Visura 9

Issue 9 of Visura magazine is, as its predecessors, full of delights, and doubtless you will find your own and different highlights from mine. Cheryl Karaliks‘s five deaf boys raising their hands in the air in Bobo Dioulasso, Burkina Faso in 1991 certainly lifted my heart and there are many other fine images in her ‘Notes from Africa.’ Alex and Rebecca Webb’s ‘Violet Isle‘ includes many amazing colour images by both, and it was a joy to view the work again.

The work in this issue is extremely varied, and living up to the magazine’s policy which is to feature “personal projects chosen by the contributing artists themselves” with “texts that accompany projects … edited through a collaborative process with the artists” with the goal “to be true to their voice“. Although it is an ‘invitation only’ publication, photographers are invited to include a link to a series of their personal work on the ‘Your View’ page.

I still have some problems with the web design – or perhaps with my connection to the site. I don’t know if I saw all the pictures in some of the essays, as on the final image I reached there was still a button for the next image – but clicking it failed to load more. The initial image for each feature also came equipped with a ‘previous’ button that did nothing on my browser. For some features – including my two favourites mentioned above – I could find no accompanying text other than the image captions, and where the text was on the other features there was a large area of empty space.  I was left wondering whether the photographers had wanted their images shown without text, or whether the text had for some reason failed to load.  It remains the kind of site where I sometimes am left wondering whether I’d using the right browser or have the right plugins loaded.

For some time I’ve been convinced that the future of photography magazines is on the web, and Visura I think is in most ways a good example of how that future will be. Visura has great content and it looks good on my screen (and after all photographers need to have good screens, accurately calibrated to process their own work – so what could be better to view the work of others?)

Previous issues are still available in the archive section of the site and there are many fine features there to discover if you haven’t been a regular reader.

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