I’ve several times written about the lengthy and detailed researches into exactly what happened to Robert Capa on D-Day made by A D Coleman and his team and published in a long series of articles as their research developed. It’s a case study in thorough and diligent research, involving expertise from various fields including military history as well as photography, and one that, although not changing the handful of photographs Capa made, has certainly shown some very different readings of them.
Most of what photographic histories and biographies have told us in the past about the circumstances in which these pictures were made has been shown to be false; either deliberate invention or imaginative contructions by those well removed from the situation and with little knowledge of it.
Rather than have to read all of the over 40 articles on Coleman’s own web site (some in several parts, with the latest episode, Alternate History: Robert Capa on D-Day (40b) a few days ago) you can now read his precis on Petapixel, still a fairly lengthy read, Debunking the Myths of Robert Capa on D-Day.
We can now be certain beyond any reasonable doubt that Capa went in, not with the first wave of the landing but rather later, and on the least heavily defended section of the beach, where US soldiers met relatively little opposition, and that he never quite made the beach, taking only a small number of pictures – perhaps 10 or 12 – before rushing back to the landing craft and ship that had brought him there. Probably he made the right decision for a news photographer, to hurry back with those few pictures to meet his deadlines, but he does appear to have felt the need to support and elaborate an elaborate fiction to cover his actions. Capa was certainly a great story-teller, and bare truth seldom makes the best stories.
There was no darkroom accident that spoilt his film (and the story never made sense anyway.) Those men around the obstacles on the beach were not sheltering from enemy fire but getting on with the job of demolishing them. There were no bodies in his pictures, no bullets hitting the water. It wasn’t at all like the film version (and Capa’s published account was written as a film script.)
The research also looks at another Capa-related incident and image, the ‘Falling Soldier’ from the Spanish Civil War, where the detailed heavy lifting was done by others. It seems probable that the picture was not actually taken by Capa by by his partner Gerda Taro. The two worked as a team, and ‘Robert Capa’ was actually a joint invention of André Friedmann and Gerta Pohorylle; after her tragic death – the first woman war photographer to die in conflict – many of the pictures she had taken were attributed to Capa. It now seems to have been clearly shown that this was taken during a training exercise and that the soldier had merely tripped – and that no one was killed in its making.
The publication on PetaPixel comes at the start of the year in which the 75th anniversary of D-Day is to be celebrated, and already some authorities (including the ICP) are re-publishing the old, now totally discredited legends about Capa and his landing pictures. Let’s instead celebrate them (and the ‘Falling Soldier’) for what they are, powerfully iconic images which have become invested with a meaning that completely transcends the very different circumstances of their production.
[…] also drew a thoughtful response from Peter Marshall, who has proved himself a regular and supportive respondent to this project at his blog, Re-photo. […]