Paris Photo 2009

I don’t think I’m going to make it to Paris for Paris Photo this year, although I always enjoy a visit there and there is so much to see not just at the show but also elsewhere in the city.  Even though this year it won’t be ‘Le Mois de la Photo’ – which only takes place every other year – there is always a lot of photography to see at this time.

© 2008 Peter Marshall

It’s also a good place to meet a few old friends from around the world, and those who live in Paris, including Jim and Millie Casper. Lensculture is one of the truly essential photographic sites and partner in Paris Photo and Jim has put a great set of one hundred and sixty-seven images on line from the show to whet your appetite for a visit there. I just don’t have time to write about them all, but there are some fine images there (and just a few things I hope never to see again.)    But I can’t resist mentioning a lovely Inge Morath colour image I’ve not seen before.  There are also of course other things worth taking a look at in the new ‘issue’ of Lensculture.

Just thinking about it again to write this short note has made me think again, tempted by the idea (and I’ve even downloaded the accreditation form.)  But given the value of the pound and my lack of commissions and sales at the moment a trip like this is very hard to justify, at least to my accountant and the tax man.

© 2008 Peter Marshall

You can read and see rather more than the above two pictures from my trip last year in a ‘PARIS SUPPLEMENT‘ on My London Diary. And perhaps I’ll save up to make the trip again in 2010.

Taken in London at TINAG

This Is Not A Gateway (TINAG) is a voluntary organisation that creates arenas/platforms for those whose point of reference is the city. Working across disciplines, TINAG encourages inter-cultural dialogue and rigorous production through four strands: FESTIVAL, SALONS, PUBLICATIONS and ARCHIVE.

The TINAG 2009 Festival is taking place now – 23 – 25 OCTOBER 2009 – in Hanbury St, Spitalfields, between Brick Lane and Commercial St, just across the road from the old Spitalfields Market. And on Sunday morning in a session that starts at 11.00 am, Paul Baldesare and myself will be doing a 5 minute presentation on our show Taken in London. Assuming the technology works, we will be projecting all 41 pictures from the show during that time, as well as talking very rapidly!

© 2009 Peter Marshall.

You can download the festival programme as a PDF, and it does give details of all the sessions and events in Hanbury St, though I was disappointed to find that there was no listing of the events outside this area – such as Taken in London.

Bike Power at the nabokov Arts Club

Another first for my work tomorrow when it will be projected for the first time by bike power!

© Peter Marshall

The nabokov Arts Club returns with another extravaganza of live theatre, music, comedy, poetry and visual art in a vast, atmospheric Victorian warehouse in the heart of Shoreditch … at Village Underground, recently named ‘Top Venue for Wow Factor’ by Time Out Londonthe Arts Club will be joining tens of thousands of people from over 150 countries for the biggest ever day of climate change activism. We’ll be part of a global action coordinated by 350.org to urge world leaders to take bold and immediate steps to address climate change and reduce carbon emissions. Within our solar-powered venue we will have a bicycle-powered art installation showcasing climate change photography…”

Which will include the set of 24 pictures – including the one above – that I put together for Foto Arte 2007 in Brasilia. Just in case you can’t get along to Shoreditch for what looks like a very interesting evening (and I can’t make it myself) you can see the full set of pictures here. As well as showing a number of demonstrations in London there are also some pictures from the Manor Gardens Allotments, which were bulldozed to make way for the London 2012 Olympics – see London Olympics – Green Disaster for my thoughts on that and links to some more pictures.

© 2007 Peter Marshall
The venue for the Brasilia show  – more snaps from my Brasilia trip

The partying in Shoreditch goes on from 8pm until 2am – including an extra hour when we change back from Summer Time to GMT, always a sad moment for those of us who like to photograph out of doors. The people there are going to produce a banner which will be photographed on the rooftop with the City as a backdrop and become part of the 350.org campaign to put pressure on world leaders to actually agree to some effective action at Copenhagen in December.

