Orphans Return

Earlier this year a number of photographers campaigned succesfully to stop Clause 43 of the Digital Economy Bill, which, as I wrote at the time “would have made many of our photographs ‘orphan works’ and easy game for commercial publishers wanting a free ride on photographers backs.”

As I said at the time, it would be back, and it is – and there was a good post about it by Jeremy Nicholl on his Russian Photos blog last month.  A few days later The Guardian (who should have known better) published an article by Stephen Edwards, suggesting that the actions of photographers had effectively sealed up the BBC archives “in which photographs either form no part (radio), or in which they are of relatively small importance (television)” and calling for what he describes as “a  simple, fair and equitable solution” by the government re-instating this provision.

Unfortunately he is wrong. Clause 43 was neither fair nor equitable, as it failed to provide recompense for those who had produced the material while it would have enabled commercial organisations (and the BBC as a commercial organisation) to profit from their work.

Photographers aren’t opposed to all change, but they are in favour of changes that recognise and appropriately reward the creators of material. Legislation that did that would be welcome.

And as I recounted in New Thinking on Copyright, the photographers who mounted the campaign that played the largest part in stopping Clause 43 came up with some proposals that could for the basis for a new copyright law, and there have been other suggestions that would also solve the problem in a way that gave proper consideration to creator’s rights.

More recently, Jeremy Nicholl has published another article on his blog,
Exposed: The UK Orphan Works Covert Propagandist which lets us know what The Guardian should have made clear about its author when it published the piece.

Another project that might be worth looking at is  MILE (Metadata Image Library Exploitation) which aims to promote European cultural heritage and make digital art more accessible by improving metadata. On the information page of its Orphan Works site it has a short explanation of orphan works, which makes clear the importance providing income to artists and artists’ estates.

Certainly the last thing that should happen is the kind of rush into inappropriate legislation such as Clause 43 (rumoured to have been dictated to Peter Mandelson by one of his billionaire friends in that villa in Corfu.)

Getting Shirty

To me a shirt is a shirt, and there is something obscene about the images of boxes of what are presumably perfectly decent and serviceable garments being burnt, shown in the pictures that Florian Joye submitted in his entry for the  Lacoste Elysée Prize.

His was the work which perhaps most explicitly linked to the product, with some of the other submissions for the prize frankly performing purely linguistic tricks to link their work to the polo shirt concerned, although a few crocodiles – apparently the nickname of the tennis player after whom the brand is named, and its symbol- do make an appearance, along with the odd tennis court.

But in all the competition still left me with what I consider important questions about the shirts unanswered. Perhaps if I searched on the web site I could find out where the shirts are produced, by who and under what conditions?

The 12 entrants for the prize – Ueli Alder (Switzerland), Kristoffer Axén (Sweden), Benjamin Beker (Serbia), Jen Davis (United States), Florian Joye (Switzerland), Kalle Kataila (Finland), Di Liu (China), Richard Mosse (Ireland), Camila Rodrigo Graña (Peru), Geoffrey H Short (New-Zealand), Tereza Vlcková (Czech Republic) and Liu XiaoFang (China) – were chosen from 80 young photographers taking part in the exhibition reGeneration2: Tomorrow’s Photographers Today, curated by William A. Ewing and Nathalie Herschdorfer, which was at the Musée de l’Elysée in Lausanne in June-Sept 2010.

Each of the 12 selected was given a scholarship of 3000 Swiss Francs (just under £2000) and 3 months to create 3 pictures with a link to the code name of the apparently famous shirt (which of course I’ve never heard of.) The winner, Di Liu, gets the prize of 20,000 CHF, around £12,900. This was the first of what will be an annual competition.

Although I think his work – like the rest –  is somewhat trivial, I think Di Liu deserves the prize, for being the only one of the twelve with a sense of humour and for not including a crocodile in the three distorted animals – a rhino, rabbit and deer – that he plonked down in urban environments.

You can see the work of all 12 photographers on the official web site, one of those annoying web designs that insists on inappropriately enlarging my browser window to fill the whole screen.

Looking at the work, it seems to me that the concept of the prize has resulted in some rather mediocre work, which in a way I find encouraging. The idea of a huge pool of creative talent being harnessed essentially to market a rather ordinary shirt with a peculiar logo doesn’t fit with my ideas of what art or photography should be concerned with. Perhaps in future years Lacoste can be persuaded to a less stultifying approach, supporting creative photography rather than encouraging a kind of second-rate advertising. Some other commercial organisations that sponsor prizes have done it rather better.

Student Protests & the Photograph as Evidence 2

The whole question about how we see and interpret events is an important one, and my own view of what I saw on Wednesday during the second day of student demonstrations against the proposed hike in tuition fees and education cuts differs considerably from that in several accounts that I’ve seen in left-wing media.

