{"id":6789,"date":"2017-01-08T11:59:48","date_gmt":"2017-01-08T11:59:48","guid":{"rendered":"http:\/\/re-photo.co.uk\/?p=6789"},"modified":"2017-01-08T11:59:48","modified_gmt":"2017-01-08T11:59:48","slug":"do-i-have-a-problem","status":"publish","type":"post","link":"http:\/\/re-photo.co.uk\/?p=6789","title":{"rendered":"Do I have a problem?"},"content":{"rendered":"<p>On the &#8216;<em>United Nations of Photography<\/em>&#8216; site you can read a contribution by an anonymous ex-photographer, who took his last picture as a professional in 2006, <a href=\"https:\/\/unitednationsofphotography.com\/2016\/01\/22\/im-a-photographer-and-i-have-a-problem\/\" target=\"_blank\">I\u2019m a Photographer and I Have a Problem\u2026<\/a>, and it got me thinking a little about my own and other photographer&#8217;s motives, particularly in the main area of photography which I&#8217;m now involved with.<\/p>\n<p>The writer is not the only photographer I&#8217;ve known who has had similar thoughts and a change of career &#8211; in his case to becoming &#8220;<em>a Support Worker (\u00a37.20 per hour) at a Residential Drug and Alcohol Rehabilitation Centre.<\/em>&#8221; The current weekly hourly minimum in the UK, it&#8217;s actually better money than many photographers now earn, though I&#8217;m sure that was not the reason for the change.<\/p>\n<p>Yesterday as I waited outside <a href=\"https:\/\/goo.gl\/KSlb1N\" target=\"_blank\">Harrods for a protest<\/a> there to begin, I was talking to one photographer about the poor wages earned by some workers in the world&#8217;s richest store owned by the richest family in the world &#8211; the Qatari royal family. Many of the waiters there get either that same legal minimum hourly rate, or just a few pence more, while that &#8220;needy&#8221; family get the lion&#8217;s sahre of the tips and service charge the public think are for them. We reflected that many if not most of the photographers present put in long hours for a pretty low return, in many cases amounting to an even lower hourly rate than that minimum.<\/p>\n<p>I thought too of a series of exchanges with <em>Chauncey Hare<\/em> after I&#8217;d written about his work. I&#8217;d first seen his work when Lewis Baltz showed some of it at a workshop I attended, and went out and bought his 1978 book &#8216;Interior America&#8217;. In the 80s he gave up on photography and became a therapist who concentrated on work related abuse. The piece I wrote about him is no longer on the internet, but you can read a<a href=\"http:\/\/5b4.blogspot.co.uk\/2009\/11\/protest-photographs-by-chauncey-hare.html\" target=\"_blank\"> review on &#8216;5B4&#8217;<\/a> of the eventual republication of his work as &#8216;<a href=\"http:\/\/www.foto8.com\/live\/protest-photographs-by-chauncey-hare\/\" target=\"_blank\">Protest Photographs<\/a>&#8216;, an extended version of that 1978 Aperture publication.<\/p>\n<p>While informative, Mr. Whiskets&#8217;s review is I think in one aspect misleading. The light printing of the book was not &#8220;<em>so typical of books from the late 70s<\/em>&#8221; but was the result of a deliberate aesthetic choice by Hare &#8211; as was the harsh flash lighting; I think he did not want his work and the book to be seen as &#8220;art&#8221; but as a manifesto. But I was pleased when in 2009, a few years after our on-line conversation, someone managed to persuade him, as I had failed, to have his work re-published.<\/p>\n<p>The anonymous photographer&#8217;s article is illustrated with an image of smashed cameras and equipment; Hare threatened to destroy all of his work &#8211; 50,000 negatives, 3500 prints and 30,000 35mm slides and many taped interviews &#8211; unless the <a href=\"http:\/\/www.lib.berkeley.edu\/libraries\/bancroft-library\/pictorial-collection\" target=\"_blank\">University of California&#8217;s Bancroft Library<\/a> would accept it as a donation. Fortunately they did, and now the library holds all rights and permission to reproduce pictures from his work in social situations requires the following sentence to be used with them: &#8220;<em>These photographs were (or &#8216;this photograph was&#8217;) made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national corporations and their elite owners and managers<\/em>.&#8221; There are no items on-line.<\/p>\n<p>Later yesterday, another photographer said to me that he didn&#8217;t mind about the protest we were photographing, all he wanted was &#8220;<em>some action<\/em>&#8220;. I didn&#8217;t reply but thought to myself that I was only there because I did mind, did care about the issues and the people, and that although I&#8217;d do my best to take pictures of anything dramatic that occurred, it wasn&#8217;t what motivated me.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On the &#8216;United Nations of Photography&#8216; site you can read a contribution by an anonymous ex-photographer, who took his last picture as a professional in 2006, I\u2019m a Photographer and I Have a Problem\u2026, and it got me thinking a little about my own and other photographer&#8217;s motives, particularly in the main area of photography &hellip; <a href=\"http:\/\/re-photo.co.uk\/?p=6789\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Do I have a problem?<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[3,6,2],"tags":[],"class_list":["post-6789","post","type-post","status-publish","format-standard","hentry","category-my-own-work","category-photo-issues","category-photographers"],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/6789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6789"}],"version-history":[{"count":2,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/6789\/revisions"}],"predecessor-version":[{"id":6792,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/6789\/revisions\/6792"}],"wp:attachment":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6789"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6789"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}