Village Underground is just a few minutes walk from Hoxton Market, where the exhibition ‘Taken in London‘ with work by myself and Paul Baldesare continues until the end of the month at ‘The Shoreditch Gallery‘ in the Juggler – see Opening Night, Hanging Day and Taken in London for more details. And just before lunch on Sunday, Paul and I will be giving a five minute illustrated presentation on the show as a part of the ‘This is Not A Gateway‘ festival in Hanbury St, Spitalfields, again about a five minute walk away. Things really are all happening in this part of London – and Photomonth 2009 really is keeping photography very much at the heart of them.

Getty, Yahoo, Flickr & Picscout

The title Might Picscout Ultimately Cause Yahoo to Acquire Getty? is probably enough to put most people off reading  Dan Heller‘s latest post on his Photography Business blog, but if you want to see what the future so far as buying and selling photography on the web is likely to be I’d suggest you struggle through it. What follows come from my own attempt to understand what he is suggesting – and doubtless to put my own spin on it. It also helps to read some of Heller’s other pieces he links to, and in particular his comments about  Picscout’s Index Registry Connection (IRC.)

I’m not sure that there is a lot of good news for those of us who try and make a living – or a part of one – selling stock images. Heller sees a future in which image use will be integrated into applications such as DTP software so that when someone putting a page together wants an image to use, the software will find suitable images on the web using image recognition technology, identify the ownership of the image and licensing fee (if any) required and carry out the appropriate payment transaction.

Of course all the companies involved in this process are going to want their cut – the software provider, the search company and the company providing the licensing data etc – as well as the site hosting the images, whether it is an on-line agency or a social networking site.

So, as others have also pointed out, with so many taking their cut, there is going to be less for the actual creator. Heller does however suggest there will be a silver lining in that the actual volume of sales should increase greatly, so in total we may do better.

Agencies he suggests will also change; they will need to work at getting good rankings in search engines (at present some are virtually invisible) and Heller also suggest they will need to give up their current policy of acting as editors and instead aim for volume content – the more the merrier, never mind the quality.

I’m not sure that this is the case. Some agencies at least have a reputation for quality that enables them to charge premium fees. Years ago I remember being rather shocked to find that some photographers working on the same project as me were getting paid exactly twice the rate I was, not because their pictures were better but because they were Magnum. There were two prices for the same job.

Whatever new system emerges I’m sure that such differences in licence fees will continue, and that quality control will be essential in maintaining them. When the putative buyer is presented with a page or two of thumbnails of similar images, it will perhaps be even more important that your image stands out to attract sales.

Virtually every photographer will be familiar with the experience of opening a paper or magazine and thinking “why on earth did they use that picture?” when you know you had a much better image. With a much more comprehensive search based on image-recognition, your picture might have a chance too.

As to Getty, Yahoo and Flickr I think perhaps the writing is on the wall for Getty. I certainly wouldn’t mourn its passing.

Prix Pictet announced later today

The winner of the Prix Pictet will be announced tonight, and you can see the work of the 12 selected finalists on Lensculture.

The twelve are:

  • Darren Almond, UK
  • Christopher Anderson, Canada
  • Sammy Baloji, Congo
  • Edward Burtynsky, Canada
  • Andreas Gursky, Germany
  • Naoya Hatakeyama, Japan
  • Nadav Kander, South Africa
  • Ed Kashi, USA
  • Abbas Kowsari, Iran
  • Yao Lu, China
  • Edgar Martins, Portugal and
  • Chris Steele-Perkins, UK

I’d find it very hard to pick a winner from these, although there are two or three photographers whose work I’m surprised made it to the last 12, and I don’t think are showing anything like there best work here. Of course in most cases I’ve only seen the work on the web, though there are a few pictures I’ve seen before elsewhere.

If I had to choose,  I think it would be between Naoya Hatakeyama and Ed Kashi, so those are probably two without a chance if my record at predicting such things stands.

