Sex Workers Masked Parade

© 2009 Peter Marshall

There isn’t a great deal I can say about sex workers from personal experience. I’d suggest than its worth reading the preliminary report of a project, Migrant Workers in the UK Sex Industry from the Economic and Social Research Council of London Metropolitan University which appeared recently.  Of course not all sex workers are migrant workers, but many are, and current government thinking on making laws in this area are very much based on the need to take action against the trafficking of women for sex.

There are nine bullet points in the initial report which says that most migrant sex workers were not forced or trafficked, but take up sex work because other work they can get is very poorly paid. The main problems they face are their stigmatisation as sex workers and the lack of official documentation that opens them to abuse and violence. They report that most of their contacts with clients involve mutual respect and consent.

In Soho, many women work from their own or shared flats, and Westminster Council has been trying to get rid of these. The local community association – the Soho Society – and local people, including the rector of St Anne’s, Soho, have supported the women. Working from a flat is much safer than working on the street and also creates less nuisance.

The parade was in part to thank the people of Soho for their support, but also to oppose the  Policing & Crime Bill currently going through parliament which will criminalise clients and also make it easier for the police to persecute sex workers. It was organised by the ‘Soho Working Girls‘ and the ‘English Collective of Prostitutes‘, who state “We are mothers, daughters, sisters, grannies, aunties struggling to support ourselves and our families, just like other women.”

Those taking part in the parade were masked (although I saw many of them before they put their masks on) but otherwise they seemed very little different to any group of women one might meet on the streets of London, as this statement suggests. Although it’s a story that has attracted a great deal of interest because of the subject matter, in fact there was very little titillating about the event, though the masks and costumes made it fun to watch and photograph.

© 2009 Peter Marshall.

You can read more about it and see many more pictures as usual on My London Diary.

Pig Party

© 2009 Peter Marshall.

The trough is at the bottom of the steps to the Royal Exchange in London, at the very centre of the City of London. I’m lying down a couple of steps higher and looking through the viewfinder to take a picture of three guys with pig masks with ‘Miss Piggy’ looking on. In the trough is pig swill, or rather a mix of flour and water and scanned copies of fivers with a pig over the Queen on them.

It’s perhaps a more interesting protest than most, organised by Chris Knight and others from the G20 meltdown team to mark the fact that obscene bonuses have returned to the City of London.  The taxpayers put millions into the banks and now the banks are rewarding the guys responsible for losing millions with silly amounts – for some more than the lifetime earnings of ordinary workers for a year’s gambling on the markets.

Photographically there were a couple of problems. Pig swill did fly around rather, and a number of my shots were ruined by  lumps of it on the front glass.  I kept checking and wiping the lenses, but soon decided to put the Sigma 12-24mm away. I’ve just collected it a couple of days ago from a repair at Fixation (my preferred repair firm, located in Vauxhall) when they replaced the front element that had got damaged over several years of abuse.

The Sigma 12-24mm is a great lens. It isn’t particularly small or light, but despite being so wide has relatively little distortion, at least when used on DX cameras like the Nikon D300. Straight lines stay pretty well straight and unless you are doing architectural work really never need correction. It works well on autofocus, which isn’t always the case for extreme wide-angles, and I’ve come to rely on it for a lot of my work.

But I bought it around five years ago, soon after it first came out, and the one problem with the design is that the bulbous front element made it impossible to fit a protective UV filter.  Over the years that front element got more and more marks and little scratches, and eventually I started to find that pictures taken into the light showed excessive flair.

I asked the guy at Sigma, and he said, no problem – we can replace the front element, so I took it into Fixation. They did the job, though it took over a month for Sigma actually to supply them with the necessary glass, and I collected a shiny as-new lens a couple of weeks ago.

