{"id":930,"date":"2010-02-24T21:43:18","date_gmt":"2010-02-24T21:43:18","guid":{"rendered":"http:\/\/re-photo.co.uk\/?p=930"},"modified":"2010-02-24T21:43:18","modified_gmt":"2010-02-24T21:43:18","slug":"critical-mass","status":"publish","type":"post","link":"http:\/\/re-photo.co.uk\/?p=930","title":{"rendered":"Critical Mass"},"content":{"rendered":"<p><em>Critical Mass<\/em> is not just for cyclists.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mylondondiary.co.uk\/2004\/04\/30\/040430_n108.jpg\" title=\"\u00a9 2004 Peter Marshall\" alt=\"\u00a9 2004 Peter Marshall\" height=\"297\" width=\"450\" \/><br \/>\n<a href=\"http:\/\/mylondondiary.co.uk\/2004\/04\/apr.htm\" target=\"_blank\"><small>Ten Years of Critical Mass<\/small><\/a><small> &#8211; Cyclists show their strength in London. April 2004<\/small><\/p>\n<p>&#8220;<em>Critical Mass is a program about exposure and community<\/em>&#8221; says <em>Photolucida<\/em>, an arts non-profit based in Portland, Oregon, USA which runs this competitive programme. It&#8217;s a fairly simple and not too expensive way to try to get your work seen by a lot of people in the world of photography.<\/p>\n<p>The initial stage costs $75 and gets your 10 submitted images seen by a group of around 20-25 jurors, many connected with Photolucida and Portland which makes a selection of the top 175 from each year&#8217;s crop.<\/p>\n<p>These finalists then pay another $200 and their work gets sent to a fairly impressive list of 200 jurors, mainly from the USA, but with a sprinkling from around the world. These jurors get a CD-ROM containing the pictures and &#8220;<em>a hard-copy thumbnail image index of all the artists with contact information<\/em>.&#8221;<\/p>\n<p>These jurors then select their top 50 photographers, who get the opportunity to have their work in a <em>Critical Mass Top 50<\/em> show at <em>Photographic Center Northwest<\/em> in Seattle, USA, and Photolucida will publish monographs for 2 or more photographers from among the top-scoring finalists. Their work is also shown on the Critical Mass pages on the Photolucida web site &#8211; and you can now see the <a href=\"http:\/\/www.photolucida.org\/cm_winners.php?CMYear=2009&amp;event_id=10%202009\" target=\"_blank\">2009 Top 50<\/a> there, as well as those from the previous five years.<\/p>\n<p>All entrants get copies of that year&#8217;s monographs &#8211; though they may take a couple of years to come out &#8211; as well as a CD containing all of the submitted work.<\/p>\n<p>If you are thinking of entering you have a few months to get your entry ready, as registration for Critical Mass takes place in late summer. $75 isn&#8217;t a great deal of money and you are going to get two or three decent photo books in return. The publicity for the top 50 must be worth the extra $200, and the chance of publication. So if you think the world is ready for your work it is certainly worth thinking about.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mylondondiary.co.uk\/2006\/05\/26\/060526_d0287.jpg\" title=\"\u00a9 2006 Peter Marshall\" alt=\"\u00a9 2006 Peter Marshall\" height=\"301\" width=\"450\" \/><br \/>\n<small><a href=\"http:\/\/mylondondiary.co.uk\/2006\/05\/may.htm\" target=\"_blank\">May 2006<\/a>: Brian Haw lectures Critical Mass cyclists, asking where they were on Tuesday morning.<\/small><\/p>\n<p>Meanwhile, back in London, <em>Critical Mass<\/em> continues to happen on the last Friday evening of every month<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Critical Mass is not just for cyclists. Ten Years of Critical Mass &#8211; Cyclists show their strength in London. April 2004 &#8220;Critical Mass is a program about exposure and community&#8221; says Photolucida, an arts non-profit based in Portland, Oregon, USA which runs this competitive programme. It&#8217;s a fairly simple and not too expensive way to &hellip; <a href=\"http:\/\/re-photo.co.uk\/?p=930\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Critical Mass<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[6,2],"tags":[],"class_list":["post-930","post","type-post","status-publish","format-standard","hentry","category-photo-issues","category-photographers"],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=930"}],"version-history":[{"count":0,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/930\/revisions"}],"wp:attachment":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=930"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}