I’m sure that there will be some who were at the event who read this and disagree strongly with it.  It represents my honest attempt to understand and report what was a rather confusing day, which I attended both as a journalist and as someone who strongly supports the opposition to education cuts and tuition fees. While I’m generally against violence I can only applaud the righteous anger that many show for the cause. Education in a civilised society should be freely available to those prepared to benefit from it and not dependent on how rich you are; educational resources should be directed at those who need them, and not available to enhance the privileged position of the children of the rich. I benefited from free education and student grants and taught in the state system for over 30 years and I’d happily vote for the abolition of private education.

I went to the event having read that the NUS and other leaders had agreed a timetable with the police as follows:

12pm Trafalgar Square
1pm March down Whitehall
2pm Parliament Square.

On the day, it didn’t happen like that, and the numbers present were considerably less than the organisers had predicted or the police had planned for – perhaps around 4-5000 in total over the day. When I arrived just before noon, there were only around a thousand in Trafalgar Square, though of course people were still coming in.

At around 12.05, a group of people who were on the plinth at Trafalgar Square started calling for everyone to go down to protest at Downing St and Parliament, and a a couple of minutes later a crowd of a few hundred was running down Whitehall.

© 2010, Peter Marshall
A handful of police had tried to stop them at the top of Whitehall, but soon agave up as there were too few of them to prevent it. As protesters ran down the road, police lower down Whitehall moved across it, and by the time the front runners reached there formed a line stretched right across the road.

What I’d photographed could hardly be described as a march, and it seems hardly surprising that the police decided to stop what looked more like a mob than anything else (and mobs have their place, but this seemed to me both premature and ineffectual.)  Nothing in the police action suggested to me that they were attempting to kettle demonstrators, merely to stop them.

© 2010, Peter Marshall

The vans parked in the side street and a clear Whitehall were what would have been expected if the police were getting ready to facilitate a large organised march down the street – as I had read that they had agreed.

I made my way with the protesters back up to the top of Whitehall, and there were no police attempts to stop us coming back out of Whitehall, or as we made our way through Admiralty Arch – a relatively easy place for police to have controlled movement – onto the Mall.  Again, there were none of the signs that would indicate an attempted kettle. Almost all the police were still in Whitehall – or sitting in vans in the side streets, and it took some time for them to come through Horseguards and run rather comically across towards the marchers going down towards Birdcage Walk.

© 2010, Peter Marshall

A few minutes later the marchers arrived at Parliament Square having gone via Storey’s Gate and Broad Sanctuary. There again it looked to me as if the police had made preparations for a march – with the roadway in front of Parliament surrounded by barriers. A march down Whitehall would have ended where the police were now standing. Of course marchers don’t like to be behind barriers, and don’t need to be, though police usually like to pen them in so that they can more easily be controlled.

© 2010, Peter Marshall

I was surprised when the demonstrators turned round at this point, as they had reached Parliament Square, where they said they wanted to protest. Clearly many of them thought that the police intended to kettle them here. Of course any static demonstration in this area is sure to attract a large police presence, but surely it only becomes a kettle when the police prevent people from leaving the area in an orderly fashion. A pen is not necessarily a kettle.

When the demonstrators turned round and attempted to leave by Broad Sanctuary, police did form a line across the street and try to stop them.  It could possibly have been an attempt to set up a kettle, but if so it lacked credibility, as it was obvious that the thin line of police would be ineffectual with a largish crowd on both sides of them,  many of the protesters not yet having reached Parliament Square.

© 2010, Peter Marshall

There simply were not enough police at that point to do the job. Some people walked through the gate into the Abbey grounds before this was blocked, others climbed over the fence and I heard later that at least one person had been assaulted by police at this point.

© 2010, Peter Marshall

Most of those present – including myself, simply found a gap in the police line and walked through, and after a few seconds the police gave up trying to stop people. It was the start of a long and confusing walk around the capital.

Most of the time the police simply walked along by the side of the marchers – with the occasional incident – one of which is shown in the first of these two posts. At some junctions police blocked off one street and the marchers simply went down another. There were many places where it would have been relatively easy for the police to try to detain or kettle the march but I saw no real attempt to do so.  In another minor incident in Holborn where police stopped some marchers who tried to go down a one-way street against the traffic.

By the time we had reached St Paul’s Cathedral well over half of the students had given up and left the march, many making their own way back to Trafalgar Square. As we passed the Stock Exchange it was hard to find a policeman in sight.

© 2010, Peter Marshall

Certainly most of the police had also disappeared by the time the march turned up King Edward Street, perhaps because we were now outside the Met area. There certainly seemed no reason to go up Bartholomew Close and then to make a totally pointless detour to the right – many of us chose to take a short cut onto Long Lane and wait for them, and it seemed as if the march was trying hard to kettle itself. At that point there were I think less than a dozen of the Met still following the march, with the City of London police – whose area we were in- almost completely ignoring it, though shortly after I left it to catch a bus back towards Trafalgar Square I saw three of their vans moving in its direction lights flashing.

© 2010, Peter Marshall

By the time I finally gave up on the march at Holborn Viaduct after around 8 miles of wandering (they did another 2 miles or so to arrive back at Trafalgar Square a  little after me), it had shrunk considerably, with perhaps 500 people left from the original few thousand who had left Parliament Square.

