{"id":647,"date":"2009-05-07T22:01:43","date_gmt":"2009-05-07T22:01:43","guid":{"rendered":"http:\/\/re-photo.co.uk\/?p=647"},"modified":"2009-05-07T22:01:43","modified_gmt":"2009-05-07T22:01:43","slug":"lightroom-magic-brush","status":"publish","type":"post","link":"http:\/\/re-photo.co.uk\/?p=647","title":{"rendered":"Lightroom Magic Brush?"},"content":{"rendered":"<p>One small discovery in using Lightroom that has really changed things for me.<\/p>\n<p>Ever since the program came out I&#8217;ve had problems with the &#8216;Recovery&#8217; slider which you can use to\u00a0 &#8216;recover&#8217; image highlights &#8211; areas of the picture that are too bright to fit on the histogram.\u00a0 If you load any image and slide this slider from 0-100 you will see that although it does shift the highlights down, it also alters all areas of the histogram, and that with higher values you get very dull-looking highlights.<\/p>\n<p>So I try to use only very low values of &#8216;Recovery&#8217;, if any at all, usually reducing the level set by the Auto-tone that&#8217;s part of my development preset. This usually leaves large areas marked in red as being overbright (that setting you toggle with the &#8216;J&#8217; key.)<\/p>\n<p>Sometimes you can get rid of these simply by reducing the Exposure Value, but of course that will usually make the image too dark. But while Auto-tone often seems to over-egg the &#8216;Recovery&#8217; it generally seems to soft-pedal on &#8216;Fill Light&#8217;, and increasing this can both sort out those blue blocked shadow areas and brighten up the picture . And if necessary you can brighten up a bit more with the &#8216;Brightness&#8217; slider.<\/p>\n<p>The I had what in retrospect seems a blindingly obvious idea (and it&#8217;s probably mentioned in all those books on using Lightroom I&#8217;ve never quite got round to buying because I know I&#8217;d never get round to reading them.)<\/p>\n<p>Often if the &#8216;red&#8217; areas are just in the sky or other easy areas I&#8217;d simply attack those areas with the selective brush tool, usually using a value of around -40 for exposure. But this sometimes brought the problem of giving obviously visible boundaries, and in skies sometimes some very artificial looking cloud edges and poster-like effects.<\/p>\n<p>The obvious answer was to use a brush set to both decrease Exposure and increase Brightness, and after a little experiment I found that sets of values like -40E, +25B or -50E, +35B did more or less as I wanted, bringing in over-cooked highlights while the rest of the histogram stayed more or less unchanged.\u00a0 Because it has zero effect except on very light values you don&#8217;t need to worry about applying it carefully, and can use a broad brush, applying it several times to the same area (with a K, K to turn it off and on again)\u00a0 if necessary. It all seems too good to be true.<\/p>\n<p>Of course no kind of magic can get back the really over-exposed, where you have over-saturated the sensor and there is no detail, but I have rescued a few shots which I&#8217;d thought were impossible. In more extreme cases it may help to add a little &#8216;Contrast&#8217; and &#8216;Saturation&#8217; to the brush as well.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>One small discovery in using Lightroom that has really changed things for me. Ever since the program came out I&#8217;ve had problems with the &#8216;Recovery&#8217; slider which you can use to\u00a0 &#8216;recover&#8217; image highlights &#8211; areas of the picture that are too bright to fit on the histogram.\u00a0 If you load any image and slide &hellip; <a href=\"http:\/\/re-photo.co.uk\/?p=647\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Lightroom Magic Brush?<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-647","post","type-post","status-publish","format-standard","hentry","category-technical"],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=647"}],"version-history":[{"count":0,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/647\/revisions"}],"wp:attachment":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=647"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=647"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}