One of the reasons I bought the Sigma rather than the Nikon 12-24 was that it can cover the full 24x36mm frame. Although five years ago Nikon was still saying it would never produce a ‘full-frame’ camera I wasn’t convinced. Although technically it probably wasn’t necessary, I thought that perhaps marketing pressure would push them into it – and I turned out to be right.

So I can either use the 12-24 on the D700 – where 12mm is really very very wide, or use it on my D300 where it works as an 18-36mm equivalent, a great focal length range and also even better quality as it’s using just the central part of the lens.

Sigma build quality on the EX lenses seems to me to be considerably better than that of the Nikon lenses I’ve used – mainly from the cheaper range. This and the 24-70 HSM – with which the picture above was taken, the 12-24 having been stowed away safely in my bag – feel really solid. The 12-24mm has a built-in fixed petal lens hood, but the 24-70 is removable, but considerably sturdier than the hood on my Nikon 18-200, which seems nasty cheap plastic.

The picture needed a little fill-flash, supplied by a Nikon SB800, quite simply the best flash I’ve ever used, though not quite up to hard usage. I’d only just collected that from Fixation also, having had to have a new flash tube fitted. Labour cost around three times the price of the part, but I’m told that Nikon charge considerably more for the job.

More about the event and more pictures on My London Diary as usual.

London Photographers Branch

Yesterday there was a meeting attended by just over 30  photographers with an overwhelming vote (26 for, 1 against, 1 abstention) for the formation of a London Photographers Branch (LPB) of the NUJ. Of course forming a new union branch is a matter for the National Executive Committee to decide, but yesterday’s meeting certainly makes it more likely.

Debate at the meeting was almost entirely about the geographical nature of the proposed branch, which for several reasons, most particularly the union’s constitution, seemed irrelevant and at times more about particular photographer’s emotional issues than the substance of the matter.  A motion proposing it be proposed as a ‘national’ branch was reject by a roughly 2:1 majority.

Photographers (and videographers) do face different problems working on the streets to other journalists, and these have been particularly acute for those working in London both because it it the focus of so much protest but also because of the particular responses of the Met.

The NUJ was formed in an earlier age, essentially based around the ‘chapel’ or workplace organisation. There are also branches set up on a geographical basis – such as the unions largest branch, the London Freelance Branch (LFB), to which many of those at the meeting currently belong.

Most photographers are freelance, with fewer staff and agency positions every year, and they share many of their problems with other freelances – so being a part of the LFB makes sense. The LFB has tried its best to recognise and cater for the special problems photographers face – photographers form a large percentage of its membership and committee – but I think many photographers feel it is unsatisfactory.

Membership of the proposed LPB would be open to all photographers who work in London wherever they live – and would certainly include many based in London who spend much of their time working elsewhere around the world. It would both freelance, agency and also staff photographers, (you can belong both to a chapel and a branch, but only one branch) thus uniting photographers in all modes of employment.

Photography isn’t just an issue for photographers. At a time when more and more journalists are being handed cameras and told to take photographs, does it make sense to separate ourselves from our fellow union members in a separate branch?  Only I think because the NUJ doesn’t appear to allow any other way forward.

For some years the NUJ has repeatedly turned down the need for a photography organiser to work for the particular interests of photographers – and I would expect the LPB to continue the pressure on this. Photographers based wherever the union has chapels or branches need to see their special needs recognised throughout the union.

These are of course hard times for photographers – and also for other journalists, both with changing technology and economic conditions. Times when we need the union more than ever, and the support of our colleagues.

At the end of the meeting a freelance working for the Guardian/Observer brought up the issue of the rights grab they intend to impose on contributors. In April the management made a decision to stop paying fees for any re-use of images. Guardian freelances refused the new terms and are being supported by staff in the Guardian chapel, but so far the management has refused to talk.

The Guardian’s action strikes at the very core of photographers copyright and rights management, although it isn’t something that solely affects photographers. Of course if we let the Guardian get away with it, then others will surely follow their lead.