Police were diverting all traffic away from Trafalgar Square, and I had to get off and walk the last half mile or so. At Trafalgar Square  there were several hundred police forming lines across all of the roads, now forming a far more impressive barrier with their vans, but they were letting people move in and out freely when I came up Whitehall.

Around 3.15pm, one of the organisers of the event addressed the crowd now in Trafalgar Square, telling them that despite the heavy police presence we could see, the police had confirmed that people were free to leave in small groups along the road towards Charing Cross, the nearest tube station. He also said that although the organised demonstration had finished people were free to stay on and demonstrate if they wished. Clearly quite a few did, although others decided to leave.

Around 3.30pm a small group of policemen came onto the square, where they were surrounded by some of the demonstrators and road cones and other light objects were thrown at them. The police retreated toward their line across Cockspur St and were followed by a crowd of demonstrators, some of whom tried to push their way through the police, while others tried to prevent any disorder, some joining hands in a line in front of the police. People brought up banners and placards to stand a yard of two in front of the police in an often noisy stand-off.

Minor incidents continued sporadically here for around fifteen minutes and then things seemed to quieten down as the snow came down harder. Shortly before 4pm I decided it was time to go home, and together with a steady stream of protesters I walked through the police line and left the area and caught a train from Charing Cross (apparently the only train still running .) Police were making no attempt to check or stop anyone leaving at that point.

I drafted the outlines of my report on my way home and wrote it while while my images were transferring to my computer.  You can read it on Demotix under the title Police Close Down London As Students March – and in a few days time I’ll also put it on My London Diary, with more pictures.

My account of the day differs considerably from some others that I have read on-line. There were things that happened after I had left – when police later did close in an make a great many arrest for public order offences, which should be given a mention in my final piece.

So what of the photograph as evidence? Essentially both what I write and what I photograph depend on what I see. The pictures that I took back up my account of the day as I saw it. I saw little if any real evidence that the police were making continuous attempts to kettle protesters – and certainly found nothing I could photograph to show this. But it was a perspective that seems to have driven the 10 mile march around London and some of the accounts I read elsewhere.

There seems to me to be something in the actual act of recording events (or at least doing so lucidly) with a camera that means I have to question all the time what is going on, why is this happening, and of course, how can I show this in an image. It’s a mental focus that drives out much sloppy or doctrinaire thinking.

Clearly there are some things photographs can show, and other things that need the support of a reliable eye-witness. Still photography is perhaps better at showing the detail (and sometimes at directing us towards it and towards a particular interpretation) while video can us a more or less seamless view of how something develops.

But both still and moving pictures can provide limits to the plausible interpretation of situations. Certainly I could not have written some of the things that I’ve read in some other accounts of the day.

Student Protests & the Photograph as Evidence 1

© 2010, Peter Marshall

What exactly does the photograph above – which I took on Wednesday – show?

I think I know, because I was there and saw what happened before and what happened after the moment when I took this picture (its one of around a dozen frames, some blurred, of the incident.) But even as a sequence the pictures don’t tell the story. Yesterday I watched two rather poor quality videos of a similar incident in which a policeman punched a protester, and despite the lack of definition, they gave a much clearer idea of what was happening.

There were perhaps a couple of thousand protesters, mainly students, apparently marching without any particular direction through the major streets of central London. I think the police were equally unclear about their aims – but basically they were staying with the students in case there was any trouble, and groups of them were moving along the sides of the march towards the front. As they went along they were pushing people from the edges of the march back into the middle, out of their way and also away from oncoming but very slow-moving traffic on the adjoining roadway.

I got pushed aside rather roughly several times – and as usual there was the odd guy – perhaps one in twenty – in these police lines who was obviously enjoying throwing his weight around, using a totally unnecessary amount of force. Most officers manage to be firm and some even polite as they move people out of the way, but protesters of course sometimes complain or argue about their treatment.

I don’t know exactly how this particular incident started; I first saw the grey-hooded student being held by the officer – a police medic – who the pushed him back inside the march. Then the officer appeared to loose his temper and punched the guy several times before grabbing him around the head; other protesters tried to separate the two and pull the student away from the officer; one of the legal observers on the march who tried to get between them was grabbed by other officers, pushed away and held briefly against the bus behind.

© 2010, Peter Marshall

The other police present – including an inspector, standing just behind the medic – make no attempt to stop the violent attack.

It was a short incident, over in a few seconds, and everyone involved disappeared. My last frame of it shows the medic being hurried away by the other officers.  So far as I’m aware there were no arrests and no complaint made against the Police medic – whose number is clearly visible.

Although the demonstration was one against education cuts and the huge rise in tuition fees, the form that it took – on both the part of the students and police – was very much a reaction to the police’s “kettling” of the protest in Whitehall the previous week, part of a battle over the control of the streets, expressed in the loud chants by the students “Whose streets? OUR streets.” This incident was just one of many minor skirmishes in that turf war.