As well as the £60,000 prize to be announced by Kofi Annan, honorary president of the Prix Pictet,  at the Passage de Retz Gallery in Paris today, there will also be a commission for one of the twelve photographers.

Stop Sending Refugees to Baghdad

© 2009 Peter Marshall.

The Foreign Office advises “against all travel to Baghdad and its surrounding area” on the grounds that it is unsafe, but somehow the UK Borders Agency thinks it’s fine to forcibly take Iraqis who have sought refuge in this country on planes, fly them back there under heavy guard and dump them back on its streets, leaving them to fend for themselves having shoved a few dollar bills in their hands.

They flew 44 to the airport last, but the Iraqis refused to let most of them disembark. One who was put off there was interviewed by a reporter for the BBC, obviously in fear of his life, in hiding there. He’d only left Baghdad after his brother was murdered, convinced that it was a case of mistaken identity and that the real target for the attack had been him. Now he feared to meet his attempted killers on every street he walked.

© 2009 Peter Marshall.

It’s a sorry tale of a government determined to look tough over migration into this country, to appear to take a harder line than the Tories – or even the ultra-right. More about this shameful failure to meet our obligations under the UN Convention on the Treatment of Refugees and the EU on My London Diary.

© 2009 Peter Marshall.

Standing alongside the lawyers, the International Federation of Iraqi Refugees and others at the emergency demonstration on Saturday was Brian Haw who has become a public hero for his continued peace protest in Parliament Square since June 2001 – over 8 years. It is a vigil that has taken its toll on him, but he still spoke strongly at the event.

Fur is For Animals

I’m not a great supporter of animal rights. I enjoy eating meat and fish – though I also eat a lot of vegetarian dishes. But I do think we should treat animals with a decent amount of care and respect, and avoid the kind of cruelty that is so much a part of factory farming. It isn’t all like that, and I’ve known farmers who really care for the animals they raise and spend a great deal of time and effort in making sure that they are well treated. Of course I can’t be sure that all the meat I eat or all the dairy products come from farms like this, but we do try as much as possible to avoid factory farmed produce when we are buying food.

But there is no such thing as cruelty-free fur. Wherever countries have tried to provide less cruel conditions in fur farms the result has always been to make the farms unable to compete with those in other countries that have no concern for animal cruelty. The UK policy banning fur farms is the only sensible policy and one that should be adopted across the world.

Trapping and hunting of wild animals for their furs also involves considerable cruelty, and around the world traps are still in use in many countries that were banned here years ago. Shooting too often fails to kill cleanly, with some wounded animals escaping to die a lingering death, and young animals whose parent is killed may be left to starve.

© 2009 Peter Marshall

We don’t need to wear fur, and for almost any purpose that fur is used there are better vegetable or synthetic alternatives. Most fur used now is simply decorative, and even when produced under cruel regimes is still expensive. It’s become just a marginally less crass way than sewing large denomination notes onto clothes for people to say “look how effing rich I am darling.

© 2009 Peter Marshall

Wearing fur – including fur trimmings – had more or less become unacceptable in polite, civilised society, but recently some parts of the fashion trade have been trying to rehabilitate it. We shouldn’t need a Campaign to Abolish the Fur Trade in the twentyfirst century, but unfortunately we still do.

© 2009 Peter Marshall
Boycott Harrods – the only department store still selling furs

More on My London Diary about the National Anti-Fur March and more pictures

Almost all these pictures were taken with the 24-70mm f2.8, which was pretty much an ideal lens, enabling me to work close in and at a reasonable shutter speed and ISO in the rather poor light. There were just a few times when I wanted something longer (usually considerably longer) and rather more where something just a little wider was called for.  I think the ideal kit on full frame would have at its centre something like a 20-50mm lens, but unfortunately they don’t exist.

Tamils March Again

It would be hard not to feel a great sympathy for the Tamils. The world – including the UN and of course our own government have for many years decided to turn a blind eye to the takeover of Sri Lanka by the majority Sinhalese. Britain failed to protect their interests when we gave Ceylon independence, failed to inspire Commonwealth action over the years, but particularly at the time of the creation of Sri Lanka. The world looked away (or gave encouragement and arms)  as the Sri Lankan government imposed a military solution on the Tamil areas, killing many thousands of civilians as well as the Tamil Tigers.