Remember Spain

In most recent years I’ve managed to attend the annual commemoration for the British volunteers who travelled to Spain to fight against fascism in the Spanish Civil War in 1936-9.  Each year fewer veterans of the war are able to attend, with only seven British veterans still surviving, all in their 90s or older. Although that is a remarkable figure, a third of the known surviving veterans from the Republican side.

© 2009 Peter Marshall.

Our government refused to act, even making it illegal to send aid to the legitimately elected Spanish Government that was being attacked by Franco,  but over two thousand men and women from Britain, socialists and mainly communists, made their way to support Spain; over 500 dying there.

One veteran whose absence at the ceremony this year was deeply felt was Jack Jones, one of the truly great British figures of the last century as a trade unionist and activist, and former head of the International Brigade Memorial Trust.  Sam Lesser, at 95 one of the younger veterans of the war, gave a moving tribute to his life.

© 2009 Peter Marshall.

Others who died in the past year were Bob Doyle, Bernard McKenna and Rosaleen Ross. McKenna, who came from a poverty-stricken Irish family in Manchester, had been wounded in two battles, recovering to return to the front and was then captured by the Germans and interrogated by the Gestapo. Unlike most others he was not executed but spent some time in an Italian prisoner of war camp.  He was repatriated in a prisoner exchange in 1938 – and got a bill for repatriation- £4 – from the Foreign Office on his return. It was still unpaid when he died last year.

You can see more pictures from this event at the International Brigade Memorial in Jubillee Gardens on the South Bank,  on My London Diary, as well as some from the events in 2007, 2006 , 2005 and 2004

Police and Photographers

One of my colleagues, Marc Vallée, has a piece in the Guardian today, The Met’s attack on photographers which examines the advice issued today by the Metropolitan police service (MPS) to the public and the media on photography in public places.

© 2008 Peter Marshall
Protest by NUJ General Secretary Jeremy Dear and photographers at New Scotland Yard, March 2008

It raises a number of important questions about such advice, and in particular of how sections 44 and 43 of the Terrorism Act 2000 apply to “protected journalistic material” where it is not at all clear that the police have the legal power to “view digital images contained in mobile telephones or cameras” that the advice claims.

The advice given by the MPS is that section 76 of the Counter Terrorism Act 2008 (referrred to by the MPS as 58a of the 2000 Act)  which makes it an offence to photograph police where a reasonable suspicion can be demonstrated that the information was of a kind likely to be useful to a person committing or preparing an act of terrorism should not be used to “arrest people photographing police officers in the course of normal policing activities, including protest.”

Which would be good news, except that there are, as Marc mentions,  at least two well-authenticated cases where it has been so used, including one  by a photographer I know who was covering the attempted eviction of a London squat – with absolutely no terrorist connections.

As Marc says “Professional photographers such as myself view it as part of an ongoing campaign to create a hostile environment for photography in the public sphere.” It’s something I first wrote about on ‘My London Diary’ almost five years ago – here is my exact text from October 2004 – all then in lower case. I’ve picked out the key parts in bold:

on the friday, critical mass were out on their bikes, together with rising tide and other environmental protestors. on a ‘london underwater 2050 tour of the g8 climate criminals‘. starting under waterloo bridge, they went on tour, visiting the london offices of several climate change villains, including petrol giants exxon mobil and bp and the canadian government, ending up outside the national portrait gallery, site of the annual bp-sponsored portrait award.
more pictures

it was a generally good-natured event, with an international samba band. from the top of a tourist bus an american voice asked the bill what was on. as he floundered to reply, the woman i was talking to suggested “hey it’s a fluffy takeover!”

most of the police were good-natured and cooperative throughout, but there were some ineffectual attempts to block the path of the demonstrators. by standing in the road the police blocked traffic, while the demonstrators simply walked around them.

worrying was the deliberate police use of photography as intimidation, with the police photographer going out of his way to confront demonstrators, aided by two other officers.