Had I been shooting video, the evidence would have been far clearer, but the still photograph I think provides a greater drama.

Paris Photo – Lab East

© 2010, Peter Marshall

It was thanks to Teresa from Blurb that I was invited to the book launch of ‘Lab East‘ at the Lumen Gallery stand in Paris Photo. Lab East, a roughly seven inch square slab of 260 or so pages, “printed with the friendly support of blurb, the creative publishing platform” is I think an important work in several respects. Edited by Horst Kloever of photeur.net, it presents “30 photographic positions fron Central and Eastern Europe“, work by young photographers – all born in the 1970s and 80s – few of whom will be known outside their own countries, although there were one or two photographs I recognised, and a number of those included have worked or studied in the west.

© 2010, Peter Marshall

One of those included is Bevis Fusha from Albania, who I got to know when we both showed work at the first FotoArt Festival in Bielsko-Biala, Poland in 2005, and whose work I’ve written briefly about on several occasions, and it was good to see his black and white images exploring the antagonistic aspects of the ‘Supermodel of the World’ annual competition in Tirana. Although there were half a dozen of the photographers there for the book signing, unfortunately he wasn’t among them.

© 2010, Peter Marshall

I don’t entirely agree with the forward by Walter Keller, the organiser of the Labor Ost show in Zurich in May 2010 and was an important advisor for this book (the show included many of the same images.) Perhaps there are countries where “a dense net of art schools, supporting foundations, photo museums, commercial galleries and curators all merge into a promotional engine of high energy, making it almost impossible for a young photographer not to be discovered“, but I certainly don’t live in one. It seems to me that most photography of interest in the UK arises outside of any such system and probably only a small proportion is actually devoured by it. But the UK has a particular inbred cultural aversion to photography, or rather photography as art, and things are perhaps different in Switzerland.

© 2010, Peter Marshall

But what is obvious is that although most of these photographers were still in school or kindergarten when the Berlin Wall fell 31 years ago, photography still has to seriously address its own Iron Curtain. This book, like this year’s Paris Photo, is one small step in that direction.

However the very richness of the work on display in this book – and to be found elsewhere across the former Soviet empire – surely owes something to the importance placed on culture and cultural organisations during those years – and which in turn stimulated vital dissident work. These artists grew up in more fertile soil than that provided by McDonalds and MTV.

Reading through the short biographies traces of this still exist – for example I learn that Pawel Bownikreceived a scholarship from the polish Ministry of Culture and National Heritage in 2008.” Here our governments give money to people who can run, jump, swim, throw, row or sail instead.

Latvian photographer Arnis Balcus, who took his MA in photography in London after after studying communications in Riga, addresses the Soviet past, or rather the ‘Collective Amnesia’ around it in his pictures which, by fortuitous alphabetism, start the book. His image of a young man in military uniform sitting on a rough bench outside a dreary and run-down block of flats, another identical in the distance, grass overlong and pushing up through the cracks in the pavement seems to me truly an archetypal post-Soviet image.

© 2010, Peter Marshall

To go through all 30 of the photographers in this book would take me until Christmas, and I’ve other things to do. You can order it from Blurb and it will cost you £31.47 plus postage; not cheap, but perhaps someone will give it you for a Chrismas present? You can see 69 pages on the preview there, including some of the work I found most interesting, for example by Krisztina Erdei from Hungary, whose work was on display at the Lumen stand (she is a founder and curator of that gallery and foundation.)

© 2010, Peter Marshall

This is a book I intend to return to from time to time, and perhaps write a little about some of the others included in it. I can’t say that I like every work in it, but certainly a much higher proportion than on the walls of Paris Photo hold some interest for me.

© 2010, Peter Marshall

But this book is also important in that it is a part of the new photographic publishing, through Blurb (and perhaps also other print on demand services, though at the moment Blurb seems clearly to be in the lead.)  Although print on demand will still remain as a cheap way for anyone to produce personal books for themselves, friends and family, increasingly it is becoming the way that serious photographic books – such as this – will reach their audience. The Blurb London Pop-Up – in which I took part in, and it also had a ‘Magnum‘ day – and their ‘Photography Book Now‘ contest and even my own Blurb books are all a part of this (and might solve those Xmas present problems too:-))

UPDATE:

PARIS PHOTO SUPPLEMENT is now on MY LONDON DIARY

Riot Girls?

© 2010, Peter Marshall
Schoolgirls join hands to peacefully stop attacks on a police van during student protests in London

Wednesday’s student fees demonstration in London had its interesting moments, but it wasn’t easy to photograph, partly because it was pretty chaotic. I got very much crushed in the crowd a number of times and it was fortunate that most of those there were friendly to the press – and when I went flying in the crush hands came out immediately to help me up.

I think together with most of the press who were actually there I was very clear that the police were determined to stop the students and try to discredit them, and that their tactics were designed to encourage the kind of mindless extremism that would give the protesters a bad name. The police took a lot of flak over their failure protect the Conservative HQ during the march on October 10 and were determined not to be caught with their pants down again.

