Israelis find firing at journalist ‘reasonable’ and ‘sound’

Reuters cameraman Fadel Shana, age 24, filmed an Israeli tank in Gaza on April 16, recording the flash from its muzzle, around a mile away, of the shell that killed him and several civilian bystanders.  He had been working in Gaza for Reuters for three years and two years ago was wounded when an Israeli aircraft fired a missile at a marked press vehicle in which he was travelling.

IN his blog the Deputy Director of the Committee to Protect Journalists, Robert Mahoney, reports that the Israel Defence Forces’ (IDF) confidential inquiry into the killing has concluded that the decision to fire a shell at an unarmed and clearly identified TV crew, acting in a perfectly normal manner for reporters was “reasonable” and “sound.”

It’s a decision that appears to fly in the face of the rules of war, which oblige soldiers to do everything feasible to verify that targets are military and makes the deliberate or reckless targeting of civilians – including the press – a war crime.

Human Rights Watch report that the shell was a flechette shell, which explodes before impact releasing hundreds of dart-like projectiles in the air with the intent to kill people in a wide area around its target. Human rights groups have repeatedly urged Israel not to use these weapons in Gaza because they indiscriminately kill civilians around the actual target – as was the case in this event.  (There is a yellow flash on the video which may be this explosion)

Eyewitnesses report that there was no fighting in the vicinity at the time of the incident and that the Reuters truck, clearly marked ‘TV’ and ‘Press’ had actually driven close to the tank twice earlier in the day. Those observing in the tank had clearly seen that something was being set up on a tripod, and Mohaney claims there were 4 soldiers – the tank commander and observer in both the firing and spotting tanks – with state of the art equipment that would have enabled them to view the scene clearly. They should thus have also been able to see the blue ‘press’ body armour and the clear ‘Press’ and ‘TV’ signs on the vehicle. It is hard to escape the conclusion that either they didn’t bother to  consider the possibility of innocent civilian activity (press or otherwise) before opening fire, or else deliberately targeted the press.

Reporters take great risks working in conflict zones, and far too many are killed or injured, even when they are not deliberately targeted. As you can read on the CPJ site, so far there are 24 confirmed journalist deaths in 2008, along with another 15 as yet unconfirmed  and one missing.

Visa pour l’Image

Another of the big annual festivals I’ve never been to is Visa pour l’Image at Perpignan, which accurately describes itself as the “International Festival of Photojournalism“. Held every year in the south of France since 1989, it’s been going for 20 years and has established itself as the most important event of the year for many photojournalists, with many of the big names as well as those who would like to be more famous attending during the professional week – this year from 1-7 Sept.

There are around a thousand photographers and others in the business listed (you can download it from the site)  as being there, and something around 30 exhibitions, among them one arranged by the friends and family of Alexandra Boulat, who died tragically last October, only 45.

Those attending were also saddened to hear of the death of one of France’s greatest photojournalists, Françoise Demulder, after a long illness; photographing for Gamma, she was the first woman to win the World Press Photo of the Year in 1976.

In the evenings at Perpignan there are screenings of images covering the events of the year and various meetings and events. Freelance photographers also get a chance to show their portfolios.

The Visa d’Or awards are presented at Perpignan, for news, feature reporting and the daily press, as well as a special best young reporter award. Four four nominees are selected by an international panel for each award, and a different panel meets during the event to select the winner. The Canon Female Photojournalist Award and the CARE International Award for Humanitarian Reporting are also made there.

The nominees were announced some time ago. For the Features award, made on Friday night they are:

  • Carlos Spottorno / Getty Images : Xinjiang, China’s Far West
  • Alfred Yaghobzadeh / Sipa Press for the Figaro Magazine : Religious Minorities in Iran
  • Brent Stirton / Reportage by Getty Images for Newsweek and National Geographic Magazine : Virunga National Park, Eastern Democratic Republic of Congo, July 2007
  • Agnès Dherbeys / VIImentor program : Temple of Dooms, Wat Prah Bat Nam Phu, Thailand;

and for the News category to be awarded Saturday:

  • Yasuyoshi Chiba / AFP : Kenya
  • Philip Blenkinsop / NOOR : China Earthquake
  • John Moore / Getty Images : Assassination of Benazir Bhutto
  • Anthony Suau / Bill Charles : Mexico/US border fence

You can read reports from the festival on several sites, including Foto8 and PopPhoto, although others who have promised to cover it – such as the  Digital Journalist – have yet to make a post from Perpignan as I write.  But I’m sure they will find a hot spot soon!