i worry because i think it is an attempt to attack civil liberties, but also because such behaviour makes all photographers suspect. i can only work effectively if i gain the trust and cooperation of those whose pictures i take. perhaps it helps that photography is one of the activities that also arouses suspicion and intimidation by the police.

as i walked away at the end of the demonstration, this team ran 50 yards down the road and caught up with me, one calling”excuse me, sir” and tapping on my shoulder. i turned to face him, and found myself looking into the lens of the police photographer, who took my picture as his colleague started to question me about who i was taking pictures for. it seemed clear and deliberate harassment, intended to intimidate a photographer acting entirely lawfully, photographing on the public highway.

This was the first time I was aware of being deliberately targeted by the police because I was a photographer, but it was the first of many times – and if we seriously believe that the police are now destroying all those images that they have collected over the years, there will be several thousands of pictures of me being deleted from hard disks and databases.

Another key moment for me came in April 2006, outside Harmondsworth Immigration Detention Centre, where I watched from a raised bank as a group of demonstrators were kettled by the police and a colleague showed his Press card. Officers told him that they didn’t believe it was a real press card, and he called to the 3 photographers watching from the bank to show ours to confirm.

© 2006 Peter Marshall

Fortunately one of the other photographers rushed to do so, as I’d noticed as I came out that day that mine had expired at the end of the previous month!

Since then I’ve also been told by officers that my now current press card isn’t a real press card, though more often they tell me they just don’t care if I’m press.

What is particularly regrettable about the MPS statement is that it fails to refer to the published guidelines for MPS staff and photographers that were agreed between the Met and the BPPA, CIoJ and the NUJ and later approved by ACPO, although some aspects of this are summarised.

One key paragraph is missing:

Members of the media have a duty to report from the scene of many of the incidents we have to deal with.  We should actively help them carry out their responsibilities provided they do no interfere with ours.

Climate Rush – Palm Oil

One of the many not-so-bright ideas that entrepreneurs have come up with to combat climate change is biofuels. Of course there is some scientific basis in this – growing biomass takes carbon dioxide out of the atmosphere, and when you use the stuff you’ve grown as fuel it simply returns it, with no net increase. So, on the face of it, biofuels would appear to be carbon neutral.

But of course that’s simplistic, failing to take note of the actual inputs into the process, such as the work involved in tilling the ground, harvesting and processing the crops, producing any chemicals used in growing, pumping water, transporting materials and so on. So while it may be carbon neutral as a part of a local subsistence economy (like bonfires in my back garden) once it becomes part of a global manufacturing process it certainly isn’t.

Even more simplistic is the failure when thinking about biofuel production to take into account the effects of setting up such an industry on the ecology and communities where the industry is established.  There isn’t empty land going spare anywhere on the planet that could be used.

If you want to make a fortune out of biofuels, first you convince governments in the west that they are a good thing. This isn’t as hard as it ought to be, because too many are clutching at any straw(!)  that seems to be a technical fix for the climate that is better short-term than taking effective action. So we have an EU directive that says governments have to increase the amount of biofuel use.

Next you find a warm country with a corrupt government and large areas that could be suitably productive – perhaps at the moment covered by tropical rainforest, which is of course doing an important bit for the climate, but nothing for your profits.  A little promise of profits to those in government for making lax laws that allow you to steal land from its traditional users with a minimum of compensation (which of course nobody is going to bother to enforce you to provide) and you are in business.

A business that means grubbing up and probably wastefully burning forests to plant your monoculture biofuel crop, destroying species and habitat, forcing the inhabitants to scraping a living in  marginal areas.  Taking over land that once grew crops to feed local people- but will now be dedicated to keeping the cars of the rich world running.

One country where biofuel production is having disastrous effects is Indonesia. Species such as the Sumatra tiger and the orangutan are disappearing fast and the people who used to live in areas taken over for agrofuels have lost their ancestral lands and their livelihood.

© 2009 Peter Marshall.