© 2010, Peter Marshall
The start of the student march

Before they confined the large numbers of demonstrators in a small space in Whitehall the protest had shown its anger in the chants and placards, but had remained good-natured and entirely peaceful, at least so far as we could see.

Once prevented from the peaceful protest by kettling, things got a little more confused, but the great majority of those present were simply standing around looking confused. A few small bands of mainly young men who were masked up started to light small bonfires of placards in the middle of the street, and to push their way through the police, but gained little support.

In what everyone present was convinced was a deliberate police ploy, one rather old and rusty police van – its tyre treads worn almost smooth, had been left in the middle of the area where the protesters were confined. Later I was told it was due to be decommissioned the following day, but was unable to confirm this. Stewards and others warned everyone not to be taken in by this trap and provide images that would be splashed over the right-wing press and TV of “violent disorder” that would be used to discredit the demonstration by smashing it up, but a dozen or two masked protesters took no notice, pushing those who tried to stop them out of the way.

© 2010, Peter Marshall
A young woman argues with masked protesters who want to smash in the van windows

I was threatened while taking pictures like this one that I had better move away or they would smash my camera. I had my suspicions that at least one of this group might be an agent provocateur, one of a number of student and ex-student protesters in the pay of the police. There is at least one such young man who I regularly see at protests, but I couldn’t see him. Another who had deceived all his friends for years and encouraged vandalism and illegal acts at a number of protests was unmasked a couple of months ago, and there are almost certainly others still in most activist groups.

By now a number of young women on the protest had begun to surround the vehicle, and I took a number of pictures, one of which – at the head of this post was used in a couple of newspapers, and particularly in a piece headlined ‘Student protests: the riot girls’, although the caption accurately records ‘Schoolgirls join hands to peacefully stop attacks on a police van during student protests in London’.

Today, Sky News published a video taken shortly before the demonstration was kettled which shows the van already abandoned and the entirely peaceful atmosphere on Whitehall shortly  before police imposed the kettle. Although it describes the suggestion that the van was deliberately left there as a ‘conspiracy theory’, at least it is beginning to ask some of the right questions.

Later there were some more violent scenes as students tried a little half-heartedly to push their way through the police lines and escape the kettle. I was watching from one on top of one of the tank traps, and it was clear that a determined group would have pushed through them with little trouble in the ten or fifteen minutes before reinforcements arrived. But most people who got to the front of the crowd simply stood there and watched the police, not wanting to get involved in anything other than a peaceful demonstration.

A few light sticks and placards and the odd mainly empty plastic bottle were thrown at the police, many falling short on the crowd. One officer clearly lost it at one point and lay into some of the demonstrators around the side of one of the barriers wildly with his baton, but his colleagues restrained him. At another barrier an officer in riot gear obviously decided he wasn’t going to miss the chance of a bit of mindless violence and launched himself into the crowd, but had to retreat when none of his colleagues followed his lead.

Soon people gave up and drifted away towards a longer police line blocking the way to Downing St – where I followed but it was too crowded too get near. I pushed my way back out of the mass and made my way round to the side and then managed to get in just in front of the police line, but by then nothing was happening.

Unlike some kettles in past years, the police at this point where little was happening let those with press cards through the line. They were also letting a few demonstrators – mainly younger girls – out so long as they promised to go away and not come back. I did not see any young men being allowed out in the ten minutes or so I was around there.

It was clear that the kettle was going to keep going for some hours, keeping protesters confined largely without food, water or any toilet facilities on one of the coldest days of the year, but there seemed unlikely to be much more to report. I went home to file my story around 4pm and it was not until 10pm that police reported the area as clear, around 8 hours after they had confined the protesters there.

© 2010, Peter Marshall
CU*TS

On my way home I’d seen a group of 12 mounted police, and had thought “On No!” but decided I couldn’t wait to see what would happen. It was several hours later before they made a charge into the protesters. The Met at first denied that this had happened, but although most of the press had gone home by the time it happened, it was still caught on video. More recently police have tried to diminish its significance by claiming that the horses were only “trotting”, but the difference if you are a protester in a dark and confused area is hardly significant.

The press were slow to pick up on the story – but the video had been on YouTube for some time finally appeared on the Guardian site. Next morning I heard it mentioned on the BBC Today programme which simply interviewed a police spokesman advertising how useful police horses were in public order situations rather than looking at the actual incident.

Against Racism, Homophobia & Islamophobia

The NO to Racism, Fascism and Islamophobia march on Nov 6 was a decent size and had rather more of a carnival air than most since it was organised by Love Music Hate Racism (LMHR) as well as being organised by Unite Against Fascism (UAF). That did mean we got a DJ playing some very loud music, and when I found at one point I wanted to be right in front of the rather large speakers next to the lorry they were using I wished I had brought some ear plugs. It isn’t that I don’t like music, but when it reaches the kind of decibel level where all your internal organs vibrate it’s a bit too much. It used to amuse me when I saw the guys at Notting Hill Carnival photographing with ear-muffs on, but it makes more sense to me now.

