{"id":8546,"date":"2018-06-26T09:41:55","date_gmt":"2018-06-26T09:41:55","guid":{"rendered":"http:\/\/re-photo.co.uk\/?p=8546"},"modified":"2018-06-26T09:41:55","modified_gmt":"2018-06-26T09:41:55","slug":"david-goldblatt-1930-2018","status":"publish","type":"post","link":"http:\/\/re-photo.co.uk\/?p=8546","title":{"rendered":"David Goldblatt (1930-2018)"},"content":{"rendered":"<p>One of the first photographic books I bought was &#8216;On The Mines&#8217; by<em> David Goldblatt<\/em> and <em>Nadine Gordimer,<\/em> published in 1973 in Cape Town, and I think purchased from Creative Camera&#8217;s bookroom in Doughty St, which played an important role in my own development as a photographer. Unlike many books, I still have that first edition hardback, and can still find it and am sitting looking at one of Goldblatt&#8217;s best-known pictures on its back dust-jacket, &#8220;Boss Boy&#8221;, taken in 1966 and from the essay &#8216;<em>The Witwatersrand<\/em>: a time and tailings&#8217; with Gordimer&#8217;s text and Goldblatt&#8217;s pictures and captions which is the first of three parts of the book &#8211; which continues with his &#8216;<em>Shaftsinking<\/em>&#8216; and &#8216;<em>Mining Men<\/em>&#8216;.<\/p>\n<p>So far I&#8217;ve read five obituaries of Goldblatt, though doubtless many more will be published, and I may even look out a dust off a short piece I wrote about him perhaps 20 years ago, though probably not, as certainly others knew him far better and probably wrote more perceptively about his work. Of course, back when I was growing up we all knew about apartheid and condemned it &#8211; and as a teenager I remember acting a part in a play about it, and later joining the Anti-Apartheid Movement and going on marches and protests.<\/p>\n<p>But Goldblatt&#8217;s photographs, often very calm and carefully composed like that superbly framed &#8216;Boss Boy, the tips of the folding rule in his top pocket a fraction from the tope of the frame and his presentation &#8216;Zobo watch presented by the company for his safe working at the bottom edge,\u00a0and on his left arm the company&#8217;s three star rank &#8216;Boss Boy&#8217; metal badge touching the right edge of the picture, along with the texts strikingly brought home the realities of living under the Apartheid regime.<\/p>\n<p>The five articles I&#8217;ve so far read are in the <a href=\"https:\/\/www.nytimes.com\/2018\/06\/25\/obituaries\/david-goldblatt-acclaimed-south-african-photographer-dies-at-87.html\" target=\"_blank\">New York Times<\/a>, <a href=\"https:\/\/www.dailymaverick.co.za\/article\/2018-06-26-david-goldblatt-the-art-of-capturing-a-new-truth\/\" target=\"_blank\">The Daily Maverick<\/a>\u00a0\u00a0and <a href=\"https:\/\/mg.co.za\/article\/2018-06-25-david-goldblatt-has-died\" target=\"_blank\">Mail and Guardian<\/a> from Zambia,\u00a0 <a href=\"https:\/\/www.aljazeera.com\/news\/2018\/06\/david-goldblatt-documented-apartheid-south-africa-dies-180625221250317.html\" target=\"_blank\">Al Jazeera<\/a> and <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2018\/jun\/25\/david-goldblatt-south-africa-dies-aged-87-photographer\" target=\"_blank\">The Guardian<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>One of the first photographic books I bought was &#8216;On The Mines&#8217; by David Goldblatt and Nadine Gordimer, published in 1973 in Cape Town, and I think purchased from Creative Camera&#8217;s bookroom in Doughty St, which played an important role in my own development as a photographer. Unlike many books, I still have that first &hellip; <a href=\"http:\/\/re-photo.co.uk\/?p=8546\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">David Goldblatt (1930-2018)<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[8,2,7],"tags":[],"class_list":["post-8546","post","type-post","status-publish","format-standard","hentry","category-photo-history","category-photographers","category-political-issues"],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/8546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8546"}],"version-history":[{"count":2,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/8546\/revisions"}],"predecessor-version":[{"id":8548,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/8546\/revisions\/8548"}],"wp:attachment":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8546"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}