So the Climate Rush came to Mayfair, some dressed as usual as suffragettes, one as an orangutan – and quite a few smaller orangutans came as well –  to protest outside the hotel where a gala dinner for delegates at the World Agri Invest Congress was taking place. The protesters brought there own jazz band to hold their own ‘Gala Dinner and Dance‘ in the street outside.

© 2009 Peter Marshall.
Police fail to convince Tamsin Omond that being penned in would be a good idea

For most of the evening it was a well-behaved protest and police too were on their best behaviour, even when the protesters insisted on dancing on the road rather than in the pen the police had provided.  It wouldn’t have been a Climate Rush without an attempt to charge the doorway of the hotel, but although there was a little pushing and shoving, things didn’t really get greatly out of hand.

© 2009 Peter Marshall.

Back in the ’60s, a friend of mine was in court following a demonstration, charged with grievous bodily harm for having hit a policeman.  At some point in his cross-examination he was asked about the level of violence at the time, and replied that it seemed to him rather similar to that in a game of rugby. At which the judge sat up straight, turned towards him and and said “Ah, so you play rugger do you?” and we all realised he was going to be acquitted.

But last Wednesday I took my eye off the ball for a few seconds, and when the ‘rush’ started I was ten yards behind and couldn’t quite make it in front of the rushers, although I was moving considerably faster.  It had been a longish event and I’d lost concentration – and should have spotted the signs – and have set my camera to a higher ISO as the light was fading slightly. I did get some pictures, but too many were blurred, and I went home thinking I could have done better.

Oh yes, Michael Jackson came along as well – pictures and more on the event on My London Diary.

Support the SOAS 9

The Home Office Building in Marsham St in Westminster is perhaps the only government building in London from the past 50 years of any real architectural interest – quite a contrast from the boring blandness of those blocks on Victoria St or the terribly twee pipes of Portcullis House. It’s also a building that creates its own environment, and on hot days the water and the grass make it some kind of an oasis in Central London.

The light too is often luxurious, a kind of glow combined with the dappled sunlight that produce such a sheer pleasure that I sometimes find it hard to concentrate on making images.

© 2009 Peter Marshall.

It’s hard perhaps to reconcile this meliorating atmosphere surrounding the building with the inhumane starkness of some of the actions decided on inside, in particular over the hounding of migrants in this country and the decisions that are made and the evasion of justice that occurs, allowing – if not organising – pre-dawn raids in which doors are kicked down, people rounded up, forced onto planes and sent back, often to countries they have fled because of persecution, and where they may well face imprisonment, torture and even death.

Of course in theory this doesn’t happen, but too often it does in practice, with too many politicians and officials who just don’t care – or are frankly racist in their assumptions and actions.

It’s a building no one with a conscience can look at without feeling shame, and embodying the strange and awful paradox that those who are responsible for making and applying the laws often choose to ignore and short-cut them.

© 2009 Peter Marshall.

Cleaners at SOAS, School of Oriental and African Studies of the University of London, are largely migrants from Latin America.  Lime most places, SOAS outsources its cleaning to save money. And as is always the case this means that these cleaners are employed under conditions SOAS would not contemplate for its own staff. Outsourcing is only ever cheaper because the workers are exploited; it’s a tighter screw which gives them less for doing more, adds a profit for the shareholders and delivers the contract at a price that an ethical organisation couldn’t match. If we ever get a socialist government in this country it’s a practice they would make illegal – just as we’ve outlawed practices like sending children up chimneys.

Recently, cleaners in London have been getting organised, with the help of the trade unions and others, and demanding a living wage. The cleaners at SOAS had just achieved that, and in retaliation the contract firm employing them brought in the Immigration Police, kitted up in riot gear, to a meeting of cleaning staff at 6.30 am one morning.