© 2010, Peter Marshall

Both the UAF and LMHR are widely regarded as being closely linked to the Socialist Workers Party (SWP)  although both draw support from a wider range of people – and get funding from bodies such as the TUC which the SWP itself would not.  Many left-wing activists are SWP members and without the effort they put into organising things we would have far fewer demonstrations and they would be considerably smaller. Many of the more active members of Stop The War are also from the SWP.  I don’t suggest anything sinister here, it is simply a matter of fact and generally strongly evidenced by the number of people offering SWP petition forms and publications at demonstrations.

But it is bad news for photographers, as these organisations all share a style of stewarding that makes our job difficult. There is an obsession with control which seems to be central to the SWP mentality (and one reason why I’ll never join them.) Usually it is just a matter of keeping photographers away from the front of marches by surrounding the march with stewards who link arms to create an empty area in front of the banner, making it impossible to get within a reasonable working distance to the front of the march, or indeed to get good pictures of the front of a march from a longer view.

At one Stop The War march the photographers got so annoyed that we staged a sit-down in front of the march on Park Lane until we were allowed a few minutes access.  But it goes further and I’ve several times been assaulted by stewards at such events – although others have been more cooperative and have apologised for the  behaviour of others. During one march from the US embassy I was fortunate to escape serious injury when pushed violently backwards.  It’s not surprising that we sometimes amuse ourselves by making up other meanings for the initials SWP – such as ‘Sod Working Photographers‘.

There was some of that aggressive and obstructive behaviour at this event. One of my colleagues was assaulted and most of us were at times rather frustrated trying to get the pictures we needed. It just isn’t necessary and it certainly is counter-productive. Much larger demonstrations manage without stewards who think they are storm-troopers, and it is obviously in both the protesters and photographers interest to get the best pictures possible.

A little chaos really does work fine and it seldom gets out of hand, as photographers tend to regulate themselves though there are a few who don’t play the game – mainly those with big video cameras, like the guy who several times swung his round rapidly and hit me the other day. And there are those sad individuals who like to try and organise everything and everybody who deserve to be dealt with drastically by the stewards. But most of the time we get along OK, and if they stewards would just stand back and  let us get on with it unless a real problem arose we’d get better pictures without compromising the march in any way.

Fortunately I don’t often spend a lot of time at the front of marches where these things happen. Certainly on this one there didn’t seem to be any ‘celebrities’ who might occasionally need a little protection from a crush of photographers, and almost all the people I found interesting were further back in the march where I could wander around as I liked.  There the atmosphere was much friendlier.

© 2010, Peter Marshall

There had been some anticipation that there might be some trouble from members of the English Defence League during the march, but they had the sense to stay away. When we saw this dog, sitting with its owner watching the march go by, most of us probably drew the conclusion both from the St George flag and the appearance of the dog owner that this could have been one of them, but when one of my colleagues asked him he told us he had no sympathy for people who behaved like they do although he was proud to be English. It was a lesson about being careful not to jump to conclusions based on people’s appearance.

© 2010, Peter Marshall
For once the weather was good and I remembered to make reasonably sensible settings on my two cameras, and everything worked as it should. It does happen sometimes.

But by the time we got to Millbank, the light was beginning to fade and it was getting harder to work, and even at ISO 3200 people dancing just moved too much to be always sharp, so after another round of speeches I decided it was time to go home. There was actually another problem, which you can see in a few of the pictures on My London Diary  with light from a large TV screen, mainly filled with purple creating a rather unhealthy effect.

© 2010, Peter Marshall

But by then I was ready to go home anyway.

Jimmy Mubenga

 © 2010, Peter Marshall
Members of the Mubenga family at the Home Office entrance

The UK Borders Agency (UKBA) generally doesn’t like to do its own dirty work. It is after all a part of the civil service and accountable at least in theory to government. Its own staff would have to go through proper training programs and be subject to various codes of conduct and so on. Not that all that means a great deal or offers us a great degree of protection. But much of the really dirty work is contracted out to private enterprise companies whose main aim is profit, and are often prepared to cut corners, use poorly trained staff and turn a very blind eye towards their actions so long as the job gets done.

One area of activity where this appears to be happening is forcible deportations. Private security guards are used to take people  – usually from privately run detention centres – to airports and put them onto flights back to countries to which they do not want to return. Often they have very good reasons not to want to go and a genuine fear of imprisonment, torture and even death awaiting them at the end of the flight.

We have an immigration policy which is driven by right-wing racism, in particular in parts of the press which has resulted in Labour and Tory parties engaging in a bidding war to show themselves to be tougher on immigration than each other. The rules have been revised time after time to make it harder for asylum seekers to pursue their claims, with fast-track procedures being used to prevent proper consideration of cases. Those working in the UKBA are under great pressure to play the numbers game, removing as many people as possible.