The Tamils were calling for the release of the  over 280,000 Tamil civilians – including at least 50,000 children  – still held in miserable and squalid conditions in camps run by the Sri Lankan military.  They want international aid agencies and press to have access to the camps and a full independent investigation of the war crimes committed by the Sri Lankan government and army. They have lost faith in the UN and its General Secretary Ban Ki-Moon.

© 2009 Peter Marshall.

At the start of the demonstration at Temple, protesters seemed rather thin on the ground and the mood seemed  one of resignation and dejection, rather than the energetic enthusiasm of the much larger demonstrations before the military defeat. Even the ‘prisoners’ in the mock concentration camp leading the march seemed subdued, although by the time I left the march as it turned up Northumberland Ave they were noticeably more animated.

© 2009 Peter Marshall

But it was a difficult event to find anything to photography, which is perhaps why rather more than usual of my pictures were taken from a distance, looking down from the footbridge on the east side of the Hungerford Bridge (now one of the two bridges on each side of the rail bridge.)

© 2009 Peter Marshall

I wasn’t particularly happy with the pictures I took. I had hoped to catch up with them later in the afternoon before the march reached Hyde Park, but with the smaller numbers the police were able to pressure them to walk rather faster than on previous occasions where they had taken over the roadway and by the time I was able to get back the march had finished. You can see them as usual on My London Diary.

Three came along at once…

Sometimes demonstrations seem to be like London buses, and after you’ve waited ages, three come along at once.  It happened last Saturday, when as well as the three events in London I did get to – if rather briefly to two of them – there were also demonstrations I would have liked to cover in Swansea and Ratcliffe-on-Soar. But I’d decided I wasn’t up to the roughing-it that joining in with the Climate Swoop to photograph what was planned as a 24 hour action.

I’d actually visited Ratcliffe-on-Soar a few years ago – and it has been pretty popular with photographers, not for the tons of carbon dioxide it creates, but simply visually, and it did have its attractions.

But I think since I was there they’ve put up a rather better fence, and last weekend there were a thousand or two police getting in the way of the view. If you want to see some pictures from the demonstration, one of the better sets of images I’ve seen is by Fil Kaler, and there a quite a few videos that give some of the atmosphere from  – here’s a poetic one on Blip.TV and you can also see how a Climate Camp medic came to the aid of a policeman who had collapsed – and there are more videos on that site. Perhaps surprisingly, one of the fuller reports of the swoop was on CNN, just a pity they didn’t use any of the decent pictures that were available – but presumably they have a contract with Getty that means their pictures are dirt cheap or even at zero marginal cost.  Just a pity they aren’t rather better.  The three photographers I know personally who did go there all got considerably more interesting pictures.

Swansea too has its attractions, but it was a long way to go for what was expected to be a rather small demonstration by the right-wing EDL (or possibly WDL – Welsh Defence League) and rather more than three times as many in a counter demonstration by Unite Against Fascism. I’ve so far only found one picture of this protest on the web.

In London I had a busy day, starting with the Tamils, then rushing to Knightbridge for an anti-fur march before going back to Westminster for a demonstration against forced deportations of refugees back to the still terribly unsafe Baghdad. But each of those deserves its own post on the blog.

Violet Isle – Alex Webb & Rebecca Norris Webb

Burn has a truly beautiful set of images from the book Violet Isle by Alex and Rebecca Norris Webb from Cuba, together with a Q&A session with the two photographers.

It held my attention particularly because a few days ago I wrote Viva Cuba! Havana Cultura, but there are several really breath-taking images among the dozen on show, and you can see them at a decent size without the usual Magnum watermark.

Given the  treacle speed that I seem to be getting from the web today it took me quite a while to see all12 pictures, but it was worth the wait.