{"id":8608,"date":"2018-07-19T10:50:27","date_gmt":"2018-07-19T10:50:27","guid":{"rendered":"http:\/\/re-photo.co.uk\/?p=8608"},"modified":"2018-07-20T09:11:44","modified_gmt":"2018-07-20T09:11:44","slug":"not-quite-deja-vu","status":"publish","type":"post","link":"http:\/\/re-photo.co.uk\/?p=8608","title":{"rendered":"Not Quite D\u00e9j\u00e0-vu"},"content":{"rendered":"

This morning I took a look at the front page of Caf\u00e9 Royal Books<\/a>, a small independent publishing house based in Southport, England originally set up in 2005 by Craig Atkinson<\/em> as a “way to disseminate drawings and photographs, in multiple, affordably, quickly, and internationally without relying on ‘the gallery’<\/em>“.<\/p>\n

Since 2012, Caf\u00e9 Royal Books has published at least weekly an ongoing series of publications presenting mainly ‘British Documentary Photography since 1960’. As he says on the site:<\/p>\n

“This type of work has historically been neglected, in the UK and overseas by major institutions. It is often neglected by the photographer too, possibly because there has been no outlet, as such, for it.”<\/p>\n

The publications usually present a series of images by a single photographer on a single project. It may be the work from a single event or representing a much longer project.\u00a0 CRB has produced some larger works, but these weekly publications are generally between 24 and 40 pages, more a zine than a book, with the aim of building up a comprehensive survey of the area of work. Some photographers are represented by quite a few such volumes, in some cases more than 20, while others have preferred to stop at a single issue.<\/p>\n

Atkinson keeps down costs, wanting to keep the issues affordable – currently \u00a36 each for most.\u00a0 You can get every title (except the special editions etc) with a 60 issue subscription – roughly the annual output – and there are also limited editions in a boxed set of 100 books every 100th title aimed\u00a0“at public collections, so the books remain accessible<\/em>.”<\/p>\n

Among the photographers who have already had issues published are some very well-known names – including Martin Parr, Jo Spence, Daniel Meadows, Brian Griffin, David Hurn, Victor Sloan, Chris Killp, Paul Trevor<\/em> and others, but some of the best books are by people you may well never have heard of.<\/p>\n

The three most recent titles are Diane Bush \u2014 The Brits, England in the 1970s<\/em>,
\nIan MacDonald \u2014 Greatham Creek 1969\u20131974<\/em> and Janine Wiedel \u2014 Chainmaking: The Black Country West Midlands 1977<\/em>, each worth a look, and you can page through them on the web site. Another recent title is John Benton-Harris \u2014 The English<\/a><\/em>, where I have to declare an interest, as I helped John translate his ideas into digital form. It’s a great introduction to the work of this photographer who came to London to photograph Churchill’s funeral and stayed here as one of our most perceptive observers – and was also largely responsible for the seminal 1985 Barbican show ‘American Images 1945-80<\/em>‘, providing most of the ideas and contacts and doing much of the legwork for which others were rather better at taking most of the credit.<\/p>\n

But the d\u00e9j\u00e0-vu? It came on the back cover of a book by another US visitor to this country, Diane Bush<\/em>, who was here from 1969 for ten years, becoming a part of the Exit Photography Group with Paul Trevor and Nicholas Battye which produced ‘Down Wapping<\/em>‘. On the back cover of her ‘The Brits, England in the 1970s’ was a picture of a car <\/a> parked in front of a fence, using the reflections of that fence. It isn’t the same car nor I think the same fence, nor quite the same treatment, but I immediately thought of my picture<\/a> when I saw hers.<\/p>\n

\"\"
\nParked car, Vauxhall, Lambeth, 1978 – Peter Marshall<\/small><\/p>\n

I don’t think there is much possibility that I had seen her picture when I took mine, but have a nagging suspicion that somewhere, by some photographer, is a similar image that we both had seen before making our pictures.
\n______________________________________________________<\/p>\n

There are no adverts on this site and it receives no sponsorship, and I like to keep it that way. But it does take a considerable amount of my time and thought, and if you enjoy reading it, a small donation<\/a> – perhaps the cost of a beer – would be appreciated. <\/small><\/p>\n

My London Diary<\/a> : London Photos<\/a> : Hull<\/a> : River Lea\/Lee Valley<\/a> : London’s Industrial Heritage<\/a><\/small><\/p>\n

All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.<\/small><\/p>\n

To order prints or reproduce images<\/a><\/small><\/p>\n<\/p>\n

________________________________________________________<\/p>\n","protected":false},"excerpt":{"rendered":"

This morning I took a look at the front page of Caf\u00e9 Royal Books, a small independent publishing house based in Southport, England originally set up in 2005 by Craig Atkinson as a “way to disseminate drawings and photographs, in multiple, affordably, quickly, and internationally without relying on ‘the gallery’“. Since 2012, Caf\u00e9 Royal Books … Continue reading Not Quite D\u00e9j\u00e0-vu<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[3,6,2,5],"tags":[],"class_list":["post-8608","post","type-post","status-publish","format-standard","hentry","category-my-own-work","category-photo-issues","category-photographers","category-reviews-etc"],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/8608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8608"}],"version-history":[{"count":2,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/8608\/revisions"}],"predecessor-version":[{"id":8610,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/8608\/revisions\/8610"}],"wp:attachment":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8608"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}