{"id":3148,"date":"2013-11-08T08:31:38","date_gmt":"2013-11-08T08:31:38","guid":{"rendered":"http:\/\/re-photo.co.uk\/?p=3148"},"modified":"2013-11-01T15:32:09","modified_gmt":"2013-11-01T15:32:09","slug":"ed-van-der-elsken","status":"publish","type":"post","link":"http:\/\/re-photo.co.uk\/?p=3148","title":{"rendered":"Ed van der Elsken"},"content":{"rendered":"<p>Perhaps one of the best introductions to Ed van der Elsken&#8217;s work was by <a href=\"http:\/\/www.theguardian.com\/artanddesign\/2011\/feb\/10\/van-der-elsken-left-bank\" target=\"_blank\">Sean O&#8217;Hagan in The Guardian<\/a> when his classic Love on the Left Bank, first published in 1956, was published in a facsimile edition by <em>Dewi Lewis<\/em> in 2011.\u00a0\u00a0 As O&#8217;Hagan makes clear, despite the raw documentary look and feel (&#8216;<em>grainy, monochrome cin\u00e9ma v\u00e9rit\u00e9&#8217;<\/em>), the book is a fictional work, a &#8216;photo-novel&#8217;. In another well-turned phrase, O&#8217;Hagan calls it &#8216;<em>one of the first visual narratives that walks the line between fly-on-the-wall reportage and created narrative<\/em>.&#8217;<\/p>\n<p>The<em> Dewi Lewis<\/em> edition seems still to be available according to the<a href=\"http:\/\/www.dewilewispublishing.com\/PHOTOGRAPHY\/ED_VAN_DER_ELSKEN.html\" target=\"_blank\"> publisher&#8217;s web site,<\/a> though you can buy it more cheaply secondhand (or, should you be so inclined, pay several times the cover price &#8211; as always it pays to search around a little.) Van der Elsken, (1925-90), sometimes called the &#8216;enfant terrible&#8217; of Dutch photography, was a prolific maker of books, as the list on his<a href=\"http:\/\/www.edvanderelsken.nl\/index.php?page=boeken\" target=\"_blank\"> web site<\/a> reveals. It&#8217;s in part a strange web site, with an off-putting selection of small images under the link to pictures, which finally leads the persistent to an <a href=\"http:\/\/www.edvanderelsken.nl\/index.php?page=boeken\" target=\"_blank\">index page<\/a> for more of his work. The images this leads to are of more interest, although poor scans &#8211; it looks like a site from the early days a few years after his death when getting any image on the web was a\u00a0 novelty.<\/p>\n<p>You can see his work from &#8216;Love on the Left Bank&#8217; better on <a href=\"https:\/\/www.lensculture.com\/articles\/ed-van-der-elsken-love-on-the-left-bank\" target=\"_blank\">Lensculture<\/a>, and there is a more varied selection about him on <a href=\"http:\/\/www.americansuburbx.com\/channels\/e\/ed-van-der-elsken\" target=\"_blank\">AmericanSuburbX<\/a>. I&#8217;ve not seen all of his books, but\u00a0<em>Jazz<\/em> (1988) has been republished several times and is available reasonably second-hand and there is an<a href=\"http:\/\/errataeditions.com\/current_titles.html\" target=\"_blank\"> Errata Editions &#8216;Book on Book&#8217;<\/a> of his <em>Sweet Life<\/em> (1966) also at a reasonable price, though the original book costs around ten times as much. I wasn&#8217;t quite taken enough with his <em>Hong Kong<\/em> when Dewi Lewis published it in 1997 to buy it, and it now also seems expensive.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Perhaps one of the best introductions to Ed van der Elsken&#8217;s work was by Sean O&#8217;Hagan in The Guardian when his classic Love on the Left Bank, first published in 1956, was published in a facsimile edition by Dewi Lewis in 2011.\u00a0\u00a0 As O&#8217;Hagan makes clear, despite the raw documentary look and feel (&#8216;grainy, monochrome &hellip; <a href=\"http:\/\/re-photo.co.uk\/?p=3148\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Ed van der Elsken<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3148","post","type-post","status-publish","format-standard","hentry","category-uncategorised"],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/3148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3148"}],"version-history":[{"count":1,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/3148\/revisions"}],"predecessor-version":[{"id":3149,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/3148\/revisions\/3149"}],"wp:attachment":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3148"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}