{"id":516,"date":"2009-01-05T22:23:47","date_gmt":"2009-01-05T22:23:47","guid":{"rendered":"http:\/\/re-photo.co.uk\/?p=516"},"modified":"2009-01-05T22:35:41","modified_gmt":"2009-01-05T22:35:41","slug":"facing-new-york-onlilne-photographer","status":"publish","type":"post","link":"http:\/\/re-photo.co.uk\/?p=516","title":{"rendered":"Facing New York &#8211; Online Photographer"},"content":{"rendered":"<p>Way back in 1992 I got <em>Bruce Gilden<\/em>&#8216;s &#8216;<em>Facing New York<\/em>&#8216; to review. It was filled with powerful street images, taken close, often using flash. I can&#8217;t recall what I then wrote, but although I found the pictures amazing, they also appalled me, seeming at least in some cases to be going far beyond a line that respected the dignity of the subjects.<\/p>\n<p>I&#8217;ve often taken pictures of people which have accidentally caught them looking idiotic, perhaps because of a particular gesture or momentary expression. I have a simple rule which is to try and think what I would feel if I saw a picture of me looking like that, and if I would be hurt.<\/p>\n<p>It&#8217;s a rule I apply whether I&#8217;m taking pictures with actual or implied permission &#8211; for example of politicians speaking at public events &#8211; or photographing without the permission of those in the picture. Often there are good and entirely justifiable reasons to take pictures of people without permission, and I certainly don&#8217;t think that we have rights over our appearance, but I&#8217;ve always felt that as a photographer I have a responsibility to those whose pictures I take not to misrepresent them.<\/p>\n<p>Perhaps its a difference in culture. Another New Yorker (Gilden actually comes from Brooklyn)\u00a0 often tells me that as a photographer I&#8217;m too nice, too soft, which is one of several reasons why my pictures aren&#8217;t as good as they should be!<\/p>\n<p>I thought again about Gilden on reading <a href=\"http:\/\/theonlinephotographer.typepad.com\/the_online_photographer\/2008\/12\/whaddaya-mean-n.html\" target=\"_blank\"><em>The Online Photographer<\/em><\/a>, which a few days ago carried a link to a video of him working on the streets of New York. It&#8217;s interesting to see the reactions of some of those that he photographs, which are fairly varied, with some clearly thinking it a great joke, while others look frightened or aggreived by the photographer&#8217;s actions.<\/p>\n<p>The video also includes some of his stronger images from &#8216;<em>Facing New York<\/em>&#8216; and you can see more of his work on his <a href=\"http:\/\/www.magnumphotos.com\/Archive\/C.aspx?VP=XSpecific_MAG.PhotographerDetail_VPage&amp;l1=0&amp;pid=2K7O3R1482X4&amp;nm=Bruce%20Gilden\" target=\"_blank\">Magnum <\/a>pages. As is pointed out on the site, images on Magnum are published rather small and with intrusive visible watermarks that often make images almost impossible to view.<\/p>\n<p>The discussion continues on <em>The Online Photographer<\/em>, which published a clearer version of<a href=\"http:\/\/theonlinephotographer.typepad.com\/the_online_photographer\/2009\/01\/random-excellen.html\" target=\"_blank\"> one of his images<\/a> on 1 Jan. A later related post there is entitled <em><a href=\"http:\/\/theonlinephotographer.typepad.com\/the_online_photographer\/2009\/01\/when-aholes-do.html\" target=\"_blank\">When A**holes Do Good Work.<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Way back in 1992 I got Bruce Gilden&#8216;s &#8216;Facing New York&#8216; to review. It was filled with powerful street images, taken close, often using flash. I can&#8217;t recall what I then wrote, but although I found the pictures amazing, they also appalled me, seeming at least in some cases to be going far beyond a &hellip; <a href=\"http:\/\/re-photo.co.uk\/?p=516\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Facing New York &#8211; Online Photographer<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[6,2],"tags":[],"class_list":["post-516","post","type-post","status-publish","format-standard","hentry","category-photo-issues","category-photographers"],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/516","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=516"}],"version-history":[{"count":0,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/516\/revisions"}],"wp:attachment":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=516"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=516"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=516"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}