The cleaners were detained and questioned without being allowed trade union or legal representation. Not surprisingly there were some who were not carrying papers stating they had a right to work here. Some may have been in this country legally but under our draconian legislation caught by the law that denies them the right to work. None of them were doing anything harmful, all of them were doing useful work, doing a cleaning job with unsociable hours and low pay that no British worker wants to do.

Nine were arrested and taken to Immigration Detention Centres – prisons for people who have not been convicted of any crime. Most of the nine have already been forcibly put on flights back to their native countries, although it is possible that some had a right to remain here, and some have all their friends and families here.

This demonstration was another of those occasions when I felt ashamed of my country and its lack of humanity. But at the same time proud that there are people like those at this demonstration who are fighting for human rights – and such campaigning does sometimes bring results.

One of the speakers was a civil servant and trade unionist, who asked us not to blame the civil servants who are just doing their job. It’s tough, but if your job demands that you are racist or unfair, then you should fight and take the consequences (in the Civil Service probably a transfer of another department.)  It’s a lesson the twentieth century should have taught us.

You can see the pictures on My London Diary.

Olympic Photography Paranoia

It’s nice to know that someone at the British Journal of Photography reads Amateur Photographer (interestingly the word ‘Amateur’ in the masthead of their web pages has now shrunk to about 2 point size)  and it was a ‘tweet’ from ‘1854’, that obscurely named BJP blog (of course I know why, but that doesn’t make it any less obscure) that sent me to the AP feature posted yesterday, Photographers a ‘security’ risk, warn 2012 Olympic chiefs. Not the snappiest of headlines (sorry!)

Like many of us, Dr Patrick Green is taking photographs around the Olympic site as it develops (I started in 1983, but that’s another story.)  And he was trying out  his new Olympus E-30 DSLR at Dorset Place, just off the Leyton Rd on the east boundary of the site a couple of weeks ago around 4pm on Sunday 14 June.

His picture in the AP shows a security guard standing next to a secuirty barrier witht he Olympic site in the background.  Dr Green says he was told that that photography was forbidden and one of the guards “threatened to call more security who he said ‘would come with dogs’.”

Dr Green apparently got to see a “security manager” who told him that his pictures posed a ‘security risk’ – terrorists might use the images to plot an attack if they were posted on the internet. And while an ODA spokeswoman stated “Filming and photography of the site from public highways and areas around the Olympic Park is permitted,” she also made it clear that anyone appearing to take a particular interest in security operations was likely to be talked to by the security guards.

While this event appears to be yet another example of paranoia about photography – and yet another skirmish in that long-running battle between security men and photographers, so far I’ve yet to have a real problem with security in taking hundreds if not thousands of pictures since the blue fence went up around the Olympic site.  One of the men putting up that fence did ask me why I was taking pictures – and so I told him, and although I don’t think he could be described as satisfied, that was the end of the matter. Other times I’ve seen security men looking at me and my gear, but so far I’ve not been asked about my pictures. And once or twice people from the ODA I’ve met have even been friendly.

I don’t think I’ve photographed in Dorset Place, a short street with not much of a view, though I have taken pictures from the next street off Leyton Road, Thornham Grove, and this is from just down the road:

© 2008 Peter Marshall

These buildings are mainly for the shopping centre. Here’s one taken last Saturday from half a mile or so away looking towards the Olympic stadium. I’ll put a few more on My London Diary later.

© 2009 Peter Marshall.
Stratford Station and the Olympic Site

Jacko RIP

Although I can’t claim a High Court judge’s knowledge of Michael Jackson, he was never more than a vague figure to me, and I find today’s hype ridiculous. The 20th century produced plenty of musical geniuses – Charlie Parker would be my nomination for the No 1 spot – with Jackson not even in the running so far as I’m concerned. With music videos and MTV culture Jackson seems more a symptom of the breakdown of our civilisation than anything positive.

