather than being wasted on vanity projects such as Trident replacement.

The basic reason why people freeze and starve is simple. Greed. In particular the greed of the rich and wealthy. It’s greed that leads to tax evasion and tax avoidance. Greed that drives legislation such as the Housing Act, which will result in thousands more without homes. Greed that leads to the privatisation of publicly owned services such as the NHS, and so on.

We have become a nation ruled by the greedy and in which many see greed as positive, particularly among the greedy. We have a cabinet of millionaires if not billionaires, and while enterprise is a positive attribute, enterprise simply to pile up riches is simply greed.

Inequalities in society are greater than ever, with company bosses often being paid more than a hundred times the average worker – and several hundred times that of the lowest paid. This income gap is higher in the UK than most developed countries and is growing fast – despite research which indicates that CEOs actually contribute relatively little to their companies success. They get more many because they can get more money and they are driven by greed.

While many in work still need the support of food banks – the real growth success of the Tory government – it is those out of work and on benefits that have suffered most from the greed of our leaders. Of course it isn’t just Tories who suffer from rampant greed, though theirs is spiced with a liberal amount of class prejudice and Iain Duncan Smith idiocy. Labour councils still run many boroughs and many are cosying up with developers to sell off social housing for redevelopment, with some councillors lining up lucrative jobs for themselves – but at the expense of the people they are meant to serve.

Of course there are many who go into political parties with the best of motives – even Tories. But they go into organisations with an institutional bias and few have the ability to withstand becoming corrupted by it – and the very few who stand up against it risk being marginalised or expelled. The Labour Party is in a mess at the moment because those controlling the party expected Jeremy Corbyn to be humiliated in the leadership election but the membership overwhelmingly backed him. But they continue to plot his removal and to frustrate attempts to bring in the policies which won him the leadership vote.

Groups like Streets Kitchen, who organised this protest, do a great job of feeding the homeless – at a time when various councils – Tory and Labour – around the country have been trying to make it an offence to give people food or to be homeless, rather than offer the kind of support people need, or change policies to stop them being forced onto the streets. But Streets Kitchen also realise the need to protest with the homeless for the kind of political changes that are needed. They offer, as the banners say ‘Solidarity Not Charity‘. And they need donations.

Unfortunately we do need Food Banks which have truly kept many alive, giving out millions of food parcels to those without the money to buy food, referred to them by government agencies and charities. Mostly they need food because the DWP has stopped their benefits (often for trivial reasons as staff struggle to meet their targets for handing out sanctions) or because the DWP has made mistakes or is taking weeks or months to process their claims. But while food banks offer respite, their failure to adress the politics that make them needed actually defuses the crisis, lets the government off the hook.

Filmmaker Paul Sng, co-director of Sleaford Mods: Invisible Britain, recently tweeted:

Paul Sng @sng_paul
More than 8000 slept rough on London streets during 2015/16, a figure that’s nearly tripled over the last decade. How is this a golden age?

As a nation we should be hanging our heads in shame – and be on the streets demanding political change.

More pictures at Streets Kitchen March with Homeless

Hull, City of Culture

Sunday, January 1st, 2017


Albert Dock, 2015

Sitting 200 miles away my thoughts this morning are on Hull at the start of its year in at least something of a spotlight as the UK 2017 City of Culture.

Hull is for me a place of many fond memories and admiration for the city and its people. My first visit, coming to the city across the country from Manchester was full of trepidation at the prospect of meeting my future in-laws, but it was a place where I soon felt at home. Hull was not quite another country, although the long straight stretch of track from Selby seemed long enough to take us to one, but it did then seem a kind of time travel, back to the country of my childhood. As I wrote a few years later, I left Manchester in 1965 and the train drew in to Hull Paragon in 1955.

The station name embodies some of my feelings, which were not meant negatively. Hull was in many ways still living in a past age, but one where many of the positive values that were being lost elsewhere were being preserved. It was a working class city where some of the vices of class snobbery and greed were far less rampant.


Ferens Art Gallery, City Hall and Queen Victoria, 2014

It was almost 10 years after that first visit, for various reasons – including poverty – before I began to photograph the city. By then, much had changed, both in my personal life and to the city, devastated by Iceland and the cod wars, by containerisation in the docks, and, a little later with the boot cruelly turned by Thatcher.


The Tidal Barrier, sculpture and The Deep at the mouth of the Hull, 2008

It got little thought and little help from successive UK governments – though Barbara Castle had earlier given them the Humber Bridge, largely redundant by the time it opened in 1981 – but has benefited in a large way from European funding (perhaps some compensation for the pounding the city took from the Lutwaffe, largely unreported during the war when Hull was seldom if ever named in the news other than as ‘a north-east city’), which makes the prospect of Brexit challenging.


A war memorial to civilians killed in the bombing, 2016

Hull continued to impress me in some ways and depress me in others, and both aspects were I think reflected in my project ‘Still Occupied’, exhibited in Hull in 1983, and in my later photography of the city, though my visits are now much shorter and less frequent. The warmth of the people, and a true Yorkshire rugged individuality; the city too seems to have rediscovered some of the heritage which in the 70s its council seemed reluctant, even embarrased, to acknowledge.


Memorials for fishermen lost at sea in Hull’s splendid parish church – for some reason never granted cathedral status, 2014. Could the Chuch of England be snobbish:-)

Hull was always a working class city, and its cultural life, far more open than that of larger and more class-stratified cities remains and have been refreshed. It remained a city where the people made their own culture, in living rooms, cultural organisations and societies, pubs and clubs, as well as welcoming visiting artists at its theatre and municipal hall, while elsewhere so many more simply slumped in front of the TV.  The strength of its year as city of culture will be far more in its home-grown events rather than the more prestigious performances by celebrated artists that will make the headlines – and bring in cultural tourists.


Footbridge over River Hull, 2014

Hull is worth a visit any year, to walk along by the River Hull and visit the Old Town, in part cruelly isolated from the rest of the city by Castle Street, the dual carriageway A63 which seemed designed to cut off the modern city from some of its past. Worth visiting for its fine free museums, and the art gallery, reopening after a long refurbishment. On my last few visits the city has been in turmoil with pavements dug up and various alterations. I do hope it isn’t too much cleaned up, too sanitised; along with the dirt it would be too easy to lose too much of its character. Like most things, it’s best seen warts and all.


River Hull, 1977
I’ve shared my own small contribution to the year celebrating Hull before on this blog, my new web site Hull Photos, hullphotos.co.uk. Shortly after I finish writing this post I’ll put up today’s picture to mark the official opening of the site and the start of the year of culture – with at least one more picture to come for every day of the year the Hull enjoys as UK City of Culture. But Hull is a city of culture every year.
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