Deporting people like Jimmy Mubenga makes no sense. He’d been living in this country for 16 years,  doing a useful job and contributing to our economy, paying our taxes and bringing up a family, who only know England, having grown up and been educated here. Stupidly he got into a fight in a club – the first time in years here that he had been in trouble – and was sent to prison. Because of that, after serving his sentence, a short time later he found himself being forced onto a plane bound for Angola, the country from where he fled for his life. Had he arrived back there he was convinced he would be killed or imprisoned, and very probably he was right, but we will now never know.

It took three men to get him on that BA Flight at Heathrow, and the witnesses say that they held him down as he screamed “They will kill me” again and again, and they held him down more and he screamed that he couldn’t breathe and they held him down more and everything went quiet and still they held him. Finally they called an ambulance, but the paramedics were unable to revive him.

Few forcible deportations make the news, but this one did. Unusual because a man was killed in front of witnesses rather than simply disappearing in another country. This was news, at least for a few hours – and should become news again when – assuming the Crown Prosecution Service can’t find a way to brush it under their extensive carpet – the three men responsible come to court.

© 2010, Peter Marshall
Jimmy Mubenga’s widow in tears supported by family

A month after the killing, Jimmy Mubenga’s family and various campaigners for justice for immigrants marched from the Angolan embassy to the Home Office to hand in a letter asking for a full inquiry not into this particular case – which is still the subject of a police inquiry – but the procedures used in such deportations, as well as asking that the Mubenga family’s immigration status be urgently resolved and that they be given indefinite leave to remain.

I was surprised to find that there was almost no interest in the event shown by the press. Apart from myself there was one other photographer and one videographer present; the only other journalist I saw was from a small left-wing daily. My story with some pictures went up on Demotix within 24 hours. A quick Google search finds no other report of the event (though the Guardian has covered aspects of the case well), other than a short note on BBC news obviously written by someone who wasn’t there that simply noted the march was taking place, and misleadingly refers to Mubenga as an “Angolan man who fell ill as he was being deported.” Asphyxiation as a result of having three men on top of you is not an illness.

© 2010, Peter Marshall
A Home Office official takes the letter. The family were upset that no-one could be let in to deliver it.

You can read more about the event and see more of my pictures in RIP Jimmy Mubenga – Killed at Heathrow on My London Diary. It’s the kind of story that makes me feel that what I’m doing is really worth doing even when I know I’m unlikely to sell any of my work from it.  I didn’t find it easy to take some of these pictures, and there were times I didn’t take pictures, but I think it was something that needed to be recorded.

Millbank & Misrepresentation

 © 2010, Peter Marshall

I’ve just posted my pictures from last Wednesday’s higher education march on My London Diary. The pictures I took tell a very different story from that which filled the news broadcasts and papers on Wednesday evening and throughout the next day or two. But of course most of those who pontificate about it weren’t there, and even those of us who were could only get a partial view. But I’ve talked to a number of others, read eyewitness accounts, watched the videos and seen the photographs taken by others as well.

© 2010, Peter Marshall
NUS President Aaron Porter passes Big Ben

The account I just uploaded to my web site – and this story here – both differ in some respects from what I wrote for Demotix on Wednesday night, because of what I’ve heard since from others who were there, but it was clear on the day that many published accounts were frankly sensationalism rather than based on fact. Even today the BBC continues to talk about the ‘storming’ of the building which just isn’t what happened. They are simply telling a lie on behalf of the political establishment and the government.

It wasn’t just the Met who got it wrong for the student protest on Wednesday; the journalists and photographers in particular did as well, which is why the editors and politicians got quite such an easy ride in making up their lies about what happened.

As the march came down Whitehall and we stopped to photograph it going through Parliament Square we’d talked about the possibility of trouble. And although one of the best-known anarchists had earlier told me “There’ll be plenty for you to photograph” I didn’t take the hint, or at least failed to understand it, though I doubt if he knew the details of what would happen.

© 2010, Peter Marshall
Sit-down in Parliament Square

I’d thought that the glass-fronted Millbank offices outside which I photographed in May had only been taken over by the Conservatives as their temporary election HQ, and didn’t realise they were still there six months later. Had I known that – and if I was the officer in charge of the policing I would have known it – I might have followed the front of the march down just in case rather than keep on taking pictures in Parliament Square. But probably not, as there had been little indication that there was likely to be anything special to photograph. Certainly there had been no organised bloc that looked like causing trouble – though many obviously angry students – and I’d seen few of those that I’ve photographed at previous events who might be expected to cause trouble. Several photographers commented to me that it didn’t look likely that things would take off.

So I was a little surprised when I heard (thanks to a tweet read by one of the students I was photographing) what was going on. I’d stayed on in Parliament Square as I thought there would be a few things of interest there (and there were) while quite a few of the other photographers had continued down towards Tate Britain, outside which the rally was being held.

But few if any of them were actually there when the first group of students walked into the offices and occupied them – more or less non-violently. There are some people taking pictures on the short and fairly amateur video I’ve seen, but I didn’t recognise any of them as professionals. Rather more of the press were there when the police made their second big mistake, which was to try and forcibly remove the protesters when they had too few officers to do the job sensibly.