© 2002 Peter Marshall
A Michael Jackson fan at Soho protest against Sony, June 2002

Not that I personally wished him any harm. I had a great deal of sympathy for the way he was hounded by the press, and certainly wouldn’t wish a heart attack on anyone –  having been fortunate enough to recover from one.

But he was one of the very few celebrities I’ve photographed – it happened by accident, as I was on my way to photograph a demonstration against the use of sweated labour – ‘Give Nike A Red Card’ – at Oxford Circus in June 2002, saw a TV crew running, and followed them.

Fans were demonstrating against Sony failing to support Jackson’s latest record, and I took a few pictures of them – and eventually put a couple on what was then my new web site, My London Diary – halfway down this page. I hung on taking pictures for a bit and then an open-top bus appeared and the fans broke out from behind the barriers and surged around it. Jackson appeared with a large placard, ‘Sony is Phoney’ and a puppet, and pretended he was going to climb down into the sea of fans.

© 2002 Peter Marshall

© 2002 Peter Marshall

I was shooting with a Leica and probably my normal 35mm lens, rather more interested in the fans’ responses than Jackson himself who appears rather small on the few images I took (and I’ve cropped the two above for the web so he is more visible.)

© 2002 Peter Marshall

And when I got the the end of the roll it didn’t seem worth loading another  – so I went off to photograph ‘No Sweat’, who after their demo at Oxford Circus set off kicking a football and marching down Oxford St.

© 2002 Peter Marshall

It was an interesting day and ended with what was I think the first of a number of curious encounters I’ve had with the Met. After I’d followed the demonstrators to somewhere opposite Selfridges – and by then the police had pushed them onto the pavement – an officer came up to me and very politely said – with a curious little smirk “I think you’ve taken enough pictures now, don’t you Sir?”

Kew Bridge Occupation Continues

On Saturday 6 June, a group of activists occupied a site next to Kew Bridge that had been empty for more than 20 years, intending to develop it as a community resource. The action was very much inspired by the 1996 ‘The Land is Ours’ action in Wandsworth, where a site owned by Guinness was occupied for five and a half months before the eviction.

© 2009 Peter Marshall.

Land is a scarce resource, particularly in urban areas, and land rights campaigners argue that it should be used for the good of all, not simply for the profits of landowners. Local communities should have a much greater role in planning, and where owners fail to live up to their obligations to use land responsibly they should lose their rights. Legally UK local autorities have quite extensive powers to “remedy the condition of land”, including the issue of notices under Section 215 of the Town and Country Planning Act, 1990 and compulsory purchase, but seldom make use of them.

The site at Kew Bridge has been derelict for over 20 years, being simply used by its owners as an appreciating asset as land prices have risen. LB Hounslow has failed to take effective action. A year or two ago the current owners submitted a very extensive mixed development for planning permission which was rejected and are making a further submission which Hounslow are in process of approving.  It seems astonishing that while the rejected proposal included affordable housing, there is none at all in the latest proposal. However the current fall in housing prices probably makes imminent development unlikely even if permission is granted.

© 2009 Peter Marshall.

The site appears to have been left to grow wild by its owners, with some dumping of materials in parts of it. The large fence around its perimeter creates an empty eyesore in an extremely desirable and visible riverside site, next to Kew Bridge, part of London’s South Circular Road. The site is also a few yards from a railway station and on several bus routes, and not far from the Great West Road and M4.

The occupiers intend to use the site productively, growing vegetables and providing workshops and meeting spaces for the local community. Local people have brought materials for building and plants and helped in clearing the site and constructing some simple buildings on it. The site welcomes visitors warmly but wants to be a good neighbour and  has banned amplified music and enforces a strict policy against alcohol or drugs on the site.

© 2009 Peter Marshall

Last weekend the Eco Village/Brentford Community Garden had a solstice open weekend with activities including face painting, music, picnic area and children’s workshops, and I dropped in at the end of the day to take some pictures. Already the site has been considerably improved.

More pictures from the Kew Bridge Eco Village on My London Diary