{"id":3923,"date":"2014-04-28T09:39:26","date_gmt":"2014-04-28T09:39:26","guid":{"rendered":"http:\/\/re-photo.co.uk\/?p=3923"},"modified":"2014-04-27T13:40:21","modified_gmt":"2014-04-27T13:40:21","slug":"liebling-fink","status":"publish","type":"post","link":"http:\/\/re-photo.co.uk\/?p=3923","title":{"rendered":"Liebling Revisited"},"content":{"rendered":"<p>Some posts just get away, falling into the cracks in my computer system and my failing memory. Often I&#8217;ll see something and make a quick note, perhaps save a link as a draft post in WordPress, or in the text editor I usually write with &#8211; a kind of beefed up Notepad, which allows me to work on several documents but doesn&#8217;t add\u00a0 the kind of formatting that word processors do, making it easier to paste text into various applications. I&#8217;ll save the draft or the text file, intending to come back to it later. But later is usually after I&#8217;ve been out taking pictures, and by the time I&#8217;ve finished dealing with these and writing the captions and text I&#8217;ll have forgotten all about the draft I wrote before I went out.<\/p>\n<p>So I saved a draft a couple of weeks ago, and then came across it today, about an article on the New York Times Lens Blog, <a href=\"http:\/\/lens.blogs.nytimes.com\/2014\/04\/11\/look-again-with-love-and-liebling\/\" target=\"_blank\">Look Again, With Love and Liebling<\/a>, by James Estrin.<\/p>\n<p>Well for me it was looking again, as I think all the pictures (certainly almost all) are in Jerome Liebling&#8217;s 1995 Aperture book The People, Yes which I have on a shelf downstairs. Its title comes from that of Carl Sandburg&#8217;s epic 300 page poem, published in 1936,\u00a0 inspired by the the language and lives of &#8216;ordinary people&#8217; in the economic and social upheavals of the 1930s, and Liebling&#8217;s work reflects a similar social and political outlook, reflecting his photographic studies with Walter Rosenblum and membership of the New York Photo League. I&#8217;ve written about Liebling in the past, but there was a good obituary with some details by Sean O&#8217;Hagan in <a href=\"http:\/\/www.theguardian.com\/artanddesign\/2011\/sep\/07\/jerome-liebling-obituary\" target=\"_blank\">The Guardian<\/a> in 2011.<\/p>\n<p>The Lens blog was published shortly before the end of a show of Liebling&#8217;s work at the Steven Kasher gallery in New York, which you can read more about on the <a href=\"http:\/\/www.jeromeliebling.com\/\" target=\"_blank\">Jerome Liebling<\/a> web site. On the videos page there you can listen to him talking about his work and the people in his photographs:<\/p>\n<p style=\"padding-left: 30px;\">&#8220;There are no superiors, I think we&#8217;re all about the same, but there certainly are advantages in life, and money and who writes the history ..\u00a0 so I suppose I&#8217;m saying these are valuable people&#8230;&#8221;<\/p>\n<p>He goes on to talk about his work as showing &#8220;the politics of everyday life&#8221; and the idea that going to look at the work should get people to challenge their ideas.<\/p>\n<p>You can also read an interesting piece by Randy Kennedy in the New York Times in 2006, <a href=\"http:\/\/www.nytimes.com\/2006\/10\/19\/arts\/design\/19lieb.html?_r=0\" target=\"_blank\">The Still-Life Mentor to a Filmmaking Generation<\/a> which looks at Liebling&#8217;s influence on documentary film through his teaching in which &#8220;<em>he tried mostly to impart a deep suspicion of dogma, of piousness and of the compromises that can lie just beneath the surface of American culture<\/em>.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some posts just get away, falling into the cracks in my computer system and my failing memory. Often I&#8217;ll see something and make a quick note, perhaps save a link as a draft post in WordPress, or in the text editor I usually write with &#8211; a kind of beefed up Notepad, which allows me &hellip; <a href=\"http:\/\/re-photo.co.uk\/?p=3923\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Liebling Revisited<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[6,2,7],"tags":[],"class_list":["post-3923","post","type-post","status-publish","format-standard","hentry","category-photo-issues","category-photographers","category-political-issues"],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/3923","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3923"}],"version-history":[{"count":6,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/3923\/revisions"}],"predecessor-version":[{"id":5196,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/3923\/revisions\/5196"}],"wp:attachment":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3923"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3923"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}