The photographers who were there at that point tell me that there was a great deal of indiscriminate violence by the police, much of it against protesters offering no resistance – and some photographers also have the bruises from the batons and riot shields to prove it. The said the effect of this attack was to enrage many of those who until then had been onlookers and produce an angry mob, which was the start the real battle that took place, with the breaking of windows and a fair amount of indiscriminate violence, in a second wave of occupation.  Had the police reacted more calmly and sensibly, waiting until they had the resources to properly protect the building there might have been only minimal damage.

© 2010, Peter Marshall

By the time I heard about what was going on it hardly seemed worth rushing to get there  – I thought I would have missed everything. So I continued taking pictures for quite a while around Parliament, and then decided to make my way home by a route that took me along Millbank.

I ignored the NUS/UCU stewards who where by this time turning away protesters coming down Millbank at the Lambeth Bridge roundabout, telling people that the protest was all over and walked down towards the Millbank Tower. As I arrived a group of riot police got out of several vans and ran past me and into the crowded area; I tried to follow them but soon found my way blocked by a crowd of onlookers, so I went back and round into the courtyard which was slightly less packed with people, some standing around a couple of small fires.

© 2010, Peter Marshall
Not a riot!

Over their heads I could see a line of riot police facing the crowd with a small gap between. I pushed through the crowd and eventually got to the front and found myself with a number of other photographers, most of whom I knew, taking pictures.

By that time there wasn’t a great deal happening, and the police were adopting a low-key policy, at least outside the building, forming a line to prevent any further ingress. A few people in the crowd were still throwing the occasional piece of card or stick towards the police, and a number fell short on the photographers and crowd, and a number of those at the front occasionally shouted at the police. Generally it was almost good-natured – more a game than any serious attack by this time. The police certainly weren’t in any great danger and though a few looked a little stressed, many seemed to be quite enjoying it.

© 2010, Peter Marshall

A couple of fire-extinguishers were let off from the crowd, as well as from the roof and I got rather wet, and then covered with powder. Neither healthy for cameras. I wasn’t there when an empty extinguisher was thrown down from the roof, but on the video it’s clear that it caused an immediate angry chant from the crowd below as a stupidly irresponsible act. Someone – and and given the way it was lobbed it could have have been a protester rather than police – could easily have been killed,  was just luck that it missed everyone.

There didn’t seem to be a great deal of point in staying – there were hordes of photographers and videographers there and any pictures I got would be unlikely to add much to the coverage or even get used. Unlike some of the other photographers there I refuse to carry a helmet or hard hat, and this was a situation where I would have been happier with one on. So having taken a few pictures I left and walked across Vauxhall Bridge for a train home.

More detail about the event and more pictures on My London Diary.

EDL & Israel

I have my disagreements with the English Defence League, but have tried despite these to cover their London events as objectively as I can. Some of them at least realise this and so I was able to cover the event with relatively little harassment compared to some of the other photographers present. Several of the EDL stewards were supportive, and I only had a couple of minor problems, which were soon resolved. At one point a woman did start shouting at me, telling me to get on the other side of the road, but I simply walked away into the crowd of EDL and I think one of the stewards had a brief word with her.

© 2010, Peter Marshall
Handing out placards to the marchers
The meeting place for the march had to be changed at the last minute as the pub they had planned to use had decided to remain closed when it learnt they were coming there. Perhaps this was why I arrived at the event rather earlier than the other photographers and for around twenty minutes or so was the only photographer on the pavement with the protesters drinking outside the pub. Of course we all like to get pictures that other people don’t but there are also times when you welcome the support of colleagues.

© 2010, Peter Marshall
Rabbi Nachum Shifren with EDL supporters

Much of that time I was talking to the EDL members, and although most were happy to be photographed (and quite a few insisted on posing for me)  I spent much of the time being questioned about the way that the press in general treats the EDL, concentrating on acts of violence and pictures showing some of their more extreme members.  I tried to suggest to them that rather than blaming or attacking the photographers they should make sure there was no violence or other extremism to be photographed.

© 2010, Peter Marshall
The EDL supports gay rights

The EDL are also pained at being labelled racists and were keen to point out that they will not allow racism and that they support gay rights, and there were several placards making this clear.

Later some of the same people I’d been talking fairly sensibly with were among those baiting several of my colleagues and were making threats at another photographer until a police officer came and stood between them.

It was the speeches which upset me most on this occasion. I find the stand they have taken over Israel and their opposition to the Palestinian people hard to understand, and they seem to me to go deeply against our British traditions of fair play and support for the underdog. There really does seem to be a failure to distinguish between opposition to extremist Muslims – which I share – and opposition to all Muslims, particularly those who live in this country and most of whom are now our citizens. One of the guys I talked to outside the pub told me that Muslims may live here but they are not and never can be English.  I had to disagree.

You can read my account of the march and rally opposite the Israeli embassy in London on 14 October – with many more pictures – on My London Diary.