{"id":1717,"date":"2012-09-06T11:29:21","date_gmt":"2012-09-06T11:29:21","guid":{"rendered":"http:\/\/re-photo.co.uk\/?p=1717"},"modified":"2012-09-06T11:29:21","modified_gmt":"2012-09-06T11:29:21","slug":"non-photographer-wins-photography-prize","status":"publish","type":"post","link":"http:\/\/re-photo.co.uk\/?p=1717","title":{"rendered":"Non-photographer Wins Photography Prize"},"content":{"rendered":"<p>I&#8217;ve nothing against photo-montage. I&#8217;ve written about it and admire many of the classic works by photomonteurs such as the Dada artist<a href=\"http:\/\/www.johnheartfield.com\/john_heartfield_PHOTOMONTEUR_ARCHIVE.html\" target=\"_blank\"> John Heartfield <\/a>as well as more recent work. I&#8217;ve even allowed my own pictures to be used in photomontage, but it isn&#8217;t photography. There have been photographers who have worked with photomontage, and again there are some I admire &#8211; such as <a href=\"http:\/\/bsimple.com\/home.htm\" target=\"_blank\">Misha Gordin<\/a>, as well as a few who I think are mildly interesting, including <a href=\"http:\/\/www.uelsmann.net\/\" target=\"_blank\">Jerry Uelsmann<\/a>, and a few whose work I find simply sick.<\/p>\n<p>John Stezaker, the winner of this year&#8217;s\u00a0 \u00a330,000 Deutsche B\u00f6rse prize at the London Photographers&#8217; Gallery is not a photographer, but that doesn&#8217;t seem to matter, and the 2007 prize went to Walid Raad who also didn&#8217;t take the pictures he used.<\/p>\n<p>Writing in The Guardian, Sean O&#8217;Hagan commented:<\/p>\n<blockquote><p><em>Does that matter? Evidently not \u0096 except to other practitioners who may  think photography still has something to do with deep seeing, and then  capturing that moment of deep seeing, in a split second. That is now in  danger of fast becoming an irredeemably old-fashioned idea, both in the  teaching of photography and in the market-driven curating of  photography. <\/em><\/p><\/blockquote>\n<p>I&#8217;m one of those old-fashioned practitioners, and rather resent a photography prize being awarded to a non-photographer. I quite like some of Stezaker&#8217;s work &#8211; the prize was for his <a href=\"http:\/\/www.whitechapelgallery.org\/exhibitions\/john-stezaker\" target=\"_blank\">Whitechapel Gallery<\/a> show &#8211; and although it reminds me very much of the kind of thing that other artists have been doing almost since the start of photography (well before Dada and the Surrealists), he certainly sometimes does it very well. But it ain&#8217;t photography!<\/p>\n<p>You can also read about it on <a href=\"http:\/\/www.pdnonline.com\/news\/Artist-John-Stezaker-6498.shtml\" target=\"_blank\">PDN<\/a>, <a href=\"http:\/\/www.bjp-online.com\/british-journal-of-photography\/news\/2202596\/john-stezaker-scoops-the-deutsche-borse-photography-prize-2012?WT.rss_f=All+the+latest+articles+from+BJP&amp;WT.rss_a=John+Stezaker+scoops+the+Deutsche+Borse+Photography+Prize+2012+\" target=\"_blank\">BJP <\/a>and again in <a href=\"http:\/\/www.guardian.co.uk\/artanddesign\/2012\/sep\/03\/deutsche-borse-prize-john-stezaker\" target=\"_blank\">The Guardian<\/a> in a piece by arts correspondent Mark Brown among other places.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve nothing against photo-montage. I&#8217;ve written about it and admire many of the classic works by photomonteurs such as the Dada artist John Heartfield as well as more recent work. I&#8217;ve even allowed my own pictures to be used in photomontage, but it isn&#8217;t photography. There have been photographers who have worked with photomontage, and &hellip; <a href=\"http:\/\/re-photo.co.uk\/?p=1717\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Non-photographer Wins Photography Prize<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[6,2],"tags":[],"class_list":["post-1717","post","type-post","status-publish","format-standard","hentry","category-photo-issues","category-photographers"],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1717"}],"version-history":[{"count":0,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1717\/revisions"}],"wp:attachment":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1717"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}